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Jane Benham Hay
Jane Benham (born 1829, also Jane Benham Hay and Jaine Benham Hay) was a prominent English painter and illustrator of the Victorian period. She was associated with two important artistic movements of the mid-19th century: the Pre-Raphaelite painters of Britain and the Macchiaioli of Italy. Biography Jane Benham was born in London in 1829 to a family of iron and metal workers. She travelled to Munich in 1850 with a friend, Anna Mary Howitt (1824–1884). Together, they hoped to engage in serious study of drawing and painting, but after their arrival in Munich, it became clear that women would not be permitted to study at the Academy. Undeterred, they approached Wilhelm von Kaulbach, then Director of the Academy, and requested the privilege of private study in his studio. He agreed and permitted them to work there at liberty, although it is unclear how much formal instruction he gave them. Jane stayed in Munich until December 1850, when she was compelled to return to London. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Painting
Painting is the practice of applying paint, pigment, color or other medium to a solid surface (called the "matrix" or "support"). The medium is commonly applied to the base with a brush, but other implements, such as knives, sponges, and airbrushes, can be used. In art, the term ''painting ''describes both the act and the result of the action (the final work is called "a painting"). The support for paintings includes such surfaces as walls, paper, canvas, wood, glass, lacquer, pottery, leaf, copper and concrete, and the painting may incorporate multiple other materials, including sand, clay, paper, plaster, gold leaf, and even whole objects. Painting is an important form in the visual arts, bringing in elements such as drawing, composition, gesture (as in gestural painting), narration (as in narrative art), and abstraction (as in abstract art). Paintings can be naturalistic and representational (as in still life and landscape painting), photographic, abstract, nar ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
John Ruskin
John Ruskin (8 February 1819 20 January 1900) was an English writer, philosopher, art critic and polymath of the Victorian era. He wrote on subjects as varied as geology, architecture, myth, ornithology, literature, education, botany and political economy. Ruskin's writing styles and literary forms were equally varied. He wrote essays and treatises, poetry and lectures, travel guides and manuals, letters and even a fairy tale. He also made detailed sketches and paintings of rocks, plants, birds, landscapes, architectural structures and ornamentation. The elaborate style that characterised his earliest writing on art gave way in time to plainer language designed to communicate his ideas more effectively. In all of his writing, he emphasised the connections between nature, art and society. Ruskin was hugely influential in the latter half of the 19th century and up to the First World War. After a period of relative decline, his reputation has steadily improved since the 1960s wi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mary Ellen Edwards
Mary Ellen Edwards (9 November 1838 – 22 December 1934), also known as MEE, was a British artist and illustrator. She contributed to many newspapers, periodicals and children's books. Biography Early life Mary Ellen Edwards was born the daughter of Mary Johnson and Downes Edwards, a farmer and engineer who had a number of successful inventions. She was born on her father’s farm in Surbiton on 9 November 1838. She came from an artistic family. Her uncle was Edward Killingworth Johnson and her mother's uncle was James Wright, both Members of the Royal Watercolour Society. She spent her early years with her family in Surbiton, the Isle of Man, South Kensington, and Chelsea, London. On 13 June 1866, Edwards married John Freer. Freer worked for the Peninsular and Oriental Company, a steam navigation service. Edwards and Freer had one son, John E. L. Freer, born in 1867. Edward's first husband (Freer) died in 1869. At this time and over the following decade Mary Ellen ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Rosa Corder
