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Igreja De São Francisco (Évora)
The Church of St. Francis () is located in Évora, Portugal. It is best known for its lugubrious Chapel of the Bones. The Church was classified as National Monument in 1910. Overview This huge church was built in Gothic style (with some Manueline influences) between 1475 and the 1550s to the design of Martim Lourenço, replacing an earlier Romanesque church of 1226. This church is one of a kind through its narthex with arcades in front of the church. The arcade is formed by seven arches with different forms (semicircular, pointed or horseshoe arches), a typical blend of Gothic and Moorish elements. The battlemented façade has conical or spiral-shaped spires. The Manueline entrance to the church carries above a pelican, emblem of king João II and an armillary, emblem of king Manuel I. The church shows majestic proportions : 36 x 34 x 24 m. The single, groin-vaulted nave gives a wide impression, accentuated by the white mortar on the walls and the columns. This is the larg ...
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Évora
Évora ( , ) is a city and a municipality in Portugal. It has 53,591 inhabitants (2021), in an area of 1307.08 km2. It is the historic capital of the Alentejo and serves as the seat of the Évora District. Due to its well-preserved old town centre, still partially enclosed by medieval walls, and many monuments dating from various historical periods, including a Roman Temple, Évora is a UNESCO World Heritage Site. Due to its inland position, Évora is one of Portugal's hottest cities in the summer, frequently subject to heat waves. Évora is ranked number two in the Portuguese most livable cities survey of living conditions published yearly by ''Expresso''. It was ranked first in a study concerning competitiveness of the 18 Portuguese district capitals, according to a 2006 study made by Minho University economics researchers. Along with Liepāja, Latvia, Évora was chosen to be European Capital of Culture in 2027. History Early history Évora has a history dating ...
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Manuel I Of Portugal
Manuel I (; 31 May 146913 December 1521), known as the Fortunate ( pt, O Venturoso), was King of Portugal from 1495 to 1521. A member of the House of Aviz, Manuel was Duke of Beja and Viseu prior to succeeding his cousin, John II of Portugal, as monarch. Manuel ruled over a period of intensive expansion of the Portuguese Empire owing to the numerous Portuguese discoveries made during his reign. His sponsorship of Vasco da Gama led to the Portuguese discovery of the sea route to India in 1498, resulting in the creation of the Portuguese India Armadas, which guaranteed Portugal's monopoly on the spice trade. Manuel began the Portuguese colonization of the Americas and Portuguese India, and oversaw the establishment of a vast trade empire across Africa and Asia. He was also the first monarch to bear the title: ''By the Grace of God, King of Portugal and the Algarves, this side and beyond the Sea in Africa, Lord of Guinea and the Conquest, Navigation and Commerce in Ethiopia, A ...
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Buildings And Structures In Évora
A building, or edifice, is an enclosed structure with a roof and walls standing more or less permanently in one place, such as a house or factory (although there's also portable buildings). Buildings come in a variety of sizes, shapes, and functions, and have been adapted throughout history for a wide number of factors, from building materials available, to weather conditions, land prices, ground conditions, specific uses, prestige, and aesthetic reasons. To better understand the term ''building'' compare the list of nonbuilding structures. Buildings serve several societal needs – primarily as shelter from weather, security, living space, privacy, to store belongings, and to comfortably live and work. A building as a shelter represents a physical division of the human habitat (a place of comfort and safety) and the ''outside'' (a place that at times may be harsh and harmful). Ever since the first cave paintings, buildings have also become objects or canvasses of much artistic ...
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List Of Churches In Portugal
The following is a list of churches in Portugal by district or autonomous region. Aveiro District * Capela de Nossa Senhora do Desterro (Arada) ( pt) * Capela do Senhor do Calvário ( pt) *Cathedral of Aveiro * Church of São João Evangelista * Igreja Matriz de Arrifana ( pt) * Igreja Matriz de Santa Marinha de Cortegaça ( pt) * Igreja Matriz de São Cristóvão ( pt) * Igreja Paroquial de São Martinho do Bispo ( pt) * Igreja Paroquial de Válega ( pt also known as Igreja matriz de Santa Maria de Válega) *Igreja de Trofa *Igreja Matriz de Belazaima do Chão *Igreja da Misericórdia de Santa Maria da Feira ( pt) *Igreja de Roge ( pt) *Igreja de São Martinho (Argoncilhe) ( pt) *Igreja de São Tiago de Silvalde ( pt) Azores *Church of the Jesuit College (Ponta Delgada) * Church of Nossa Senhora do Bom Despacho *Church of Nossa Senhora dos Milagres (Corvo) *Church of Nossa Senhora do Rosário (Calheta) * Church of Santa Bárbara (Horta) * Church of Santa Bárbara (Vila do Por ...
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Baroque
The Baroque (, ; ) is a style of architecture, music, dance, painting, sculpture, poetry, and other arts that flourished in Europe from the early 17th century until the 1750s. In the territories of the Spanish and Portuguese empires including the Iberian Peninsula it continued, together with new styles, until the first decade of the 19th century. It followed Renaissance art and Mannerism and preceded the Rococo (in the past often referred to as "late Baroque") and Neoclassical styles. It was encouraged by the Catholic Church as a means to counter the simplicity and austerity of Protestant architecture, art, and music, though Lutheran Baroque art developed in parts of Europe as well. The Baroque style used contrast, movement, exuberant detail, deep colour, grandeur, and surprise to achieve a sense of awe. The style began at the start of the 17th century in Rome, then spread rapidly to France, northern Italy, Spain, and Portugal, then to Austria, southern Germany, and Russia. B ...
