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Iva Mihanovic
Iva Mihanović (also known as Iva Schell) (born 19 April 1978 in Ulm, Germany) is a German- Croatian operatic soprano and concert singer. She is also the widow of the actor, producer, director and Oscar winner Maximilian Schell, who died at the age of 83 less than a year after they married. Life Iva Mihanović lives in Preitenegg, Austria and Ulm. In August 2013, she married Maximilian Schell (47 years her senior) with whom she was romantically involved since 2008 and who died February 1, 2014 in Innsbruck. Iva Mihanović is patron of Education World Maximilian Schell in Wolfsberg, as well as the HistiozytoseHilfe eV. From 1998 to 2008, she studied singing with Edith Wiens at the Musikhochschule Augsburg and Ilse Hahn at the University of Music Carl Maria von Weber Dresden. Iva attended master classes with Brigitte Fassbaender, Edith Mathis, Sena Jurinac, Irmgard Boas and Linda Plech. From 2001 to 2006, Iva Mihanović was a member of the Theater Ulm where she sang many opera ...
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Maximilian Schell
Maximilian Schell (8 December 1930 – 1 February 2014) was an Austrian-born Swiss actor, who also wrote, directed and produced some of his own films. He won the Academy Award for Best Actor for the 1961 American film ''Judgment at Nuremberg'', his second acting role in Hollywood. Born in Austria, his parents were involved in the arts and he grew up surrounded by acting and literature. While he was a child, his family fled to Switzerland in 1938 when Austria was annexed by Nazi Germany, and they settled in Zurich. After World War II ended, Schell took up acting and directing full-time. He appeared in numerous German films, often anti-war, before moving on to Hollywood. Schell was top billed in a number of Nazi-era themed films, as he could speak both English and German. Among those were two films for which he received Oscar nominations: ''The Man in the Glass Booth'' (1975; Best Actor), where he played a character with two identities, and ''Julia'' (1977; Best Supporting Actor) ...
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The Merry Widow
''The Merry Widow'' (german: Die lustige Witwe, links=no ) is an operetta by the Austro-Hungarian composer Franz Lehár. The librettists, Viktor Léon and Leo Stein, based the story – concerning a rich widow, and her countrymen's attempt to keep her money in the principality by finding her the right husband – on an 1861 comedy play, (''The Embassy Attaché'') by Henri Meilhac. The operetta has enjoyed extraordinary international success since its 1905 premiere in Vienna and continues to be frequently revived and recorded. Film and other adaptations have also been made. Well-known music from the score includes the " Vilja Song", "" ("You'll Find Me at Maxim's"), and the "Merry Widow Waltz". Background In 1861, Henri Meilhac premiered a comic play in Paris, (''The Embassy Attaché''), in which the Parisian ambassador of a poor German grand duchy, Baron Scharpf, schemes to arrange a marriage between his country's richest widow (a French woman) and a Count to keep her mon ...
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The Gypsy Baron
''The Gypsy Baron'' () is an operetta in three acts by Johann Strauss II which premiered at the Theater an der Wien on 24 October 1885. Its German libretto by Ignaz Schnitzer is based on the unpublished 1883 story ''Saffi'' by Mór Jókai. Jokai later published a novel ''A cigánybáró'' () in 1885 using an expanded version of this same story. While an operetta, ''The Gypsy Baron'' was a departure from Strauss's earlier more comic and light hearted works; displaying more serious tones both musically and dramatically in what musicologist Andrew Lamb described as "a step in Strauss’s quest for the composition of a genuine opera". During the composer's lifetime, the operetta enjoyed great success internationally. It is considered one of Strauss's three best stage works, along with ''Die Fledermaus'' (1874) and '' Eine Nacht in Venedig'' (1883). Composition history Strauss was introduced to Jókai's story prior to its publication as a novel in Pest, Hungary in February 1883 by hi ...
