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Hu Gadarn
Hu Gadarn (''Hu the Mighty'') is a supposed Welsh legendary figure who appears in several of a series of Welsh Triads produced by the Welsh antiquarian and literary forger Iolo Morganwg. These triads, which Iolo put forth as medieval works, present Hu as a culture hero of the ancient Britons who introduced ploughing. However, it is now known that the triads, like all of the so-called "Third Series" of triads, were fabricated by Iolo himself.Rejhon, A. C. (1983). "Hu Gadarn: Folklore and Fabrication". In Patrick K. Ford (Ed.), ''Celtic Folklore and Christianity'', pp. 201–12. Santa Barbara. The name "Hu Gadarn" earlier appeared in a Welsh translation of a French romance about Charlemagne. Still, Iolo's version of Hu Gadarn was taken up in the 20th century by the poet Robert Graves, who associated him with other Celtic figures; since then he has been popular among neopagans.Jones, Mary (2009)"Hu Gadarn" From www.maryjones.us. Retrieved 4 June 2010. Origins The name Hu Gadarn first ...
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Welsh Triads
The Welsh Triads ( cy, Trioedd Ynys Prydein, "Triads of the Island of Britain") are a group of related texts in medieval manuscripts which preserve fragments of Welsh folklore, mythology and traditional history in groups of three. The triad is a rhetorical form whereby objects are grouped together in threes, with a heading indicating the point of likeness; for example, "Three things not easily restrained, the flow of a torrent, the flight of an arrow, and the tongue of a fool." Contents The texts include references to King Arthur and other semi-historical characters from sub-Roman Britain, mythic figures such as Brân the Blessed, undeniably historical personages such as Alan IV, Duke of Brittany (who is called ''Alan Fyrgan'') and Iron Age characters such as Caswallawn ( Cassivellaunus) and Caradoc ( Caratacus). Some triads simply give a list of three characters with something in common (such as "the three frivolous bards of the island of Britain") while others include substan ...
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Triads Of Britain
Triad or triade may refer to: * a group of three Businesses and organisations * Triad (American fraternities), certain historic groupings of seminal college fraternities in North America * Triad (organized crime), a Chinese transnational organized crime syndicate * Triad Broadcasting, an American radio station operator * Triad High School (other), several uses * Triad Hospitals, an American hospital operator * Triad International, a multi-national private investment corporation * Triad Racing Technologies, a body parts and chassis supplier for NASCAR teams * Triad Securities, a finance company * Triad Strategies, an American lobbying firm * Triad Theater, a performing arts venue in New York City Arts and entertainment Fictional characters * The Triad (''Charmed''), fictional characters in the TV series * Triad (superhero), alias of DC Comics' Luornu Durgo Film and television * ''Triad'' (film), a 1938 German film * ''Triads, Yardies and Onion Bhajees'', a 200 ...
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Cernunnos
In ancient Celtic and Gallo-Roman religion, Cernunnos or Carnonos was a god depicted with antlers, seated cross-legged, and is associated with stags, horned serpents, dogs and bulls. He is usually shown holding or wearing a torc and sometimes holding a bag of coins (or grain) and a cornucopia. Believed to have originally been a Celtic god, there are more than fifty depictions and inscriptions referring to him, mainly in the north-eastern region of Gaul. Cernunnos is also associated with the Wiccan Horned God in the modern religious tradition of Wicca, via the discredited Witch-cult hypothesis. Name and etymology In Gaulish, the name Cernunnos is rooted in the word ''karnon'' which means "horn" or "antler". Karnon is cognate with Latin ''cornu'' and Germanic ''*hurnaz'', ultimately from Proto-Indo-European '. The etymon ''karn-'' "horn" appears in both Gaulish and Galatian branches of Continental Celtic. Hesychius of Alexandria glosses the Galatian word ''karnon'' ( ...
