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Hosaholalu
Hosaholalu is a small town near Krishnarajapet in Mandya district of Karnataka state, India. Location Hosaholalu is located two km west of Krishnarajapet town on the Bherya road. Lakshmi Narayana Temple The Lakshminarayana Temple is located in Hosaholalu. It was built by King Vira Someshwara of the Hoysala Empire in 1250 CE. The dating of the temple is based on the style of the sculptures and architecture that compares closely with the contemporary Hoysala monuments at Javagal, Nuggehalli and Somanathapura. The town of Hosaholalu is about from Hassan and from the heritage city of Mysore, the cultural capital of Karnataka state.Foekema (1996), p71 The temple is a splendid example of a ''trikuta'' vimana (three shrined) temple though only the central shrine exhibits a tower (superstructure or ''Shikhara'') on top.Quote:"Depending on the number of towers, the temples are classified as ekakuta (one shrine and tower), dvikuta (two), trikuta (three), chatushkuta (four) and ...
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Hosaholalu
Hosaholalu is a small town near Krishnarajapet in Mandya district of Karnataka state, India. Location Hosaholalu is located two km west of Krishnarajapet town on the Bherya road. Lakshmi Narayana Temple The Lakshminarayana Temple is located in Hosaholalu. It was built by King Vira Someshwara of the Hoysala Empire in 1250 CE. The dating of the temple is based on the style of the sculptures and architecture that compares closely with the contemporary Hoysala monuments at Javagal, Nuggehalli and Somanathapura. The town of Hosaholalu is about from Hassan and from the heritage city of Mysore, the cultural capital of Karnataka state.Foekema (1996), p71 The temple is a splendid example of a ''trikuta'' vimana (three shrined) temple though only the central shrine exhibits a tower (superstructure or ''Shikhara'') on top.Quote:"Depending on the number of towers, the temples are classified as ekakuta (one shrine and tower), dvikuta (two), trikuta (three), chatushkuta (four) and ...
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Hoysala Architecture
Hoysala architecture is the building style in Hindu temple architecture developed under the rule of the Hoysala Empire between the 11th and 14th centuries, in the region known today as Karnataka, a state of India. Hoysala influence was at its peak in the 13th century, when it dominated the Southern Deccan Plateau region. Large and small temples built during this era remain as examples of the Hoysala architectural style, including the Chennakesava Temple at Belur, the Hoysaleswara Temple at Halebidu, and the Kesava Temple at Somanathapura.Hardy (1995), pp. 243–245Foekema (1996), p. 47, p. 59, p. 87 Other examples of Hoysala craftsmanship are the temples at Belavadi, Amruthapura, Hosaholalu, Mosale, Arasikere, Basaralu, Kikkeri and Nuggehalli.Hardy (1995), p. 320, p. 321, p. 324, p. 325, p. 329, p. 332, p. 334, p. 339, p. 340, p. 346Foekema (1996), p. 53, p. 37, p. 71, p. 81, p. 41, p. 43, p. 83 Study of the Hoysala architectural style has revealed a negligible Indo-Aryan ...
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Hoysala Empire
The Hoysala Empire was a Kannada people, Kannadiga power originating from the Indian subcontinent that ruled most of what is now Karnataka, India, Karnataka between the 10th and the 14th centuries. The capital of the Hoysalas was initially located at Belur, Karnataka, Belur, but was later moved to Halebidu. The Hoysala rulers were originally from Malenadu, an elevated region in the Western Ghats. In the 12th century, taking advantage of the internecine warfare between the Western Chalukya Empire and Kalachuris of Kalyani, the Hoysalas annexed areas of present-day Karnataka and the fertile areas north of the Kaveri delta in present-day Tamil Nadu. By the 13th century, they governed most of Karnataka, minor parts of Tamil Nadu and parts of western Andhra Pradesh and Telangana in the Deccan Plateau. The Hoysala era was an important period in the development of South Indian art, architecture, and religion. The empire is remembered today primarily for Hoysala architecture; 100 survi ...
