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Hammira Raso
''Hammira Raso'', also called ''Hammir Raso'' or ''Hamir Raso'', is an 18th or 19th century CE Hindi-language poem by Jodharaja. It contains a legendary biography of the 14th century king ''Rao'' Hamir (Hammir or Hammira of Ranthambore). Much of the text describes the conflict between Hamir and the Delhi Sultanate ruler Alauddin Khalji, presenting Hamir as a hero. Author Jodharaja (or Jodhraj) composed ''Hammira Raso'' sometime between 1728 CE and 1823 CE. He was a court poet, and composed the text for his patron, ''Raja'' Chandrabhan of Nimrana. Hammira Raso contains a brief autobiographical section that provides details about the poet. According to it, Jodharaja was a Gaur Brahman born in Bijawar in the province of Rat, to a man named Balakrishna. Jodharaja was an accomplished astronomer, astrologer, pandit, and a poet. His patron Chandrabhan gifted him "property, clothes, wealth, horses, houses and so on". Chandrabhan requested him to write an account of the conflict betw ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hindi
Hindi (Devanāgarī: or , ), or more precisely Modern Standard Hindi (Devanagari: ), is an Indo-Aryan language spoken chiefly in the Hindi Belt region encompassing parts of northern, central, eastern, and western India. Hindi has been described as a standardised and Sanskritised register of the Hindustani language, which itself is based primarily on the Khariboli dialect of Delhi and neighbouring areas of North India. Hindi, written in the Devanagari script, is one of the two official languages of the Government of India, along with English. It is an official language in nine states and three union territories and an additional official language in three other states. Hindi is also one of the 22 scheduled languages of the Republic of India. Hindi is the '' lingua franca'' of the Hindi Belt. It is also spoken, to a lesser extent, in other parts of India (usually in a simplified or pidginised variety such as Bazaar Hindustani or Haflong Hindi). Outside India, several ot ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Rakshasa
Rakshasas ( sa, राक्षस, IAST: : Pali: ''rakkhaso'') lit. 'preservers' are a race of usually malevolent demigods prominently featured in Hindu mythology. According to the Brahmanda Purana, the rakshasas were created by Brahma when he assumed a body of ''tamas'' (darkness), the beings springing forth and promising to protect the waters of creation. They are often depicted to be man-eaters (''nri-chakshas'', ''kravyads''), acting as embodiments of the powers of evil in the Vedic scriptures. They are offered a distinction from yakshas, their cousins who are depicted to be forces of destruction. The term is also used to describe asuras, a class of power-seeking beings that oppose the benevolent devas. They are often depicted as antagonists in Hindu scriptures, as well as in Buddhism and Jainism. The female form of rakshasa is rakshasi. Hinduism In Vedas The Hymn 87 of the tenth mandala of the ''Rigveda'' mentions about Rakshasas. They are classified amongst the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tirthankara
In Jainism, a ''Tirthankara'' (Sanskrit: '; English: literally a 'ford-maker') is a saviour and spiritual teacher of the ''dharma'' (righteous path). The word ''tirthankara'' signifies the founder of a '' tirtha'', which is a fordable passage across the sea of interminable births and deaths, the '' saṃsāra''. According to Jains, a ''Tirthankara'' is an individual who has conquered the ''saṃsāra'', the cycle of death and rebirth, on their own, and made a path for others to follow. After understanding the true nature of the self or soul, the ''Tīrthaṅkara'' attains '' Kevala Jnana'' (omniscience). Tirthankara provides a bridge for others to follow the new teacher from ''saṃsāra'' to ''moksha'' (liberation). In Jain cosmology, the wheel of time is divided in two halves, Utsarpiṇī' or ascending time cycle and ''avasarpiṇī'', the descending time cycle (said to be current now). In each half of the cosmic time cycle, exactly twenty-four ''tirthankaras'' grace thi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Delhi