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Horned God
The Horned God is one of the two primary deities found in Wicca and some related forms of Neopaganism. The term ''Horned God'' itself predates Wicca, and is an early 20th-century syncretic term for a horned or antlered anthropomorphic god partly based on historical horned deities. The Horned God represents the male part of the religion's duotheistic theological system, the consort of the female Triple goddess of the Moon or other Mother goddess. In common Wiccan belief, he is associated with nature, wilderness, sexuality, hunting, and the life cycle. Whilst depictions of the deity vary, he is always shown with either horns or antlers upon his head, often depicted as being theriocephalic (having a beast's head), in this way emphasizing "the union of the divine and the animal", the latter of which includes humanity. In traditional Wicca ( British Traditional Wicca), he is generally regarded as a dualistic god of twofold aspects: bright and dark, night and day, summer and ...
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Esus
Esus, Hesus, or Aisus was a Brittonic and Gaulish god known from two monumental statues and a line in Lucan's '' Bellum civile''. Name T. F. O'Rahilly derives the theonym ''Esus'', as well as ''Aoibheall'', ''Éibhleann'', ''Aoife'', and other names, from the Proto-Indo-European root *''eis-'', which he glosses as 'well-being, energy, passion'. The personal name ''Esunertus'' ('strength of Esus') occurs in a number of Gallo-Roman inscriptions, including one votive inscription dedicated to Mercury,J. A. MacCulloch (1911). ‘Chapter III. The Gods of Gaul and the Continental Celts.�''The Religion of the Ancient Celts''.New York: Dover Publications. . while other theophoric given names such as ''Esugenus'' ('born from Esus') are also attested. It is possible that the ''Esuvii'' of Gaul, in the area of present-day Normandy, took their name from this deity.Jan de Vries (1954). ''Keltische Religion.'' W. Kohlhammer, Stuttgart. p.98Cited here./ref> Imagery The two sculptures w ...
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Gauls
The Gauls ( la, Galli; grc, Γαλάται, ''Galátai'') were a group of Celtic peoples of mainland Europe in the Iron Age and the Roman period (roughly 5th century BC to 5th century AD). Their homeland was known as Gaul (''Gallia''). They spoke Gaulish, a continental Celtic language. The Gauls emerged around the 5th century BC as bearers of La Tène culture north and west of the Alps. By the 4th century BC, they were spread over much of what is now France, Belgium, Switzerland, Southern Germany, Austria, and the Czech Republic, by virtue of controlling the trade routes along the river systems of the Rhône, Seine, Rhine, and Danube. They reached the peak of their power in the 3rd century BC. During the 4th and 3rd centuries BC, the Gauls expanded into Northern Italy ( Cisalpine Gaul), leading to the Roman–Gallic wars, and into the Balkans, leading to war with the Greeks. These latter Gauls eventually settled in Anatolia, becoming known as Galatians. After the en ...
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Bard
In Celtic cultures, a bard is a professional story teller, verse-maker, music composer, oral historian and genealogist, employed by a patron (such as a monarch or chieftain) to commemorate one or more of the patron's ancestors and to praise the patron's own activities. With the decline of a living bardic tradition in the modern period, the term has loosened to mean a generic minstrel or author (especially a famous one). For example, William Shakespeare and Rabindranath Tagore are respectively known as "the Bard of Avon" (often simply "the Bard") and "the Bard of Bengal". Oxford Dictionary of English, s.v. ''bard'', n.1. In 16th-century Scotland, it turned into a derogatory term for an itinerant musician; nonetheless it was later romanticised by Sir Walter Scott (1771–1832). Etymology The English term ''bard'' is a loan word from the Celtic languages: Gaulish: ''bardo-'' ('bard, poet'), mga, bard and ('bard, poet'), wlm, bardd ('singer, poet'), Middle Breton: ''barz' ...
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Barddas
''Barddas'' is a book of material compiled and written by the Welsh writer Iolo Morganwg. Dressed as an authentic compilation of ancient Welsh bardic and druidic theology and lore, its contents are largely Iolo's invention. It was posthumously published by John Williams for the Welsh Manuscripts Society in two volumes, in 1862 and 1874. Publication After Iolo Morganwg's death in 1826, his son Taliesin Williams set about collecting and publishing his unpublished manuscripts. This resulted in three volumes, including ''The Iolo Papers'' in 1848, published a year after Taliesin Williams' unexpected death. Subsequently, Iolo's papers were purchased by Benjamin and Augusta Hall, who made them accessible to other scholars. John Williams, alias "Ab Ithel", was among the first to take up the offer; he edited the two volumes now known as ''Barddas'' for the Welsh Manuscripts Society, which appeared in 1862 and 1874. Contents Williams claimed the ''Barddas'' material was based on aut ...
