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Relay (song)
"Relay" (titled "The Relay" in the United States) is a song written by Pete Townshend, the guitarist of the Who, for the band's aborted ''Lifehouse (rock opera), Lifehouse'' project. The song was also released as a moderately successful single in 1972. It was also the last non-album single by the Who until "Real Good Looking Boy", 32 years later. Background "Relay" was originally written as part of the unfinished ''Lifehouse (rock opera)#1971 version, Lifehouse'' rock opera, however, like "Join Together (The Who song), Join Together", it was not written until 1972, when Pete Townshend revisited the project, at Roger Daltrey's suggestion. In 1972, the song was resurrected to be used in ''Rock Is Dead—Long Live Rock!'', another abandoned Who album that was to be released in 1972. The song was recorded during the same sessions as "Join Together (The Who song), Join Together" and a demo of "Long Live Rock" in May 1972. "Relay" was released as a single in late 1972, backed with the K ...
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The Who
The Who are an English rock band formed in London in 1964. Their classic lineup consisted of lead singer Roger Daltrey, guitarist and singer Pete Townshend, bass guitarist and singer John Entwistle, and drummer Keith Moon. They are considered one of the most influential rock bands of the 20th century, and have sold over 100 million records worldwide. Their contributions to rock music include the development of the Marshall Stack, large PA systems, the use of the synthesizer, Entwistle and Moon's influential playing styles, Townshend's feedback and power chord guitar technique, and the development of the rock opera. They are cited as an influence by many hard rock, punk rock, power pop and mod bands, and their songs are still regularly played. The Who were inducted into the Rock and Roll Hall of Fame in 1990. The Who developed from an earlier group, the Detours, and established themselves as part of the pop art and mod movements, featuring auto-destructive art by d ...
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Keith Moon
Keith John Moon (23 August 19467 September 1978) was an English drummer for the rock band the Who. He was noted for his unique style of playing and his eccentric, often self-destructive behaviour and addiction to drugs and alcohol. Moon grew up in Alperton, a suburb of Wembley, in Middlesex, and took up the drums during the early 1960s. After playing with a local band, the Beachcombers, he joined the Who in 1964 before they recorded their first single. Moon was recognised for his drumming style, which emphasised tom-toms, cymbal crashes, and drum fills. Throughout Moon's tenure with the Who, his drum kit steadily grew in size, and (along with Ginger Baker) he has been credited as one of the earliest rock drummers to regularly employ double bass drums in his setup. Moon occasionally collaborated with other musicians and later appeared in films, but considered playing in the Who his primary occupation, and remained a member of the band until his death. In addition to his talent ...
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The Who Tour 2002
The Who are an English rock band formed in London in 1964. Their classic lineup consisted of lead singer Roger Daltrey, guitarist and singer Pete Townshend, bass guitarist and singer John Entwistle, and drummer Keith Moon. They are considered one of the most influential rock bands of the 20th century, and have sold over 100 million records worldwide. Their contributions to rock music include the development of the Marshall Stack, large PA systems, the use of the synthesizer, Entwistle and Moon's influential playing styles, Townshend's feedback and power chord guitar technique, and the development of the rock opera. They are cited as an influence by many hard rock, punk rock, power pop and mod bands, and their songs are still regularly played. The Who were inducted into the Rock and Roll Hall of Fame in 1990. The Who developed from an earlier group, the Detours, and established themselves as part of the pop art and mod movements, featuring auto-destructive art by dest ...
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The Who Tour 2000
The Who Tour 2000 was partially in support of The Who's live album '' The Blues to the Bush'' and their first full-fledged tour as a five-piece band since The Who Tour 1982. History The group's successful series of shows in late The Who 1999 Performances led them to carry out a much longer series of dates, with three two-week legs in the United States and another 11 shows in the United Kingdom. Both the first and last shows of the year were charity performances, the latter at London's Royal Albert Hall and including special guests. The Royal Albert Hall show was also released on CD and DVD (see "Live Releases" below). The group began by playing a charity show at the Jacob K. Javits Convention Center in New York City on 6 June, although this was not technically part of the tour. Drummer Zak Starkey was not available for this performance, so Simon Phillips, who had been the drummer on the 1989 tour, sat in. The United States leg officially began on 25 June at the New World Mu ...
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The Who Tour 1980
The Who Tour 1980 was The Who's second concert tour since the death of original drummer Keith Moon, supporting their 1978 album '' Who Are You''. History Aside from six warm-up shows in Europe, the tour focused primarily on the areas of North America not covered in the band's previous tour, which had focused on the northeastern United States. The set list was very similar to what they played on that tour, save the omission of "The Punk and the Godfather", which was only performed once in 1980. "Relay" was played for the first time since their 1972 European tour, and the group also briefly resurrected " Getting In Tune" for one show during the European warm-up tour, although it did not remain in the act. Yet-unreleased songs "How Can You Do It Alone" and "Dance It Away" returned from the previous tour as well, with the latter having developed into a full song similar to the bonus track on the reissue of Townshend's 1982 solo album ''All the Best Cowboys Have Chinese Eyes''. A ver ...
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The Who Tour 1979
The Who Tour 1979 was The Who's first concert tour since the death of original drummer Keith Moon. The tour supported their 1978 album ''Who Are You'', and consisted of concerts in Europe and the United States and acknowledged the band's return to live performance. History Following Keith Moon's death in September 1978, The Who decided to continue as a band, recruiting former Small Faces drummer Kenney Jones; keyboardist John "Rabbit" Bundrick was also added to the line-up for live performances, adding another element to the band's sound. The post-Moon incarnation of The Who played as a five-piece for seven shows, the first occurring on 2 May at the Rainbow Theatre in London. In September, the group made their first trip to the United States since 1976 for a series of shows at the Capitol Theatre in Passaic, New Jersey, and Madison Square Garden in New York City. A horn section was introduced to the band's act for the first time around this time. It would be retained thro ...
