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Behind Blue Eyes
"Behind Blue Eyes" is a song by English rock band the Who. It is the second single from the band's fifth album, ''Who's Next'' (1971), and was originally written by Pete Townshend for his '' Lifehouse'' project. The song is one of the Who's best-known recordings and has been covered by many artists, including Limp Bizkit. Background "Behind Blue Eyes" originated after a Who concert in Denver on 9 June 1970. Following the performance, Townshend became tempted by a female groupie, but he instead went back to his room alone, possibly as a result of the teachings of his spiritual leader, Meher Baba. Upon reaching his room, he began writing a prayer, the first words being "When my fist clenches, crack it open..." These words later appeared as lyrics in the "climactic rocking section" of "Behind Blue Eyes." When "Behind Blue Eyes" was to be released as part of the aborted ''Lifehouse'' project, the song was sung from the point of view of the main villain, Jumbo. The lyrics are a first- ...
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The Who
The Who are an English rock band formed in London in 1964. Their classic lineup consisted of lead singer Roger Daltrey, guitarist and singer Pete Townshend, bass guitarist and singer John Entwistle, and drummer Keith Moon. They are considered one of the most influential rock bands of the 20th century, and have sold over 100 million records worldwide. Their contributions to rock music include the development of the Marshall Stack, large PA systems, the use of the synthesizer, Entwistle and Moon's influential playing styles, Townshend's feedback and power chord guitar technique, and the development of the rock opera. They are cited as an influence by many hard rock, punk rock, power pop and mod bands, and their songs are still regularly played. The Who were inducted into the Rock and Roll Hall of Fame in 1990. The Who developed from an earlier group, the Detours, and established themselves as part of the pop art and mod movements, featuring auto-destructive art by d ...
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Rock Music
Rock music is a broad genre of popular music that originated as " rock and roll" in the United States in the late 1940s and early 1950s, developing into a range of different styles in the mid-1960s and later, particularly in the United States and United Kingdom.W. E. Studwell and D. F. Lonergan, ''The Classic Rock and Roll Reader: Rock Music from its Beginnings to the mid-1970s'' (Abingdon: Routledge, 1999), p.xi It has its roots in 1940s and 1950s rock and roll, a style that drew directly from the blues and rhythm and blues genres of African-American music and from country music. Rock also drew strongly from a number of other genres such as electric blues and folk, and incorporated influences from jazz, classical, and other musical styles. For instrumentation, rock has centered on the electric guitar, usually as part of a rock group with electric bass guitar, drums, and one or more singers. Usually, rock is song-based music with a time signature using a verse–chorus form, ...
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The Lifehouse Chronicles
''Lifehouse Chronicles'' is a box set released in 2000 by Pete Townshend with the focus of the box being the formerly "abandoned" '' Lifehouse'' rock opera. The set contains song demos by Pete Townshend; including solo versions of "Baba O'Riley", "Won't Get Fooled Again", and "Who Are You", and the Lifehouse Radio Program. The box set release was followed by two Sadler's Wells Lifehouse concerts and the release of a live CD and video/DVD titled, respectively, ''Pete Townshend Live: Sadler's Wells 2000'' and ''Pete Townshend – Music from Lifehouse''. Concept The set collects songs and other compositions relating to '' Lifehouse'', a musical concept developed by Townshend in 1970 as a follow-up to The Who's highly successful rock opera, ''Tommy''. Rooted heavily in the teachings of Townshend's spiritual mentor Meher Baba as well as in science fiction literature, ''Lifehouse'' was meant to explore the idea that music is the fundamental basis of all life – that every h ...
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Scoop (album)
''Scoop'' is a compilation album by Pete Townshend containing 25 demos of various released and unreleased songs by The Who, as well as demos of entirely new material. The album has liner notes written by Townshend. History The album was the first in a series of three ''Scoop'' collections: ''Another Scoop'' was released in 1987 and ''Scoop 3 Released in 2001, ''Scoop 3'' is a compilation of demos and alternate versions of previous Who songs and new Pete Townshend material. History It is the third and last ''Scoop'' collection. It contains considerably fewer demos and alternate versio ...'' in 2001. All three albums were 2-disc sets, and in 2002 a pared-down compilation of them all was released as '' Scooped''. Remastered versions of the original albums were released in 2006, and again in 2017. Track listing All songs written and composed by Pete Townshend, except where noted. References {{Authority control 1983 compilation albums Demo albums Pete Townshend compilat ...
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Demo (music)
A demo (shortened from "demonstration") is a song or group of songs typically recorded for limited circulation or for reference use, rather than for general public release. A demo is a way for a musician to approximate their ideas in a fixed format, such as cassette tape, compact disc, or digital audio files, and to thereby pass along those ideas to record labels, producers, or other artists. Musicians often use demos as quick sketches to share with bandmates or arrangers, or simply for personal reference during the songwriting process; in other cases, a songwriter might make a demo to send to artists in hopes of having the song professionally recorded, or a publisher may need a simple recording for publishing or copyright purposes. Background Demos are typically recorded on relatively crude equipment such as "boom box" cassette recorders, small four- or eight-track machines, or on personal computers with audio recording software. Songwriters' and publishers' demos are recorded ...
