Italian Baroque Architecture
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Italian Baroque Architecture
Italian Baroque architecture refers to Baroque architecture in Italy. Central Italy Rome The Baroque architecture period began in the Italian period of the basilica with crossed dome and nave. One of the first Roman structures to break with the Mannerist conventions (as exemplified in the Church of the Gesù) was the church of Church of Saint Susanna, designed by Carlo Maderno in 1596. The dynamic organisation of columns and pilasters, central massing, and the protrusion and condensed central decoration add complexity to the structure. Most Baroque buildings present domes. There is an emerging playfulness with the rules of classic design, still maintaining rigour. The same emphasis on plasticity, continuity and dramatic effects is evident in the work of Pietro da Cortona, illustrated by Santi Luca e Martina (1635) and Santa Maria della Pace (1656). Santa Maria della Pace, with its concave wings devised to simulate a theatrical set, fills a tiny piazza in front of it. Other Roma ...
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Baroque Architecture
Baroque architecture is a highly decorative and theatrical style which appeared in Italy in the early 17th century and gradually spread across Europe. It was originally introduced by the Catholic Church, particularly by the Jesuits, as a means to combat the Reformation and the Protestant church with a new architecture that inspired surprise and awe. It reached its peak in the High Baroque (1625–1675), when it was used in churches and palaces in Italy, Spain, Portugal, France, Bavaria and Austria. In the Late Baroque period (1675–1750), it reached as far as Russia and the Spanish and Portuguese colonies in Latin America. About 1730, an even more elaborately decorative variant called Rococo appeared and flourished in Central Europe. Baroque architects took the basic elements of Renaissance architecture, including domes and colonnades, and made them higher, grander, more decorated, and more dramatic. The interior effects were often achieved with the use of ''quadratura'', or ...
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Gian Lorenzo Bernini
Gian Lorenzo (or Gianlorenzo) Bernini (, , ; Italian Giovanni Lorenzo; 7 December 159828 November 1680) was an Italian sculptor and architect. While a major figure in the world of architecture, he was more prominently the leading sculptor of his age, credited with creating the Baroque style of sculpture. As one scholar has commented, "What Shakespeare is to drama, Bernini may be to sculpture: the first pan-European sculptor whose name is instantaneously identifiable with a particular manner and vision, and whose influence was inordinately powerful ..." In addition, he was a painter (mostly small canvases in oil) and a man of the theater: he wrote, directed and acted in plays (mostly Carnival satires), for which he designed stage sets and theatrical machinery. He produced designs as well for a wide variety of decorative art objects including lamps, tables, mirrors, and even coaches. As an architect and city planner, he designed secular buildings, churches, chapels, and publi ...
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Rococo
Rococo (, also ), less commonly Roccoco or Late Baroque, is an exceptionally ornamental and theatrical style of architecture, art and decoration which combines asymmetry, scrolling curves, gilding, white and pastel colours, sculpted moulding, and ''trompe-l'œil'' frescoes to create surprise and the illusion of motion and drama. It is often described as the final expression of the Baroque movement. The Rococo style began in France in the 1730s as a reaction against the more formal and geometric Louis XIV style. It was known as the "style Rocaille", or "Rocaille style". It soon spread to other parts of Europe, particularly northern Italy, Austria, southern Germany, Central Europe and Russia. It also came to influence the other arts, particularly sculpture, furniture, silverware, glassware, painting, music, and theatre. Although originally a secular style primarily used for interiors of private residences, the Rococo had a spiritual aspect to it which led to its widespread use in ...
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Paris
Paris () is the capital and most populous city of France, with an estimated population of 2,165,423 residents in 2019 in an area of more than 105 km² (41 sq mi), making it the 30th most densely populated city in the world in 2020. Since the 17th century, Paris has been one of the world's major centres of finance, diplomacy, commerce, fashion, gastronomy, and science. For its leading role in the arts and sciences, as well as its very early system of street lighting, in the 19th century it became known as "the City of Light". Like London, prior to the Second World War, it was also sometimes called the capital of the world. The City of Paris is the centre of the Île-de-France region, or Paris Region, with an estimated population of 12,262,544 in 2019, or about 19% of the population of France, making the region France's primate city. The Paris Region had a GDP of €739 billion ($743 billion) in 2019, which is the highest in Europe. According to the Economist Intelli ...
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San Marcello Al Corso
San Marcello al Corso, a church in Rome, Italy, is a titular church whose cardinal-protector normally holds the (intermediary) rank of cardinal-priest. The church, dedicated to Pope Marcellus I (d. AD 309), is located just inset from Via del Corso, in ancient times called ''via Lata'', and which now connects Piazza Venezia to Piazza del Popolo. It stands diagonal from the church of Santa Maria in Via Lata and two doors from the Oratory of Santissimo Crocifisso. History While the tradition holds that the church was built over the prison of Pope Marcellus I (d. 309), it is known that the ''Titulus Marcelli'' was present no later than 418, when Pope Boniface I was elected there. The "Septiformis" litany, commanded by Pope Gregory I in 590, saw the men moving from San Marcello. Pope Adrian I, in the 8th century, built a church on the same place, which is currently under the modern church. The corpse of Cola di Rienzo was held in the church for three days after his execution in ...