Delhi, officially the National Capital Territory (NCT) of Delhi, is a city and a union territory of India containing New Delhi, the capital of India. Straddling the Yamuna river, primarily its western or right bank, Delhi shares borders with the state of Uttar Pradesh in the east and with the state of Haryana in the remaining directions. The NCT covers an area of . According to the 2011 census, Delhi's city proper population was over 11 million, while the NCT's population was about 16.8 million. Delhi's urban agglomeration, which includes the satellite cities of Ghaziabad, Faridabad, Gurgaon and Noida in an area known as the National Capital Region (NCR), has an estimated population of over 28 million, making it the largest metropolitan area in India and the second-largest in the world (after Tokyo). The topography of the medieval fort Purana Qila on the banks of the river Yamuna matches the literary description of the citadel Indraprastha in the Sanskrit ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Carding
Carding is a mechanical process that disentangles, cleans and intermixes fibres to produce a continuous web or sliver (textiles), sliver suitable for subsequent processing. This is achieved by passing the fibres between differentially moving surfaces covered with "card clothing", a firm flexible material embedded with metal pins. It breaks up locks and unorganised clumps of fibre and then aligns the individual fibres to be parallel with each other. In preparing wool fibre for spinning, carding is the step that comes after teasing. The word is derived from the Latin meaning thistle or Dipsacus, teasel, as dried vegetable teasels were first used to comb the raw wool before technological advances led to the use of machines. Overview These ordered fibres can then be passed on to other processes that are specific to the desired end use of the fibre: Cotton mill, Cotton, Batting (material), batting, felt, woollen or worsted yarn, etc. Carding can also be used to create blends of dif ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Urvashi
Urvashi ( sa, उर्वशी, Urvaśī}) is the most prominent apsara (celestial nymph) in Hindu mythology, considered to be the most beautiful of all the apsaras, and an expert dancer. She is mentioned in both ''Vedic'' and ''Puranic'' scriptures and is often portrayed as a ' swan maiden'. Urvashi is described to be born out of the thigh of sage Narayana and occupies a special place in the court of Indra, the king of the gods and ruler of svarga (heaven). She is famous for her marriage to Pururavas, a mortal king, whom she later abandons. Urvashi is also regarded as the mother of Vedic sages Vashishtha and Agastya. Etymology The Sanskrit name ''"Urvaśī"'' can have multiple meanings. It is derived from roots''uru'' and ''aś''. Some believe that the name has a non- Aryan origin. According to the scripture ''Devi Bhagavata Purana'', the apsara is known as Urvashi because she is born from the ''uru''—'thigh'—of the divine-sage Narayana. Indologist Monier Monier-Wi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kinnara
A kinnara is a celestial musician, part human and part bird, who are musically paradigmatic lovers, in Hinduism and Buddhism. In these traditions, the ''kinnaras'' (male) and ''kinnaris'' (female counterpart) are two of the most beloved mythological characters. Believed to come from the Himalayas, they often watch over the wellbeing of humans in times of trouble or danger. An ancient Indian string instrument is known as the Kinnari vina. Their character is also clarified in the '' Adi Parva'' of the ''Mahabharata'', where they say: They are featured in a number of Buddhist texts, including the Jataka tales and Lotus Sutra. In Southeast Asian Buddhist mythology, kinnaris, the female counterpart of kinnaras, are depicted as half-bird, half-woman creatures. One of the many creatures that inhabit the mythical Himavanta, kinnaris have the head, torso, and arms of a woman and the wings, tail and feet of a swan. They are renowned for their dance, song and poetry, and are a tradit ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Apsara
An apsaras or apsara ( sa, अप्सरा ' lso ' pi, अक्चरा, translit=accharā) is a type of female spirit of the clouds and waters in Hinduism and Buddhist culture. They figure prominently in the sculpture, dance, literature and painting of many Indian and Southeast Asian cultures. There are two types of apsaras: ''laukika'' (worldly) and ''daivika'' (divine). Urvasi, Menaka, Rambha, Tilottama and Ghritachi are the most famous among them. They are most often depicted in the court and discretion of Indra. Apsaras are widely known as ''Apsara'' ( ) in Khmer, and also called as ''Accharā'' in Pāli, or ''Bidadari'' (Malay, Maranao), ''Biraddali'' ( Tausug, Sinama), ''Hapsari/Apsari'' or ''Widadari/Widyadari'' ( Javanese), ''Helloi'' ( Meitei) and ''Apsorn'' ( th , อัปสร). English translations of the word "Apsara" include "nymph", "fairy", "celestial nymph", and "celestial maiden". In Hinduism, apsaras are beautiful, supernatural female beings. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tapasya
