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Harmos
''Harmos'' is an album by Barry Guy and the London Jazz Composers' Orchestra that features a recording of a large-scale, 44-minute composition by Guy. It was recorded in April 1989, just before the LJCO's 20th anniversary, in Zürich, Switzerland, and was released later that year by Intakt Records. Guy interpreted the Greek title in its original meaning of "coming together," and the work attempts to find solutions to the challenges surrounding the coexistence of improvisation and composition. In a retrospective interview, Guy recalled the LJCO's financial difficulties, and reflected: "Luckily, things went very well for me in the baroque music business. I bought instruments, strings and bows so that I could perform the Mozart symphonies as adequately as possible. And when I needed money for improvised music, I'd sell one or two instruments. The first CD I made for Intakt, ''Harmos'', was financed by selling one of my basses." A version of "Harmos" also appears on the 2001 trio recor ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Barry Guy
Barry John Guy (born 22 April 1947, in London) is an English composer and double bass player. His range of interests encompasses early music, contemporary composition, jazz and improvisation, and he has worked with a wide variety of orchestras in the UK and Europe. He studied at the Guildhall School of Music under Buxton Orr, and later taught there. Guy came to the fore as an improvising bassist as a member of a trio with pianist Howard Riley and drummer Tony Oxley (Witherden, 1969). He also became an occasional member of John Stevens' ensembles in the 1960s and 1970s, including the Spontaneous Music Ensemble. In the early 1970s, he was a member of the influential free improvisation group Iskra 1903 with Derek Bailey and trombonist Paul Rutherford (a project revived in the late 1970s, with violinist Philipp Wachsmann replacing Bailey). He also formed a long-standing partnership with saxophonist Evan Parker, which led to a trio with drummer Paul Lytton which became one of th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Odyssey (Barry Guy, Marilyn Crispell, And Paul Lytton Album)
''Odyssey'' is an album by bassist Barry Guy, pianist Marilyn Crispell, and drummer Paul Lytton. It was recorded on August 24 and 25, 1999, at Rote Fabrik in Zurich, Switzerland, and was released in 2001 by Intakt Records. Reception In a review for AllMusic, Brian Olewnick wrote: "Guy is an astonishing bassist and here ranges from prickly clusters to deep, resonant plumbings... Crispell... offers incisive and sympathetic playing... Lytton gets to foray into his wonderful world of clatter once in a while, but is also generally restrained here. The four short group improvisations work very well, but something really special is achieved when the free playing merges with Guy's emotional, even romantic themes as on the concluding 'Harmos.' When the gorgeous, heart-rending theme blossoms through the abstract introduction, the effect is stunningly beautiful. Highly recommended." The authors of the ''Penguin Guide to Jazz Recordings'' awarded the album 4 stars, and stated: "The level of i ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Paul Dunmall
Paul Dunmall (born 6 May 1953) is a British jazz musician who plays tenor and soprano saxophone, as well as the baritone and the more exotic saxello and the Northumbrian smallpipes. He has played with Keith Tippett and Barry Guy. In the early 1970s Dunmall joined progressive rock band "Marsupilami" for their second album, ''Arena''. He toured with the band until it folded in September 1971 but played with the band on the Spirit of 1971 stage in 2011 at the Glastonbury Festival. He then became a member of the Divine Light Mission and toured the U.S. His first recording as sideman was as the saxophonist on the 1976 Johnny Guitar Watson album ''Ain't That a Bitch''. Discography As leader *1986 Soliloquy MATCHLESS MR 15 *1989/93 Folks Duo with Paul Rogers SLAMCD 212 *1990 The journey Mujician CUNEIFORM RUNE 42 *1991 The Bristol concert Mujician/The Georgian Ensemble WHAT DISC WHAT7CD *1992 Live in London Paul Dunmall/Tim Wells/Dave Alexander DUNS L.E.015 *1993 Quartet, Sext ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Howard Riley (musician)
