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Italian Renaissance Painting
Italian Renaissance painting is the painting of the period beginning in the late 13th century and flourishing from the early 15th to late 16th centuries, occurring in the Italian Peninsula, which was at that time divided into many political states, some independent but others controlled by external powers. The painters of Renaissance Italy, although often attached to particular courts and with loyalties to particular towns, nonetheless wandered the length and breadth of Italy, often occupying a diplomatic status and disseminating artistic and philosophical ideas. The city of Florence in Tuscany is renowned as the birthplace of the Renaissance, and in particular of Renaissance painting, although later in the era Rome and Venice assumed increasing importance in painting. A detailed background is given in the companion articles Renaissance art and Renaissance architecture. Italian Renaissance painting is most often divided into four periods: the Proto-Renaissance (1300–1425), the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Raffaello - Spozalizio - Web Gallery Of Art
Raffaello, Raffaele or Raffaellino is an Italian given name. It usually refers to Raphael (a.k.a. Raffaello Sanzio da Urbino), an Italian painter and architect of the High Renaissance. Raffaello may also refer to: * Raffaello (confection), a confection * ''Raffaello'' MPLM, one of the three Multi-Purpose Logistics Modules used to transfer supplies to the International Space Station * SS Raffaello, an Italian ocean liner People People with the given name Raffaello or Raffaellino include: *Raffaello Carboni, Italian writer * Raffaello Ducceschi, Italian race walker *Raffaello Fabretti, Italian antiquary * Raffaello Funghini, Italian catholic clergyman *Raffaello Gestro, Italian entomologist *Raffaello Maffei, Italian humanist, historian and theologian *Raffaello Matarazzo, Italian film-maker *Raffaello da Montelupo, sculptor and architect of the Italian Renaissance *Raffaello Sanzio Morghen, Italian engraver *Raffaello Vanni, Italian painter of the Baroque *Raffaellino del Colle * ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sandro Botticelli
Alessandro di Mariano di Vanni Filipepi ( – May 17, 1510), known as Sandro Botticelli (, ), was an Italian Renaissance painting, Italian painter of the Early Renaissance. Botticelli's posthumous reputation suffered until the late 19th century, when he was rediscovered by the Pre-Raphaelite Brotherhood, Pre-Raphaelites who stimulated a reappraisal of his work. Since then, his paintings have been seen to represent the linear grace of late Italian Gothic and some Early Renaissance painting, even though they date from the latter half of the Italian Renaissance period. In addition to the mythological subjects for which he is best known today, Botticelli painted a wide range of religious subjects (including dozens of renditions of the ''Madonna and Child'', many in the round tondo (art), tondo shape) and also some portraits. His best-known works are ''The Birth of Venus'' and ''Primavera (painting), Primavera'', both in the Uffizi in Florence, which holds many of Botticelli’s w ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bronzino
Agnolo di Cosimo (; 17 November 150323 November 1572), usually known as Bronzino ( it, Il Bronzino ) or Agnolo Bronzino, was an Italian Mannerist painter from Florence. His sobriquet, ''Bronzino'', may refer to his relatively dark skin or reddish hair. He lived all his life in Florence, and from his late 30s was kept busy as the court painter of Cosimo I de' Medici, Grand Duke of Tuscany. He was mainly a portraitist but also painted many religious subjects, and a few allegorical subjects, which include what is probably his best-known work, '' Venus, Cupid, Folly and Time'', c. 1544–45, now in London. Many portraits of the Medicis exist in several versions with varying degrees of participation by Bronzino himself, as Cosimo was a pioneer of the copied portrait sent as a diplomatic gift. He trained with Pontormo, the leading Florentine painter of the first generation of Mannerism, and his style was greatly influenced by him, but his elegant and somewhat elongated figures alwa ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Parmigianino
