Imamzadeh Ahmad
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Imamzadeh Ahmad
Imamzadeh Ahmad ( fa, امامزاده احمد) is an imamzadeh in Isfahan, Iran. The Imamzadeh comprises a tomb, to the north and west of which are two ''iwans''; the tomb faces a vast yard where several famous people, like Amir Kabir's daughter and Naser al-Din Shah's sister and wife, are buried. The emamzadeh himself was likely the Sultan Ali's son, who has been buried in Mashhad-e Ardehal.' The oldest part of the structure is a single piece of white stone, which is long. The stone is placed under a wooden reticulated window facing alley. It is said, that it is a piece of Somnath stone. About the Somnath stone Jaberi Ansari has written in the history of Isfahan and Rey as follows: ''"Mahmud of Ghazni brought a stone as a souvenir from Somnath in India. It is said that it had been a part of the most important idol in that land. This stone was transferred to Isfahan and a century later it was cut in half and made a stone trough from one half in Vazir Tahmasb school and the o ...
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Isfahan
Isfahan ( fa, اصفهان, Esfahân ), from its Achaemenid empire, ancient designation ''Aspadana'' and, later, ''Spahan'' in Sassanian Empire, middle Persian, rendered in English as ''Ispahan'', is a major city in the Greater Isfahan Region, Isfahan Province, Iran. It is located south of Tehran and is the capital of Isfahan Province. The city has a population of approximately 2,220,000, making it the third-largest city in Iran, after Tehran and Mashhad, and the second-largest metropolitan area. Isfahan is located at the intersection of the two principal routes that traverse Iran, north–south and east–west. Isfahan flourished between the 9th and 18th centuries. Under the Safavids, Safavid dynasty, Isfahan became the capital of Achaemenid Empire, Persia, for the second time in its history, under Shah Abbas the Great. The city retains much of its history. It is famous for its Perso–Islamic architecture, grand boulevards, covered bridges, palaces, tiled mosques, and mina ...
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Rey, Iran
Shahr-e Ray ( fa, شهر ری, ) or simply Ray (Shar e Ray; ) is the capital of Ray County in Tehran Province, Iran. Formerly a distinct city, it has now been absorbed into the metropolitan area of Greater Tehran as the 20th district of municipal Tehran, the capital city of the country. Historically known as Rhages (), Rhagae and Arsacia, Ray is the oldest existing city in Tehran Province. In the classical era, it was a prominent city belonging to Media, the political and cultural base of the Medes. Ancient Persian inscriptions and the Avesta (Zoroastrian scriptures), among other sources, attest to the importance of ancient Ray. Ray is mentioned several times in the Apocrypha. It is also shown on the fourth-century Peutinger Map. The city was subject to severe destruction during the medieval invasions by the Arabs, Turks, and Mongols. Its position as a capital city was revived during the reigns of the Buyid Daylamites and the Seljuk Turks. Ray is richer than many other ancient c ...
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List Of The Historical Structures In The Isfahan Province
Isfahan County Buildings and structures in Kashan Kashan County Falavarjan County Historical structures Golpayegan County Khomeyni Shahr County Najafabad County Tourist attractions in Isfahan ...
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Painting
Painting is the practice of applying paint, pigment, color or other medium to a solid surface (called the "matrix" or "support"). The medium is commonly applied to the base with a brush, but other implements, such as knives, sponges, and airbrushes, can be used. In art, the term ''painting ''describes both the act and the result of the action (the final work is called "a painting"). The support for paintings includes such surfaces as walls, paper, canvas, wood, glass, lacquer, pottery, leaf, copper and concrete, and the painting may incorporate multiple other materials, including sand, clay, paper, plaster, gold leaf, and even whole objects. Painting is an important form in the visual arts, bringing in elements such as drawing, composition, gesture (as in gestural painting), narration (as in narrative art), and abstraction (as in abstract art). Paintings can be naturalistic and representational (as in still life and landscape painting), photographic, abstract, nar ...