Rosa Frances Corder (18 May 1853 – 28 November 1893) was a Victorian artist and artist's model. She was the lover of Charles Augustus Howell, who is alleged to have persuaded her to create forgeries of drawings by Dante Gabriel Rossetti. Career Corder was the daughter of Micah Corder (1808–88), a London merchant, and Charlotte Hill. She trained as a portrait painter under Felix Moscheles and Frederick Sandys and exhibited at the Royal Academy of Arts and the Grosvenor Gallery.John Bryson (ed), ''Dante Gabriel Rossetti and Jane Morris: their correspondence'', Clarendon Press, 1976, p.92. Her portrait of Edward Bouverie Pusey was considered "the best likeness" of the scholar by the editors of his collected works and was engraved as the frontispiece to his biography. She had a studio in Southampton Row and another in Newmarket, where she painted racehorses, building a reputation among the sporting fraternity. She painted both animals and portraits of jockeys, including Fred ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Fanny Corbaux
Marie Françoise Catherine Doetger "Fanny" Corbaux (1812–1883) was a British painter and biblical commentator. She was also the inventor of kalsomine (calcimine), whitewash with added zinc oxide. Life Corbaux was born in Paris, the daughter of Francis Corbaux, an English-born statistician and mathematician, the author of the ''Dictionnaire des Arbitrages des Changes'', and the ''Doctrine of Compound Interest'', who spent much of his life abroad. When she was about fifteen her father was reduced to poverty, and, despite a minimal artistic education, she was obliged to use her talent for painting to earn money. She later remembered:"I tried to use colours; but so little idea had I of painting, that when the well-known coloured print, 'Gaston de Foix,' was lent me to copy, I remember my extreme anxiety to copy the appearance of the engraving, by imitating its lines of shading, in the armour and draperies, with the colour. She quickly developed her talents, and in 1827 she was award ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Margaret Sarah Carpenter
Margaret Sarah Carpenter (''née'' Geddes; 1793 – 13 November 1872) was an English painter. Noted in her time, she mostly painted portraits in the manner of Sir Thomas Lawrence. She was a close friend of Richard Parkes Bonington. Early life Carpenter was born in Salisbury, the daughter of Captain Alexander Geddes, who was of an Edinburgh family, and Harriet Easton. She was taught art by a local drawing-master. Her first art studies were made from the pictures at Longford Castle, belonging to the Earl of Radnor. Career In 1812, one of Carpenter's copies of the head of a boy was awarded a medal by the Society of Arts, who awarded her another medal in 1813, and a gold medal in 1814. She went to London in 1814, and soon established her reputation as a fashionable portrait painter. She exhibited a portrait of Lord Folkestone at the Royal Academy in 1814, and a picture entitled 'The Fortune Teller' at the British Institution. She exhibited regularly at the Royal Academy between 1 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Joanna Mary Boyce
Joanna Mary Boyce (7 December 1831 – 15 July 1861) was a British painter associated with the Pre-Raphaelite Brotherhood. She is also known by her married name as Mrs. H.T. Wells, or as Joanna Mary Wells. She produced multiple works with historical themes, as well as portraits and sketches, and authored art criticism responding to her contemporaries. She was the sister of Pre-Raphaelite watercolourist George Price Boyce. Life Early life and education Joanna Mary Boyce, born in Maida Hill, London was the daughter of George Boyce, a former wine-merchant who had found prosperity as a pawnbroker, and his wife Anne. Support from her father and her older brother George Price Boyce helped Joanna Mary Boyce achieve an early and rigorous education in the visual arts. She began a formal study of drawing by the age of eleven with Charles John Mayle Whichelo, and filled multiple sketchbooks as a young teenager. At the age of eighteen she entered Cary's art academy, and afterwards work ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Barbara Bodichon
Barbara Leigh Smith Bodichon (born Barbara Leigh Smith; 8 April 1827 – 11 June 1891) was an English educationalist and artist, and a leading mid-19th-century feminist and women's rights activist. She published her influential ''Brief Summary of the Laws of England concerning Women'' in 1854 and the ''English Woman's Journal'' in 1858. Bodichon co-founded Girton College, Cambridge (1869). Her brother was the Arctic explorer Benjamin Leigh Smith. Family and upbringing Barbara Bodichon was the extra-marital child of Anne Longden, a milliner from Alfreton, Derbyshire and a Whig politician, Benjamin "Ben" Leigh Smith (1783–1860), the only son of the Radical abolitionist William Smith. He had four sisters. One, Frances "Fanny" Smith, married William Nightingale (né Shore) and produced a daughter, Florence (the nurse and statistician); another, Joanna Maria, married John Bonham-Carter (1788–1838) MP and founded the Bonham Carter family. Leigh Smith's home was in Marylebone, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Maria Bell
