Horologia Sinica
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Horologia Sinica
''Horologia sinica'' (渾天昏君) is a composition by the contemporary Chinese-British composer Jeffrey Ching. It was commissioned by the Hong Kong Chinese Orchestra, who premiered it under Yan Huichang on 6 March 2012 during the 40th Hong Kong Arts Festival at a concert marking the fiftieth anniversary of Hong Kong City Hall. The soprano soloist was Andión Fernández. The piece lasts approximately twenty minutes. Title and Analytical Description "Horologia sinica" means "Chinese clocks" in Latin. The Chinese title ''Huntian hunjun''「渾天昏君」is an untranslatable pun on ''huntian'' (渾天) meaning "astronomical clock", and ''hunjun'' (昏君) meaning "foolish ruler". According to the composer, the first 'clock' is the water-powered astronomical clock-tower built by the court official Su Song (蘇頌) in Kaifeng during the Northern Song dynasty. An ensemble of water sounds, woodblocks, and other unpitched percussion accurately mark the seconds, minutes, quarters, and n ...
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Jeffrey Ching
Jeffrey Ching (, born 4 November 1965) is a contemporary classical composer. He was born in the Philippines, to Chinese parents. He is married with the operatic soprano Andión Fernández and has two children. His opera ' was given in the Theater Erfurt in 2009. Selected works *'' Concerto da camera'' *''Horologia sinica'' *''Kunstkabinett'' *''Notas para una cartografía de Filipinas'' *''Terra Kytaorum {{Use dmy dates, date=January 2024 ''Terra Kytaorum'' (Land of the Cathayans) is a work for brass ensemble and percussion by the contemporary classical composer Jeffrey Ching. Its subtitle is ''Souvenir des Yuan'', which incorporates it into that ...'' *Symphony No. 1 in C major (prem. 1981) * Symphony No. 2, "The Imp of the Perverse" * Symphony No. 3, "Rituals" * Symphony No. 4, "Souvenir des Ming" * Symphony No. 5, "Kunstkammer" References Further reading * Hila, Antonio C. "Understanding the Early Music of Jeffrey Ching: An Erudite Composer", ''Unitas'', Vol. 75, ...
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Zithers
Zithers (; , from the Greek word ''cithara'') are a class of stringed instruments. Historically, the name has been applied to any instrument of the psaltery family, or to an instrument consisting of many strings stretched across a thin, flat body. This article describes the latter variety. Zithers are typically played by strumming or plucking the strings with the fingers or a plectrum. In the Hornbostel–Sachs classification system, the term refers to a larger family of similarly shaped instruments that also includes the hammered dulcimer family and piano and a few rare bowed instruments like the bowed psaltery, bowed dulcimer, and streichmelodion. Like an acoustic guitar or lute, a zither's body serves as a resonating chamber (sound box), but, unlike guitars and lutes, a zither lacks a distinctly separate neck assembly. The number of strings varies, from one to more than fifty. In modern common usage the term "zither" refers to three specific instruments: the concert zithe ...
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Dadi (instrument)
The ''dizi'' (, pronounced ), is a Chinese transverse flute. It is also sometimes known as the ''di'' () or ''héngdi'' (), and has varieties including Qudi (), Bangdi (), and Xindi (). It is a major Chinese musical instrument that is widely used in many genres of Chinese folk music, Chinese opera, as well as the modern Chinese orchestra. The ''dizi'' is also a popular instrument among the Chinese people as it is simple to make and easy to carry. Most ''dizi'' are made of bamboo, which explains why ''dizi'' are sometimes known by simple names such as Chinese bamboo flute. However, "bamboo" is perhaps more of a Chinese instrument classification like "woodwind" in the West. Northern Chinese ''dizi'' are made from purple or violet bamboo, while ''dizi'' made in Suzhou and Hangzhou are made from white bamboo. ''Dizi'' produced in southern Chinese regions such as Chaozhou are often made of very slender, lightweight, light-colored bamboo and are much quieter in tone. Although bamboo ...
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Paixiao
The ''paixiao'' (traditional: 排簫; simplified: 排箫; pinyin: ''páixiāo''; also pái xiāo) is a Chinese wind instrument, a form of pan flute. A major difference between the Chinese Paixiao and the panpipes used in European and South American traditions, is that at the top of the Chinese instrument the pipe holes are each cut angled or with notches. This allows for bending the pitch in similar capacity to the dongxiao down a minor second. This allows Chinese paixiao to be fully chromatic without loss in timbre, even though the included pipes are tuned diatonically.The method of blowing ''so'' is to hold the head of the frame with both hands, with the mouthpiece facing the front, place the lower lip on the mouthpiece, and find and blow each tube according to the pitch. In Korea, an instrument called the ''so'' (hangul: 소; hanja: 簫) was derived from the ''paixiao'' and used in ritual music. The ''so'' is made up of 16 bamboo tubes, so each sound is played in one tube. ...
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Tatars
The Tatars ()Tatar
in the Collins English Dictionary
is an umbrella term for different Turkic ethnic groups bearing the name "Tatar". Initially, the ethnonym ''Tatar'' possibly referred to the . That confederation was eventually incorporated into the when unified the various steppe tr ...