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Stucco
Stucco or render is a construction material made of aggregates, a binder, and water. Stucco is applied wet and hardens to a very dense solid. It is used as a decorative coating for walls and ceilings, exterior walls, and as a sculptural and artistic material in architecture. Stucco can be applied on construction materials such as metal, expanded metal lath, concrete, cinder block, or clay brick and adobe for decorative and structural purposes. In English, "stucco" sometimes refers to a coating for the outside of a building and "plaster" to a coating for interiors; as described below, however, the materials themselves often have little to no differences. Other European languages, notably Italian, do not have the same distinction; ''stucco'' means ''plaster'' in Italian and serves for both. Composition The basic composition of stucco is cement, water, and sand. The difference in nomenclature between stucco, plaster, and mortar is based more on use than composition. Until ...
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Mass'oud Mirza Zell-e Soltan
Mass'oud Mirza Zell-e Soltan ( fa, مسعود میرزا ظل‌السلطان, "Mass'oud Mirza the Sultan's Shadow"; 5 January 1850 in Tabriz – 2 July 1918 in Isfahan), or Massud Mirza, was a Persian prince of the Qajar dynasty; he was known as the "Yamin-al-Dowleh" ("Right Hand of the Government"). He was posted as the governor of Isfahan for over 35 years, and the governor of Mazandaran, Fars Province, Fars, and Isfahan for a total of 40 years. Early life He was the eldest son of Nasser-al-Din Shah and Effat-od-Dowleh, and the brother of Kamran Mirza Nayeb es-Saltaneh and of Mozzafar al-Din Shah, Mozzafar-al-Din Mirza (who eventually became Mozzafar-al-Din Shah), but Mas'oud Mirza could not ascend the throne because his mother not from the Qajar dynasty's family group. At the age of thirteen he was appointed the governor of Mazandaran, Turkman Sahra, Semnan, and Damghan for four years. Later life He was governor of Isfahan Province, Esfahan from 1872 to 1907 and governor of ...
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Nastaliq Script
''Nastaliq'' (; fa, , ), also romanized as ''Nastaʿlīq'', is one of the main calligraphic hands used to write the Perso-Arabic script in the Persian and Urdu languages, often used also for Ottoman Turkish poetry, rarely for Arabic. ''Nastaliq'' developed in Iran from '' naskh'' beginning in the 13th century and remains very widely used in Pakistan, Iran, Afghanistan and as a minority script in India and other countries for written poetry and as a form of art. History The name ''nastaliq'' "is a contraction of the Persian , meaning a hanging or suspended '' naskh''". Virtually all Safavid authors (like Dust Muhammad or Qadi Ahmad) attributed the invention of to Mir Ali Tabrizi, who lived at the end of the 14th and the beginning of the 15th century. That tradition was questioned by Elaine Wright, who traced evolution of ''nastaliq'' in 14th century Iran and showed how it developed gradually among scribes in Shiraz. Moreover, according to her studies ''nastaliq'' has its o ...
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Sepulcher
A tomb ( grc-gre, τύμβος ''tumbos'') is a repository for the remains of the dead. It is generally any structurally enclosed interment space or burial chamber, of varying sizes. Placing a corpse into a tomb can be called ''immurement'', and is a method of final disposition, as an alternative to cremation or burial. Overview The word is used in a broad sense to encompass a number of such types of places of interment or, occasionally, burial, including: * Architectural shrines – in Christianity, an architectural shrine above a saint's first place of burial, as opposed to a similar shrine on which stands a reliquary or feretory into which the saint's remains have been transferred * Burial vault – a stone or brick-lined underground space for multiple burials, originally vaulted, often privately owned for specific family groups; usually beneath a religious building such as a church ** Cemetery ** Churchyard * Catacombs * Chamber tomb * Charnel house * Church monum ...
