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Egon Madsen
Egon Madsen (born 24 August 1942) is a Danish ballet dancer, teacher, ballet master and company director. In 1961, he joined the Stuttgart Ballet, where John Cranko had become the director. Madsen was hired as a soloist but was soon promoted to principal dancer, and created numerous roles for Cranko. He retired from Stuttgart in 1981. After Madsen retired, he worked as a teacher and ballet master, and occasionally performed. In the 1980s, he served as director of Frankfurt Ballet, Royal Swedish Ballet and the ballet company at Teatro Comunale, Florence. He returned to Stuttgart Ballet in 1990, first as a ballet master, then as assistant artistic director, a position he held until 1996. In 1999, he returned to the stage as a member of Nederlands Dans Theater's Nederlands Dans Theater#NDT 3, NDT 3, where he was also a teacher and rehearsal director. He remained in the troupe until it was disbanded in 2006. Early life and training Madsen was born in Ringe, Denmark, Ringe. He began b ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ringe, Denmark
Ringe is a town with a population of 6,474 (1 January 2022) on Funen in central Denmark. It is the seat of Faaborg-Midtfyn Municipality and was the seat of the now abolished Ringe municipality. The main office of Rynkeby Foods, a major Danish producer of juice and squash, is located in Ringe. Landmarks Museum The Ringe Museum is the only existing museum in the town and is a vast part of its cultural history. In 1704, the building was constructed as a school, with many improvements and adjustments being made in 1737. The museum is run by Midtfyns Museumsforening and is funded by Faaborg-Midtfyn Kommune, who owns the building itself. The museum has two interiors (bedroom and living room), an extensive array of historical weaponry and a broad collection of tools representing numerous crafts. It hosts many exhibitions often, showcasing the museum's collection. Church The town is home to the Ringe Church, which was constructed around the year 1200. The church itself has ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Onegin (Cranko)
''Onegin'' is a ballet created by John Cranko for the Stuttgart Ballet, premiered on 13 April 1965 at Staatstheater Stuttgart. The ballet was based on Alexander Pushkin's 1825-1832 novel ''Eugene Onegin'', to music by Pyotr Ilyich Tchaikovsky and arrangements by Kurt-Heinz Stolze. The ballet had since been in the repertoires of The Australian Ballet, National Ballet of Canada, American Ballet Theatre and The Royal Ballet. Background and production Cranko first discovered Alexander Pushkin's verse-novel ''Eugene Onegin'' when he choreographed the dances for Tchaikovsky's opera of the same name in 1952. He first proposed a ballet based on Pushkin's story to the Royal Opera House board in the 1960s, but it was turned down, and he pursued the idea when he moved to Stuttgart. The Stuttgart Ballet premiered the work in 1965. The Royal Ballet did not present the work until 2001. The choreography for his ballet includes a wide range of styles, including folk, modern, ballroom and acrob ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Don Quixote (ballet)
''Don Quixote'' is a ballet in three acts, based on episodes taken from the famous novel ''Don Quixote de la Mancha'' by Miguel de Cervantes. It was originally choreographed by Marius Petipa to the music of Ludwig Minkus and first presented by Moscow's Bolshoi Ballet on . Petipa and Minkus revised the ballet into a more elaborate and expansive version in five acts and eleven scenes for the Mariinsky Ballet, first presented on at the Imperial Bolshoi Kamenny Theatre of St. Petersburg. All modern productions of the Petipa/Minkus ballet are derived from the version staged by Alexander Gorsky for the Bolshoi Theatre of Moscow in 1900, a production the ballet master staged for the Imperial Ballet of St. Petersburg in 1902. History Earlier versions The two chapters of the novel that the ballet is mostly based on were first adapted for the ballet in 1740 by Franz Hilverding in Vienna, Austria. In 1768, Jean Georges Noverre mounted a new version of ''Don Quixote'' in Vienna to ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Eric Gauthier (dancer)
