Montgomery-Ward Bridge
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Montgomery-Ward Bridge
In jazz music, the Montgomery-Ward bridge (also Riepel's Monte) is a standard chord progression often used as the bridge, or 'B section', of a jazz standard. The progression consists, in its most basic form, of the chords I7–IV7–ii7–V7. Often, some or all of the dominants are substituted with ii–V progressions or otherwise altered. This is used in such standards as "The Sunny Side of the Street", "When You're Smiling", "Satin Doll",. and particularly " Honeysuckle Rose".. Eight bars: : See also * Turnaround (music) In jazz, a turnaround is a passage at the end of a section which leads to the next section. This next section is most often the repetition of the previous section or the entire piece or song.Randel, Don Michael (2002). ''The Harvard Concise Dicti ... References Jazz techniques Chord progressions {{jazz-stub ...
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Montgomery-Ward Bridge In C
Montgomery Ward is the name of two successive U.S. retail corporations. The original Montgomery Ward & Co. was a world-pioneering mail-order business and later also a leading department store chain that operated between 1872 and 2001. The current Montgomery Ward Inc. is a national online shopping and mail-order catalog retailer that started several years after the original Montgomery Ward shut down. Original Montgomery Ward (1872–2001) Company origins Aaron Montgomery Ward started his business in Chicago; conflicting reports place his first office either in a single room at 825 North Clark Street or in a loft above a livery stable on Kinzie Street, between Rush and State Streets. In 1883, the company's catalog, which became popularly known as the "Wish Book", had grown to 240 pages and 10,000 items. In 1896, Wards encountered its first serious competition in the mail order business, when Richard Warren Sears introduced his first general catalog. In 1900, Wards had total sa ...
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Turnaround (music)
In jazz, a turnaround is a passage at the end of a section which leads to the next section. This next section is most often the repetition of the previous section or the entire piece or song.Randel, Don Michael (2002). ''The Harvard Concise Dictionary of Music and Musicians''. . p.693 The turnaround may lead back to this section either harmonically, as a chord progression, or melodically. Typical examples Typical turnarounds in jazz include: *I–vi–ii–V ( ii–V–I turnaround, circle progression) *I-VI-ii-V *I–VI–II–V (I–V/ii–V/V–V) *I–iii–ii7–V7 *I–vi–VI711–V * V–IV–I (blues turnaround) *I–III–VI–II7 (Tadd Dameron turnaround) *iii-VI-ii-V Turnarounds typically begin with the tonic (I) (or a tonic substitute such as iii) and end on the dominant (V7), the next section starting on the tonic (I). They may also end on II7 (which is a dominant substitute). Thus when used in a twelve bar blues pattern, the twelfth bar may end on the do ...
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Honeysuckle Rose (song)
"Honeysuckle Rose" is a 1929 song composed by Fats Waller with lyrics by Andy Razaf. It was introduced in the 1929 Off-Broadway revue "Load of Coal" at Connie's Inn as a soft-shoe dance number. Waller's 1934 recording was inducted in the Grammy Hall of Fame in 1999. During a visit to the West Side of Asbury Park, New Jersey in 1928, Waller wrote the song with Razaf at 119 Atkins Avenue in a home that still stands today. Renditions *Fletcher Henderson (1932) *Fats Waller (1934), (1937) and (1941)"Honeysuckle Rose"
sung by Fats Waller in a 1941 Minoco Production soundie (video)
* (1935, originally issued on COL 3059-D) *



Satin Doll
"Satin Doll" is a jazz standard written by Duke Ellington and Billy Strayhorn with lyrics by Johnny Mercer. Written in 1953, the song has been recorded by Ella Fitzgerald, 101 Strings, Terry Callier, and Nancy Wilson. Its chord progression is well known for its unusual use of chords and opening with a ii-V-I turnaround. Background Johnny Mercer was often asked to write lyrics to already popular songs. Lyrics to "Satin Doll" were written after the song was a hit in its instrumental version. Ellington used "Satin Doll" as the closing number in most of his concerts. Other versions * Duke Ellington – ''Capitol Sessions 1953–1955'' (1953) * The Gaylords – 1958 * Bill Doggett – ''Salute to Duke Ellington'' (King, 1959) * Peggy Lee / George Shearing – ''Beauty And The Beat!'' (Capitol Records, 1959) * The Coasters – ''One by One'' (1960) * Harry James – ''Harry James...Today'' (MGM, 1960) * Ella Fitzgerald – ''Ella in Hollywood'' (1961) * McCoy Tyner – ''Night ...
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When You're Smiling
"When You're Smiling" is a popular song written by Larry Shay, Mark Fisher and Joe Goodwin in 1928. It bears resemblance to the Spanish Canción " Amapola" by José María Lacalle García. Early popular recordings were by Seger Ellis (1928), Louis Armstrong (1929), and Ted Wallace & His Campus Boys (1930). Other notable recordings *Andy Williams released a version on his 1963 album, ''Days of Wine and Roses and Other TV Requests''. *Bob and Alf Pearson in 1930 for Piccadilly * Caroline Henderson for her album ''No.8'' (2008). *Cliff Bruner's Texas Wanderers – recorded September 13, 1938 and it reached the country charts in 1939. *Dean Martin (1952). Later, he sometimes parodied it as "When You're Drinkin'". *Doris Day – for her album '' What Every Girl Should Know'' (1960) *Dr. John – for his album '' Ske-Dat-De-Dat: The Spirit of Satch'' (2014) *Duke Ellington – several recordings in 1930. *Ella Fitzgerald – acc. by Lou Levy (p), Max Bennett (sb), Gus Johnson (dm ...
