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Hyakki Yagyō
''Hyakki Yagyō'' (, "Night Parade of One Hundred Demons"), also transliterated ''Hyakki Yakō'', is an idiom in Japanese folklore. Sometimes an orderly procession, other times a riot, it refers to a parade of thousands of supernatural creatures known as ''oni'' and ''yōkai'' that march through the streets of Japan at night. As a terrifying eruption of the supernatural into the real world, it is similar (though not precisely equivalent) to the concept of pandemonium in English. Various legends Over more than one thousand years of history, and its role as a popular theme in traditional storytelling and art, a great deal of folklore has developed around the concept, making it difficult if not impossible to isolate any canonical meanings. One legend of recent vintage states that "every year the ''yōkai'' Nurarihyon, will lead all of the ''yōkai'' through the streets of Japan during summer nights." Anyone who comes across the procession would perish or be spirited away by the ' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Emakimono
or is an illustrated horizontal narration system of painted handscrolls that dates back to Nara-period (710–794 CE) Japan. Initially copying their much older Chinese counterparts in style, during the succeeding Heian (794–1185) and Kamakura periods (1185–1333), Japanese developed their own distinct style. The term therefore refers only to Japanese painted narrative scrolls. As in the Chinese and Korean scrolls, combine calligraphy and illustrations and are painted, drawn or stamped on long rolls of paper or silk sometimes measuring several metres. The reader unwinds each scroll little by little, revealing the story as seen fit. are therefore a narrative genre similar to the book, developing romantic or epic stories, or illustrating religious texts and legends. Fully anchored in the style, these Japanese works are above all an everyday art, centered on the human being and the sensations conveyed by the artist. Although the very first 8th-century were copies of Chin ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Nurarihyon No Mago
is a Japanese manga series written and illustrated by Hiroshi Shiibashi. It was serialized in Shueisha's ''Weekly Shōnen Jump'' from March 2008 to June 2012, and later in ''Jump Next!'' from August to December 2012. Its chapters were collected in twenty-five ''tankōbon'' volumes by Shueisha. A 24-episode anime adaptation produced by Studio Deen was broadcast in Japan from July to December 2010. A 24-episode second season, titled ''Nura: Rise of the Yokai Clan - Demon Capital'', was broadcast from July to December 2011. In North America, Viz Media licensed the series for English-language release of the manga and anime adaptations. It was streamed on Viz Anime in 2010, while the twenty-five volumes of the manga were released from February 2011 to February 2015. Plot Rikuo Nura is 3/4 human and 1/4 ''yōkai'', in which he has a human form in the day but transforms into his ''yōkai'' form at night. He lives in a house full of ''yōkai'' along with his ''yōkai'' grandfather. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Nightmarchers
In Hawaiian mythology, Nightmarchers (''huaka'i pō'' or "Spirit Ranks,",'' 'oi'o'') are the deadly ghosts of ancient Hawaiian warriors. The nightmarchers are the vanguard for a sacred king, chief or chiefess. On the nights honoring the Hawaiian gods Kāne, Kū, Lono, or on the nights of Kanaloa they are said to come forth from their burial sites, or to rise up from the ocean, and to march in a large group to ancient Hawaiian battle sites or other sacred places. The legend says the night marchers are normal-size warriors, dressed for battle, carrying spears, clubs, and some are beating war drums and blowing tones from conch shells, to announce the advancing of their march. According to the myth, they are suspended in air; their feet do not touch water or ground as they traverse through the night, and they leave no evidence of their visitations. They march in darkness after sunset and march as a group continuously until just before sunrise. Anyone living along their path may hea ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Konjaku Hyakki Shūi
is the third book of Japanese artist Toriyama Sekien's ''Gazu Hyakki Yagyō'' tetralogy, published c. 1781. These books are supernatural bestiaries, collections of ghosts, spirits, spooks and monsters, many of which Toriyama based on literature, folklore, and other artwork. These works have had a profound influence on subsequent ''yōkai'' imagery in Japan. ''Konjaku Hyakki Shūi'' is preceded in the series by ''Gazu Hyakki Yagyō'' and ''Konjaku Gazu Zoku Hyakki'', and succeeded by ''Gazu Hyakki Tsurezure Bukuro''. A version of the tetralogy translated and annotated in English was published in 2016, which included this work, whose title is rendered as ''More of the Demon Horde from Past and Present''. List of creatures The three volumes were titled Cloud (雲), Mist (霧), and Rain (雨). 2 (kiri)3 (ame)( First Volume – Cloud File:SekienShinkiro.jpg, is a clam that has grown to an enormous size, at which point it rises to the surface of the sea and breathes out a mirage ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Konjaku Gazu Zoku Hyakki
