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In
music Music is generally defined as the art of arranging sound to create some combination of form, harmony, melody, rhythm or otherwise expressive content. Exact definitions of music vary considerably around the world, though it is an aspe ...
, especially Western
popular music Popular music is music with wide appeal that is typically distributed to large audiences through the music industry. These forms and styles can be enjoyed and performed by people with little or no musical training.Popular Music. (2015). ''Fun ...
, a bridge is a contrasting
section Section, Sectioning or Sectioned may refer to: Arts, entertainment and media * Section (music), a complete, but not independent, musical idea * Section (typography), a subdivision, especially of a chapter, in books and documents ** Section sig ...
that prepares for the return of the original material section. In a piece in which the original material or melody is referred to as the "A" section, the bridge may be the third eight-
bar Bar or BAR may refer to: Food and drink * Bar (establishment), selling alcoholic beverages * Candy bar * Chocolate bar Science and technology * Bar (river morphology), a deposit of sediment * Bar (tropical cyclone), a layer of cloud * Bar (u ...
phrase In syntax and grammar, a phrase is a group of words or singular word acting as a grammatical unit. For instance, the English expression "the very happy squirrel" is a noun phrase which contains the adjective phrase "very happy". Phrases can consi ...
in a
thirty-two-bar form The 32-bar form, also known as the AABA song form, American popular song form and the ballad form, is a song structure commonly found in Tin Pan Alley songs and other American popular music, especially in the first half of the 20th century. A ...
(the B in AABA), or may be used more loosely in verse-chorus form, or, in a compound AABA form, used as a contrast to a full AABA section. The bridge is often used to contrast with and prepare for the return of the verse and the
chorus Chorus may refer to: Music * Chorus (song) or refrain, line or lines that are repeated in music or in verse * Chorus effect, the perception of similar sounds from multiple sources as a single, richer sound * Chorus form, song in which all verse ...
. "The b section of the popular song chorus is often called the ''bridge'' or ''release''."


Etymology

The term comes from a German word for bridge, ''Steg'', used by the
Meistersinger A (German for "master singer") was a member of a German guild for lyric poetry, composition and unaccompanied art song of the 14th, 15th and 16th centuries. The Meistersingers were drawn from middle class males for the most part. Guilds The ' ...
s of the 15th to the 18th century to describe a transitional section in medieval
bar form Bar form (German: ''die Barform'' or ''der Bar'') is a musical form of the pattern AAB. Original use The term comes from the rigorous terminology of the Meistersinger guilds of the 15th to 18th century who used it to refer to their songs and the ...
. The German term became widely known in 1920s Germany through musicologist Alfred Lorenz and his exhaustive studies of
Richard Wagner Wilhelm Richard Wagner ( ; ; 22 May 181313 February 1883) was a German composer, theatre director, polemicist, and conductor who is chiefly known for his operas (or, as some of his mature works were later known, "music dramas"). Unlike most op ...
's adaptations of bar form in his popular 19th-century neo-medieval operas. The term entered the English lexicon in the 1930s—translated as ''bridge''—via composers fleeing Nazi Germany who, working in Hollywood and on Broadway, used the term to describe similar transitional sections in the American popular music they were writing.