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Krishnarajapet
Krishnarajapete, colloquially known as K.R. Pete, is a municipality and taluk in Mandya District in the Indian state of Karnataka. Geography Krishnarajpet is located at . It has an average elevation of 790 metres (2591 feet). Demographics India census, Krishnarajpet had a population of 22,473. Males constitute 51% of the population and females 49%. Krishnarajpet has an average literacy rate of 70%, higher than the national average of 59.5%: male literacy is 77%, and female literacy is 63%. In Krishnarajpet, 12% of the population is under 6 years of age. Abandoned ancient temples K.R. Pete and its surroundings has many ancient temples of architectural importance, built during the Hoysala reign. One such small temple is the Hoysaleswara Temple at Thenginaghatta village. The temple is surrounded by wild bushes and banana plantations. Sadly neglected, ancient sculptures are strewn about amidst debris. The epigraph reveals the name of the temple as ‘Hoysaleswara Tem ...
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Ramayana
The ''Rāmāyana'' (; sa, रामायणम्, ) is a Sanskrit literature, Sanskrit Indian epic poetry, epic composed over a period of nearly a millennium, with scholars' estimates for the earliest stage of the text ranging from the 8th to 4th centuries BCE, and later stages extending up to the 3rd century CE. ''Ramayana'' is one of the two important epics of Hinduism, the other being the ''Mahabharata, Mahābhārata''. The epic, traditionally ascribed to the Maharishi Valmiki, narrates the life of Sita, the Princess of Janakpur, and Rama, a legendary prince of Ayodhya city in the kingdom of Kosala. The epic follows his fourteen-year exile to the forest urged by his father King Dasharatha, on the request of Rama's stepmother Kaikeyi; his travels across forests in the South Asia, Indian subcontinent with his wife Sita and brother Lakshmana, the kidnapping of Sita by Ravana – the king of Lanka, that resulted in war; and Rama's eventual return to Ayodhya to be crowned kin ...
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Mahabharata
The ''Mahābhārata'' ( ; sa, महाभारतम्, ', ) is one of the two major Sanskrit epics of ancient India in Hinduism, the other being the ''Rāmāyaṇa''. It narrates the struggle between two groups of cousins in the Kurukshetra War and the fates of the Kaurava and the Pāṇḍava princes and their successors. It also contains philosophical and devotional material, such as a discussion of the four "goals of life" or ''puruṣārtha'' (12.161). Among the principal works and stories in the ''Mahābhārata'' are the '' Bhagavad Gita'', the story of Damayanti, the story of Shakuntala, the story of Pururava and Urvashi, the story of Savitri and Satyavan, the story of Kacha and Devayani, the story of Rishyasringa and an abbreviated version of the ''Rāmāyaṇa'', often considered as works in their own right. Traditionally, the authorship of the ''Mahābhārata'' is attributed to Vyāsa. There have been many attempts to unravel its historical growth and c ...
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Puranic
Purana (; sa, , '; literally meaning "ancient, old"Merriam-Webster's Encyclopedia of Literature (1995 Edition), Article on Puranas, , page 915) is a vast genre of Indian literature about a wide range of topics, particularly about legends and other traditional lore. The Puranas are known for the intricate layers of symbolism depicted within their stories. Composed originally in Sanskrit and in other Indian languages,John Cort (1993), Purana Perennis: Reciprocity and Transformation in Hindu and Jaina Texts (Editor: Wendy Doniger), State University of New York Press, , pages 185-204 several of these texts are named after major Hindu gods such as Vishnu, Shiva, Brahma, and Adi Shakti. The Puranic genre of literature is found in both Hinduism and Jainism. The Puranic literature is encyclopedic, and it includes diverse topics such as cosmogony, cosmology, genealogies of gods, goddesses, kings, heroes, sages, and demigods, folk tales, pilgrimages, temples, medicine, astronomy, gram ...