Girolamo Francesco Maria Mazzola (11 January 150324 August 1540), also known as Francesco Mazzola or, more commonly, as Parmigianino (, , ; "the little one from Parma"), was an Italian Mannerist painter and printmaker active in Florence, Rome, Bologna, and his native city of Parma. His work is characterized by a "refined sensuality" and often elongation of forms and includes '' Vision of Saint Jerome'' (1527) and the iconic if somewhat anomalous '' Madonna with the Long Neck'' (1534), and he remains the best known artist of the first generation whose whole careers fall into the Mannerist period. His prodigious and individual talent has always been recognised, but his career was disrupted by war, especially the Sack of Rome in 1527, three years after he moved there, and then ended by his death at only 37. He produced outstanding drawings, and was one of the first Italian painters to experiment with printmaking himself. While his portable works have always been keenly collected ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pontormo
Jacopo Carucci (May 24, 1494 – January 2, 1557), usually known as ''Jacopo da Pontormo'', ''Jacopo Pontormo'', or simply Pontormo, was an Italian Mannerist painter and portraitist from the Florentine School. His work represents a profound stylistic shift from the calm perspectival regularity that characterized the art of the Florentine Renaissance. He is famous for his use of twining poses, coupled with ambiguous perspective; his figures often seem to float in an uncertain environment, unhampered by the forces of gravity. Biography and early work Jacopo Carucci was born at Pontorme, near Empoli, to Bartolomeo di Jacopo di Martino Carrucci and Alessandra di Pasquale di Zanobi. Vasari relates how the orphaned boy, "young, melancholy, and lonely", was shuttled around as a young apprentice: Pontormo painted in and around Florence, often supported by Medici patronage. A foray to Rome, largely to see Michelangelo's work, influenced his later style. Haunted faces and elongated ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Titian
Tiziano Vecelli or Vecellio (; 27 August 1576), known in English as Titian ( ), was an Italian (Venetian) painter of the Renaissance, considered the most important member of the 16th-century Venetian school. He was born in Pieve di Cadore, near Belluno. During his lifetime he was often called ''da Cadore'', 'from Cadore', taken from his native region. Recognized by his contemporaries as "The Sun Amidst Small Stars" (recalling the final line of Dante's '' Paradiso''), Titian was one of the most versatile of Italian painters, equally adept with portraits, landscape backgrounds, and mythological and religious subjects. His painting methods, particularly in the application and use of colour, exercised a profound influence not only on painters of the late Italian Renaissance, but on future generations of Western artists. His career was successful from the start, and he became sought after by patrons, initially from Venice and its possessions, then joined by the north Italian princ ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Giorgione
Giorgione (, , ; born Giorgio Barbarelli da Castelfranco; 1477–78 or 1473–74 – 17 September 1510) was an Italian painter of the Venetian school during the High Renaissance, who died in his thirties. He is known for the elusive poetic quality of his work, though only about six surviving paintings are firmly attributed to him. The uncertainty surrounding the identity and meaning of his work has made Giorgione one of the most mysterious figures in European art. Together with his younger contemporary Titian, he founded the Venetian school of Italian Renaissance painting, characterised by its use of colour and mood. The school is traditionally contrasted with Florentine painting, which relied on a more linear disegno-led style. Life What little is known of Giorgione's life is given in Giorgio Vasari's ''Lives of the Most Excellent Painters, Sculptors, and Architects''. He came from the small town of Castelfranco Veneto, 40 km inland from Venice. His name sometimes ap ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Coreggio
Antonio Allegri da Correggio (August 1489 – 5 March 1534), usually known as just Correggio (, also , , ), was the foremost painter of the Parma school of the High Italian Renaissance, who was responsible for some of the most vigorous and sensuous works of the sixteenth century. In his use of dynamic composition, illusionistic perspective and dramatic foreshortening, Correggio prefigured the Baroque art of the seventeenth century and the Rococo art of the eighteenth century. He is considered a master of chiaroscuro. Early life Antonio Allegri was born in Correggio, a small town near Reggio Emilia. His date of birth is uncertain (around 1489). His father was a merchant. Otherwise little is known about Correggio's early life or training. It is, however, often assumed that he had his first artistic education from his father's brother, the painter Lorenzo Allegri. In 1503–1505, he was apprenticed to Francesco Bianchi Ferrara in Modena, where he probably became familiar with ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Andrea Del Sarto
