Mary Ellen Edwards
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Mary Ellen Edwards (9 November 1838 – 22 December 1934), also known as MEE, was a British artist and illustrator. She contributed to many newspapers, periodicals and children's books.


Biography


Early life

Mary Ellen Edwards was born the daughter of Mary Johnson and Downes Edwards, a farmer and engineer who had a number of successful inventions. She was born on her father’s farm in
Surbiton Surbiton is a suburban neighbourhood in South West London, within the Royal Borough of Kingston upon Thames (RBK). It is next to the River Thames, southwest of Charing Cross. Surbiton was in the historic county of Surrey and since 1965 it has ...
on 9 November 1838. She came from an artistic family. Her uncle was Edward Killingworth Johnson and her mother's uncle was James Wright, both Members of the
Royal Watercolour Society The Royal Watercolour Society is a British institution of painters working in watercolours. The Society is a centre of excellence for water-based media on paper, which allows for a diverse and interesting range of approaches to the medium of wa ...
. She spent her early years with her family in Surbiton, the
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,
South Kensington South Kensington, nicknamed Little Paris, is a district just west of Central London in the Royal Borough of Kensington and Chelsea. Historically it settled on part of the scattered Middlesex village of Brompton. Its name was supplanted with ...
, and
Chelsea, London Chelsea is an affluent area in west London, England, due south-west of Charing Cross by approximately 2.5 miles. It lies on the north bank of the River Thames and for postal purposes is part of the south-western postal area. Chelsea histori ...
. On 13 June 1866, Edwards married John Freer. Freer worked for the Peninsular and Oriental Company, a steam navigation service. Edwards and Freer had one son, John E. L. Freer, born in 1867. Edward's first husband (Freer) died in 1869. At this time and over the following decade Mary Ellen was submitting her work to the annual
Royal Academy The Royal Academy of Arts (RA) is an art institution based in Burlington House on Piccadilly in London. Founded in 1768, it has a unique position as an independent, privately funded institution led by eminent artists and architects. Its pur ...
shows. In 1872 she married the artist John Charles Staples (1844–1897), with whom she worked on many projects until his death at the end of the century.


Education

Due to her location early on in life, she was unable to receive much formal training in art. She did, however, attend South Kensington School of Art for one term. She moved frequently as a child and even as an adult, preventing extended periods of education at one place.


Career

She started her artistic career at an early year in the medium of watercolor. At age 12, she switched from watercolor to oil. Outside of watercolor and engraving, Edwards was a successful illustrator, drawing her works on a wooden medium. In 1959, ''Checkmated,'' a self-made design was displayed on the cover of ''
Illustrated Times ''The Illustrated Times Weekly Newspaper'' was a British newspaper and rival to ''The Illustrated London News'' published between 1855 and 1872. The publisher was the Fleet Street bookseller David Bogue and the editor was Henry Vizetelly. Origin ...
,'' a weekly illustrated news magazine in Britain. In 1862, she sent her first two major works into the Royal Academy in London, England. Her works ''Idle Hours'' and ''I Wandered by the Brookside'' were accepted and displayed. From 1864 to 1908, she sent in work every year, missing only 1873 due to illness. By 1908, she had exhibited 38 art pieces at the Royal Academy. Her first piece that gained notoriety due to being purchased for publication, ''The Last Kiss,'' was displayed in 1865. Also purchased and subsequently engraved were her works ''In Memoriam'' and ''Good-bye''. She established a substantial reputation for her illustrations of Trollope's ''
The Claverings ''The Claverings'' is a novel by Anthony Trollope, written in 1864 and published in 1866–67. It is the story of a young man starting out in life, who must find himself a profession and a wife; and of a young woman who makes a marriage of conve ...
'', which was serialized in the ''
Cornhill Magazine ''The Cornhill Magazine'' (1860–1975) was a monthly Victorian magazine and literary journal named after the street address of the founding publisher Smith, Elder & Co. at 65 Cornhill in London.Laurel Brake and Marysa Demoor, ''Dictionar ...
'' from 1866 to 1867. She illustrated many children's books, including ''That Boy of Northcott's'' by Charles Lever, many of which were printed in ''Cornhill'' as well. From 1869 to 1880 she was on the staff of ''
The Graphic ''The Graphic'' was a British weekly illustrated newspaper, first published on 4 December 1869 by William Luson Thomas's company Illustrated Newspapers Ltd. Thomas's brother Lewis Samuel Thomas was a co-founder. The premature death of the latt ...
''. Throughout her lengthy career, she worked for the ''Cornhill Magazine,'' the ''Illustrated Times,'' the ''Graphic, Belgravia, Churchman, Argosy,'' and ''Good Works''''.'' Outside of her nearly-annual submissions to the Royal Academy, she exhibited four works at the
Royal Society of British Artists The Royal Society of British Artists (RBA) is a British art body established in 1823 as the Society of British Artists, as an alternative to the Royal Academy. History The RBA commenced with twenty-seven members, and took until 1876 to reach fif ...
, one work at the Royal Scottish Academy, eight works at the Royal Glasgow Institute, two works at the British Institution, and nine works at the Society of Women Artists. She contributed to exhibits at the Dudley Gallery in both watercolor and in black and white while her work was also exhibited in galleries in France. Her illustration ''Waifs from the Great City'' was included in the 1905 book ''
Women Painters of the World ''Women Painters of the World, from the time of Caterina Vigri, 1413–1463, to Rosa Bonheur and the present day'', assembled and edited by Walter Shaw Sparrow, lists an overview of prominent women painters up to 1905, the year of publication. Th ...
''.
Women painters of the world, from the time of Caterina Vigri, 1413-1463, to Rosa Bonheur and the present day
', by Walter Shaw Sparrow, The Art and Life Library, Hodder & Stoughton, 27 Paternoster Row, London, 1905