Tapas (Sanskrit: तपस्) is a variety of austere spiritual meditation practices in Indian religions. In Jainism, it means asceticism (austerities, body mortification); in Buddhism, it denotes spiritual practices including meditation and self-discipline; and in the different traditions within Hinduism it means a spectrum of practices ranging from asceticism, inner cleansing to self-discipline by meditation practices. The ''Tapas'' practice often involves solitude, and is a part of monastic practices that are believed to be a means to moksha (liberation, salvation). In the Vedas literature of Hinduism, fusion words based on ''tapas'' are widely used to expound several spiritual concepts that develop through heat or inner energy, such as meditation, any process to reach special observations and insights, the spiritual ecstasy of a yogin or ''Tāpasa'' (a vṛddhi derivative meaning "a practitioner of austerities, an ascetic"), even warmth of sexual intimacy.Kaelber, W. O. (197 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Indira
__NOTOC__ Indira may refer to: People * Indira (name) Films and books * ''Indira'', an 1873 novella by Bankim Chandra Chatterjee * Indira (film), ''Indira'' (film), directed by Suhasini Manirathnam * Indira (1989 film), ''Indira'' (1989 film), a Hindi film (Hema malini as Indira ) * * * * ''Indira Vizha'', directed by K. Rajeshwar Others * Indira is a byname of Lakshmi, the Hindu goddess of prosperity, good luck, and beauty * Indira Col, a col in the Karakoram mountains * Indira Gandhi National Centre for the Arts, an Indian premier government-funded arts organization * Indira Kala Sangeet University, a public university in Chhattisgarh's state * Indira Marathon, an Indian national annual full marathon held in Allahabad * Indira Mount, an Indian seabed mountain situated in Antarctic Ocean * Indira Point, an India southernmost tip in the Andaman and Nicobar Islands See also * Indra (other) {{disambiguation, geo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Portico
A portico is a porch leading to the entrance of a building, or extended as a colonnade, with a roof structure over a walkway, supported by columns or enclosed by walls. This idea was widely used in ancient Greece and has influenced many cultures, including most Western cultures. Some noteworthy examples of porticos are the East Portico of the United States Capitol, the portico adorning the Pantheon in Rome and the portico of University College London. Porticos are sometimes topped with pediments. Palladio was a pioneer of using temple-fronts for secular buildings. In the UK, the temple-front applied to The Vyne, Hampshire, was the first portico applied to an English country house. A pronaos ( or ) is the inner area of the portico of a Greek or Roman temple, situated between the portico's colonnade or walls and the entrance to the ''cella'', or shrine. Roman temples commonly had an open pronaos, usually with only columns and no walls, and the pronaos could be as long as th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Shiva
Shiva (; sa, शिव, lit=The Auspicious One, Śiva ), also known as Mahadeva (; ɐɦaːd̪eːʋɐ, or Hara, is one of the principal deities of Hinduism. He is the Supreme Being in Shaivism, one of the major traditions within Hinduism. Shiva is known as "The Destroyer" within the Trimurti, the Hindu trinity which also includes Brahma and Vishnu. In the Shaivite tradition, Shiva is the Supreme Lord who creates, protects and transforms the universe. In the goddess-oriented Shakta tradition, the Supreme Goddess ( Devi) is regarded as the energy and creative power (Shakti) and the equal complementary partner of Shiva. Shiva is one of the five equivalent deities in Panchayatana puja of the Smarta tradition of Hinduism. Shiva has many aspects, benevolent as well as fearsome. In benevolent aspects, he is depicted as an omniscient Yogi who lives an ascetic life on Mount Kailash as well as a householder with his wife Parvati and his three children, Ganesha, Kartikeya and A ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