Andrea del Sarto (, , ; 16 July 1486 – 29 September 1530) was an Italian painter from Florence, whose career flourished during the High Renaissance and early Mannerism. He was known as an outstanding fresco decorator, painter of altar-pieces, portraitist, draughtsman, and colorist. Although highly regarded during his lifetime as an artist ("without errors"), his renown was eclipsed after his death by that of his contemporaries Leonardo da Vinci, Michelangelo, and Raphael. Early life and training Andrea del Sarto was born Andrea d'Agnolo di Francesco di Luca in Florence on 16 July 1486. Since his father, Agnolo, was a tailor (Italian: '' sarto''), he became known as "del Sarto" (meaning "tailor's son"). Since 1677 some have attributed the surname Vannucchi with little documentation. By 1494 Andrea was apprenticed to a goldsmith, and then to a woodcarver and painter named Gian Barile, with whom he remained until 1498. According to his late biographer Vasari, he then app ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Raphael
Raffaello Sanzio da Urbino, better known as Raphael (; or ; March 28 or April 6, 1483April 6, 1520), was an Italian painter and architect of the High Renaissance. His work is admired for its clarity of form, ease of composition, and visual achievement of the Neoplatonic ideal of human grandeur. Together with Leonardo da Vinci and Michelangelo, he forms the traditional trinity of great masters of that period. His father was court painter to the ruler of the small but highly cultured city of Urbino. He died when Raphael was eleven, and Raphael seems to have played a role in managing the family workshop from this point. He trained in the workshop of Perugino, and was described as a fully trained "master" by 1500. He worked in or for several cities in north Italy until in 1508 he moved to Rome at the invitation of the pope, to work on the Vatican Palace. He was given a series of important commissions there and elsewhere in the city, and began to work as an architect. He was s ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Michelangelo
Michelangelo di Lodovico Buonarroti Simoni (; 6 March 1475 – 18 February 1564), known as Michelangelo (), was an Italian sculptor, painter, architect, and poet of the High Renaissance. Born in the Republic of Florence, his work was inspired by models from classical antiquity and had a lasting influence on Western art. Michelangelo's creative abilities and mastery in a range of artistic arenas define him as an archetypal Renaissance man, along with his rival and elder contemporary, Leonardo da Vinci. Given the sheer volume of surviving correspondence, sketches, and reminiscences, Michelangelo is one of the best-documented artists of the 16th century. He was lauded by contemporary biographers as the most accomplished artist of his era. Michelangelo achieved fame early; two of his best-known works, the ''Pietà'' and ''David'', were sculpted before the age of thirty. Although he did not consider himself a painter, Michelangelo created two of the most influential frescoe ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Leonardo Da Vinci
Leonardo di ser Piero da Vinci (15 April 14522 May 1519) was an Italian polymath of the High Renaissance who was active as a painter, Drawing, draughtsman, engineer, scientist, theorist, sculptor, and architect. While his fame initially rested on his achievements as a painter, he also became known for #Journals and notes, his notebooks, in which he made drawings and notes on a variety of subjects, including anatomy, astronomy, botany, cartography, painting, and paleontology. Leonardo is widely regarded to have been a genius who epitomized the Renaissance humanism, Renaissance humanist ideal, and his List of works by Leonardo da Vinci, collective works comprise a contribution to later generations of artists matched only by that of his younger contemporary, Michelangelo. Born Legitimacy (family law), out of wedlock to a successful Civil law notary, notary and a lower-class woman in, or near, Vinci, Tuscany, Vinci, he was educated in Florence by the Italian painter and sculptor ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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