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Hodogaya-juku
was the fourth of the fifty-three stations of the Tōkaidō. It is located in Hodogaya-ku in the present-day city of Yokohama, Kanagawa Prefecture, Japan. Occasionally, it is also written as . History Hodogaya-juku was established in 1601, and it was the westernmost post station in Musashi Province during the Edo period. The ''honjin'' still belongs to the same family today as the one that owned it when it was first opened. Additionally, there is a stone Buddha statue that travelers often prayed to for safety while traveling along the Tōkaidō.''The stone Buddha and Pagoda''
. Yokohama City Hall. Accessed December 10, 2007.
The classic print by

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Totsuka-juku
was the fifth of the 53 Stations of the Tōkaidō, fifty-three stations (''shukuba'') of the Tōkaidō (road), Tōkaidō. It was the easternmost post station in Sagami Province. It is now located in Totsuka-ku, Yokohama, Totsuka-ku in the present-day city of Yokohama, Kanagawa, Yokohama, Kanagawa Prefecture, Japan. History Because Totsuka-juku was approximately one day's journey from Nihonbashi, it was a very common resting place for travelers at the start of the journey and the largest post station after Odawara-juku.Tōkaidō to Totsuka-juku
Yokohama City Hall. Accessed December 10, 2007.
Because of its size, there were two ''honjin'' in the post station as well, one belonging to the Sawabe family (澤辺) and the other belonging to the Uchida family (内田). Another reason for Totsuka-juku being so large wa ...
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Hodogaya-ku, Yokohama
is one of the 18 wards of the city of Yokohama in Kanagawa Prefecture, Japan. As of 2010, Hodogaya Ward had an estimated population of 205,887 and a density of . The total area was . Geography Hodogaya Ward is located in eastern Kanagawa Prefecture, and near the geographic center of the city of Yokohama. The area is largely flatland, with scattered small hills. Surrounding municipalities * Kanagawa Ward * Nishi Ward *Minami Ward * Asahi Ward * Totsuka Ward * Midori Ward History The area around present-day Hodogaya has been inhabited for thousands of years. Archaeologists have found stone tools from the Japanese Paleolithic period and ceramic shards from the Jōmon period at numerous locations in the area. Under the Nara period Ritsuryō system, it became part of Tachibana District and Tsutsuki District in Musashi Province. By the Heian period it was part of a huge ''shōen'' controlled by Ise Shrine and administered by the Hangaya clan, a subsidiary of the Hatakeyama clan. By th ...
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Kanagawa-juku
was the third of the fifty-three stations of the Tōkaidō. It was located in Kanagawa-ku in the present-day city of Yokohama, Kanagawa Prefecture, Japan. It was close to Kanagawa Port. Many of its historical artifacts were destroyed by the Great Kantō earthquake and bombings during World War II.Tōkaidō Kanagawa-juku
. City of Yokohama. Accessed October 18, 2007.


