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Hooligans (album)
''Hooligans'' is a double compilation album of The Who released by MCA Records in 1981. It focuses on Who songs from the 1970s with only the titles " I Can't Explain", "I Can See for Miles" and " Pinball Wizard" from the 1960s. The album reached #52 on the US charts. It is most notable as the first US album to include three hard to find Who singles. The 1971 UK single "Let's See Action" was not released in the US, and for this album the title was changed to "(Nothing Is Everything) Let's See Action". Two other singles, " Join Together" and "Relay", were released both in the UK and US in 1972. US releases of "Relay" were re-titled "The Relay". The version of the song on this album was edited by use of a fade that occurs about 25 seconds early. Track listing All tracks written by Pete Townshend Peter Dennis Blandford Townshend (; born 19 May 1945) is an English musician. He is co-founder, leader, guitarist, second lead vocalist and principal songwriter of the Who, one of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Who
The Who are an English rock band formed in London in 1964. Their classic lineup consisted of lead singer Roger Daltrey, guitarist and singer Pete Townshend, bass guitarist and singer John Entwistle, and drummer Keith Moon. They are considered one of the most influential rock bands of the 20th century, and have sold over 100 million records worldwide. Their contributions to rock music include the development of the Marshall Stack, large PA systems, the use of the synthesizer, Entwistle and Moon's influential playing styles, Townshend's feedback and power chord guitar technique, and the development of the rock opera. They are cited as an influence by many hard rock, punk rock, power pop and mod bands, and their songs are still regularly played. The Who were inducted into the Rock and Roll Hall of Fame in 1990. The Who developed from an earlier group, the Detours, and established themselves as part of the pop art and mod movements, featuring auto-destructive art by d ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tommy (The Who Album)
''Tommy'' is the fourth studio album by the English rock band The Who, a double album first released on 17 May 1969. The album was mostly composed by guitarist Pete Townshend, and is a rock opera that tells the story of Tommy Walker. Tommy is traumatized from witnessing his father murder his mother's lover. Tommy's parents compound his trauma by denying the experience. In reaction, Tommy becomes dissociative ("deaf, dumb and blind"). Tommy then experiences the trauma of being sexually abused. As a way of coping with his trauma, Tommy dissociates further through playing pinball. He gains a following because of his skill at playing pinball. After numerous misguided attempts to heal Tommy, a doctor prescribes him a mirror so he can confront himself and his experience. Instead, Tommy becomes self-absorbed and comes to think of himself as a messianic figure. When the mirror is eventually broken, Tommy comes out of his dissociative state. Tommy then tries to lead his followers to b ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Slip Kid
"Slip Kid" is a song from The Who's seventh album, ''The Who by Numbers''. Written originally for Pete Townshend's shelved '' Lifehouse'' rock opera, "Slip Kid" was revived in 1975. The song was originally written as a warning about the music business, though Townshend has pointed out the song's relevance in different contexts. The song was released as a single in the US, backed by " Dreaming from the Waist", but failed to chart. "Slip Kid" has since seen praise from critics, appearing on lists of the best Who songs and often being described as underrated. It has appeared on multiple compilation albums since its release and has been performed live intermittently throughout the Who's touring career, including an unrehearsed performance in 2016. Background "Slip Kid," like many other tracks released by The Who in the 1970s, was originally to be included in Pete Townshend's shelved '' Lifehouse'' rock opera. However, when ''The Who by Numbers'' was being created, the song was resu ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Who By Numbers
''The Who by Numbers'' is the seventh studio album by English rock band the Who, released on 3 October 1975 in the United Kingdom through Polydor Records, and on 25 October 1975 in the United States by MCA Records. It was named the tenth-best album of the year in ''The Village Voice'' Pazz & Jop critics poll. Background Pete Townshend has claimed that the band recorded practically every song he had written for ''The Who by Numbers'', partially due to a writer's block that he was experiencing at the time. The songs on the album were, for the most part, more introspective and personal than many other songs that the band had released. Townshend's 30th birthday occurred in May 1975; he was troubled with thoughts of being too old to play rock and roll and that the band was losing its relevance. He began to feel disenchanted with the music industry, a feeling that he carried into his songs. He said of the songs on the album: After concluding the tour for the ''Quadrophenia'' album i ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Squeeze Box (song)
"Squeeze Box" is a song by The Who from their album ''The Who by Numbers.'' Written by Pete Townshend, the lyrics are couched in sexual double entendres. Unlike many of the band's other hits, the song features country-like elements, as heard in Townshend's guitar fingerpicking. "Squeeze Box" was a commercial success, peaking at No. 10 on the UK Singles Chart and No. 16 in the US ''Billboard'' Hot 100. The song is also their only international number-one hit, reaching No. 1 in Canada, and No. 2 on the Irish singles chart. Background "Squeeze Box" was originally intended for a Who television special planned in 1974. In the planned performance of the song, the members of the band were to be surrounded by 100 topless women playing accordions. A demo of the song featured a farfisa organ-based arrangement, as well as bluegrass banjos. Authors Steve Grantley and Alan Parker compared this early version to The Beatles' 1968 song, "Ob-La-Di, Ob-La-Da". This demo appeared on Pete Townsh ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Song Is Over