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Tang Dynasty
The Tang dynasty (, ; zh, t= ), or Tang Empire, was an Dynasties in Chinese history, imperial dynasty of China that ruled from 618 to 907 AD, with an Zhou dynasty (690–705), interregnum between 690 and 705. It was preceded by the Sui dynasty and followed by the Five Dynasties and Ten Kingdoms period. Historians generally regard the Tang as a high point in Chinese civilization, and a Golden age (metaphor), golden age of cosmopolitan culture. Tang territory, acquired through the military campaigns of its early rulers, rivaled that of the Han dynasty. The House of Li, Lǐ family () founded the dynasty, seizing power during the decline and collapse of the Sui Empire and inaugurating a period of progress and stability in the first half of the dynasty's rule. The dynasty was formally interrupted during 690–705 when Empress Wu Zetian seized the throne, proclaiming the Zhou dynasty (690–705), Wu Zhou dynasty and becoming the only legitimate Chinese empress regnant. The devast ...
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Calligraphy
Calligraphy (from el, link=y, καλλιγραφία) is a visual art related to writing. It is the design and execution of lettering with a pen, ink brush, or other writing instrument. Contemporary calligraphic practice can be defined as "the art of giving form to signs in an expressive, harmonious, and skillful manner". Modern calligraphy ranges from functional inscriptions and designs to fine-art pieces where the letters may or may not be readable. Classical calligraphy differs from type design and non-classical hand-lettering, though a calligrapher may practice both. CD-ROM Calligraphy continues to flourish in the forms of wedding invitations and event invitations, font design and typography, original hand-lettered logo design, religious art, announcements, graphic design and commissioned calligraphic art, cut stone inscriptions, and memorial documents. It is also used for props and moving images for film and television, and also for testimonials, birth and death cert ...
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Emperor Huizong Of Song China
Emperor Huizong of Song (7 June 1082 – 4 June 1135), personal name Zhao Ji, was the eighth emperor of the Northern Song dynasty of China. He was also a very well-known calligrapher. Born as the 11th son of Emperor Shenzong, he ascended the throne in 1100 upon the death of his elder brother and predecessor, Emperor Zhezong, because Emperor Zhezong's only son died prematurely. He lived in luxury, sophistication and art in the first half of his life. In 1126, when the Jurchen-led Jin dynasty invaded the Song dynasty during the Jin–Song Wars, Emperor Huizong abdicated and passed on his throne to his eldest son, Zhao Huan who assumed the title Emperor Qinzong while Huizong assumed the honorary title of '' Taishang Huang'' (or "Retired Emperor"). The following year, the Song capital, Bianjing, was conquered by Jin forces in an event historically known as the Jingkang Incident. Emperor Huizong and Emperor Qinzong and the rest of their family were taken captive by the Jurc ...
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Glissandi
In music, a glissando (; plural: ''glissandi'', abbreviated ''gliss.'') is a glide from one pitch to another (). It is an Italianized musical term derived from the French ''glisser'', "to glide". In some contexts, it is distinguished from the continuous portamento. Some colloquial equivalents are slide, sweep (referring to the "discrete glissando" effects on guitar and harp, respectively), bend, smear, rip (for a loud, violent gliss to the beginning of a note), lip (in jazz terminology, when executed by changing one's embouchure on a wind instrument), plop, or falling hail (a glissando on a harp using the back of the fingernails). On wind instruments, a scoop is a glissando ascending to the onset of a note achieved entirely with the embouchure. Portamento Prescriptive attempts to distinguish the glissando from the portamento by limiting the former to the filling in of discrete intermediate pitches on instruments like the piano, harp, and fretted stringed instruments have run u ...
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Quarter-tone
A quarter tone is a pitch halfway between the usual notes of a chromatic scale or an interval about half as wide (aurally, or logarithmically) as a semitone, which itself is half a whole tone. Quarter tones divide the octave by 50 cents each, and have 24 different pitches. Quarter tone has its roots in the music of the Middle East and more specifically in Persian traditional music. However, the first evidenced proposal of quarter tones, or the quarter-tone scale (24 equal temperament), was made by 19th-century music theorists Heinrich Richter in 1823Julian Rushton, "Quarter-Tone", ''The New Grove Dictionary of Music and Musicians'', second edition, edited by Stanley Sadie and John Tyrrell (London: Macmillan, 2001). and Mikhail Mishaqa about 1840. Composers who have written music using this scale include: Pierre Boulez, Julián Carrillo, Mildred Couper, George Enescu, Alberto Ginastera, Gérard Grisey, Alois Hába, Ljubica Marić, Charles Ives, Tristan Murail, Krzysztof Pe ...
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Late Middle Chinese
Middle Chinese (formerly known as Ancient Chinese) or the Qieyun system (QYS) is the historical variety of Chinese recorded in the ''Qieyun'', a rime dictionary first published in 601 and followed by several revised and expanded editions. The Swedish linguist Bernard Karlgren believed that the dictionary recorded a speech standard of the capital Chang'an of the Sui and Tang dynasties. However, based on the more recently recovered preface of the ''Qieyun'', most scholars now believe that it records a compromise between northern and southern reading and poetic traditions from the late Northern and Southern dynasties period. This composite system contains important information for the reconstruction of the preceding system of Old Chinese phonology (early 1st millennium BC). The ''fanqie'' method used to indicate pronunciation in these dictionaries, though an improvement on earlier methods, proved awkward in practice. The mid-12th-century ''Yunjing'' and other rime tables incorpora ...
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