In classical music

Bridges are also common in
classical music Classical music generally refers to the art music of the Western world, considered to be distinct from Western folk music or popular music traditions. It is sometimes distinguished as Western classical music, as the term "classical music" also ...
, and are known as a specific
Sequence In mathematics, a sequence is an enumerated collection of objects in which repetitions are allowed and order matters. Like a set, it contains members (also called ''elements'', or ''terms''). The number of elements (possibly infinite) is calle ...
form—also known as transitions. Formally called a bridge-passage, they delineate separate sections of an extended work, or smooth what would otherwise be an abrupt modulation, such as the transition between the two themes of a
sonata form Sonata form (also ''sonata-allegro form'' or ''first movement form'') is a musical structure generally consisting of three main sections: an exposition, a development, and a recapitulation. It has been used widely since the middle of the 18th c ...
. In the latter context, this transition between two musical subjects is often referred to as the "transition theme"; indeed, in later Romantic symphonies such as Dvořák's
New World Symphony New is an adjective referring to something recently made, discovered, or created. New or NEW may refer to: Music * New, singer of K-pop group The Boyz Albums and EPs * ''New'' (album), by Paul McCartney, 2013 * ''New'' (EP), by Regurgitator, ...
or
César Franck César-Auguste Jean-Guillaume Hubert Franck (; 10 December 1822 – 8 November 1890) was a French Romantic composer, pianist, organist, and music teacher born in modern-day Belgium. He was born in Liège (which at the time of his birth was p ...
's Symphony in D minor, the transition theme becomes almost a third subject in itself. The latter work also provides several good examples of a short bridge to smooth a modulation. Instead of simply repeating the whole
exposition Exposition (also the French for exhibition) may refer to: *Universal exposition or World's Fair * Expository writing ** Exposition (narrative) * Exposition (music) *Trade fair A trade fair, also known as trade show, trade exhibition, or trade e ...
in the original key, as would be done in a symphony of the classical period, Franck repeats the first subject a minor third higher in F minor. A two-bar bridge achieves this transition with Franck's characteristic combination of enharmonic and chromatic modulation. After the repeat of the first subject, another bridge of four bars leads into the transition theme in F major, the key of the true second subject. In a fugue, a bridge is, "...a short passage at the end of the first entrance of the answer and the beginning of the second entrance of the subject. Its purpose is to modulate back to the tonic key (subject) from the answer (which is in the dominant key). Not all fugues include a bridge." An example of a bridge-passage that separates two sections of a more loosely organized work occurs in
George Gershwin George Gershwin (; born Jacob Gershwine; September 26, 1898 – July 11, 1937) was an American composer and pianist whose compositions spanned popular, jazz and classical genres. Among his best-known works are the orchestral compositions ' ...
's ''
An American in Paris ''An American in Paris'' is a jazz-influenced orchestral piece by American composer George Gershwin first performed in 1928. It was inspired by the time that Gershwin had spent in Paris and evokes the sights and energy of the French capital ...
''. As
Deems Taylor Joseph Deems Taylor (December 22, 1885 – July 3, 1966) was an American music critic, composer, and promoter of classical music. Nat Benchley, co-editor of ''The Lost Algonquin Roundtable'', referred to him as "the dean of American music." Earl ...
described it in the program notes for the first performance: "Having safely eluded the taxis ... the American's itinerary becomes somewhat obscured. ... However, since what immediately ensues is technically known as a bridge-passage, one is reasonably justified in assuming that the Gershwin pen ... has perpetrated a musical pun and that ... our American has crossed the Seine, and is somewhere on the Left Bank."
An American in Paris ''An American in Paris'' is a jazz-influenced orchestral piece by American composer George Gershwin first performed in 1928. It was inspired by the time that Gershwin had spent in Paris and evokes the sights and energy of the French capital ...
& "''george gershwin's an american in paris piano solo''" ic Warner Bros. Publications Inc., 1929 (renewed), p. 36


See also

*
Break (music) In popular music, a break is an instrumental or percussion section during a song derived from or related to stop-time – being a "break" from the main parts of the song or piece. A break is usually interpolated between sections of a song, to ...
* Montgomery-Ward bridge * Sears Roebuck bridge *
Song structure Song structure is the arrangement of a song, and is a part of the songwriting process. It is typically sectional, which uses repeating forms in songs. Common forms include bar form, 32-bar form, verse–chorus form, ternary form, strophic form, and ...


References


External links

* Appen, Ralf von / Frei-Hauenschild, Marku
"AABA, Refrain, Chorus, Bridge, Prechorus — Song Forms and their Historical Development"
In: ''Samples. Online Publikationen der Gesellschaft für Popularmusikforschung/German Society for Popular Music Studies e.V.'' Ed. by Ralf von Appen,
André Doehring André Doehring (born in 1973) is a German musicologist, who is active in pop music and jazz research. Work Born in Uelzen, Doehring studied musicology and sociology. Since 2005 he worked as a research assistant at the Institute for Musicology a ...
and
Thomas Phleps Thomas Phleps (2 September 1955 – 5 June 2017) was a German guitarist and musicologist. Life Born in Bad Hersfeld, Phleps studieded at the Philipps-Universität Marburg and the University of Kassel and completed his studies in 1981 and 1983 re ...
. Vol. 13 (2015). * Rich, Scott
"Bridge Construction"
''Money Chords''. {{Musical form Formal sections in music analysis Jazz terminology Musical terminology Popular music sv:Stick (musik)