Hlebine School
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Hlebine School
Croatian art of the 20th century, that is visual arts within the boundaries of today's Croatia, can be divided into modern art up to the Second World War, and contemporary art afterwards. Modern art in Croatia began with the Secession ideas spreading from Vienna and Munich, and post-Impressionism from Paris. Young artists would study the latest trends and integrate them into their own work. Many strove to bring a native cultural identity into their art, for example themes of national history and legends, and some of the artwork following the First World War contained a strong political message against the ruling Austro-Hungarian state. A change was noticeable in 1919 with a move to flatter forms, and signs of cubism and expressionism were evident. In the 1920s, the Earth Group sought to reflect reality and social issues in their art, a movement that also saw the development of naive art. By the 1930s there was a return to more simple, classical styles. Following the Second Wor ...
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Hlebine School
Croatian art of the 20th century, that is visual arts within the boundaries of today's Croatia, can be divided into modern art up to the Second World War, and contemporary art afterwards. Modern art in Croatia began with the Secession ideas spreading from Vienna and Munich, and post-Impressionism from Paris. Young artists would study the latest trends and integrate them into their own work. Many strove to bring a native cultural identity into their art, for example themes of national history and legends, and some of the artwork following the First World War contained a strong political message against the ruling Austro-Hungarian state. A change was noticeable in 1919 with a move to flatter forms, and signs of cubism and expressionism were evident. In the 1920s, the Earth Group sought to reflect reality and social issues in their art, a movement that also saw the development of naive art. By the 1930s there was a return to more simple, classical styles. Following the Second Wor ...
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Croatian Art Of The 20th Century
Croatian art of the 20th century, that is visual arts within the boundaries of today's Croatia, can be divided into modern art up to the Second World War, and contemporary art afterwards. Modern art in Croatia began with the Secession ideas spreading from Vienna and Munich, and post-Impressionism from Paris. Young artists would study the latest trends and integrate them into their own work. Many strove to bring a native cultural identity into their art, for example themes of national history and legends, and some of the artwork following the First World War contained a strong political message against the ruling Austro-Hungarian state. A change was noticeable in 1919 with a move to flatter forms, and signs of cubism and expressionism were evident. In the 1920s, the Earth Group sought to reflect reality and social issues in their art, a movement that also saw the development of naive art. By the 1930s there was a return to more simple, classical styles. Following the Second Wor ...
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Zdenac života (Meštrović) 1
Zdenac is a village in Croatia, under the Tounj municipality, in Karlovac County Karlovac County ( hr, Karlovačka županija) is a county in central Croatia, with the administrative center in Karlovac. The city of Karlovac is a fort from the times of the Military Frontier. It was built as a six-side star fort in the 16th cen .... References {{Croatia-geo-stub Geography of Croatia Populated places in Karlovac County ...
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Bauhaus
The Staatliches Bauhaus (), commonly known as the Bauhaus (), was a German art school operational from 1919 to 1933 that combined crafts and the fine arts.Oxford Dictionary of Art and Artists (Oxford: Oxford University Press, 4th edn., 2009), , pp. 64–66 The school became famous for its approach to design, which attempted to unify individual artistic vision with the principles of mass production and emphasis on function. The Bauhaus was founded by architect Walter Gropius in Weimar. It was grounded in the idea of creating a Gesamtkunstwerk ("comprehensive artwork") in which all the arts would eventually be brought together. The Bauhaus style later became one of the most influential currents in modern design, modernist architecture, and architectural education. The Bauhaus movement had a profound influence upon subsequent developments in art, architecture, graphic design, interior design, industrial design, and typography. Staff at the Bauhaus included prominent artists ...
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Ivan Tišov
Ivan Tišov (8 February 1870 – 20 September 1928) was a Croatian painter. He studied art at the Academy of Fine Arts, Munich, bringing back ideas from the Munich Secession movement to Zagreb. He is best known for his work in public and government buildings in Zagreb, and paintings in churches in his native Slavonia in north-east Croatia. Biography Ivan Tišov was born in the village of Viškovci near Đakovo. He attended elementary school in the village, and continued his education at the School of Crafts in Zagreb. He attended the School of Applied Arts in Vienna, and received a scholarship to the Academy of Fine Arts, Munich. From 1895, he was a vocational teacher, and professor of painting and drawing at the Academy of Fine Arts, Zagreb where he worked for the rest of his life. While he was still studying in Vienna, Tišov received a commission to paint four allegorical works on the ceiling of the Golden Hall in Zagreb, under the titles of worship, theology, art and ...
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Oton Iveković
Oton Iveković (17 April 1869 – 4 July 1939) was a Croatian painter. A graduate of Academy of Fine Arts in Vienna, Iveković later taught at the Zagreb Academy of Fine Arts. He largely concerned himself with historical topics as well as some religious themes. Many of his paintings remain the chief representations of Croatian history. Early life and education Oton Iveković was born on 17 April 1869 in Klanjec, where he finished elementary school. He attended high school for three and a half years in Zagreb where, except for History and Art, he neglected other subjects. When his brother Ćiril went to school in Vienna, he wanted join him and enter the Art Academy, but family couldn't afford it. Instead, he began his studying art in Zagreb with Ferdo Quiquerez, a Croatian painter of French descent. He didn't abandon his plans, however, and earned enough money through the autumn and winter to go to Vienna in the spring. When he arrived in Vienna he took a summer semester as a ...
