|
International Exhibition Of Art (1911)
International Exhibition of Art () was a world's fair held in Rome in 1911 to celebrate the 50th anniversary of the unification of Italy in the same year as another world's fair in Turin (which had a more scientific focus). It marked the beginnings of the National Roman Museum. The fair's receipts were disappointing over the summer of 1911 because of poor weather and a cholera epidemic. The fair was open from 29 April to 19 November 1911, and had 7,409,145 visitors. The participating countries included Austria, Belgium, France, Germany, Japan, England, Russia, Serbia, Spain, USA, Hungary and Italy. The British Pavilion was designed by Sir Edwin Lutyens. In 1912 it taken over by the British School at Rome, which is still based there. The Serbian pavilion was designed by Petar Bajalović. Several Serbian and regional artists presented their works, including Marko Murat, Ivan Meštrović, Dragomir Arambašić, Đorđe Jovanović, Toma Rosandić Toma Rosandić ( sr-cyr, Том ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
World's Fair
A world's fair, also known as a universal exhibition or an expo, is a large international exhibition designed to showcase the achievements of nations. These exhibitions vary in character and are held in different parts of the world at a specific site for a period of time, typically between three and six months. The term "world's fair" is commonly used in the United States, while the French term, ("universal exhibition") is used in most of Europe and Asia; other terms include World Expo or Specialised Expo, with the word expo used for various types of exhibitions since at least 1958. Since the adoption of the 1928 Convention Relating to International Exhibitions, the Paris-based Bureau International des Expositions has served as an international sanctioning body for international exhibitions; four types of international exhibition are organised under its auspices: World Expos, Specialised Expos, Horticultural Expos (regulated by the International Association of Horticultural ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Marko Murat
Marko Murat ( sr-Cyrl, Марко Мурат; December 30, 1864 – October 14, 1944) was a Serbian painter from Dubrovnik who spent 20 years of his life in Belgrade, becoming a leading member of the Serbian and Yugoslav art scene at the time, before returning to his home town where he made a substantial mark in art conservation. Life and work Murat was born in Šipanska Luka near Dubrovnik in a Catholic family, as his uncle Vice Palunko was a noted priest and assistant bishop, and his older brother Andro Murat also became a priest. After finishing primary school in Dubrovnik in 1883, Marko Murat attended the seminary in Zadar. In 1886, he submitted a drawing to ''Vijenac'' which was noticed by Baron Lujo Vranyczany, who financed a scholarship for him to study at the Munich Art Academy. After graduation in 1893, he went to Rome and Paris. In 1894 he moved to Belgrade, where he finally settled in 1898, employed at the Second Belgrade Gymnasium. In the year 1900, Marko Murat wa ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Culture In Rome
The culture of Rome in Italy refers to the arts, high culture, language, religion, politics, libraries, cuisine, architecture and fashion in Rome, Italy. Rome was supposedly founded in 753 BC and ever since has been the capital of the Roman Empire, one of the main centres of Christianity, the home of the Roman Catholic Church and the seat of the Italian Republic. Due to its historical and social importance, Rome has been nicknamed the ''Caput Mundi'', or "capital of the world". The arts Architecture and city layout Ancient Rome One of the symbols of Rome is the Colosseum (70-80 AD), the largest amphitheatre ever built in the Roman Empire. Originally capable of seating 60,000 spectators, it was used for gladiatorial combat. The list of the very important monuments of ancient Rome includes the Roman Forum, the Domus Aurea, the Pantheon, Trajan's Column, Trajan's Market, the several catacombs area, the Circus Maximus, the Baths of Caracalla, Castel Sant'Angelo, the Maus ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Arts In Rome
