Initials R.B.M.E.
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Initials R.B.M.E.
''Initials R.B.M.E.'' (german: Initialen R.B.M.E.) is a ballet choreographed by John Cranko to Brahms' Piano Concerto No. 2. The ballet is plotless, and features four movements, each with a lead dancer. The ballet was created for the Stuttgart Ballet, and the title was named after the dancers that originated the four lead roles, Richard Cragun, Birgit Keil, Marcia Haydée and Egon Madsen. ''Initials R.B.M.E.'' premiered on 18 January 1972, at the Staatsoper Stuttgart. It was one of Cranko's most successful ballets, and one of his final works before his sudden death in 1973. Production Cranko set ''Initials R.B.M.E.'' to Brahms' Piano Concerto No. 2. Cranko choreographed the ballet for the dancers Richard Cragun, Birgit Keil, Marcia Haydée and Egon Madsen. The four had been Cranko's close friends and muses since their early days at Stuttgart Ballet, and their dancing styles were instrumental in shaping Cranko's works there. The title was named after the four, in the order ...
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John Cranko
John Cyril Cranko (15 August 1927 – 26 June 1973) was a South African ballet dancer and choreographer with the Royal Ballet and the Stuttgart Ballet. Life and career Early life Cranko was born in Rustenburg in the former province of Transvaal, Union of South Africa. As a child, he would put on puppet shows as a creative outlet. Cranko received his early ballet training in Cape Town under the leading South African ballet teacher and director, Dulcie Howes, of the University of Cape Town Ballet School. In 1945 he choreographed his first work (using Stravinsky's Suite from ''L'Histoire du soldat'') for the Cape Town Ballet Club. He then moved to London, studying with the Sadler's Wells Ballet School (later called the Royal Ballet) in 1946Dromgoole, Nicholas"John Cranko" ''Oxford Dictionary of National Biography'', retrieved 19 March 2015, and dancing his first role with the Sadler's Wells Ballet in November 1947. London Cranko collaborated with the designer John Piper ...
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Johannes Brahms
Johannes Brahms (; 7 May 1833 – 3 April 1897) was a German composer, pianist, and conductor of the mid- Romantic period. Born in Hamburg into a Lutheran family, he spent much of his professional life in Vienna. He is sometimes grouped with Johann Sebastian Bach and Ludwig van Beethoven as one of the "Three Bs" of music, a comment originally made by the nineteenth-century conductor Hans von Bülow. Brahms composed for symphony orchestra, chamber ensembles, piano, organ, violin, voice, and chorus. A virtuoso pianist, he premiered many of his own works. He worked with leading performers of his time, including the pianist Clara Schumann and the violinist Joseph Joachim (the three were close friends). Many of his works have become staples of the modern concert repertoire. Brahms has been considered both a traditionalist and an innovator, by his contemporaries and by later writers. His music is rooted in the structures and compositional techniques of the Classical masters. Emb ...
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Staatsoper Stuttgart
The Staatsoper Stuttgart (Stuttgart State Opera) is a German opera company based in Stuttgart, the capital of Baden-Württemberg, Germany. The Staatsorchester Stuttgart serves as its resident orchestra. History Performances of operas, ballet and plays in Stuttgart took place from the 17th century at the hall of . The probably first opera production was in 1660 the singspiel ''Der Raub der Proserpina'' by Hofkapellmeister Samuel Capricornus. Four years later, a permanent stage was established. In 1750, the building was remodeled as Stuttgart's opera house, named ''Königliches Hoftheater'' (Royal Court Theatre) in 1811. It burnt down in 1902, and opera was performed in a provisional ''Interimstheater''. Today's opera house was built from 1909 to 1912 by architect Max Littmann from Munich, with two halls, ''Großes Haus'' and ''Kleines Haus''. After the end of the monarchy in 1918, the theatres were named ''Württembergische Landestheater''. The ''Kleines Haus'', site of the world ...
