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Buddharupa
Much Buddhist art uses depictions of the historical Buddha, Gautama Buddha, which are known as Buddharūpa (literally, "Form of the Awakened One") in Sanskrit and Pali. These may be statues or other images such as paintings. The main figure in an image may be someone else who has obtained Buddhahood, or a boddhisattva, especially in the various traditions of Mahayana Buddhism. Other Buddhas and bodhisattvas in art have become increasingly common over the centuries, perhaps now outnumbering images of the historical Buddha. In its first centuries Buddhism was largely or entirely aniconic, not showing the person of Buddha except by symbols and relics. This changed, and figures of the Buddha became very common in the art of Gandhara and Gupta art. As forms of esoteric Buddhism developed, other figures from the expanding array of Buddhist sacred persons became more prominent. In Theravada Buddhism this was much less the case, and figures of the historical Buddha remain the most ...
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Boddhisattva
In Buddhism, a bodhisattva ( ; sa, 𑀩𑁄𑀥𑀺𑀲𑀢𑁆𑀢𑁆𑀯 (Brahmī), translit=bodhisattva, label=Sanskrit) or bodhisatva is a person who is on the path towards Enlightenment in Buddhism, bodhi ('awakening') or Buddhahood. In the Early Buddhist schools as well as modern Theravada, Theravada Buddhism, a bodhisattva (Pali: ''bodhisatta'') refers to someone who has made a resolution to become a Buddha (title), Buddha and has also received a confirmation or prediction from a living Buddha that this will be so. In Mahayana, Mahayana Buddhism, a bodhisattva refers to anyone who has generated ''bodhicitta'', a spontaneous wish and compassionate mind to attain Buddhahood for the benefit of all Sentient beings (Buddhism), sentient beings. Mahayana bodhisattvas are spiritually heroic persons that work to attain awakening and are driven by a great compassion (''mahakaruṇā''). These beings are exemplified by important spiritual qualities such as the "four divine abodes" ...
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Buddhist Art
Buddhist art is visual art produced in the context of Buddhism. It includes depictions of Gautama Buddha and other Buddhas and bodhisattvas, notable Buddhist figures both historical and mythical, narrative scenes from their lives, mandalas, and physical objects associated with Buddhist practice, such as vajras, bells, stupas and Buddhist temple architecture. Buddhist art originated in the north of the Indian subcontinent, in modern India, Pakistan and Afghanistan, with the earliest survivals dating from a few centuries after the historical life of Siddhartha Gautama from the 6th to 5th century BCE. As Buddhism spread and evolved in each new host country, Buddhist art followed in its footsteps. It developed to the north through Central Asia and into Eastern Asia to form the Northern branch of Buddhist art, and to the east as far as Southeast Asia to form the Southern branch of Buddhist art. In India, Buddhist art flourished and co-developed with Hindu and Jain art, with cave tem ...
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Buddhahood
In Buddhism, Buddha (; Pali, Sanskrit: 𑀩𑀼𑀤𑁆𑀥, बुद्ध), "awakened one", is a title for those who are awake, and have attained nirvana and Buddhahood through their own efforts and insight, without a teacher to point out the dharma (Sanskrit 𑀥𑀭𑁆𑀫; Pali ''dhamma''; "right way of living"). The title is most commonly used for Gautama Buddha, the founder of Buddhism, who is often simply known as "the Buddha". Buddhahood ( sa, 𑀩𑀼𑀤𑁆𑀥𑀢𑁆𑀯, buddhatva; pi, buddhatta or ; ) is the condition and rank of a buddha "awakened one". This highest spiritual state of being is also termed ''sammā-sambodhi'' (skt. samyaksaṃbodhi 'full complete awakening'). The title is also used for other beings who have achieved ''bodhi'' (awakening) and ''moksha'' (release from craving), such as the other human Buddhas who achieved enlightenment before Gautama, the five celestial Buddhas worshiped primarily in Mahayana, and the bodhisattva named M ...
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Ushnisha
The ushnisha (, IAST: ) is a three-dimensional oval at the top of the head of the Buddha. In Pali scriptures, it is the crown of Lord Buddha, the symbol of his Enlightenment and Enthronement. Description The Ushnisha is the thirty-second of the 32 major marks of the Buddha. The thirty-second of these is that the Buddha has a fleshy or cranial protuberance at the top of his head. Later sets elaborate that this is covered with hairs that curl in the direction of the sun. Later on a second definition of Ushnisha was added, which was a flame that ascends from the middle of this protuberance. Representation The first representations of the Buddha in the 1st century CE in the Greco-Buddhist art of Gandhara also represent him with a topknot, rather than just a cranial knob. It is thought that the interpretation of the ushnisha as a supernatural cranial protuberance happened at a later date, as the representation of the topknot became more symbolic and its original meaning was lost. ...
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Reclining Buddha
A reclining Buddha is an image that represents Buddha lying down and is a major iconographic theme in Buddhist art. It represents the historical Buddha during his last illness, about to enter the parinirvana. He is lying on his right side, his head resting on a cushion or relying on his right elbow, supporting his head with his hand. This pattern seems to have emerged at the same time as other representations of the Buddha in the Greco-Buddhist art of Gandhara. In Thai art For Thai Buddha attitudes ( th, ปางพระพุทธรูป; ), the reclining Buddha ( th, ปางไสยาสน์; ) can refer to three different episodes, whilst the attribute of each remains unclear. * Nirvana attitude ( th, ปางปรินิพพาน; ) * Teaching the Rahu Asurin attitude ( th, ปางโปรดอสุรินทราหู; ) * Sleeping attitude ( th, ปางทรงพระสุบิน; ) Notable examples Burma: * Winsein Tawya Budd ...