John Howard Riley (born 16 February 1943) is an English pianist and composer, who worked in jazz and experimental music idioms. Riley was born in Huddersfield, Yorkshire, England. He began learning the piano at the age of six, and began playing jazz as early as the age of 13. He studied at the University of Wales (1961–66), Indiana University in America under David Baker (1966–67), and then at York University (1967–70). Alongside his studies he played jazz professionally, with Evan Parker (1966) and then with his own trio (1967–76), with Barry Guy on bass and Alan Jackson, Jon Hiseman, and Tony Oxley for periods on drums. Additionally he worked with John McLaughlin (1968), the London Jazz Composers Orchestra (1970-1980s), and with Oxley's ensemble (1972–81). He and Guy worked in a trio with Phil Wachsmann from 1976 well into the 1980s, and played solo piano throughout North America and Europe. From 1978 to 1981, he played in a quartet with Guy, Trevor Watts, and Jo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Barre Phillips
Barre Phillips (born October 27, 1934, in San Francisco, California, United States) is an American jazz bassist. A professional musician since 1960, he moved to New York City in 1962, then to Europe in 1967. Since 1972, he has been based in southern France where, in 2014, he founded the European Improvisation Center. He studied briefly in 1959 with S. Charles Siani, Assistant Principal Bassist with the San Francisco Symphony. During the 1960s, he recorded with (among others) Eric Dolphy, Jimmy Giuffre, Archie Shepp, Peter Nero, Attila Zoller, Lee Konitz and Marion Brown. Phillips' 1968 recording of solo bass improvisations, issued as ''Journal Violone'' in the US, ''Unaccompanied Barre'' in England, and ''Basse Barre'' in France on Futura Records, is generally credited as the first solo bass record. A 1971 record with Dave Holland, ''Music from Two Basses'', was probably the first record of improvised double bass duets. In the 1970s, he was a member of the well-regarded and inf ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Philipp Wachsmann
Philipp John Paul Wachsmann (born 5 August 1944) is an African avant-garde jazz/jazz fusion violinist born in Kampala, Uganda, probably better known for having founded his own group Chamberpot. He has worked with many musicians in the free jazz idiom, including Tony Oxley, Fred van Hove, Barry Guy, Derek Bailey and Paul Rutherford, among many others. Wachsmann is especially known for playing within the electronica idiom. Discography * ''Chamberpot'' with Richard Beswick, Simon Mayo, Tony Wren (Bead, 1976) * ''Sparks of the Desire Magneto'' with Richard Beswick, Tony Wren (Bead, 1977) * ''Improvisations Are Forever Now'' (Vinyl Records, 1978) * ''For Harm'' with Harry de Wit (Bead, 1979) * ''Hello Brenda!'' with Richard Beswick (Bead, 1981) * ''Writing in Water'' (Bead, 1985) * ''Ellispontos'' (J.n.d., 1986) * ''The Glider & The Grinder'' with Tony Oxley (Bead, 1987) * ''Eleven Years from Yesterday'' with Peter Jacobsen, Ian Brighton, Marcio Mattos, Trevor Taylor (Bead, 1988) * '' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Radu Malfatti
Radu Malfatti is an Austrian trombone and harmonica player, and composer. He was born in Innsbruck, in the province of Tyrol, on December 16, 1943. Malfatti is associated with the style of music known as reductionism and has been described as "among the leaders in redefining the avant-garde as truly on-the-edge art." His work "since the early nineties... has been investigating the edges of ultraminimalism in both his composed and improvised work." He also operates B-Boim, a CD-R-only record label focusing on improvised and composed music, much of it his own. Discography As leader * ''Balance'' with Balance (Incus, 1973) * ''Thrumblin'' with Stephan Wittwer (FMP, 1976) * ''Und?'' with Stephan Wittwer (FMP, 1978) * ''Bracknell Breakdown'' with Harry Miller (Ogun, 1978) * ''Humanimal'' with Jerry Chardonnens (Hat Hut, 1980) * ''Blek'' with M.L.A. Blek (FMP, 1981) * ''Ach Was!?'' with Ulrich Gumpert, Tony Oxley (FMP, 1981) * ''Zwecknagel'' with Harry Miller (FMP, 1981) * ''Formu'' (N ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Paul Rutherford (trombonist)
Paul William Rutherford (29 February 1940 – 5 August 2007) was an English free improvising trombonist. Biography Born in Greenwich, South East London, England, Rutherford initially played saxophone but switched to trombone. During the 1960s, he taught at the Guildhall School of Music and Drama. In 1970, Rutherford, guitarist Derek Bailey and bassist Barry Guy formed the improvising group Iskra 1903, which lasted until 1973. The formation was documented on a double album from Incus, later reissued with much bonus material on the three-CD set ''Chapter One'' (Emanem, 2000). A film soundtrack was separately released as ''Buzz Soundtrack''. Iskra 1903 was one of the earliest free improvising groups to omit a drummer/percussionist, permitting the players to explore a range of textures and dynamics which set it apart from such other contemporary improvising ensembles as SME and AMM. The group's unusual name is the Slavic word for "spark"; it was the title of the ''Iskra'' re ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Marc Charig