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Renaissance
The Renaissance ( , ) , from , with the same meanings. is a period in European history marking the transition from the Middle Ages to modernity and covering the 15th and 16th centuries, characterized by an effort to revive and surpass ideas and achievements of classical antiquity. It occurred after the Crisis of the Late Middle Ages and was associated with great social change. In addition to the standard periodization, proponents of a "long Renaissance" may put its beginning in the 14th century and its end in the 17th century. The traditional view focuses more on the early modern aspects of the Renaissance and argues that it was a break from the past, but many historians today focus more on its medieval aspects and argue that it was an extension of the Middle Ages. However, the beginnings of the period – the early Renaissance of the 15th century and the Italian Proto-Renaissance from around 1250 or 1300 – overlap considerably with the Late Middle Ages, conventionally da ...
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Gil Vicente
Gil Vicente (; c. 1465c. 1536), called the Trobadour, was a Portuguese playwright and poet who acted in and directed his own plays. Considered the chief dramatist of Portugal he is sometimes called the "Portuguese Plautus," often referred to as the "Father of Portuguese drama" and as one of Western literature's greatest playwrights. Also noted as a lyric poet, Vicente worked in Spanish as much as he worked in Portuguese and is thus, with Juan del Encina, considered joint-father of Spanish drama. Vicente was attached to the courts of the Portuguese kings Manuel I and John III. He rose to prominence as a playwright largely on account of the influence of Queen Dowager Leonor, who noticed him as he participated in court dramas and subsequently commissioned him to write his first theatrical work. He may also have been identical to an accomplished goldsmith of the same name at the court of Évora; the goldsmith is mentioned in royal documents from 1509 to 1517 and worked ...
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Nave
The nave () is the central part of a church, stretching from the (normally western) main entrance or rear wall, to the transepts, or in a church without transepts, to the chancel. When a church contains side aisles, as in a basilica-type building, the strict definition of the term "nave" is restricted to the central aisle. In a broader, more colloquial sense, the nave includes all areas available for the lay worshippers, including the side-aisles and transepts.Cram, Ralph Adams Nave The Catholic Encyclopedia. Vol. 10. New York: Robert Appleton Company, 1911. Accessed 13 July 2018 Either way, the nave is distinct from the area reserved for the choir and clergy. Description The nave extends from the entry—which may have a separate vestibule (the narthex)—to the chancel and may be flanked by lower side-aisles separated from the nave by an arcade. If the aisles are high and of a width comparable to the central nave, the structure is sometimes said to have three naves. ...
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Groin Vault
A groin vault or groined vault (also sometimes known as a double barrel vault or cross vault) is produced by the intersection at right angles of two barrel vaults. Honour, H. and J. Fleming, (2009) ''A World History of Art''. 7th edn. London: Laurence King Publishing, p. 949. The word "groin" refers to the edge between the intersecting vaults. Sometimes the arches of groin vaults are pointed instead of round. In comparison with a barrel vault, a groin vault provides good economies of material and labor. The thrust is concentrated along the groins or arrises (the four diagonal edges formed along the points where the barrel vaults intersect), so the vault need only be abutted at its four corners. Groin vault construction was first exploited by the Romans, but then fell into relative obscurity in Europe until the resurgence of quality stone building brought about by Carolingian and Romanesque architecture. It was superseded by the more flexible rib vaults of Gothic architectur ...
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Armillary
An armillary sphere (variations are known as spherical astrolabe, armilla, or armil) is a model of objects in the sky (on the celestial sphere), consisting of a spherical framework of rings, centered on Earth or the Sun, that represent lines of celestial longitude and latitude and other astronomically important features, such as the ecliptic. As such, it differs from a celestial globe, which is a smooth sphere whose principal purpose is to map the constellations. It was invented separately first in ancient China during the 4th century BC and ancient Greece during the 3rd century BC, with later uses in the Islamic world and Medieval Europe. With the Earth as center, an armillary sphere is known as ''Ptolemaic''. With the Sun as center, it is known as '' Copernican''. The flag of Portugal features an armillary sphere. The armillary sphere is also featured in Portuguese heraldry, associated with the Portuguese discoveries during the Age of Exploration. Manuel I of Portugal ...
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Capela Dos Ossos
Capela may refer to: Places *Capela (Penafiel), a parish in Penafiel Municipality, Portugal * Capela, Sergipe, a municipality in the Brazilian state of Sergipe * Capela, Alagoas, a municipality in the Brazilian state of Alagoas * Capela, Râmnicu Vâlcea, a neighborhood in Râmnicu Vâlcea * Capela Hill, a hill in the western part of the Romanian town of Râmnicu Vâlcea * A Capela, a place in Galicia, Spain *Capelas, a civil parish on the island of São Miguel in the Portuguese Azores. People *Aníbal Capela, a Portuguese professional footballer *Clint Capela, Swiss professional basketball player (NBA, Europe) *Manuel Capela, a Portuguese footballer who played as goalkeeper *Capela (footballer) (Fernando Jorge Barbosa Martins, born 1986), Portuguese football midfielder Music *Mestre de capela *Capela Real, Lisbon *Capela Real do Rio de Janeiro, 1808 See also *Kapela (other) *Cappella (other) *Capella (other) Capella is a bright star in the co ...
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