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Bela Čikoš Sesija
Bela Čikoš Sesija (born Adalbert Csikos Sessia; 27 January 1864 in Osijek – 11 February 1931 in Zagreb) was a Croatian Symbolism (art), Symbolist painter, art teacher and one of the founders of the Academy of Fine Arts, University of Zagreb, Academy of Fine Arts in Zagreb. Biography Čikoš Sesija's father was a Captain in the border patrol of the Austro-Hungarian Empire.Brief biography
@ Essekeri.
One of the Čikoš' ancestors was a hero at the Battle of the Sesia (1524), Battle of the Sesia in 1524 and, as a result, was knighted with the name "Sesija". Due to his father's reassignments, the family moved frequently and his education was sporadic until he entered the Cadet School at Karlovac in 1874. After graduation, in 1882, Čikoš Sesija was assigned to the 78th Osijek infantry regiment under Baron Josip Šokčević.
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Vlaho Bukovac
Vlaho Bukovac (french: Blaise Bukovac; it, Biagio Faggioni; 4 July 1855 – 23 April 1922) was a Croatian painter and academic. His life and work were eclectic, for the artist pursued his career in a variety of locales and his style changed greatly over the course of that career. He is probably best known for his 1887 nude '' Une fleur'' (''A Flower''), which he created during his French period and which received attention in various reviews and publications during his lifetime. Bukovac was the court painter for Obrenović dynasty, Karađorđević dynasty and Petrović-Njegoš dynasty. In Zagreb, he is probably best known as the painter of the 1895 theatre curtain in the Croatian National Theatre. Biography Bukovac was born Biagio Faggioni in the town of Cavtat south of Dubrovnik in Dalmatia. While his mother was of Croatian descent, his paternal grandfather was an Italian sailor from the Genoa area who experienced a shipwreck near Cavtat. Like that he met a local girl ...
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Art Pavilion In Zagreb
The Art pavillion in Zagreb ( hr, Umjetnički paviljon u Zagrebu) is an art gallery in Zagreb, Croatia. The pavilion is located on the Lenuci Horseshoe, Donji grad(Zagreb), Lower town area of the city, south of Nikola Šubić Zrinski Square, on the northern side of the King Tomislav Square which flanks the Zagreb Central Station. Established in 1898, it is the oldest gallery in the Southeast Europe and the only purpose-built gallery in Zagreb designed specifically to accommodate large scale exhibitions. History The idea of creating the gallery was first put forward by Croatian painter Vlaho Bukovac in the spring of 1895. In May 1896 a Millennium Exhibition was to be held in Budapest, celebrating 1,000 years of Hungary, Hungarian statehood, and artists from what was then Kingdom of Croatia-Slavonia were invited to attend. Urged by Bukovac, Croatian artists decided to present their works in a purpose-built Pavilion, constructed around a Prefabricated building, prefabricated iron sk ...
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Classical Mythology
Classical mythology, Greco-Roman mythology, or Greek and Roman mythology is both the body of and the study of myths from the ancient Greeks and ancient Romans as they are used or transformed by cultural reception. Along with philosophy and political thought, mythology represents one of the major survivals of classical antiquity throughout later Western culture. The Greek word ''mythos'' refers to the spoken word or speech, but it also denotes a tale, story or narrative. As late as the Roman conquest of Greece during the last two centuries Before the Common Era and for centuries afterwards, the Romans, who already had gods of their own, adopted much mythology directly from the Greeks while preserving their own Roman (Latin) names for the gods. In storytelling and literature, this thereby caused an equivalence between many Roman and Greek deities; some examples include between the Roman sky god Jupiter or Jove and the Greek counterpart Zeus; between the Roman fertility goddess Venu ...
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Academic Art
Academic art, or academicism or academism, is a style of painting and sculpture produced under the influence of European academies of art. Specifically, academic art is the art and artists influenced by the standards of the French Académie des Beaux-Arts, which was practiced under the movements of Neoclassicism and Romanticism, and the art that followed these two movements in the attempt to synthesize both of their styles, and which is best reflected by the paintings of William-Adolphe Bouguereau, Thomas Couture, and Hans Makart. In this context it is often called "academism," "academicism," " art pompier" (pejoratively), and "eclecticism," and sometimes linked with "historicism" and "syncretism." Academic art is closely related to Beaux-Arts architecture, which developed in the same place and holds to a similar classicizing ideal. The academies in history The first academy of art was founded in Florence in Italy by Cosimo I de' Medici, on 13 January 1563, under the influe ...
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Europe
Europe is a large peninsula conventionally considered a continent in its own right because of its great physical size and the weight of its history and traditions. Europe is also considered a Continent#Subcontinents, subcontinent of Eurasia and it is located entirely in the Northern Hemisphere and mostly in the Eastern Hemisphere. Comprising the westernmost peninsulas of Eurasia, it shares the continental landmass of Afro-Eurasia with both Africa and Asia. It is bordered by the Arctic Ocean to the north, the Atlantic Ocean to the west, the Mediterranean Sea to the south and Asia to the east. Europe is commonly considered to be Boundaries between the continents of Earth#Asia and Europe, separated from Asia by the drainage divide, watershed of the Ural Mountains, the Ural (river), Ural River, the Caspian Sea, the Greater Caucasus, the Black Sea and the waterways of the Turkish Straits. "Europe" (pp. 68–69); "Asia" (pp. 90–91): "A commonly accepted division between Asia and E ...
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