is the second book of Japanese artist Toriyama Sekien's famous ''Gazu Hyakki Yagyō'' tetralogy, published c. 1779. A version of the tetralogy translated and annotated in English was published in 2016. These books are supernatural bestiaries, collections of ghosts, spirits, spooks, and monsters, many of which Toriyama based on literature, folklore, other artwork. These works have had a profound influence on subsequent ''yōkai'' imagery in Japan. ''Konjaku Gazu Zoku Hyakki'' is preceded in the series by ''Gazu Hyakki Yagyō'', and succeeded by ''Konjaku Hyakki Shūi'' and ''Gazu Hyakki Tsurezure Bukuro''. List of creatures The three volumes were titled 雨, 晦, and 明. From this book, Toriyama added captions. First Volume – 雨 (Rain) Image:SekienOmagatoki.jpg, Image:SekienOni.jpg, Image:SekienSansei.jpg, Image:SekienHiderigami.jpg, Image:SekienSuiko.jpg, Image:SekienSatori.jpg, Image:SekienShuten-doji.jpg, Image:SekienHashihime.jpg, Image:SekienHannya.jpg, I ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gazu Hyakki Tsurezure Bukuro
is the fourth book in Japanese artist Toriyama Sekien's famous ''Gazu Hyakki Yagyō'' tetralogy. A version of the tetralogy translated and annotated in English was published in 2016. The title is a pun; "hyakki", normally written with the characters "hundred" and "''oni''", is instead written with "hundred" and "vessels". This hints that the majority of the ''yōkai'' portrayed in its pages are of the variety known as ''tsukumogami'', man-made objects taken sentient form. ''Hyakki Tsurezure Bukuro'' is preceded in the series by ''Gazu Hyakki Yagyō'', ''Konjaku Gazu Zoku Hyakki'', and ''Konjaku Hyakki Shūi''. Published in 1781, it was inspired in part by ''Tsurezuregusa'' (''Tales in Idleness''), a 14th-century essay collection by the monk Yoshida Kenkō. The book takes the form of a supernatural bestiary of yōkai. Unlike previous books in the series, the majority of ''Hyakki Tsurezure Bukuro''s yōkai appear to be of Sekien's own creation, based on turns of phrase or stories fro ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Utagawa Yoshiiku
, also known as or , was a Japanese artist of the Utagawa school. Life and career Born the son of teahouse proprietor Asakusa Tamichi in 1833, Yoshiiku became a student of ukiyo-e artist Utagawa Kuniyoshi toward the end of the 1840s. His earliest known work dates to 1852 when he provided the backgrounds to some actor prints by his master. Yoshiiku's earliest works were portraits of actors (yakusha-e), beauties (bijin-ga), and warriors (musha-e). He later followed Kuniyoshi into making satirical and humorous pieces, and became the leading name in the field after Kuniyosh's death in 1861. He illustrated the ''Tokyo Nichi Nichi Shimbun'' ("Tokyo Daily News") from 1874 to 1876, and then co-founded the ''Tokyo E-iri Shinbun'' ("Tokyo Illustrated News"). The latter folded in 1889, and Yoshiiku returned to making prints. He struggled during his last years, and his last known print appeared in 1903. His three known students, Ikumura, Ikuei, and Ikumasa, failed to achieve recognition. Y ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gazu Hyakki Yagyō
is the first book of Japanese artist Toriyama Sekien's famous ''Gazu Hyakki Yagyō'' e-hon tetralogy, published in 1776. A version of the tetralogy translated and annotated in English was published in 2016. Although the title translates to "The Illustrated Night Parade of a Hundred Demons", it is based on an idiom, ''hyakki yagyō,'' that is akin to pandemonium in English and implies an uncountable horde. The book is followed by ''Konjaku Gazu Zoku Hyakki'', ''Konjaku Hyakki Shūi'', and ''Gazu Hyakki Tsurezure Bukuro''. The book is a supernatural bestiary, a collection of ghosts, spirits, spooks and monsters from literature, folklore, and other artwork. The art of ''Gazu Hyakki Yagyō'' heavily references a 1737 scroll-painting called the ''Hyakkai Zukan'' by artist Sawaki Sūshi; Sekien's innovation was preparing the illustrations as woodblock prints that could be mass-produced in a bound book format. Intended as a parody of then-popular reference books such as the ''Wakan Sans ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Toriyama Sekien
200px, A Mikoshi-nyūdō, specifically a Miage-nyūdō, as portrayed by Toriyama">Miage-nyūdō.html" ;"title="Mikoshi-nyūdō, specifically a Miage-nyūdō">Mikoshi-nyūdō, specifically a Miage-nyūdō, as portrayed by Toriyama , real name Sano Toyofusa, was an 18th-century scholar, ''kyōka'' poet, and ''ukiyo-e'' artist of Japanese folklore. Born to a family of high-ranking servants to the Tokugawa shogunate, he was trained by Kanō school artists Kanō Gyokuen and Kanō Chikanobu, although he was never officially recognized as a Kanō school painter. Art career After retiring from service to the shogunate, he became a teacher to numerous apprentices in poetry and painting. He was among the first to apply Kanō techniques to ''ukiyo-e'' printmaking, inventing key new techniques along the way, such as ''fuki-bokashi'', which allowed for replicating color gradations. Most famously, he was the teacher of Kitagawa Utamaro and Utagawa Toyoharu. Sekien is best known for his mass-pro ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Muromachi
The is a division of Japanese history running from approximately 1336 to 1573. The period marks the governance of the Muromachi or Ashikaga shogunate (''Muromachi bakufu'' or ''Ashikaga bakufu''), which was officially established in 1338 by the first Muromachi ''shōgun'', Ashikaga Takauji, two years after the brief Kenmu Restoration (1333–1336) of imperial rule was brought to a close. The period ended in 1573 when the 15th and last shogun of this line, Ashikaga Yoshiaki, was driven out of the capital in Kyoto by Oda Nobunaga. From a cultural perspective, the period can be divided into the Kitayama and Higashiyama cultures (later 15th – early 16th centuries). The early years from 1336 to 1392 of the Muromachi period are known as the '' Nanboku-chō'' or Northern and Southern Court period. This period is marked by the continued resistance of the supporters of Emperor Go-Daigo, the emperor behind the Kenmu Restoration. The Sengoku period or Warring States period, which begi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