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Die Csárdásfürstin
' (''The Csárdás Princess''; translated into English as ''The Riviera Girl'' and ''The Gipsy Princess'') is an operetta in 3 acts by Hungarian composer Emmerich Kálmán, with libretto by Leo Stein and Bela Jenbach. It premiered in Vienna at the on 17 November 1915. Numerous film versions and recordings have been made. The operetta is widely beloved across Europe, particularly in Hungary, Austria, Germany, and the former Soviet Union, where it was adapted into a popular film. It is arguably Kálmán's most successful work. Roles Synopsis :Place: Budapest and Vienna :Time: shortly before the outbreak of the First World War Act 1 Sylva Varescu, a self-sufficient and professionally successful cabaret performer from Budapest, is about to embark on a tour of America. Three of her aristocratic admirers, named Edwin, Feri, and Boni, prefer her to stay. Edwin, unaware that his parents have already arranged a marriage for him back home in Vienna, orders a notary to prepare a promisso ...
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Die Fledermaus
' (, ''The Flittermouse'' or ''The Bat'', sometimes called ''The Revenge of the Bat'') is an operetta composed by Johann Strauss II to a German libretto by Karl Haffner and Richard Genée, which premiered in 1874. Background The original literary source for ' was ' (''The Prison''), a farce by German playwright Julius Roderich Benedix that premiered in Berlin in 1851. On 10 September 1872, a three-act French vaudeville play by Henri Meilhac and Ludovic Halévy, ', loosely based on the Benedix farce, opened at the Théâtre du Palais-Royal. Meilhac and Halévy had provided several successful libretti for Offenbach and ''Le Réveillon'' later formed the basis for the 1926 silent film '' So This Is Paris'', directed by Ernst Lubitsch. Meilhac and Halévy's play was soon translated into German by Karl Haffner (1804–1876), at the instigation of Max Steiner, as a non-musical play for production in Vienna. The French custom of a New Year's Eve ''réveillon'', or supper party ...
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Hello, Dolly! (musical)
''Hello, Dolly!'' is a 1964 musical with lyrics and music by Jerry Herman and a book by Michael Stewart, based on Thornton Wilder's 1938 farce ''The Merchant of Yonkers'', which Wilder revised and retitled ''The Matchmaker'' in 1955. The musical follows the story of Dolly Gallagher Levi, a strong-willed matchmaker, as she travels to Yonkers, New York, to find a match for the miserly "well-known unmarried half-a-millionaire" Horace Vandergelder. ''Hello, Dolly!'' debuted at the Fisher Theater in Detroit on November 18, 1963, directed and choreographed by Gower Champion and produced by David Merrick, and moved to Broadway in 1964, winning 10 Tony Awards, including Best Musical. These awards set a record which the play held for 37 years. The show album ''Hello, Dolly! An Original Cast Recording'' was inducted into the Grammy Hall of Fame in 2002. The album reached number one on the Billboard album chart on June 6, 1964, and was replaced the next week by Louis Armstrong's album ...
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Staatstheater Am Gärtnerplatz
The Staatstheater am Gärtnerplatz (''State Theatre at Gärtnerplatz''), commonly called the Gärtnerplatztheater, is an opera house and opera company in Munich. (The "Gärtnerplatz" is an urban square in the borough Ludwigsvorstadt-Isarvorstadt.) Designed by Michael Reiffenstuel, it opened on 4 November 1865 as the city's second major theatre after the National Theatre. At times exclusively concerned with operetta, in recent years there have also been productions of opera, musicals and ballet. The scope of activities is similar to that of the Komische Oper in Berlin and the English National Opera in London. One of the most active theatres in Germany, its season lasts from September to July and comprises more than 200 performances. The current intendant is Josef Ernst Köpplinger. History In 1863, a committee for the founding of a ''Volkstheater'' (people's theatre) formed. Ludwig II of Bavaria authorized a new building in the borough Isarvorstadt on 10 May 1864. It was desig ...
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Eine Nacht In Venedig
'' Eine Nacht in Venedig '' (''A Night in Venice'') is an operetta in three acts by Johann Strauss II. Its libretto was by F. Zell and Richard Genée based on ''Le Château Trompette'' by Eugène Cormon and Richard Genée. The farcical, romantic story involves several cases of mistaken identity. The piece premiered in 1883 in Berlin and then Vienna. It became one of Strauss's three most famous stage works and has been seen in New York, London and elsewhere, and has been adapted for film. History The piece premiered in Berlin on 3 October 1883 in the , and it is Strauss's only operetta to be premiered outside Vienna. Although the press praised Strauss's music, they criticized the libretto as banal and silly; for instance, references were made to roast beef made from the sole of a boot and, in the waltz scene, the character of Duke Urbino was singing passages of "meows", which was met with much embarrassment from the Berlin audience. Unperturbed, Strauss made several alterations t ...