Rome has for over two thousand years been one of the most important artistic centres in the world. Early Ancient Roman art initially developed from the Etruscan art slightly to its north, but from about 2000 BC, as the Roman republic became involved with the Greek world, Ancient Greek art and Ancient Greek architecture, architecture became the dominant influence, until the two effectively merged into a Greco-Roman style, often meaning Greek-speaking artists working for Latin-speaking patrons. Roman literature and Roman philosophy, philosophy was also centred on the capital. Early Christian art and Early Christian architecture, architecture largely developed in the Imperial capital, but the first centuries after the fall of the Western Empire were a relative low point. By 900 AD Rome had recovered much of its position as a leading centre, centred on the Papal court. The removal of the popes from the city in the Avignon Captivity (1309-76), and the city becoming a battleground bet ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Toma Rosandić
Toma Rosandić ( sr-cyr, Тома Росандић; baptized as Tomaso Vincenzo, 22 January 1878 – 1 March 1958) was a Serbian and Yugoslav sculptor, architect and fine arts pedagog. Together with Ivan Meštrović (1883–1962), he was the most prominent of Yugoslav sculptors of his day. Biography Rosandić was born in the Dalmatian city of Split, Austria-Hungary, the son of a stoneworker. The family name, Rosandić originates from Cetinska Krajina, in the Dalmatian Hinterlands. During the early years in Split, Rosandić learnt to carve in wood as well as stone and was much inspired by the younger Meštrović who had moved there from Otavice. Both sculptors studied overseas before returning to Split, Rosandić touring Italy and exhibiting in Milan in 1906 and Belgrade in 1912. He exhibited his artworks as a part of Kingdom of Serbia's pavilion at International Exhibition of Art of 1911. Something of their parallel development and underlying rivalry can be understood from ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Đorđe Jovanović (sculptor)
Đorđe Jovanović (21 January 1861, Novi Sad – 26 March 1953, Belgrade) was a Serbian sculptor and a full member of the Serbian Academy of Sciences and Arts. Biography Jovanović was born in Novi Sad, where he spent the first three years of his life. Then, his family moved to Požarevac. He studied at Kragujevac, where he obtained his ''baccalauréat'' from ''Grandes écoles'' in 1882. In 1884, he obtained a state grant to pursue his post-graduate studies at the Academy of Fine Arts in Vienna, where he started studying painting and sculpture. He also studied at the Academy of Fine Arts in Munich. After completing his studies in 1887, he lived between Munich, Paris, and Belgrade. In Paris, he improved his art with Henri Chapu and Jean Antoine Injalbert. In 1889, at the World Exhibition in Paris, he won a prize for the "Gusle" and then, in 1900, at the World Exhibition in Paris, he won the first award for the "Kosovo Monument". Jovanović was very prolific, and many of his ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Dragomir Arambašić
Dragomir Arambašić (1881–1945) was a Serbian sculptor and painter. Biography Arambašić came from a notable Serbian family, his great-grandfather was Bimbaša Stanko Arambašić of the First Serbian Uprising. His decision to practice sculpture was influenced by his acquaintance with Czech sculptor Jan Konjarek, who lived and worked in Belgrade at the time. He began his sculpture studies in Dresden with Anton von Werner and graduated from the Accademia di San Luca in Rome with Giuseppe Ferrari. He was a member of the LADA and the Association of Painters and Sculptors. Arambašić was also one of the founders of the Association of Fine Artists of Serbia. After his studies in Munich and Dresden, Dragomir Arambašić studied in Rome and Paris. Entering the Antonin Mercié Atelier in 1912 he accepted the postulates found there, including the "Florentine renewals" evident in his works "The Girl with the Broken Tug" and "The Fisherman casts the net". In the "Mother's" sculptur ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ivan Meštrović
Ivan Meštrović (; 15 August 1883 – 16 January 1962) was a Croatian sculptor, architect, and writer. He was the most prominent modern Croatian sculptor and a leading artistic personality in contemporary Zagreb. He studied at Pavle Bilinić's Stone Workshop in Split and at the Academy of Fine Arts Vienna, where he was formed under the influence of the Secession. He traveled throughout Europe and studied the works of ancient and Renaissance masters, especially Michelangelo, and French sculptors Auguste Rodin, Antoine Bourdelle and Aristide Maillol. He was the initiator of the national-romantic group Medulić (he advocated the creation of art of national features inspired by the heroic folk songs). During the First World War, he lived in emigration. After the war, he returned to Croatia and began a long and fruitful period of sculpture and pedagogical work. In 1942 he emigrated to Italy, in 1943 to Switzerland and in 1947 to the United States. He was a professor of sculpture at ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Petar Bajalović