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The Myvyrian Archaiology Of Wales
''The Myvyrian Archaiology of Wales'' is a printed collection of medieval Welsh literature, published in three volumes by the Gwyneddigion Society between 1801 and 1807. Until John Gwenogvryn Evans produced diplomatic editions of the important medieval Welsh manuscripts, the ''Myvyrian Archaiology'' provided the source text for many translators of medieval Welsh material.Mary Jones"Y Myvyrian Archaiology" ''Jones' Celtic Encyclopedia'', 2003, accessed 10 June 2009 It was founded, and funded, by Owen Jones, who engaged William Owen Pughe as editor, and Edward Williams, better known as Iolo Morganwg, to search Wales for manuscripts. The first volume, published in 1801, attempted to collect all Welsh poetry prior to 1370, with the exception of the work of Dafydd ap Gwilym, which had already been published. Volume two, also published in 1801, contained the Welsh Triads, the chronicles (versions of the ''Brut y Brenhinedd'' and ''Brut y Tywysogion ''Brut y Tywysogion'' ( en, Chro ...
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Afanc
The Afanc (, sometimes also called Addanc, ) is a lake monster from Welsh mythology. Its exact description varies; it is described variously as resembling a crocodile, beaver or dwarf-like creature, or a platypus and is sometimes said to be a demon. The lake in which it dwells also varies; it is variously said to live in Llyn Llion, Llyn Barfog, near Brynberian Bridge or in Llyn yr Afanc, a lake near Betws-y-coed that was named after the creature. Legends and traditions The afanc was a monstrous creature that, like most lake monsters, was said to prey upon any foolish enough to fall into or swim in its lake. One of the earliest descriptions of it is given by the 15th-century poet Lewys Glyn Cothi, who described it as living in Llyn Syfaddon, in Powys. One tale relates that it was rendered helpless by a maiden who let it sleep upon her lap; while it slept, the maiden's fellow villagers bound the creature in chains. The creature was awakened and made furious; its enraged thrashin ...
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Yoke
A yoke is a wooden beam sometimes used between a pair of oxen or other animals to enable them to pull together on a load when working in pairs, as oxen usually do; some yokes are fitted to individual animals. There are several types of yoke, used in different cultures, and for different types of oxen. A pair of oxen may be called a ''yoke of oxen'', and yoke is also a verb, as in "to ''yoke'' a pair of oxen". Other animals that may be yoked include horses, mules, donkeys, and water buffalo. Etymology The word "yoke" is believed to derive from Proto-Indo-European *yugóm (yoke), from root *''yewg''- (join, unite), and is thus cognate with ''yoga''. This root has descendants in almost all known Indo-European languages including German ''Joch'', Latin ''iugum'', Ancient Greek ζυγόν (''zygon''), Persian یوغ (''yuğ''), Sanskrit युग (''yugá''), Hittite 𒄿𒌑𒃷 (iúkan), Old Church Slavonic иго (''igo''), Lithuanian ''jungas'', Old Irish ''cuing'', and Arm ...
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Plough
A plough or plow ( US; both ) is a farm tool for loosening or turning the soil before sowing seed or planting. Ploughs were traditionally drawn by oxen and horses, but in modern farms are drawn by tractors. A plough may have a wooden, iron or steel frame, with a blade attached to cut and loosen the soil. It has been fundamental to farming for most of history. The earliest ploughs had no wheels; such a plough was known to the Romans as an ''aratrum''. Celtic peoples first came to use wheeled ploughs in the Roman era. The prime purpose of ploughing is to turn over the uppermost soil, bringing fresh nutrients to the surface while burying weeds and crop remains to decay. Trenches cut by the plough are called furrows. In modern use, a ploughed field is normally left to dry and then harrowed before planting. Ploughing and cultivating soil evens the content of the upper layer of soil, where most plant-feeder roots grow. Ploughs were initially powered by humans, but the use of far ...
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