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Incantations (Waterhouse)
''Incantations'', subtitled ''Concerto da camera'' (chamber concerto), is a composition for piano and ensemble by Graham Waterhouse, composed in 2015 and first performed in Birmingham. History Graham Waterhouse wrote the composition as part of studies at the Birmingham University. The work was premiered at the CBSO Centre, Birmingham, on 26 March 2015, played by pianist Huw Watkins and the Birmingham Contemporary Music Group, conducted by Richard Baker. The first performance in Germany was played at the Allerheiligen-Hofkirche in Munich on 4 October 2015 by pianist Michael Schöch and the ensemble Blauer Reiter with the composer playing the cello part, conducted by Armando Merino. The concert was dedicated to Pierre Boulez for his 90th birthday, and featured works by him and by Isabel Mundry, Peter Maxwell Davies and Arnold Schönberg's '' Pierrot Lunaire''. Music The chamber concerto is structured in five movement Movement may refer to: Common uses * Movement ( ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Chamber Concerto
Concerto da camera, or in English chamber concerto, originally was one of the two types of concerto grosso, the other being the ''concerto da chiesa'' ("church concert"). The concerto da camera had the character of a suite, being introduced by a prelude and incorporating popular dance forms. Antonio Vivaldi and Georg Philipp Telemann were great exponents of this form of music. Later it became a popular name for any concerto in a chamber music or chamber orchestra setting. Chamber concertos referring to the original concerto da camera concept Among better known, non-baroque pieces with the name ''concerto da camera'' are: *Charles-Valentin Alkan, 3 Concerto da Cameras for piano and orchestra (1828) * Howard Hanson, Concerto da Camera for piano and string quartet in C, Op 7 (1917) * Jacques Ibert, Concertino da camera for saxophone and eleven instruments (1935) *Bohuslav Martinu, Concerto da camera for violin and string orchestra with piano and percussion (1941) *Arthur Vincent L ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pierre Boulez
Pierre Louis Joseph Boulez (; 26 March 1925 – 5 January 2016) was a French composer, conductor and writer, and the founder of several musical institutions. He was one of the dominant figures of post-war Western classical music. Born in Montbrison, Loire, Montbrison in the Loire department of France, the son of an engineer, Boulez studied at the Conservatoire de Paris with Olivier Messiaen, and privately with Andrée Vaurabourg and René Leibowitz. He began his professional career in the late 1940s as music director of the Renaud-Barrault theatre company in Paris. He was a leading figure in avant-garde music, playing an important role in the development of integral serialism (in the 1950s), Aleatoric music, controlled chance music (in the 1960s) and the electronic transformation of instrumental music in real time (from the 1970s onwards). His tendency to revise earlier compositions meant that his body of work was relatively small, but it included pieces regarded by many as lan ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Piano Concertos
A piano concerto is a type of concerto, a solo composition in the classical music genre which is composed for a piano player, which is typically accompanied by an orchestra or other large ensemble. Piano concertos are typically virtuoso showpieces which require an advanced level of technique on the instrument. These concertos are typically written out in music notation, including sheet music for the pianist (which they typically memorize for a more virtuosic performance), orchestra parts for the orchestra members, and a full score for the conductor, who leads the orchestra in the accompaniment of the soloist. Depending on the era in which a piano concerto was composed, the orchestra parts may provide a fairly subordinate accompaniment role, setting out the bassline and chord progression over which the piano plays solo parts (more typical during the Baroque music era, from 1600 to 1750 and the Classical period, from 1730 to 1800), or the orchestra may be given an almost equal ro ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Compositions By Graham Waterhouse
Composition or Compositions may refer to: Arts and literature *Composition (dance), practice and teaching of choreography *Composition (language), in literature and rhetoric, producing a work in spoken tradition and written discourse, to include visuals and digital space *Composition (music), an original piece of music and its creation *Composition (visual arts), the plan, placement or arrangement of the elements of art in a work * ''Composition'' (Peeters), a 1921 painting by Jozef Peeters *Composition studies, the professional field of writing instruction * ''Compositions'' (album), an album by Anita Baker *Digital compositing, the practice of digitally piecing together a video Computer science *Function composition (computer science), an act or mechanism to combine simple functions to build more complicated ones *Object composition, combining simpler data types into more complex data types, or function calls into calling functions History *Composition of 1867, Austro-Hungarian/ ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Movement (music)
A movement is a self-contained part of a musical composition or musical form. While individual or selected movements from a composition are sometimes performed separately as stand-alone pieces, a performance of the complete work requires all the movements to be performed in succession. A movement is a section Section, Sectioning or Sectioned may refer to: Arts, entertainment and media * Section (music), a complete, but not independent, musical idea * Section (typography), a subdivision, especially of a chapter, in books and documents ** Section sig ..., "a major structural unit perceived as the result of the coincidence of relatively large numbers of structural phenomena". Sources Formal sections in music analysis {{music-stub ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pierrot Lunaire
''Dreimal sieben Gedichte aus Albert Girauds "Pierrot lunaire"'' ("Three times Seven Poems from Albert Giraud's 'Pierrot lunaire), commonly known simply as ''Pierrot lunaire'', Op. 21 ("Moonstruck Pierrot" or "Pierrot in the Moonlight"), is a melodrama by Arnold Schoenberg. It is a setting of 21 selected poems from Albert Giraud's cycle of the same name as translated into German by Otto Erich Hartleben. The work is written for reciter (voice-type unspecified in the score, but traditionally performed by a soprano) who delivers the poems in the ''Sprechstimme'' style accompanied by a small instrumental ensemble. Schoenberg had previously used a combination of spoken text with instrumental accompaniment, called "melodrama", in the summer-wind narrative of the ''Gurre-Lieder'', which was a fashionable musical style popular at the end of the nineteenth century. Though the music is atonal, it does not employ Schoenberg's twelve-tone technique, which he did not use until 1921. ''Pier ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Peter Maxwell Davies