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Stuttgart Ballet
Stuttgart Ballet is a leading German ballet company. Dating back to 1609, then the court ballet of the dukes of Württemberg, the modern company was founded by John Cranko and is known for full-length narrative ballets. The company received the Laurence Olivier Award for Outstanding Achievement in Dance in 1981. History The Stuttgart Ballet evolved from the court ballet of the Duke of Württemberg, dating back to 1609. The modern company was founded and shaped from 1961 by the South African born British dancer John Cranko "into a group with an exciting and visually arresting style". He created full-length narrative ballets including ''Romeo and Juliet'', '' Onegin'' and ''The Taming of the Shrew'', John Neumeier created for the company ''Die Kameliendame'' and ''A Streetcar Named Desire''. The first tour to the US in 1969 resulted in international fame. Dancers who have emerged from the company became well-known choreographers, including Neumeier, William Forsythe, Foofwa d'Im ...
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Richard Cragun
Richard Cragun (5 October 1944 – 6 August 2012) was an American ballet dancer, teacher and ballet director who performed with the Stuttgart Ballet in Germany from 1965 to 1996. Cragun has been called a "prince of the ballet world" and "one of the most important dancers of the twentieth century." Early life and training Born in Sacramento, California, Cragun was one three sons. His father was a college librarian As a child, he was very interested in both music and dance.Judith Cruickshank, "Richard Cragun Obituary", ''The Guardian'' (London), 10 August 2012. At age five, he began taking tap dance lessons . A few years later, Cragun decided to become a professional dancer after his father took him to see ''Singin' in the Rain'' (1952),. Donald O'Connor, one of the stars of the film, became Cragun's "first, absolute idol."Paul Vitello, "Richard Cragun, Stuttgart Ballet Dancer, Dies at 67", obituary, ''International New York Times'', 10 August 2012. Inspired to emulate O' ...
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Birgit Keil
Birgit Keil (born 22 September 1944) is a German ballet dancer. She was prima ballerina of the Stuttgart Ballet and was internationally known as ''The German Ballerina'', She has been teaching at the Hochschule für Musik und Darstellende Kunst Mannheim and directing the ballet ensemble of the Badisches Staatstheater Karlsruhe. Career Keil was born in Kowarschen. She was trained as ballet dancer in Bad Kissingen and in Stuttgart at the ballet school of the Staatstheater Stuttgart. She studied in London at the Royal Ballet School for one year on a scholarship. In 1961, she became a member of the company Stuttgart Ballet, in 1963 she was appointed soloist by John Cranko. She performed major parts of classical as well as modern ballet, as a partner of dancers such as Richard Cragun, Rudolf Nureyev and Mikhail Baryshnikov. Choreographers John Cranko, Eliot Feld, Marcia Haydée, Jirí Kylián, Kenneth MacMillan, Hans van Manen, John Neumeier, Uwe Scholz, Heinz Spoerli, Glen Tetley ...
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Marcia Haydée
Marcia Haydée Salaverry Pereira da Silva (born 18 April 1937) is a Brazilian ballet dancer, choreographer and ballet director. She was prima ballerina of the Stuttgart Ballet under John Cranko and succeeded him as the company's director, serving from 1976 to 1995. She has been director of the Santiago Ballet since 1992. Career Born in Niterói, Haydèe studied with several masters, joined the Royal Ballet School in London and then the Grand Ballet du Marquis de Cuevas ( Monaco) in 1957. She entered the Stuttgart Ballet in 1961, where she was named the '' Prima ballerina'' the following year. With John Cranko, she created roles in full-length ballets, such as Juliet in ''Romeo and Juliet'' (1962), Tatiana in '' Onegin'' and Kate in '' The Taming of the Shrew''. She said: A frequent dance partner in Stuttgart was for 30 years Richard Cragun, beginning with ''Romeo and Juliet''. Her performance as Kate received a review in '' The Times'': Kenneth MacMillan created for ...