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Hindu
Hindus (; ) are people who religiously adhere to Hinduism.Jeffery D. Long (2007), A Vision for Hinduism, IB Tauris, , pages 35–37 Historically, the term has also been used as a geographical, cultural, and later religious identifier for people living in the Indian subcontinent. The term ''"Hindu"'' traces back to Old Persian which derived these names from the Sanskrit name ''Sindhu'' (सिन्धु ), referring to the river Indus. The Greek cognates of the same terms are "''Indus''" (for the river) and "''India''" (for the land of the river). The term "''Hindu''" also implied a geographic, ethnic or cultural identifier for people living in the Indian subcontinent around or beyond the Sindhu (Indus) River. By the 16th century CE, the term began to refer to residents of the subcontinent who were not Turkic or Muslims. Hindoo is an archaic spelling variant, whose use today is considered derogatory. The historical development of Hindu self-identity within the local In ...
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Vaishnava
Vaishnavism ( sa, वैष्णवसम्प्रदायः, Vaiṣṇavasampradāyaḥ) is one of the major Hindu denominations along with Shaivism, Shaktism, and Smartism. It is also called Vishnuism since it considers Vishnu as the sole supreme being leading all other Hindu deities, i.e. ''Mahavishnu''. Its followers are called Vaishnavites or ''Vaishnava''s (), and it includes sub-sects like Krishnaism and Ramaism, which consider Krishna and Rama as the supreme beings respectively. According to a 2010 estimate by Johnson and Grim, Vaishnavism is the largest Hindu sect, constituting about 641 million or 67.6% of Hindus. The ancient emergence of Vaishnavism is unclear, and broadly hypothesized as a fusion of various regional non-Vedic religions with Vishnu. A merger of several popular non-Vedic theistic traditions, particularly the Bhagavata cults of Vāsudeva-krishna and ''Gopala-Krishna'', and Narayana, developed in the 7th to 4th century BCE. It was integrated w ...
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Frieze
In architecture, the frieze is the wide central section part of an entablature and may be plain in the Ionic or Doric order, or decorated with bas-reliefs. Paterae are also usually used to decorate friezes. Even when neither columns nor pilasters are expressed, on an astylar wall it lies upon the architrave ("main beam") and is capped by the moldings of the cornice. A frieze can be found on many Greek and Roman buildings, the Parthenon Frieze being the most famous, and perhaps the most elaborate. This style is typical for the Persians. In interiors, the frieze of a room is the section of wall above the picture rail and under the crown moldings or cornice. By extension, a frieze is a long stretch of painted, sculpted or even calligraphic decoration in such a position, normally above eye-level. Frieze decorations may depict scenes in a sequence of discrete panels. The material of which the frieze is made of may be plasterwork, carved wood or other decorative medium. ...
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Molding (decorative)
Moulding (spelled molding in the United States), or coving (in United Kingdom, Australia), is a strip of material with various profiles used to cover transitions between surfaces or for decoration. It is traditionally made from solid milled wood or plaster, but may be of plastic or reformed wood. In classical architecture and sculpture, the moulding is often carved in marble or other stones. A "plain" moulding has right-angled upper and lower edges. A "sprung" moulding has upper and lower edges that bevel towards its rear, allowing mounting between two non-parallel planes (such as a wall and a ceiling), with an open space behind. Mouldings may be decorated with paterae as long, uninterrupted elements may be boring for eyes. Types Decorative mouldings have been made of wood, stone and cement. Recently mouldings have been made of extruded PVC and Expanded Polystyrene (EPS) as a core with a cement-based protective coating. Synthetic mouldings are a cost-effective alternative ...
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Kaumodaki
Kaumodaki () is the gadā (mace) of the Hindu deity Vishnu. Vishnu is often depicted holding the Kaumodaki in one of his four hands; his other attributes are the chakra, the conch, and the lotus. The ''gada'' is also found in the iconography of some of Vishnu's avatars. The name, 'Kaumodak' first appears in the Hindu epic ''Mahabharata'', where it is associated with Vishnu's avatar, Krishna. The ''gada'' is depicted in images of Vishnu since . While initially unadorned, the size and shape of Kaumodaki vary in depictions. More elaborate design features like flutes and segments were added in depictions of Vishnu's ''gada''. Though the weapon may be depicted as an inanimate ''gada'', Kaumodaki sometimes appears personified as a woman known as Gadadevi or Gadanari in sculptures of Vishnu. In depictions that use this version, Vishnu rests one of his hands on her head, while she herself holds the ''gada'', is seen emerging from it or has the ''gada'' carved on her head/crown. The ...
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