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Carlo Fontana
Carlo Fontana (1634 or 1638–1714) was an Italian architect originating from today's Canton Ticino, who was in part responsible for the classicizing direction taken by Late Baroque Roman architecture. Biography There seems to be no proof that he belonged to the family of famous architects of the same name, which included Domenico Fontana. Born in Brusato, near Como (now part of the town of Novazzano in Canton Ticino, Switzerland), Fontana went to Rome before 1655. He became a draughtsman for the architectural plans of Pietro da Cortona, Carlo Rainaldi, and Gian Lorenzo Bernini. Bernini employed him for nearly a decade in diverse projects. His first independent project may be the church of San Biagio in Campitelli, completed by 1665. His façade at San Marcello al Corso (1682–83) is described as one of his most successful works. For his patron, Innocent XII, he erected the immense building of the Istituto Apostolico San Michele at Ripa Grande, organized around its church; the ...
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Sant'Ivo Alla Sapienza
Sant'Ivo alla Sapienza (''lit.'' 'Saint Ivo at the Sapienza (University of Rome)') is a Roman Catholic church in Rome. Built in 1642–1660 by the architect Francesco Borromini, the church is widely regarded a masterpiece of Roman Baroque architecture. The church is at the rear of a courtyard at 40, Corso del Rinascimento; the complex is now used by the State Archives of Rome. History In the 14th century, there was a chapel here for the palace of the University of Rome. The University is called ''La Sapienza'', and the church was dedicated to Saint Ivo (or Yves, patron saint of jurists). When a design was commissioned from Borromini in the 17th century, he adapted to the already existing palazzo. He chose a plan resembling a star of David – which would have been recognized at the time as a Star of Solomon, symbolizing wisdom – and merged a curved facade of the church with the courtyard of the palace. The corkscrew lantern of the dome was novel. The complex rhythms of the ...
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San Carlo Alle Quattro Fontane
The church of San Carlo alle Quattro Fontane (Saint Charles at the Four Fountains), also called , is a Roman Catholic church in Rome, Italy. The church was designed by the architect Francesco Borromini and it was his first independent commission. It is an iconic masterpiece of Baroque architecture, built as part of a complex of monastic buildings on the Quirinal Hill for the Spanish Trinitarians, an order dedicated to the freeing of Christian slaves. He received the commission in 1634, under the patronage of Cardinal Francesco Barberini, whose palace was across the road. However, this financial backing did not last and subsequently the building project suffered various financial difficulties. It is one of at least three churches in Rome dedicated to San Carlo, including San Carlo ai Catinari and San Carlo al Corso. History In the 1630s, the monks of the Trinitarian Order were searching for an architect to build a church connecting their monastery. Francesco Borromini offered to ...
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Michelangelo
Michelangelo di Lodovico Buonarroti Simoni (; 6 March 1475 – 18 February 1564), known as Michelangelo (), was an Italian sculptor, painter, architect, and poet of the High Renaissance. Born in the Republic of Florence, his work was inspired by models from classical antiquity and had a lasting influence on Western art. Michelangelo's creative abilities and mastery in a range of artistic arenas define him as an archetypal Renaissance man, along with his rival and elder contemporary, Leonardo da Vinci. Given the sheer volume of surviving correspondence, sketches, and reminiscences, Michelangelo is one of the best-documented artists of the 16th century. He was lauded by contemporary biographers as the most accomplished artist of his era. Michelangelo achieved fame early; two of his best-known works, the ''Pietà'' and ''David'', were sculpted before the age of thirty. Although he did not consider himself a painter, Michelangelo created two of the most influential frescoes i ...
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Renaissance
The Renaissance ( , ) , from , with the same meanings. is a period in European history marking the transition from the Middle Ages to modernity and covering the 15th and 16th centuries, characterized by an effort to revive and surpass ideas and achievements of classical antiquity. It occurred after the Crisis of the Late Middle Ages and was associated with great social change. In addition to the standard periodization, proponents of a "long Renaissance" may put its beginning in the 14th century and its end in the 17th century. The traditional view focuses more on the early modern aspects of the Renaissance and argues that it was a break from the past, but many historians today focus more on its medieval aspects and argue that it was an extension of the Middle Ages. However, the beginnings of the period – the early Renaissance of the 15th century and the Italian Proto-Renaissance from around 1250 or 1300 – overlap considerably with the Late Middle Ages, conventionally da ...
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Francesco Borromini
Francesco Borromini (, ), byname of Francesco Castelli (; 25 September 1599 – 2 August 1667), was an Italian architect born in the modern Swiss canton of Ticino"Francesco Borromini."
''.'' Web. 30 Oct. 2010.
who, with his contemporaries Gian Lorenzo Bernini and , was a leading figure in the emergence of Roman

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G R 186
G, or g, is the seventh letter in the Latin alphabet, used in the modern English alphabet, the alphabets of other western European languages and others worldwide. Its name in English is ''gee'' (pronounced ), plural ''gees''. History The letter 'G' was introduced in the Old Latin period as a variant of ' C' to distinguish voiced from voiceless . The recorded originator of 'G' is freedman Spurius Carvilius Ruga, who added letter G to the teaching of the Roman alphabet during the 3rd century BC: he was the first Roman to open a fee-paying school, around 230 BCE. At this time, ' K' had fallen out of favor, and 'C', which had formerly represented both and before open vowels, had come to express in all environments. Ruga's positioning of 'G' shows that alphabetic order related to the letters' values as Greek numerals was a concern even in the 3rd century BC. According to some records, the original seventh letter, 'Z', had been purged from the Latin alphabet somewhat ear ...
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