Petar Bajalović (in Cyrillic Serbian: Петар Бајаловић; Šabac, Serbia, 27 May 1876 - Belgrade, Serbia, Yugoslavia, 14 April 1947) was a Serbian architect who lived and worked during the latter part of Belle Epoque and the Interwar period. He was one of the representatives of architectural modernism in Serbia. Biography Petar Bajalović completed his Gymnasium education in Belgrade, after which he enrolled at the Technical Faculty of the Belgrade's Visoka škola, graduating with a Bachelor of Science degree. He then went to Germany to pursue his post-graduate studies in architecture at the Technical College in Karlsruhe. There he graduated in 1905. From 1906 until his death, he was a professor and founder of the descriptive geometry field of studies at the Faculty of Architecture of the University of Belgrade, where he distinguished himself as an excellent pedagogue. His daughter Jelena Bajalović took his courses there and in turn became an architect. He const ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Rome
, established_title = Founded , established_date = 753 BC , founder = King Romulus (legendary) , image_map = Map of comune of Rome (metropolitan city of Capital Rome, region Lazio, Italy).svg , map_caption = The territory of the ''comune'' (''Roma Capitale'', in red) inside the Metropolitan City of Rome (''Città Metropolitana di Roma'', in yellow). The white spot in the centre is Vatican City. , pushpin_map = Italy#Europe , pushpin_map_caption = Location within Italy##Location within Europe , pushpin_relief = yes , coordinates = , coor_pinpoint = , subdivision_type = Country , subdivision_name = Italy , subdivision_type2 = Region , subdivision_name2 = Lazio , subdivision_type3 = Metropolitan city , subdivision_name3 = Rome Capital , government_footnotes= , government_type = Strong Mayor–Council , leader_title2 = Legislature , leader_name2 = Capitoline Assemb ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
British School At Rome
The British School at Rome (BSR) is an interdisciplinary research centre supporting the arts, humanities and architecture. History The British School at Rome (BSR) was established in 1901 and granted a UK Royal Charter in 1912. Its mission is "to promote knowledge of and deep engagement with all aspects of the art, history and culture of Italy by scholars and fine artists from Britain and the Commonwealth, and to foster international and interdisciplinary exchange."Wallace-Hadrill, A., 2001. ''The British School at Rome: One Hundred Years'', London: British School at Rome Following the International Exhibition of Art in Rome in 1911, the site of the Edwin Lutyens-designed British Pavilion in the Valle Giulia was granted to the UK on condition that it be used exclusively as a British research centre for archaeology, history and the fine arts. In 1916, after significant adaptation by Lutyens, the BSR moved into what is still its home. In 2002, a purpose-built lecture theatre an ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Edwin Lutyens
Sir Edwin Landseer Lutyens ( ; 29 March 1869 – 1 January 1944) was an English architect known for imaginatively adapting traditional architectural styles to the requirements of his era. He designed many English country houses, war memorials and public buildings. In his biography, the writer Christopher Hussey wrote, "In his lifetime (Lutyens) was widely held to be our greatest architect since Wren if not, as many maintained, his superior". The architectural historian Gavin Stamp described him as "surely the greatest British architect of the twentieth (or of any other) century". Lutyens played an instrumental role in designing and building New Delhi, which would later on serve as the seat of the Government of India. In recognition of his contribution, New Delhi is also known as "Lutyens' Delhi". In collaboration with Sir Herbert Baker, he was also the main architect of several monuments in New Delhi such as the India Gate; he also designed Viceroy's House, which is now k ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
.jpg "Click for more on -> Edwin Lutyens")