Verse–chorus form is a
musical form
In music, ''form'' refers to the structure of a musical composition or musical improvisation, performance. In his book, ''Worlds of Music'', Jeff Todd Titon suggests that a number of organizational elements may determine the formal structure of a ...
going back to the 1840s, in such songs as "
Oh! Susanna
"Oh! Susanna" is a folk song by Stephen Foster (1826–1864), first published in 1848. It is among the most popular American songs ever written. Members of the Western Writers of America chose it as one of the Top 100 Western songs of all time.
...
", "
The Daring Young Man on the Flying Trapeze", and many others. It became passé in the early 1900s, with advent of the
AABA (with verse) form in the
Tin Pan Alley
Tin Pan Alley was a collection of History of music publishing, music publishers and songwriters in New York City that dominated the American popular music, popular music of the United States in the late 19th and early 20th centuries. Originally ...
days. It became commonly used in
blues
Blues is a music genre and musical form that originated among African Americans in the Deep South of the United States around the 1860s. Blues has incorporated spiritual (music), spirituals, work songs, field hollers, Ring shout, shouts, cha ...
and
rock and roll
Rock and roll (often written as rock & roll, rock-n-roll, and rock 'n' roll) is a Genre (music), genre of popular music that evolved in the United States during the late 1940s and early 1950s. It Origins of rock and roll, originated from African ...
in the 1950s, and predominant in
rock music
Rock is a Music genre, genre of popular music that originated in the United States as "rock and roll" in the late 1940s and early 1950s, developing into a range of styles from the mid-1960s, primarily in the United States and the United Kingdo ...
since the 1960s. In contrast to
32-bar form, which is focused on the refrain (contrasted and prepared by the
B section), in verse–chorus form the chorus is highlighted (prepared and contrasted with the verse).
The chorus often sharply contrasts the verse
melodically
A melody (), also tune, voice, or line, is a linear succession of musical tones that the listener perceives as a single entity. In its most literal sense, a melody is a combination of Pitch (music), pitch and rhythm, while more figurativel ...
,
rhythm
Rhythm (from Greek , ''rhythmos'', "any regular recurring motion, symmetry") generally means a " movement marked by the regulated succession of strong and weak elements, or of opposite or different conditions". This general meaning of regular r ...
ically, and
harmonically, and assumes a higher level of
dynamics and activity, often with added instrumentation. This is referred to as a "breakout chorus".
Doll, Christopher. "Rockin' Out: Expressive Modulation in Verse–Chorus Form", ''Music Theory Online'' 17/3 (2011), § 2.
/ref> See: arrangement
In music, an arrangement is a musical adaptation of an existing composition. Differences from the original composition may include reharmonization, melodic paraphrasing, orchestration, or formal development. Arranging differs from orchestr ...
.
Contrasting verse–chorus form
Songs that use different music for the verse and chorus are in contrasting verse–chorus form. Examples include:
* " That'll Be the Day" by Buddy Holly
Charles Hardin Holley (September 7, 1936 – February 3, 1959), known as Buddy Holly, was an American singer, songwriter, and musician who was a central and pioneering figure of rock and roll. He was born to a musical family in Lubbock, Texa ...
(1957)[Covach (2005), p.71–72]
* " California Girls" by The Beach Boys
The Beach Boys are an American Rock music, rock band formed in Hawthorne, California, in 1961. The group's original lineup consisted of brothers Brian Wilson, Brian, Dennis Wilson, Dennis, and Carl Wilson, their cousin Mike Love, and their f ...
(1965)The Beatles
The Beatles were an English Rock music, rock band formed in Liverpool in 1960. The core lineup of the band comprised John Lennon, Paul McCartney, George Harrison and Ringo Starr. They are widely regarded as the Cultural impact of the Beatle ...
(1967)Foxy Lady
"Foxy Lady" (or alternatively "Foxey Lady") is a song by The Jimi Hendrix Experience. It first appeared on their 1967 debut album '' Are You Experienced'' and was later issued as their third single in the U.S. with the alternate spelling. It is ...
" by Jimi Hendrix
James Marshall "Jimi" Hendrix (born Johnny Allen Hendrix; November 27, 1942September 18, 1970) was an American singer-songwriter and musician. He is widely regarded as one of the greatest and most influential guitarists of all time. Inducted ...
(1967)Deep Purple
Deep Purple are an English rock band formed in London in 1968. They are considered to be among the pioneers of heavy metal music, heavy metal and modern hard rock, although their musical style has varied throughout their career. Originally for ...
(1973)
Simple verse–chorus form
Songs that use the same harmony (chords) for the verse and chorus, such as the twelve bar blues
The twelve-bar blues (or blues changes) is one of the most prominent chord progressions in popular music. The blues progression has a distinctive form in lyrics, phrase, chord structure, and duration. In its basic form, it is predominantly base ...
, though the melody is different and the lyrics feature different verses and a repeated chorus, are in simple verse–chorus form. Examples include:
* " Shake, Rattle, and Roll" by Big Joe Turner
Joseph Vernon "Big Joe" Turner Jr. (May 18, 1911 – November 24, 1985) was an American blues shouter from Kansas City, Missouri. According to songwriter Doc Pomus, "Rock and roll would have never happened without him". Turner's greatest fa ...
(1954)
Simple verse form
Songs which feature only a repeated verse are in simple verse form (verse–chorus form without the chorus). Examples include:
* " Evil Ways" by Santana
Santana may refer to:
Transportation
* Volkswagen Santana, an automobile
* Santana Cycles, manufacturer of tandem bicycles
* Santana Motors, a former Spanish automobile manufacturer
* Sailboat designs by W. D. Schock Corp
** Santana 20
** Santan ...
(1969)Blues
Blues is a music genre and musical form that originated among African Americans in the Deep South of the United States around the 1860s. Blues has incorporated spiritual (music), spirituals, work songs, field hollers, Ring shout, shouts, cha ...
-based songs which are not simple verse–chorus form (above), such as " Heartbreak Hotel", " Jailhouse Rock", " Hound Dog", and " Lucille"Eight Miles High
"Eight Miles High" is a song by the American rock band the Byrds, written by Gene Clark, Jim McGuinn (later known as Roger McGuinn), and David Crosby. It was first released as a single on March 14, 1966. Musically influenced by sitar playe ...
" by The Byrds
The Byrds () were an American Rock music, rock band formed in Los Angeles, California, in 1964. The band underwent multiple lineup changes throughout its existence, with frontman Roger McGuinn (known as Jim McGuinn until mid-1967) being the so ...
(1966)Tomorrow Never Knows
"Tomorrow Never Knows" is a song by the English rock band the Beatles, written primarily by John Lennon and credited to Lennon–McCartney. It was released in August 1966 as the final track on their album ''Revolver'', although it was the firs ...
" by The Beatles (1966)strophic form
Strophic form – also called verse-repeating form, chorus form, AAA song form, or one-part song form – is a song structure in which all verses or stanzas of the text are sung to the same music. Contrasting song forms include through-composed, ...
s.
See also
* Song structure
Song structure is the arrangement of a song, and is a part of the songwriting process. It is typically sectional, which uses repeating forms in songs. Common piece-level musical forms for vocal music include bar form, 32-bar form, verse–chorus ...
References
{{DEFAULTSORT:Verse-chorus form
Song forms