Art Pavilion In Zagreb
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Art Pavilion In Zagreb
The Art pavillion in Zagreb ( hr, Umjetnički paviljon u Zagrebu) is an art gallery in Zagreb, Croatia. The pavilion is located on the Lenuci Horseshoe, Donji grad(Zagreb), Lower town area of the city, south of Nikola Šubić Zrinski Square, on the northern side of the King Tomislav Square which flanks the Zagreb Central Station. Established in 1898, it is the oldest gallery in the Southeast Europe and the only purpose-built gallery in Zagreb designed specifically to accommodate large scale exhibitions. History The idea of creating the gallery was first put forward by Croatian painter Vlaho Bukovac in the spring of 1895. In May 1896 a Millennium Exhibition was to be held in Budapest, celebrating 1,000 years of Hungary, Hungarian statehood, and artists from what was then Kingdom of Croatia-Slavonia were invited to attend. Urged by Bukovac, Croatian artists decided to present their works in a purpose-built Pavilion, constructed around a Prefabricated building, prefabricated iron sk ...
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Zagreb
Zagreb ( , , , ) is the capital (political), capital and List of cities and towns in Croatia#List of cities and towns, largest city of Croatia. It is in the Northern Croatia, northwest of the country, along the Sava river, at the southern slopes of the Medvednica mountain. Zagreb stands near the international border between Croatia and Slovenia at an elevation of approximately above mean sea level, above sea level. At the 2021 census, the city had a population of 767,131. The population of the Zagreb urban agglomeration is 1,071,150, approximately a quarter of the total population of Croatia. Zagreb is a city with a rich history dating from Roman Empire, Roman times. The oldest settlement in the vicinity of the city was the Roman Andautonia, in today's Ščitarjevo. The historical record of the name "Zagreb" dates from 1134, in reference to the foundation of the settlement at Kaptol, Zagreb, Kaptol in 1094. Zagreb became a free royal city in 1242. In 1851 Janko Kamauf became Z ...
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Fellner & Helmer
Fellner & Helmer was an architecture studio founded in 1873 by Austrian architects Ferdinand Fellner and Hermann Helmer. They designed over 200 buildings (mainly opera houses and apartment buildings) across Europe in the late 19th century and early 20th century, which helped bind the Austro-Hungarian Empire together and cement Vienna as its cultural center. While most of the work stood in the former Austro-Hungarian Empire, others can be found from Switzerland to present-day Ukraine. Frequent collaborators for integrated exterior and interior art work include Gustav Klimt, Hans Makart, Theodor Friedl, and other significant artists. Theatres by Ferdinand Fellner * 1871–72 Stadttheater, Vienna, Austria (destroyed by fire in 1884). With Ferdinand Fellner the Older. * 1871–75 National Theatre and Opera, Timișoara, Romania (rebuilt after destroyed by fires in 1880 and 1920, respectively). With Ferdinand Fellner the Older. Theatres by Fellner and Helmer Theatres designe ...
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George Grosz
George Grosz (; born Georg Ehrenfried Groß; July 26, 1893 – July 6, 1959) was a German artist known especially for his caricatural drawings and paintings of Berlin life in the 1920s. He was a prominent member of the Berlin Dada and New Objectivity groups during the Weimar Republic. He immigrated to the United States in 1933, and became a naturalized citizen in 1938. Abandoning the style and subject matter of his earlier work, he exhibited regularly and taught for many years at the Art Students League of New York. In 1959 he returned to Berlin, where he died shortly afterwards. Early life Grosz was born Georg Ehrenfried Groß in Berlin, Germany, the third child of a pub owner. His parents were devoutly Lutheran. Grosz grew up in the Pomeranian town of Stolp (now Słupsk, Poland). After his father's death in 1900, he moved to the Wedding district of Berlin with his mother and sisters. At the urging of his cousin, the young Grosz began attending a weekly drawing class taugh ...
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Earth Group
The Earth Group ( hr, Grupa Zemlja) was a Croatian arts collective active in Zagreb, Croatia from 1929 to 1935, when it was banned. The group aimed to defend their artistic independence against foreign influences such as Impressionism or Neoclassicism and ''art for art's sake''. They maintained that art should mirror the social milieu from which it springs and should meet contemporary needs, hence their emphasis on the popularization of art, both at home and abroad. In spite of its ideologically heterogeneous membership, the group was considered Marxism, Marxist in orientation but never espoused socialist realism. Members and guests *Founding members of the group: sculptors Antun Augustinčić and Frano Kršinić; painters Vinko Grdan, Krsto Hegedušić, Leo Junek, Omer Mujadžić, Oton Postružnik, Kamilo Ružička and Ivan Tabaković; and the architect Drago Ibler (who also served as the group's chairman). *Members who later joined the group: Marijan Detoni, Ivan Generalić, Željk ...
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