"The Song Is Over" (or "Song Is Over") is a song by the English rock band the Who, appearing on ''Who's Next''. It was originally to be the ending song on '' Lifehouse''. It takes place after the police invade the Lifehouse Theatre and the concert goers disappear. Lyrics and music "The Song Is Over" is one of the tracks on ''Who's Next'' with lead vocals by both Pete Townshend and Roger Daltrey and piano work by Nicky Hopkins. According to Pete Townshend, the song provides "a mixture of being sad and wistful but at the same time a high point." That mixture is achieved by Townshend's vocals conveying a sense of the end: "The song is over, It's all behind me", and Daltrey's conveying a sense of continuing: "I sing my songs to the wide open spaces ...." Who biographer John Atkins remarks that the two singers' "contrasting voices" "work wonderfully well." Atkins considers Daltrey's vocals to be the song's strongest feature, but he also praises Keith Moon's "superbly controlled" drumm ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bargain (song)
"Bargain" is a song written by Pete Townshend that was first released by the Who on their 1971 album ''Who's Next''. It is a love song, although the intended subject of the song is God rather than a woman. The song has been included on several compilation and live albums. It was also included on several of Townshend's solo projects. Critics have praised the song's lyricism and power, as well as the performance of the band on the song. Townshend acknowledged during the Who's concert at the Prudential Center in Newark on 19 March 2016 that this is his favorite song on the album. Lyrics and music "Bargain" is a love song. The opening lines are: The lyrics are typical love song lyrics in which the singer says he will give up everything to win his love, and that the singer would consider that a bargain. However, the lyrics do not identify who the subject of the singer's love is. Townshend has stated the song was influenced by Indian mystic Meher Baba and that the subject of the so ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Behind Blue Eyes
"Behind Blue Eyes" is a song by English rock band the Who. It is the second single from the band's fifth album, ''Who's Next'' (1971), and was originally written by Pete Townshend for his '' Lifehouse'' project. The song is one of the Who's best-known recordings and has been covered by many artists, including Limp Bizkit. Background "Behind Blue Eyes" originated after a Who concert in Denver on 9 June 1970. Following the performance, Townshend became tempted by a female groupie, but he instead went back to his room alone, possibly as a result of the teachings of his spiritual leader, Meher Baba. Upon reaching his room, he began writing a prayer, the first words being "When my fist clenches, crack it open..." These words later appeared as lyrics in the "climactic rocking section" of "Behind Blue Eyes." When "Behind Blue Eyes" was to be released as part of the aborted ''Lifehouse'' project, the song was sung from the point of view of the main villain, Jumbo. The lyrics are a first- ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Who's Next
''Who's Next'' is the fifth studio album by English rock band the Who. It developed from the aborted '' Lifehouse'' project, a multi-media rock opera conceived by the group's guitarist Pete Townshend as a follow-up to the band's 1969 album ''Tommy''. The project was cancelled owing to its complexity and to conflicts with Kit Lambert, the band's manager, but the group salvaged some of the songs, without the connecting story elements, to release as their next album. Eight of the nine songs on ''Who's Next'' were from ''Lifehouse'', the lone exception being the John Entwistle-penned "My Wife". Ultimately, the remaining ''Lifehouse'' tracks would all be released on other albums throughout the next decade. The Who recorded ''Who's Next'' with assistance from recording engineer Glyn Johns. After producing the song "Won't Get Fooled Again" in the Rolling Stones Mobile Studio, they relocated to Olympic Studios to record and mix most of the album's remaining songs. They made prominent u ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Baba O'Riley
"Baba O'Riley" is a song by the English rock band the Who, and the opening track to their fifth album ''Who's Next'' (1971). It was issued in Europe as a single on 23 October 1971, coupled with "My Wife". Roger Daltrey sings most of the song, with Pete Townshend singing the middle eight: "Don't cry/ don't raise your eye/ it's only teenage wasteland". "Baba O'Riley" appears in ''Time'' magazine's "All-Time 100 Songs" list, ''Rolling Stone''s list of "The 500 Greatest Songs of All Time", and the Rock and Roll Hall of Fame as one of the 500 Songs That Shaped Rock and Roll. It also features on live albums: ''Who's Last'', ''Live from Royal Albert Hall'', ''Live from Toronto'', and ''Greatest Hits Live''. The original recording's violin solo is played on harmonica by Daltrey when performed live. Title The song is often incorrectly referred to as "Teenage Wasteland", due to these oft-repeated words in the song's chorus refrain. "Teenage Wasteland" was in fact a working title for t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Relay (song)
"Relay" (titled "The Relay" in the United States) is a song written by Pete Townshend, the guitarist of the Who, for the band's aborted ''Lifehouse (rock opera), Lifehouse'' project. The song was also released as a moderately successful single in 1972. It was also the last non-album single by the Who until "Real Good Looking Boy", 32 years later. Background "Relay" was originally written as part of the unfinished ''Lifehouse (rock opera)#1971 version, Lifehouse'' rock opera, however, like "Join Together (The Who song), Join Together", it was not written until 1972, when Pete Townshend revisited the project, at Roger Daltrey's suggestion. In 1972, the song was resurrected to be used in ''Rock Is Dead—Long Live Rock!'', another abandoned Who album that was to be released in 1972. The song was recorded during the same sessions as "Join Together (The Who song), Join Together" and a demo of "Long Live Rock" in May 1972. "Relay" was released as a single in late 1972, backed with the K ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Live At Leeds
''Live at Leeds'' is the first live album by English rock band The Who. It was recorded at the University of Leeds Refectory on 14 February 1970, and is their only live album that was released while the group were still actively recording and performing with their best-known line-up of Roger Daltrey, Pete Townshend, John Entwistle and Keith Moon. The Who were looking for a way to follow up their 1969 album ''Tommy'', and had recorded several shows on tours supporting that album, but didn't like the sound. Consequently, they booked the show at Leeds University, along with one at Hull City Hall the following day, specifically to record a live album. Six songs were taken from the Leeds show, and the cover was pressed to look like a bootleg recording. The sound was significantly different from ''Tommy'' and featured hard rock arrangements that were typical of the band's live shows. The album was released in 23 May 1970 by Decca and MCA in the United States, and by Track and Polydo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