Mark Charig (born 22 February 1944 in London) is a British trumpeter and cornetist. He was particularly active in the late 1960s and early 1970s, when he played in settings as diverse as Long John Baldry's group, Bluesology, Soft Machine, and Keith Tippett's group and his Centipede big band. Charig also featured on several King Crimson albums, being particularly prominent in a long solo on the title track of ''Islands'', on the title track of Lizard and on the track "Fallen Angel" on the ''Red'' album, as well as in a work-in-progress version of " Starless". In the mid-1970s he also toured with the group Red Brass, which featured singer Annie Lennox. He also appeared with the Brotherhood of Breath and recorded with Mike Osborne, as well as releasing his own ''Pipedream'' LP on Ogun Records. He is also a member of the London Jazz Composers' Orchestra. He now lives in Germany and is a member of the Wuppertal-based Conduction Orchestra. More recently, he has recorded ''KJU:'' a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Henry Lowther (musician)
Thomas Henry Lowther (born 11 July 1941) is an English jazz trumpeter who also plays violin. Biography Born in Leicester, England, Lowther's first musical experience was on cornet in a Salvation Army band. He studied violin briefly at the Royal Academy of Music but returned to trumpet by 1960, though he sometimes played violin professionally. In the 1960s, he worked with Mike Westbrook (beginning in 1963 and continuing into the 1980s), Manfred Mann, John Dankworth (1967–77), Graham Collier (1967), John Mayall (1968), John Warren (1968 and subsequently), Neil Ardley (1968), and Bob Downes (1969). Many of these associations continued into the 1970s. Lowther appeared for some time with the Keef Hartley Band, playing with him at Woodstock, the music festival held in New York in August 1969. In the 1970s he worked with Mike Gibbs (1970–76), Kenny Wheeler (from 1972), Alan Cohen (1972), Michael Garrick (1972–73), Kurt Edelhagen (1974), John Taylor (1974), Stan Tracey (1976 on ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Trevor Watts
Trevor Charles Watts (born 26 February 1939) is an English jazz and free-improvising alto and soprano saxophonist. Biography Watts was born in York, England. He is largely self-taught, having taken up the cornet at age 12 then switched to saxophone at 18. While stationed in Germany with the RAF (1958–63), he encountered the drummer John Stevens and trombonist Paul Rutherford. After being demobbed he returned to London. In 1965, he and Stevens formed the Spontaneous Music Ensemble, which became one of the crucibles of British free improvisation. Watts left the band to form his own group Amalgam in 1967, then returned to SME for another stretch that lasted until the mid-1970s. Another key association was with the bassist Barry Guy and his London Jazz Composers' Orchestra, an association that lasted from the band's inception in the 1970s up to its disbandment in the mid-1990s. Though he was initially strongly identified with the avant-garde, Watts is a versatile musician ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Evan Parker
Evan Shaw Parker (born 5 April 1944) is a British tenor and soprano saxophone player who plays free improvisation. Recording and performing prolifically with many collaborators, Parker was a pivotal figure in the development of European free jazz and free improvisation. He has pioneered or substantially expanded an array of extended techniques. Critic Ron Wynn describes Parker as "among Europe's most innovative and intriguing saxophonists...his solo sax work isn't for the squeamish." Early influences Parker's original inspiration was Paul Desmond, and in recent years the influence of cool jazz saxophone players has again become apparent in his music — there are tributes to Warne Marsh and Lee Konitz on ''Time Will Tell'' (ECM, 1993) and ''Chicago Solo'' (Okka Disk, 1997). He soon discovered the music of John Coltrane, who would be the primary influence throughout his career. Other important early influences were Cecil Taylor, Albert Ayler and Jimmy Guiffre. Early career ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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