Eric Gauthier (dancer) (born 1977) is a Canadian-born dancer, choreographer and musician. After a soloist career at the Stuttgart Ballet he founded Gauthier Dance/ /Dance Company at the Theaterhaus Stuttgart in 2007. In 2011, he won the German Dance Prize Deutscher Tanzpreis. Early life and education Eric Gauthier was born in Montreal as "son of a leading Alzheimer's researcher". He has said that "at first, all I wanted was to be a hockey player... a goalie to be exact. But then, when I was nine years old, I saw the musical Cats in Toronto and that’s when I decided I wanted to be a dancer." Gauthier studied ballet at the school of Les Grands Ballets Canadiens in Montreal and at the National Ballet School in Toronto, where he also took music and voice lessons. In 1995, he became an apprentice with the National Ballet of Canada in Toronto under Reid Anderson (dancer). Gauthier credited Anderson as being the most influential person in his career and as his "Ballet Papa". Care ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Contemporary Ballet
Contemporary ballet is a genre of dance that incorporates elements of classical ballet and modern dance. It employs classical ballet technique and in many cases classical pointe technique as well, but allows greater range of movement of the upper body and is not constrained to the rigorously defined body lines and forms found in traditional, classical ballet. Many of its attributes come from the ideas and innovations of 20th-century modern dance, including floor work and turn-in of the legs. The style also contains many movements emphasizing the body's flexibility. History George Balanchine is often considered to have been the first pioneer of contemporary ballet. However, the true origin of contemporary ballet is credited to Russian art producer Serge Diaghilev. Diaghilev wanted to bring an understanding of the arts to the general public. He created a program that combined all forms of the arts (painting, music, theater, and art) to present to the public. When this prog ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Neoclassical Ballet
Neoclassical ballet is the style of 20th-century classical ballet exemplified by the works of George Balanchine. The term "neoclassical ballet" appears in the 1920s with Sergei Diaghilev's Ballets Russes, in response to the excesses of romanticism and post-romantic modernism. It draws on the advanced technique of 19th-century Russian Imperial dance, but strips it of its detailed narrative and heavy theatrical setting while retaining many key techniques, such as pointe technique. History and development Neoclassical ballet is a genre of dance that emerged in the 1920s and evolved throughout the 20th century. Artists of many disciplines in the early 1900s began to rebel against the overly dramatized style of the Romantic Period. As a result, art returned to a more simplistic style reminiscent of the Classical Period, except bolder, more assertive and free of distractions. This artistic trend came to be known as Neoclassicism. The ballet choreographer who most exemplified this ne ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
George Balanchine
George Balanchine (; Various sources: * * * * born Georgiy Melitonovich Balanchivadze; ka, გიორგი მელიტონის ძე ბალანჩივაძე; January 22, 1904 (O. S. January 9) – April 30, 1983) was an ethnic Georgian American ballet choreographer who was one of the most influential 20th-century choreographers. Styled as the father of American ballet, he co-founded the New York City Ballet and remained its artistic director for more than 35 years.Joseph Horowitz (2008)''Artists in Exile: How Refugees from 20th-century War and Revolution Transformed the American Performing Arts.''HarperCollins. His choreography is characterized by plotless ballets with minimal costume and décor, performed to classical and neoclassical music. Born in St. Petersburg, Balanchine took the standards and technique from his time at the Imperial Ballet School and fused it with other schools of movement that he had adopted during his tenure on Broadway and in ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
John Neumeier
John Neumeier (born February 24, 1939) is an American ballet dancer, choreographer, and director. He has been the director and chief choreographer of Hamburg Ballet since 1973. Five years later he founded the Hamburg Ballet School, which also includes a boarding school for students. In 1996, Neumeier was made ballet director of Hamburg State Opera. Biography Neumeier was born in Milwaukee, Wisconsin, where he received his first ballet training. He continued his dance training in Chicago at the Stone-Camyrn School of Ballet and performed with Sybil Shearer and Ruth Page. After completing a B.A. in English literature and theater studies at Marquette University in 1961, he continued his training in Copenhagen with Vera Volkova and at the Royal Ballet School in London. In 1963 he joined the Stuttgart Ballet under John Cranko, rising to the rank of soloist. In 1969 Neumeier became director of the Frankfurt Ballet, before becoming director and chief choreographer at the Hamburg Ballet ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Glen Tetley