Sir Peter Maxwell Davies (8 September 1934 – 14 March 2016) was an English composer and conductor, who in 2004 was made Master of the Queen's Music. As a student at both the University of Manchester and the Royal Manchester College of Music, Davies formed a group dedicated to contemporary music called the New Music Manchester with fellow students Harrison Birtwistle, Alexander Goehr, Elgar Howarth and John Ogdon. Davies’s compositions include eight works for the stage—from the monodrama ''Eight Songs for a Mad King'', which shocked the audience in 1969, to ''Kommilitonen!'', first performed in 2011—and ten symphonies, written between 1973 and 2013. As a conductor, Davies was artistic director of the Dartington International Summer School from 1979 to 1984 and associate conductor/composer with the Royal Philharmonic Orchestra from 1992 to 2002, holding the latter position with the BBC Philharmonic Orchestra as well. Early life and education Davies was born in Holly ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Isabel Mundry
Isabel Mundry (born 20 April 1963) is a German composer. Life and work Isabel Mundry was born in Schlüchtern (Germany) in 1963 and studied composition at the Hochschule der Künste and electronic music, musicology and history at the Berlin Technische Universität. From 1991 to 1994 she taught at the Hochschule der Künste Berlin and furthered her studies in Frankfurt with Hans Zender and later researched at the IRCAM in Paris. In addition to her teaching activities in Berlin, she held teaching appointments in Zürich and at the Frankfurt University of Music and Performing Arts. Isabel Mundry was the first resident composer of the Staatskapelle in Dresden. She previously held a similar position at the Tong Yong Festival, the Lucerne Festival and the Mannheim National Theater. Mundry's compositions are characterized by a highly individualized musical language, full of variants and nuances: "She hardly ever repeats herself; each time, sounds and sequences of sounds are articu ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Allerheiligen-Hofkirche
The Allerheiligen-Hofkirche (Court Church of All Saints) is a church in the Munich Residenz (the royal palace of the Bavarian monarchs) designed by Leo von Klenze and built between 1826 and 1837. The church was badly damaged from bombing during World War II and for decades remained a ruin before undergoing partial restoration and secularization. It is now used for concerts and events. History The ''Allerheiligen-Hofkirche'' was commissioned in 1825 by Ludwig I of Bavaria, inspired by the Cappella Palatina, the richly decorated Byzantine royal chapel in Palermo, where he had attended Christmas mass in 1823. The commission marked a reversal of the policy of secularisation, carried out under his father Maximilian I at the beginning of the century. Leo von Klenze (1784–1864) produced various designs between 1826 and 1828, using not only the Capella Palatina, but also St Mark's in Venice as inspiration. Even before a design had been agreed there had been a ceremonial laying of th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Graham Waterhouse
Graham Waterhouse (born 2 November 1962) is an English composer and cellist who specializes in chamber music. He has composed a cello concerto, ''Three Pieces for Solo Cello'' and ''Variations for Cello Solo'' for his own instrument, and string quartets and compositions that juxtapose a quartet with a solo instrument, including Piccolo Quintet, Bassoon Quintet and the piano quintet '' Rhapsodie Macabre''. He has set poetry for speaking voice and cello, such as ''Der Handschuh'', and has written song cycles. His compositions reflect the individual capacity and character of players and instruments, from the piccolo to the contrabassoon. Since 1998, Waterhouse has organised a concert series at the Gasteig in Munich, often playing with members of the Munich Philharmonic. His works have been performed internationally and several have been recorded. He has been awarded prizes for several of his compositions, and has been composer in residence at institutions in European countries. H ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Richard Baker (composer)
Richard Baker (born 1972) is a British composer and conductor. Life Richard Baker was a chorister in Lichfield Cathedral choir as a child. He read music at Exeter College, Oxford, and spent a year at the Royal Conservatory of The Hague studying under Louis Andriessen, before attending Royal Holloway, University of London, where he received his doctorate. In 2001 he was appointed New Music Fellow at Kettle's Yard, and became fellow-commoner at Trinity Hall, Cambridge, where he was Director of Music from 2005 to 2007. He is also Professor of Composition at the Guildhall School of Music and Drama The Guildhall School of Music and Drama is a conservatoire and drama school located in the City of London, United Kingdom. Established in 1880, the school offers undergraduate and postgraduate training in all aspects of classical music and jazz .... Work Baker's notable compositions include 'Los Rábanos' (1998), 'Learning to Fly' (1999) and 'The Tyranny of Fun' (2012). As a conduct ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Birmingham Contemporary Music Group
Birmingham Contemporary Music Group (BCMG) is a British chamber ensemble based in Birmingham, England specialising in the performance of new and contemporary music. BCMG performs regularly at the CBSO Centre and Symphony Hall in Birmingham, tours nationally and worldwide and has appeared several times at the Proms in London. Musicians from the City of Birmingham Symphony Orchestra formed the ensemble in 1987, with Simon Rattle as its founding patron. Since then BCMG has premiered over 150 new works and won numerous awards, including the 2004 Royal Philharmonic Society Audience Development Award, the 1995 Gramophone Award for Best Orchestral Recording, the 1993 Royal Philharmonic Society Chamber Ensemble Award, the 1993 Prudential Award for Music, and The Arts Ball 2002 Outstanding Achievement Award. Thomas Adès was the first music director of BCMG, from 1998 to 2000. The current artistic director of BCMG is Stephan Meier, who succeeded Stephen Newbould (artistic director 200 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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