Lady Maria Bell (''née'' Hamilton; 26 December 17559 March 1825) was an English amateur painter (in oils) and sculptor. Life Maria Hamilton was born in Chelsea, London, the daughter of William Hamilton, an architect from a Scottish family, and his wife Sarah. She was the pupil of her brother William Hamilton RA. She also received instruction from Sir Joshua Reynolds, whose pictures she copied with much skill. She copied likewise the works of Rubens at Carlton House, including the 'Holy Family,' which was highly commended. Around 1808 she married Sir Thomas Bell (1751-1824), leather merchant and later sheriff of London, who was knighted in 1816, and whose portrait was engraved by William Dickinson after a painting by her. Between the years 1809 and 1824 she exhibited at the Royal Academy and elsewhere several figure-subjects and portraits, among the latter being in 1816 those of Sir Matthew Wood, 1st Baronet, lord mayor of London, and of her husband. She also practised m ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ann Charlotte Bartholomew
Ann Charlotte Bartholomew (1800–1862), was an English flower and miniature painter, and author. Life Bartholomew was born on 20 March 1800 in Loddon, Norfolk, the daughter of Arnall Fayermann and niece of John Thomas, bishop of Rochester. In 1827 she married the composer Walter Turnbull who died in 1838. In 1840 she published ''Songs of Azrael'' and other poems under the name of Mrs. Turnbull. In the same year she became the second wife of the flower painter, Valentine Bartholomew. After this, she began painting still-life fruits and flowers. She exhibited at the British Institution and the Royal Academy. and the Society of British Artists. She was a founding member of the Society of Female Artists, after petitioning the Royal Academy to open its schools to women. The British Museum has one watercolour of this kind, "Study of a Garden Poppy" But her main employment was miniatures for brooches and jewellery. Her play ''The Ring, or the Farmer's Daughter'', a domestic drama ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mary Baker
Mary Baker ( fl. 1842 – 1856) was an English painter of portraits and portrait miniatures. She was born in London and produced works for the Society of Arts, as well as exhibiting miniatures and portraits at the Royal Academy over a fourteen-year period (1842–1856). An example of her work, painted in oils, is preserved in the Victoria & Albert Museum in London. See also ;English women painters from the early 19th century who exhibited at the Royal Academy of Art * Sophie Gengembre Anderson * Ann Charlotte Bartholomew * Maria Bell * Barbara Bodichon * Joanna Mary Boyce * Margaret Sarah Carpenter * Fanny Corbaux * Rosa Corder * Mary Ellen Edwards * Harriet Gouldsmith * Mary Harrison (artist) * Jane Benham Hay * Anna Mary Howitt * Mary Moser * Martha Darley Mutrie * Ann Mary Newton * Emily Mary Osborn * Kate Perugini * Louise Rayner * Ellen Sharples * Rolinda Sharples * Rebecca Solomon * Elizabeth Emma Soyer * Isabelle de Steiger * Henrietta Ward Henrietta Mary Ada ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sophie Gengembre Anderson
Sophie Gengembre Anderson (1823 – 10 March 1903) was a French-born British artist who specialised in genre painting of children and women, typically in rural settings. She began her career as a lithographer and painter of portraits, collaborating with Walter Anderson on portraits of American Episcopal bishops. Her work, ''Elaine'', was the first public collection purchase of a woman artist. Her painting ''No Walk Today'' was purchased for more than £1 million. Early life She was born in Paris, the daughter of Charles Antoine Colomb Gengembre, a French architect and artist, and his English wife, Marianne Farey (1799–1883), a daughter of John Farey Sr. (1766–1826) and his wife Sophia Hubert (1770–1830). They married at St Pancras Church, London, on 12 April 1818 Her father was born in 1790 and began working as an architect at age 19. He worked primarily in municipal commissions, like the Mint of the City of Cassel, which he designed and built when he was 19. He was inju ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