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On The Sunny Side Of The Street
"On the Sunny Side of the Street" is a 1930 song composed by Jimmy McHugh with lyrics by Dorothy Fields. Some authors say that Fats Waller was the composer, but he sold the rights to the song. It was introduced in the Broadway musical ''Lew Leslie's International Revue'' starring Harry Richman and Gertrude Lawrence. Ted Lewis did the first recording of the song in 1930 (Catalog #2144-D), followed by Harry Richman (Catalog # 4747) and both enjoyed hit records with the song. Other notable recordings Having become a jazz standard, it was played by Louis Armstrong, the Nat King Cole Trio, Dave Brubeck, Earl Hines, Benny Goodman, Lionel Hampton, Erroll Garner, Dizzy Gillespie, Art Tatum, James Booker, Count Basie, and Lester Young. The Louis Armstrong version was recorded in the key of C major, but it has been recorded in a range of keys; Ted Lewis recorded it in D major and Ella Fitzgerald in G major. Cover versions date as far back as 1930, when Layton & Johnstone released the ...
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Altered Chord
An altered chord is a chord that replaces one or more notes from the diatonic scale with a neighboring pitch from the chromatic scale. By the broadest definition, any chord with a non-diatonic chord tone is an altered chord. The simplest example of altered chords is the use of borrowed chords, chords borrowed from the parallel key, and the most common is the use of secondary dominants. As Alfred Blatter explains, "An altered chord occurs when one of the standard, functional chords is given another quality by the modification of one or more components of the chord." For example, altered notes may be used as leading tones to emphasize their diatonic neighbors. Contrast this with chord extensions: In jazz harmony, chromatic alteration is either the addition of notes not in the scale or expansion of a hordprogression by adding extra non-diatonic chords.Arkin, Eddie (2004). ''Creative Chord Substitution for Jazz Guitar'', p. 42. . For example, "A C major scale with an added D ...
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Chord Substitution
In music theory, chord substitution is the technique of using a chord in place of another in a progression of chords, or a chord progression. Much of the European classical repertoire and the vast majority of blues, jazz and rock music songs are based on chord progressions. "A chord substitution occurs when a chord is replaced by another that is made to function like the original. Usually substituted chords possess two pitches in common with the triad that they are replacing." A chord progression may be repeated to form a song or tune. Composers, songwriters and arrangers have developed a number of ways to add variety to a repeated chord progression. There are many ways to add variety to music, including changing the dynamics (loudness and softness). Use in classical music In J. S. Bach's ''St Matthew Passion'', the chorale "Herzliebster Jesu" makes its first appearance in a straightforward harmonisation: Later, as the Passion Story draws towards its sombre conclusion, we f ...
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Montgomery-Ward Bridge With Ii-V's In C
Montgomery Ward is the name of two successive U.S. retail corporations. The original Montgomery Ward & Co. was a world-pioneering mail-order business and later also a leading department store chain that operated between 1872 and 2001. The current Montgomery Ward Inc. is a national online shopping and mail-order catalog retailer that started several years after the original Montgomery Ward shut down. Original Montgomery Ward (1872–2001) Company origins Aaron Montgomery Ward started his business in Chicago; conflicting reports place his first office either in a single room at 825 North Clark Street or in a loft above a livery stable on Kinzie Street, between Rush and State Streets. In 1883, the company's catalog, which became popularly known as the "Wish Book", had grown to 240 pages and 10,000 items. In 1896, Wards encountered its first serious competition in the mail order business, when Richard Warren Sears introduced his first general catalog. In 1900, Wards had total sa ...
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Dominant Chord
In music, the dominant is the fifth scale degree () of the diatonic scale. It is called the ''dominant'' because it is second in importance to the first scale degree, the tonic. In the movable do solfège system, the dominant note is sung as "So(l)". The triad built on the dominant note is called the dominant chord. This chord is said to have dominant function, which means that it creates an instability that requires the tonic for resolution. Dominant triads, seventh chords, and ninth chords typically have dominant function. Leading-tone triads and leading-tone seventh chords may also have dominant function. Dominant chords In music theory, the dominant triad is a major chord, symbolized by the Roman numeral "V" in the major scale. In the natural minor scale, the triad is a minor chord, denoted by "v". However, in a minor key, the seventh scale degree is often raised by a half step ( to ), creating a major chord. These chords may also appear as seventh chords: typi ...
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Jazz Standard
Jazz standards are musical compositions that are an important part of the musical repertoire of jazz musicians, in that they are widely known, performed, and recorded by jazz musicians, and widely known by listeners. There is no definitive list of jazz standards, and the list of songs deemed to be standards changes over time. Songs included in major fake book publications (sheet music collections of popular tunes) and jazz reference works offer a rough guide to which songs are considered standards. Not all jazz standards were written by jazz composers. Many are originally Tin Pan Alley popular songs, Broadway show tunes or songs from Hollywood musicals – the Great American Songbook. In Europe, jazz standards and "fake books" may even include some traditional folk songs (such as in Scandinavia) or pieces of ethnic music (such as gypsy melodies) that have been played with a jazz feel by well known jazz players. A commonly played song can only be considered a jazz standard ...
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