History

Kanagawa-juku was established parallel to Kanagawa Port and it flourished as part of the route that goods traveled on the way to . Though the area had officially been designated as the place for the port to be opened, it was actually opened on the opposite shore in what ...
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53 Stations Of The Tōkaidō
The are the rest areas along the Tōkaidō, which was a coastal route that ran from Nihonbashi in Edo (modern-day Tokyo) to Sanjō Ōhashi in Kyoto.. There were originally 53 government post stations along the Tōkaidō, where travelers had to present traveling permits at each station if wanting to cross. In 1619, the Ōsaka Kaidō (大阪街道) was developed to extend the Tōkaidō so that it would reach Kōraibashi in modern-day Osaka. Instead of going to Sanjō Ōhashi, travelers would leave from Ōtsu-juku and travel towards Fushimi-juku. Because of the addition of these four post towns, the Tōkaidō is occasionally referred to as having 57 stations. Another name for this extension was Kyōkaidō (京街道). The inland Nakasendō also started at Nihonbashi, and converged with the Tōkaidō at Kusatsu-juku. Shio no Michi intersected with the Tōkaidō at Okazaki-shuku. Stations of the Tōkaidō See also * Edo Five Routes ** 69 Stations of the Nakase ...
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Buddharupa
Much Buddhist art uses depictions of the historical Buddha, Gautama Buddha, which are known as Buddharūpa (literally, "Form of the Awakened One") in Sanskrit and Pali. These may be statues or other images such as paintings. The main figure in an image may be someone else who has obtained Buddhahood, or a boddhisattva, especially in the various traditions of Mahayana Buddhism. Other Buddhas and bodhisattvas in art have become increasingly common over the centuries, perhaps now outnumbering images of the historical Buddha. In its first centuries Buddhism was largely or entirely aniconic, not showing the person of Buddha except by symbols and relics. This changed, and figures of the Buddha became very common in the art of Gandhara and Gupta art. As forms of esoteric Buddhism developed, other figures from the expanding array of Buddhist sacred persons became more prominent. In Theravada Buddhism this was much less the case, and figures of the historical Buddha remain the most ...
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Soba
Soba ( or , "buckwheat") is a thin Japanese noodle made from buckwheat. The noodles are served either chilled with a dipping sauce, or hot in a noodle soup. The variety ''Nagano soba'' includes wheat flour. In Japan, soba noodles can be found in a variety of settings, from "fast food" places to expensive specialty restaurants. Markets sell dried noodles and '' men-tsuyu'', or instant noodle broth, to make home preparation easy. A wide variety of dishes, both hot for winter and cold for summer, uses these noodles. The amino acid balance of the protein in buckwheat, and therefore in soba, is well matched to the needs of humans and can complement the amino acid deficiencies of other staples such as rice and wheat (see protein combining). The tradition of eating soba arose in the Edo period. History of soba in Japan, development of eateries The tradition of eating soba originates from the Tokugawa period, also called the Edo period, from 1603 to 1868. In the Tokugawa period, eve ...
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Kago
A is a type of litter used as a means of human transportation by the non-samurai class in feudal Japan and into the Meiji period The is an era of Japanese history that extended from October 23, 1868 to July 30, 1912. The Meiji era was the first half of the Empire of Japan, when the Japanese people moved from being an isolated feudal society at risk of colonization ... (1868–1911). Description and use The basket of a was roughly long, and attached to bamboo uprights which were suspended by a large overhead single crossbeam. A roof of some type covered the top and screens could be used to cover the sides as protection from sun or rain. A would carried by a team of four men, who would take turns carrying the on their shoulders; five or six miles could be traveled in one hour. One man would support the weight of the large overhead pole at each end and walked until he tired and switched with a rested carrier. The should not be confused with the more elaborate , wh ...
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Andō Hiroshige
Utagawa Hiroshige (, also ; ja, 歌川 広重 ), born Andō Tokutarō (; 1797 – 12 October 1858), was a Japanese ''ukiyo-e'' artist, considered the last great master of that tradition. Hiroshige is best known for his horizontal-format landscape series ''The Fifty-three Stations of the Tōkaidō'' and for his vertical-format landscape series ''One Hundred Famous Views of Edo''. The subjects of his work were atypical of the ''ukiyo-e'' genre, whose typical focus was on beautiful women, popular actors, and other scenes of the urban pleasure districts of Japan's Edo period (1603–1868). The popular series '' Thirty-six Views of Mount Fuji'' by Hokusai was a strong influence on Hiroshige's choice of subject, though Hiroshige's approach was more poetic and ambient than Hokusai's bolder, more formal prints. Subtle use of color was essential in Hiroshige's prints, often printed with multiple impressions in the same area and with extensive use of '' bokashi'' (color gradation), ...
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Ukiyo-e
Ukiyo-e is a genre of Japanese art which flourished from the 17th through 19th centuries. Its artists produced woodblock prints and paintings Painting is the practice of applying paint, pigment, color or other medium to a solid surface (called the "matrix" or "support"). The medium is commonly applied to the base with a brush, but other implements, such as knives, sponges, and ai ... of such subjects as female beauties; kabuki actors and sumo wrestlers; scenes from history and folk tales; travel scenes and landscapes; Flora of Japan, flora and Wildlife of Japan#Fauna, fauna; and Shunga, erotica. The term translates as "picture[s] of the floating world". In 1603, the city of Edo (Tokyo) became the seat of the ruling Tokugawa shogunate. The ''chōnin'' class (merchants, craftsmen and workers), positioned at the bottom of Four occupations, the social order, benefited the most from the city's rapid economic growth, and began to indulge in and patronise the entertainment o ...
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Edo Period
The or is the period between 1603 and 1867 in the history of Japan, when Japan was under the rule of the Tokugawa shogunate and the country's 300 regional '' daimyo''. Emerging from the chaos of the Sengoku period, the Edo period was characterized by economic growth, strict social order, isolationist foreign policies, a stable population, perpetual peace, and popular enjoyment of arts and culture. The period derives its name from Edo (now Tokyo), where on March 24, 1603, the shogunate was officially established by Tokugawa Ieyasu. The period came to an end with the Meiji Restoration and the Boshin War, which restored imperial rule to Japan. Consolidation of the shogunate The Edo period or Tokugawa period is the period between 1603 and 1867 in the history of Japan, when Japan was under the rule of the Tokugawa shogunate and the country's regional '' daimyo''. A revolution took place from the time of the Kamakura shogunate, which existed with the Tennō's court, to the Tok ...
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Honjin
The ''honjin'' at Inaba Kaidō's Ōhara-shuku.">Ōhara-shuku.html" ;"title="Inaba Kaidō's Ōhara-shuku">Inaba Kaidō's Ōhara-shuku. is the Japanese word for an inn for government officials, generally located in post stations (''shukuba'') during the later part of the Edo period. Evolution of ''Honjin'' Originally, ''honjin'' were places from which generals directed battles and, therefore, were fleeting in nature. However, as commanders began to transform the ''honjin'' into temporary lodgings during battle and travel, ''honjin'' came to be places where ''daimyō'' and other representatives of the shogunate, including ''hatamoto'', ''monzeki'', etc., were allowed to stay during their travels. Many of the ''honjin'' were actually personal residences of village and town leaders. As such, they received official designations from the government and expanded their residences to include walls, gates and other features. Because of their cooperation, the owners of the ''honjin'' also ...
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