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Landestheater Coburg
Landestheater Coburg (Coburg State Theatre) is a medium-sized three-division (opera / operetta, drama, ballet) theatre in Coburg, Bavaria, Germany. Located on , a central square, the Neoclassical building has 550 seats. In 2008, the theatre employed 250 permanent staff and 100 part-time employees. History Like in many other princely residence towns, the roots of Coburg's theatre lie with the local ruling family. In the 16th century, amateur plays were staged in honour of the ducal family, mostly by students at the Casimirianum. Duke Albrecht, inspired by his wife Marie Elisabeth established a theatre hall in the ' (armoury) building. In 1764, Duke Ernst Friedrich established another theatre, in the former ''Ballhaus'' (today the location of the '), but no continuous stage work ensued. Only in 1827, when Duke Ernst I founded the ''Herzoglich-Sächsisches Hoftheater'' (ducal Saxon court theatre) was a permanent theatrical ensemble hired. The location was still the ''Ballhau ...
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Vienna
en, Viennese , iso_code = AT-9 , registration_plate = W , postal_code_type = Postal code , postal_code = , timezone = CET , utc_offset = +1 , timezone_DST = CEST , utc_offset_DST = +2 , blank_name = Vehicle registration , blank_info = W , blank1_name = GDP , blank1_info = € 96.5 billion (2020) , blank2_name = GDP per capita , blank2_info = € 50,400 (2020) , blank_name_sec1 = HDI (2019) , blank_info_sec1 = 0.947 · 1st of 9 , blank3_name = Seats in the Federal Council , blank3_info = , blank_name_sec2 = GeoTLD , blank_info_sec2 = .wien , website = , footnotes = , image_blank_emblem = Wien logo.svg , blank_emblem_size = Vienna ( ; german: Wien ; ba ...
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Maske In Blau
'' Maske in Blau'' (''Mask in Blue'') is a grand operetta in two parts (six scenes) with music by Fred Raymond to a libretto by Heinz Hentschke and Günther Schwenn. The work had its premiere under Werner Schmidt-Boelke on 27 September 1937 at the in Berlin. It was revived on 20 March 1955 at the Théâtre Municipal, Strasbourg, under the title ''Le masque bleu''. It was made into a 1943 film directed by Paul Martin. A decade later Georg Jacoby remade the film as a vehicle for his wife Marika Rökk. Roles and premiere cast *Evelyne Valera ( soprano) – Carla Carlsen *Juliska Varady (soprano) – Clara Tabody *Seppl Fraunhofer (tenor) *Armando Cellini (tenor) *Franz Kilian ( bass) Synopsis Place and time The first part of the operetta (scenes 1–3) takes place in Sanremo in Italy and the second part (scenes 4–6 ) on the Rio Negro in Argentina at the time of the premiere, that is, in the 1930s. Part 1 Armando Cellini is a celebrated artist. With his painting "Mask i ...
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Der Freischütz
' ( J. 277, Op. 77 ''The Marksman'' or ''The Freeshooter'') is a German opera with spoken dialogue in three acts by Carl Maria von Weber with a libretto by Friedrich Kind, based on a story by Johann August Apel and Friedrich Laun from their 1810 collection ''Gespensterbuch''. It premiered on 18 June 1821 at the Schauspielhaus Berlin. It is considered the first German Romantic opera. The opera's plot is mainly based on August Apel's tale "Der Freischütz" from the ''Gespensterbuch'' though the hermit, Kaspar and Ännchen are new to Kind's libretto. That Weber's tunes were just German folk music is a common misconception. Its unearthly portrayal of the supernatural in the famous Wolf's Glen scene has been described as "the most expressive rendering of the gruesome that is to be found in a musical score". Performance history The reception of ''Der Freischütz'' surpassed Weber's own hopes and it quickly became an international success, with productions in Vienna the same year f ...
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