Style and influence

Mary Ellen Edwards worked and lived in both the 19th and early 20th centuries. Due to the prevailing social climate of the time, she was not very popular among a society that viewed her art through the traditional male lens. She focused more on illustrations that conveyed emotion in a social setting, and she was extremely successful at it. Furthermore, many of her works revolve around social settings with groups of people. She was exceptional at illustrating emotion in her work, and her pieces are very powerful and easy to understand. Unfortunately her style did not catch on among the broad population due to her status as a member of "feminine art"; her works were often viewed as "feminine", "sentimental", and "domestic": rarely equitably compared with her male counterparts.


Example of book illustration by Edwards

The following illustrations were painted by Edwards for ''Through the Meadows'' (1885) by Frederic Edward Weatherly (1848-1929). As well as the 24 colour illustrations by Edwards, there were as many ''silluoutes'' by John C. Staples. These images are by courtesy of the
Osborne Collection of Early Children's Books The Osborne Collection of Early Children's Books is a collection of children's books with over 80,000 items. History of the collection The collection owes its genesis to one man, Edgar Osborne, the Country Librarian for Derbyshire from 19231954. ...
at the Toronto Public Library. File:Illustration 01 by Mary Ellen Edwards (1838-1934) for Through the Meadowsby Frederic Edward Weatherly (1848-1929)-by courtesy of the Osborne Collection at the Toronto Public Library.jpg, Page 6 File:Illustration 02 by Mary Ellen Edwards (1838-1934) for Through the Meadowsby Frederic Edward Weatherly (1848-1929)-by courtesy of the Osborne Collection at the Toronto Public Library.jpg, Page 9 File:Illustration 03 by Mary Ellen Edwards (1838-1934) for Through the Meadowsby Frederic Edward Weatherly (1848-1929)-by courtesy of the Osborne Collection at the Toronto Public Library.jpg, Page 11 File:Illustration 04 by Mary Ellen Edwards (1838-1934) for Through the Meadowsby Frederic Edward Weatherly (1848-1929)-by courtesy of the Osborne Collection at the Toronto Public Library.jpg, Page 14 File:Illustration 05 by Mary Ellen Edwards (1838-1934) for Through the Meadowsby Frederic Edward Weatherly (1848-1929)-by courtesy of the Osborne Collection at the Toronto Public Library.jpg, Page 16 File:Illustration 06 by Mary Ellen Edwards (1838-1934) for Through the Meadowsby Frederic Edward Weatherly (1848-1929)-by courtesy of the Osborne Collection at the Toronto Public Library.jpg, Page 19 File:Illustration 07 by Mary Ellen Edwards (1838-1934) for Through the Meadowsby Frederic Edward Weatherly (1848-1929)-by courtesy of the Osborne Collection at the Toronto Public Library.jpg, Page 22 File:Illustration 08 by Mary Ellen Edwards (1838-1934) for Through the Meadowsby Frederic Edward Weatherly (1848-1929)-by courtesy of the Osborne Collection at the Toronto Public Library.jpg, Page 25 File:Illustration 09 by Mary Ellen Edwards (1838-1934) for Through the Meadowsby Frederic Edward Weatherly (1848-1929)-by courtesy of the Osborne Collection at the Toronto Public Library.jpg, Page 27 File:Illustration 10 by Mary Ellen Edwards (1838-1934) for Through the Meadowsby Frederic Edward Weatherly (1848-1929)-by courtesy of the Osborne Collection at the Toronto Public Library.jpg, Page 30 File:Illustration 11 by Mary Ellen Edwards (1838-1934) for