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Egon Madsen
Egon Madsen (born 24 August 1942) is a Danish ballet dancer, teacher, ballet master and company director. In 1961, he joined the Stuttgart Ballet, where John Cranko had become the director. Madsen was hired as a soloist but was soon promoted to principal dancer, and created numerous roles for Cranko. He retired from Stuttgart in 1981. After Madsen retired, he worked as a teacher and ballet master, and occasionally performed. In the 1980s, he served as director of Frankfurt Ballet, Royal Swedish Ballet and the ballet company at Teatro Comunale, Florence. He returned to Stuttgart Ballet in 1990, first as a ballet master, then as assistant artistic director, a position he held until 1996. In 1999, he returned to the stage as a member of Nederlands Dans Theater's Nederlands Dans Theater#NDT 3, NDT 3, where he was also a teacher and rehearsal director. He remained in the troupe until it was disbanded in 2006. Early life and training Madsen was born in Ringe, Denmark, Ringe. He began b ...
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Neoclassical Ballet
Neoclassical ballet is the style of 20th-century classical ballet exemplified by the works of George Balanchine. The term "neoclassical ballet" appears in the 1920s with Sergei Diaghilev's Ballets Russes, in response to the excesses of romanticism and post-romantic modernism. It draws on the advanced technique of 19th-century Russian Imperial dance, but strips it of its detailed narrative and heavy theatrical setting while retaining many key techniques, such as pointe technique. History and development Neoclassical ballet is a genre of dance that emerged in the 1920s and evolved throughout the 20th century. Artists of many disciplines in the early 1900s began to rebel against the overly dramatized style of the Romantic Period. As a result, art returned to a more simplistic style reminiscent of the Classical Period, except bolder, more assertive and free of distractions. This artistic trend came to be known as Neoclassicism. The ballet choreographer who most exemplified this ne ...
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Piano Concerto No
The piano is a stringed keyboard instrument in which the strings are struck by wooden hammers that are coated with a softer material (modern hammers are covered with dense wool felt; some early pianos used leather). It is played using a keyboard, which is a row of keys (small levers) that the performer presses down or strikes with the fingers and thumbs of both hands to cause the hammers to strike the strings. It was invented in Italy by Bartolomeo Cristofori around the year 1700. Description The word "piano" is a shortened form of ''pianoforte'', the Italian term for the early 1700s versions of the instrument, which in turn derives from ''clavicembalo col piano e forte'' (key cimbalom with quiet and loud)Pollens (1995, 238) and ''fortepiano''. The Italian musical terms ''piano'' and ''forte'' indicate "soft" and "loud" respectively, in this context referring to the variations in volume (i.e., loudness) produced in response to a pianist's touch or pressure on the keys: the grea ...
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New York Times
''The New York Times'' (''the Times'', ''NYT'', or the Gray Lady) is a daily newspaper based in New York City with a worldwide readership reported in 2020 to comprise a declining 840,000 paid print subscribers, and a growing 6 million paid digital media, digital subscribers. It also is a producer of popular podcasts such as ''The Daily (podcast), The Daily''. Founded in 1851 by Henry Jarvis Raymond and George Jones (publisher), George Jones, it was initially published by Raymond, Jones & Company. The ''Times'' has won List of Pulitzer Prizes awarded to The New York Times, 132 Pulitzer Prizes, the most of any newspaper, and has long been regarded as a national "newspaper of record". For print it is ranked List of newspapers by circulation, 18th in the world by circulation and List of newspapers in the United States, 3rd in the U.S. The paper is owned by the New York Times Company, which is Public company, publicly traded. It has been governed by the Sulzberger family since 189 ...
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Clive Barnes
Clive Alexander Barnes (13 May 1927 – 19 November 2008) was an English writer and critic. From 1965 to 1977, he was the dance and theater critic for ''The New York Times'', and, from 1978 until his death, ''The New York Post.'' Barnes had significant influence in reviewing new Broadway productions and evaluating the international dancers who often perform in New York City. Life and career Born in Lambeth, London, Barnes was educated at Emanuel School in Battersea and St Catherine's College, Oxford. He was the dance and drama critic at the ''New York Post'' from 1978 until 2008, and senior consulting editor at ''Dance Magazine'', where he wrote a monthly column called "Attitudes." He also contributed regularly to the British journal ''Dance Now;'' he edited and wrote for British newspapers such as ''The Times,'' ''The Daily Express'', and the weekly magazine ''Spectator''. Barnes authored and contributed to numerous books related to theater and the performing arts, particularl ...
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