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Cash Box
''Cashbox'', also known as ''Cash Box'', was an American music industry trade magazine, originally published weekly from July 1942 to November 1996. Ten years after its dissolution, it was revived and continues as ''Cashbox Magazine'', an online magazine with weekly charts and occasional special print issues. In addition to the music industry, the magazine covered the amusement arcade industry, including jukebox machines and arcade games. History Print edition charts (1952–1996) ''Cashbox'' was one of several magazines that published record charts in the United States. Its most prominent competitors were '' Billboard'' and '' Record World'' (known as ''Music Vendor'' prior to April 1964). Unlike ''Billboard'', ''Cashbox'' combined all currently available recordings of a song into one chart position with artist and label information shown for each version, alphabetized by label. Originally, no indication of which version was the biggest seller was given, but from October 25, 19 ...
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Cashbox (magazine)
''Cashbox'', also known as ''Cash Box'', was an American music industry trade magazine, originally published weekly from July 1942 to November 1996. Ten years after its dissolution, it was revived and continues as ''Cashbox Magazine'', an online magazine with weekly charts and occasional special print issues. In addition to the music industry, the magazine covered the amusement arcade industry, including jukebox machines and arcade games. History Print edition charts (1952–1996) ''Cashbox'' was one of several magazines that published record charts in the United States. Its most prominent competitors were '' Billboard'' and '' Record World'' (known as ''Music Vendor'' prior to April 1964). Unlike ''Billboard'', ''Cashbox'' combined all currently available recordings of a song into one chart position with artist and label information shown for each version, alphabetized by label. Originally, no indication of which version was the biggest seller was given, but from October 25, 1 ...
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Billboard Hot 100
The ''Billboard'' Hot 100 is the music industry standard record chart in the United States for songs, published weekly by '' Billboard'' magazine. Chart rankings are based on sales (physical and digital), radio play, and online streaming in the United States. The weekly tracking period for sales was initially Monday to Sunday when Nielsen started tracking sales in 1991, but was changed to Friday to Thursday in July 2015. This tracking period also applies to compiling online streaming data. Radio airplay, which, unlike sales figures and streaming, is readily available on a real-time basis, is also tracked on a Friday to Thursday cycle effective with the chart dated July 17, 2021 (previously Monday to Sunday and before July 2015, Wednesday to Tuesday). A new chart is compiled and officially released to the public by ''Billboard'' on Tuesdays but post-dated to the following Saturday. The first number-one song of the ''Billboard'' Hot 100 was " Poor Little Fool" by Ricky Ne ...
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Hammond Organ
The Hammond organ is an electric organ invented by Laurens Hammond and John M. Hanert and first manufactured in 1935. Multiple models have been produced, most of which use sliding drawbars to vary sounds. Until 1975, Hammond organs generated sound by creating an electric current from rotating a metal tonewheel near an electromagnetic pickup, and then strengthening the signal with an amplifier to drive a speaker cabinet. The organ is commonly used with the Leslie speaker. Around two million Hammond organs have been manufactured. The organ was originally marketed by the Hammond Organ Company to churches as a lower-cost alternative to the wind-driven pipe organ, or instead of a piano. It quickly became popular with professional jazz musicians in organ trios—small groups centered on the Hammond organ. Jazz club owners found that organ trios were cheaper than hiring a big band. Jimmy Smith's use of the Hammond B-3, with its additional harmonic percussion feature, inspired a g ...
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Al Kooper
Al Kooper (born Alan Peter Kuperschmidt; February 5, 1944) is a retired American songwriter, record producer and musician, known for organizing Blood, Sweat & Tears, although he did not stay with the group long enough to share its popularity. Throughout much of the 1960s and 1970s he was a prolific studio musician, playing organ on the Bob Dylan song "Like a Rolling Stone", French horn and piano on the Rolling Stones song "You Can't Always Get What You Want", and lead guitar on Rita Coolidge's "The Lady's Not for Sale", among many other appearances. Kooper also produced a number of one-off collaboration albums, such as the '' Super Session'' album that saw him work separately with guitarists Mike Bloomfield and Stephen Stills. In the 1970s Kooper was a successful manager and producer, recording Lynyrd Skynyrd's first three albums. He has also had a successful solo career, writing music for film soundtracks, and has lectured in musical composition. Early life Al Kooper was bor ...
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Meher Baba
Meher Baba (born Merwan Sheriar Irani; 25 February 1894  – 31 January 1969) was an Indian spiritual master who said he was the Avatar, or God in human form, of the age. A major spiritual figure of the 20th century, he had a following of hundreds of thousands of people, mostly in India, but with a significant number in the United States, Europe and Australia. Meher Baba's map of consciousness has been described as "a unique amalgam of Sufi, Vedic, and Yogic terminology". He taught that the goal of all beings was to gain consciousness of their own divinity, and to realise the absolute oneness of God. At the age of 19, Meher Baba began a seven-year period of spiritual transformation, during which he had encounters with Hazrat Babajan, Upasni Maharaj, Sai Baba of Shirdi, Tajuddin Baba, and Narayan Maharaj. In 1925, he began a 44-year period of observed silence, during which he communicated first using an alphabet board, and by 1954, entirely through hand gestures using a ...
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Groupie
The term groupie is a slang word that refers to a fan of a particular musical group who follows the band around while they are on tour or who attends as many of their public appearances as possible, with the hope of meeting them. The term is usually derogatory, describing young women who follow these individuals aiming to initiate a sexual encounter with them or to offer them sex. The term is also used to describe fans of sports, and admirers of public figures in other high-profile professions. Origin in music The word ''groupie'' originated around 1965 to describe teen-aged girls or young women who began following a particular group or band of musicians on a regular basis. The phenomenon was much older; Mary McCarthy had earlier described it in her novel ''The Company She Keeps'' (1942). Some sources have attributed the coining of the word to The Rolling Stones bassist Bill Wyman during the group's 1965 Australian tour; but Wyman said he and his bandmates used other "code wor ...
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