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The Who Tour 1972
The Who are an English rock band, whose most commercially successful line-up was Roger Daltrey, Pete Townshend, John Entwistle and Keith Moon. Originally known as the Detours, the group performed with varying personnel in and around the London area until 1964, when Moon joined. They continued to perform exclusively in Europe until their first American tour in 1967. The group's fourth album, the rock opera ''Tommy (The Who album), Tommy'' (1969) was a critical and commercial success. The Who played the rock opera live from 1969 to 1970, which elevated the band's critical standing. Their fifth album, ''Who's Next'' followed a series of free concerts at the Young Vic, London. They continued to tour to large audiences before taking a hiatus from live performances at the end of 1976. In 1978, Moon died of a drug overdose, and the band, backed with drummer Kenney Jones and keyboardist John Bundrick, John "Rabbit" Bundrick, toured 1979 and 1980 supporting their album ''Who Are You''. ...
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The Old Grey Whistle Test
''The Old Grey Whistle Test'' (sometimes abbreviated to ''Whistle Test'' or ''OGWT'') is a British television music show. The show was devised by BBC producer Rowan Ayers, commissioned by David Attenborough and aired on BBC2 from 1971 to 1988. It took over the BBC2 late-night slot from '' Disco 2'', which ran between September 1970 and July 1971, while continuing to feature non-chart music. The original producer, involved in an executive capacity throughout the show's entire history, was Michael Appleton. According to presenter Bob Harris, the programme derived its name from a Tin Pan Alley phrase from years before. When they got the first pressing of a record they would play it to people they called the old greys – doormen in grey suits. Any song the doormen could remember and whistle, having heard it just once or twice, had passed the old grey whistle test. On 23 February 2018, a one-off live three-hour special of ''The Old Grey Whistle Test'' was broadcast on BBC Four, h ...
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Russell Harty
Frederic Russell Harty (5 September 1934 – 8 June 1988) was an English television presenter of arts programmes and chat shows. Early life Harty was born in Blackburn, Lancashire, the son of greengrocer Fred Harty, who ran a fruit-and-vegetable stall on the local market, and Myrtle Rishton. He attended Queen Elizabeth's Grammar School on West Park Road in Blackburn, where he enjoyed appearing in school plays and met, for the first time, the then English teacher Ronald Eyre, who directed a number of the productions. Thereafter he studied at Exeter College, Oxford, where he obtained a degree in English literature. Teaching career On leaving university, he taught briefly at Blakey Moor Secondary Modern School in Blackburn, then became an English and drama teacher at Giggleswick School in North Yorkshire. "I got a first-class degree, and was a hopeless teacher", Harty later said. However, his friend and Oxford contemporary Alan Bennett commented in his 2016 memoir ''Keeping On ...
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Melody Maker
''Melody Maker'' was a British weekly music magazine, one of the world's earliest music weeklies; according to its publisher, IPC Media, the earliest. It was founded in 1926, largely as a magazine for dance band musicians, by Leicester-born composer, publisher Lawrence Wright; the first editor was Edgar Jackson. In January 2001, it was merged into "long-standing rival" (and IPC Media sister publication) ''New Musical Express''. 1950s–1960s Originally the ''Melody Maker'' (''MM'') concentrated on jazz, and had Max Jones, one of the leading British proselytizers for that music, on its staff for many years. It was slow to cover rock and roll and lost ground to the ''New Musical Express'' (''NME''), which had begun in 1952. ''MM'' launched its own weekly singles chart (a top 20) on 7 April 1956, and an LPs charts in November 1958, two years after the ''Record Mirror'' had published the first UK Albums Chart. From 1964, the paper led its rival publications in terms of approac ...
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Let's See Action
"Let's See Action" is a song written and composed by Pete Townshend and recorded by the Who. It was released as a single in the UK in 1971 and reached #16 in the charts. Song notes The song is the first of three non-album singles by the Who, that were intended for the aborted '' Lifehouse'' project. Pete Townshend's demo version, which appears on his first major label solo album ''Who Came First'' as "Nothing Is Everything (Let's See Action)", is longer than the version on the single and contains the additional lines, "Rumor has it minds are open. Then rumors fill them up with lies." The band's bassist, John Entwistle, said that the track was Pete Townshend "Trying to talk to the kids in general." According to The Who's biographer John Atkins, the song takes ideas from the teachings of Meher Baba, encompassing "Soul searching and the utilization of positive impulses from within." B-side The B-side of the single was "When I Was a Boy", which was written and sung by John Entwistle ...
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Who's Next
''Who's Next'' is the fifth studio album by English rock band the Who. It developed from the aborted '' Lifehouse'' project, a multi-media rock opera conceived by the group's guitarist Pete Townshend as a follow-up to the band's 1969 album ''Tommy''. The project was cancelled owing to its complexity and to conflicts with Kit Lambert, the band's manager, but the group salvaged some of the songs, without the connecting story elements, to release as their next album. Eight of the nine songs on ''Who's Next'' were from ''Lifehouse'', the lone exception being the John Entwistle-penned "My Wife". Ultimately, the remaining ''Lifehouse'' tracks would all be released on other albums throughout the next decade. The Who recorded ''Who's Next'' with assistance from recording engineer Glyn Johns. After producing the song "Won't Get Fooled Again" in the Rolling Stones Mobile Studio, they relocated to Olympic Studios to record and mix most of the album's remaining songs. They made prominent u ...
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