Glen Tetley (February 3, 1926 – January 26, 2007) was an American ballet and modern dancer as well as a choreographer who mixed ballet and modern dance to create a new way of looking at dance, and is best known for his piece ''Pierrot Lunaire''. Biography Glenford Andrew Tetley, Jr. was born on February 3, 1926 in Cleveland, Ohio. While in medical school, Tetley found a passion for dance. After graduating from Franklin and Marshall College in 1946, Tetley moved to New York City to study dance. He began his career as a dancer, dancing in Hanya Holm's Broadway production of ''Kiss Me, Kate'' in 1948 and ''Juno'' in 1959, as well as with the New York City Opera Ballet, John Butler's American Dance Theatre, and the Joffrey Ballet where he was an original member. Later he danced with American Ballet Theatre and Jerome Robbins's Ballets: USA. Tetley's choreographic style rises from his experiences with modern dance teachers like Holm and Martha Graham as well as his time with b ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Requiem (MacMillan)
''Requiem'' is a one-act ballet created by Kenneth MacMillan in 1976 for the Stuttgart Ballet. The music is Gabriel Fauré's Requiem (1890). The designer was Yolanda Sonnabend, who had first collaborated with him on 1963's ''Symphony''. In MacMillan's words, "This danced Requiem is dedicated to the memory of my friend and colleague John Cranko, Director of the Stuttgart Ballet 1961–1973." The first performance was given at Stuttgart on 28 November 1976. MacMillan recreated the piece for the Royal Ballet, London, at the Royal Opera House, Covent Garden on 3 March 1983. MacMillan's decision to set a ballet to Fauré's Requiem met with opposition from the board of the Royal Ballet. Catholic members of the board felt that sacred music should not be used for ballet. MacMillan wrote to the Archbishop of Canterbury to seek his opinion. Although the response was favourable to MacMillan the board remained unpersuaded. MacMillan then contacted the artistic director of the Stuttgart Balle ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Song Of The Earth (ballet)
''Das Lied von der Erde'' (The Song of the Earth) is a symphonic work written by the Austrian composer Gustav Mahler in 1908–1909. It is scored for two voices and orchestra, and has been used for ballets by several well-known choreographers, including Antony Tudor (1908–1987), Kenneth MacMillan (1929–1992), Heinz Spoerli (born 1940), and John Neumeier (born 1939). Tudor version As staff choreographer with Ballet theatre (later American Ballet Theatre), Antony Tudor began creating a ballet set to Mahler's ''Das Lied von der Erde''. The six songs based on ancient Chinese poems, expressing the transience of human existence, had long interested him as a choreographic possibility. He explained their appeal: "Like the seasons, human experience is cyclical and has no sudden beginning or end." His ballet, entitled ''Shadow of the Wind'', had its premiere on 14 April 1948 at the Metropolitan Opera House in New York. Scenery, costumes, and lighting were designed by Jo Mielziner. The ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kenneth MacMillan
Sir Kenneth MacMillan (11 December 192929 October 1992) was a British ballet dancer and choreographer who was artistic director of the Royal Ballet in London between 1970 and 1977, and its principal choreographer from 1977 until his death. Earlier he had served as director of ballet for the Deutsche Oper in Berlin. He was also associate director of the American Ballet Theatre from 1984 to 1989, and artistic associate of the Houston Ballet from 1989 to 1992. From a family with no background of ballet or music, MacMillan was determined from an early age to become a dancer. The director of Sadler's Wells Ballet, Ninette de Valois, accepted him as a student and then a member of her company. In the late 1940s, MacMillan built a successful career as a dancer, but, plagued by stage fright, he abandoned it while still in his twenties. After this he worked entirely as a choreographer; he created ten full-length ballets and more than fifty one-act pieces. In addition to his work for bal ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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