Through the Meadowsby Frederic Edward Weatherly (1848-1929)-by courtesy of the Osborne Collection at the Toronto Public Library.jpg, Page 32 File:Illustration 12 by Mary Ellen Edwards (1838-1934) for Through the Meadowsby Frederic Edward Weatherly (1848-1929)-by courtesy of the Osborne Collection at the Toronto Public Library.jpg, Page 35 File:Illustration 13 by Mary Ellen Edwards (1838-1934) for Through the Meadowsby Frederic Edward Weatherly (1848-1929)-by courtesy of the Osborne Collection at the Toronto Public Library.jpg, Page 38 File:Illustration 14 by Mary Ellen Edwards (1838-1934) for Through the Meadowsby Frederic Edward Weatherly (1848-1929)-by courtesy of the Osborne Collection at the Toronto Public Library.jpg, Page 41 File:Illustration 15 by Mary Ellen Edwards (1838-1934) for Through the Meadowsby Frederic Edward Weatherly (1848-1929)-by courtesy of the Osborne Collection at the Toronto Public Library.jpg, Page 43 File:Illustration 16 by Mary Ellen Edwards (1838-1934) for Through the Meadowsby Frederic Edward Weatherly (1848-1929)-by courtesy of the Osborne Collection at the Toronto Public Library.jpg, Page 46 File:Illustration 17 by Mary Ellen Edwards (1838-1934) for Through the Meadowsby Frederic Edward Weatherly (1848-1929)-by courtesy of the Osborne Collection at the Toronto Public Library.jpg, Page 48 File:Illustration 18 by Mary Ellen Edwards (1838-1934) for Through the Meadowsby Frederic Edward Weatherly (1848-1929)-by courtesy of the Osborne Collection at the Toronto Public Library.jpg, Page 51 File:Illustration 19 by Mary Ellen Edwards (1838-1934) for Through the Meadowsby Frederic Edward Weatherly (1848-1929)-by courtesy of the Osborne Collection at the Toronto Public Library.jpg, Page 54 File:Illustration 20 by Mary Ellen Edwards (1838-1934) for Through the Meadowsby Frederic Edward Weatherly (1848-1929)-by courtesy of the Osborne Collection at the Toronto Public Library.jpg, Page 57 File:Illustration 21 by Mary Ellen Edwards (1838-1934) for Through the Meadowsby Frederic Edward Weatherly (1848-1929)-by courtesy of the Osborne Collection at the Toronto Public Library.jpg, Page 59 File:Illustration 22 by Mary Ellen Edwards (1838-1934) for Through the Meadowsby Frederic Edward Weatherly (1848-1929)-by courtesy of the Osborne Collection at the Toronto Public Library.jpg, Page 62 File:Illustration 23 by Mary Ellen Edwards (1838-1934) for Through the Meadowsby Frederic Edward Weatherly (1848-1929)-by courtesy of the Osborne Collection at the Toronto Public Library.jpg, Page 64 File:Illustration 24 by Mary Ellen Edwards (1838-1934) for Through the Meadowsby Frederic Edward Weatherly (1848-1929)-by courtesy of the Osborne Collection at the Toronto Public Library.jpg, Page 67


Artistic works

* ''Idle Hours'' * ''I Wandered by the Brookside'' * ''The Last Kiss'' * ''In Memoriam'' * ''Good-bye'' * ''Checkmated'' * ''That Boy of Northcott's (illustrated)'' * ''Pleading for Peace'' * ''The Old Church Path'' * ''Rosalind and Celia'' * ''The Dance of Death'' File:Mary Ellen Edwards - Waifs from the Great City.jpg, Waifs from the Great City File:Claverings - Lady Ongar and Harry Clavering.jpg, The Claverings File:A young woman plays the piano while a young man leans and li Wellcome V0039020.jpg


References


External links

* * {{DEFAULTSORT:Edwards, Mary Ellen 1838 births 1934 deaths 19th-century English painters 20th-century English painters 19th-century English women artists 20th-century English women artists English women painters