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Muqarnas
Muqarnas ( ar, مقرنص; fa, مقرنس), also known in Iranian architecture as Ahoopāy ( fa, آهوپای) and in Iberian architecture as Mocárabe, is a form of ornamented vaulting in Islamic architecture. It is the archetypal form of Islamic architecture, integral to the vernacular of Islamic buildings that originated in the Abbasid Empire. The muqarnas structure originated from the squinch. Sometimes called "honeycomb vaulting" or "stalactite vaulting", the purpose of muqarnas is to create a smooth, decorative zone of transition in an otherwise bare, structural space. This structure gives the ability to distinguish between the main parts of a building, and serve as a transition from the walls of a room into a domed ceiling. Muqarnas is significant in Islamic architecture because its elaborate form is a symbolic representation of universal creation by God. Muqarnas architecture is featured in domes, half-dome entrances, iwans and apses. The two main types of muqarnas a ...
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Mausoleum
A mausoleum is an external free-standing building constructed as a monument enclosing the interment space or burial chamber of a deceased person or people. A mausoleum without the person's remains is called a cenotaph. A mausoleum may be considered a type of tomb, or the tomb may be considered to be within the mausoleum. Overview The word ''mausoleum'' (from Greek μαυσωλείον) derives from the Mausoleum at Halicarnassus (near modern-day Bodrum in Turkey), the grave of King Mausolus, the Persian satrap of Caria, whose large tomb was one of the Seven Wonders of the Ancient World. Historically, mausolea were, and still may be, large and impressive constructions for a deceased leader or other person of importance. However, smaller mausolea soon became popular with the gentry and nobility in many countries. In the Roman Empire, these were often in necropoles or along roadsides: the via Appia Antica retains the ruins of many private mausolea for kilometres outside Rome. Whe ...
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Safavid
Safavid Iran or Safavid Persia (), also referred to as the Safavid Empire, '. was one of the greatest Iranian empires after the 7th-century Muslim conquest of Persia, which was ruled from 1501 to 1736 by the Safavid dynasty. It is often considered the beginning of History of Iran, modern Iranian history, as well as one of the gunpowder empires. The Safavid List of monarchs of Persia, Shāh Ismail I, Ismā'īl I established the Twelver denomination of Shia Islam, Shīʿa Islam as the Safavid conversion of Iran to Shia Islam, official religion of the empire, marking one of the most important turning points in the history of Islam. An Iranian dynasty rooted in the Sufi Safavid order founded by Kurdish people, Kurdish sheikhs, it heavily intermarried with Turkoman (ethnonym), Turkoman, Georgians, Georgian, Circassians, Circassian, and Pontic Greeks, Pontic GreekAnthony Bryer. "Greeks and Türkmens: The Pontic Exception", ''Dumbarton Oaks Papers, Vol. 29'' (1975), Appendix II "Geneal ...
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Seljukid
The Seljuk dynasty, or Seljukids ( ; fa, سلجوقیان ''Saljuqian'', alternatively spelled as Seljuqs or Saljuqs), also known as Seljuk Turks, Seljuk Turkomans "The defeat in August 1071 of the Byzantine emperor Romanos Diogenes by the Turkomans at the battle of Malazgirt (Manzikert) is taken as a turning point in the history of Anatolia and the Byzantine Empire. or the Saljuqids, was an Oghuz Turkic, Sunni Muslim dynasty that gradually became Persianate and contributed to the Turco-Persian tradition in the medieval Middle East and Central Asia. The Seljuks established the Seljuk Empire (1037-1194), the Sultanate of Kermân (1041-1186) and the Sultanate of Rum (1074-1308), which at their heights stretched from Iran to Anatolia, and were the prime targets of the First Crusade. Early history The Seljuks originated from the Kinik branch of the Oghuz Turks, who in the 8th century lived on the periphery of the Muslim world, north of the Caspian Sea and Aral Sea in their Og ...
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