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Life Of Buddha In Art
Narrative images of episodes from the life of Gautama Buddha in art have been intermittently an important part of Buddhist art, often grouped into cycles, sometimes rather large ones. However, at many times and places, images of the Buddha in art have been very largely single devotional images without narrative content from his life on Earth. The literary accounts of the life of Gautama Buddha vary considerably in details but are mostly consistent in describing the main events. One of the largest surviving bodies of artistic depictions is the rather small stone reliefs of Gandharan art, beginning in the 1st century BC and continuing for several centuries. These reliefs probably reflected subjects in paintings, both murals and illustrating manuscripts, none of which survive. Their range of about 50 subjects is large, and very rarely exceeded in later art, except in the 120 large reliefs at Borobudor in Java, Indonesia, (but 27 of these are of subjects before his birth); in East Asia ...
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Eight Great Events
The ''Eight Great Events'' (''ashtammaha-pratharya'') are a set of episodes in the life of Gautama Buddha that by the time of the Pala Empire of North India around the 9th century had become established as the standard group of narrative scenes to encapsulate the Buddha's life and teachings. As such they were frequently represented in Buddhist art, either individually or as a group, and recounted and interpreted in Buddhist discourses. The ''Eight Great Events'' are: the ''Birth of the Buddha'', the '' Enlightenment'', the ''First Sermon'', the ''Monkey's offering of honey'', the ''Taming of Nalagiri the elephant'', the ''Descent from Tavatimsa Heaven'', the ''Miracle at Sravasti'' and his death or ''Parinirvana''. Each event had taken place at a specific location, which had become a place of pilgrimage, and there was a matching set of " Eight Great Places", ''"Attha-mahathanani"'' in Pali, where the events took place. Apart from his birth in modern Nepal (just, some 10  ...
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Relief
Relief is a sculptural method in which the sculpted pieces are bonded to a solid background of the same material. The term ''relief'' is from the Latin verb ''relevo'', to raise. To create a sculpture in relief is to give the impression that the sculpted material has been raised above the background plane. When a relief is carved into a flat surface of stone (relief sculpture) or wood (relief carving), the field is actually lowered, leaving the unsculpted areas seeming higher. The approach requires a lot of chiselling away of the background, which takes a long time. On the other hand, a relief saves forming the rear of a subject, and is less fragile and more securely fixed than a sculpture in the round, especially one of a standing figure where the ankles are a potential weak point, particularly in stone. In other materials such as metal, clay, plaster stucco, ceramics or papier-mâché the form can be simply added to or raised up from the background. Monumental bronze reliefs a ...
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Large Gautama Buddha Statue In Buddha Park Of Ravangla, Sikkim
Large means of great size. Large may also refer to: Mathematics * Arbitrarily large, a phrase in mathematics * Large cardinal, a property of certain transfinite numbers * Large category, a category with a proper class of objects and morphisms (or both) * Large diffeomorphism, a diffeomorphism that cannot be continuously connected to the identity diffeomorphism in mathematics and physics * Large numbers, numbers significantly larger than those ordinarily used in everyday life * Large ordinal, a type of number in set theory * Large sieve, a method of analytic number theory ** Larger sieve, a heightening of the large sieve * Law of large numbers, a result in probability theory * Sufficiently large, a phrase in mathematics Other uses * ''Large'' (film), a 2001 comedy film * Large (surname), an English surname * LARGE, an enzyme * Large, a British English name for the maxima (music), a note length in mensural notation * Large, or G's, or grand, slang for $1,000 US dollars * Large, ...
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Buddha In Sarnath Museum (Dhammajak Mutra)
Siddhartha Gautama, most commonly referred to as the Buddha, was a wandering ascetic and religious teacher who lived in South Asia during the 6th or 5th century BCE and founded Buddhism. According to Buddhist tradition, he was born in Lumbini, in what is now Nepal, to royal parents of the Shakya clan, but renounced his home life to live as a wandering ascetic ( sa, śramaṇa). After leading a life of begging, asceticism, and meditation, he attained enlightenment at Bodh Gaya in what is now India. The Buddha thereafter wandered through the lower Indo-Gangetic Plain, teaching and building a monastic order. He taught a Middle Way between sensual indulgence and severe asceticism, leading to Nirvana, that is, freedom from ignorance, craving, rebirth, and suffering. His teachings are summarized in the Noble Eightfold Path, a training of the mind that includes meditation and instruction in Buddhist ethics such as right effort, mindfulness, and ''jhana''. He died in Kushina ...
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North India
North India is a loosely defined region consisting of the northern part of India. The dominant geographical features of North India are the Indo-Gangetic Plain and the Himalayas, which demarcate the region from the Tibetan Plateau and Central Asia. The term North India has varying definitions. The Ministry of Home Affairs in its Northern Zonal Council Administrative division included the states of Haryana, Himachal Pradesh, Punjab and Rajasthan and Union Territories of Chandigarh, Delhi, Jammu and Kashmir and Ladakh. The Ministry of Culture in its ''North Culture Zone'' includes the state of Uttarakhand but excludes Delhi whereas the Geological Survey of India includes Uttar Pradesh and Delhi but excludes Rajasthan and Chandigarh. Other states sometimes included are Bihar, Gujarat, Jharkhand, Madhya Pradesh and West Bengal. North India has been the historical centre of the Mughal Empire, the Delhi Sultanate and the British Indian Empire. It has a diverse culture, and includ ...
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Yoga
Yoga (; sa, योग, lit=yoke' or 'union ) is a group of physical, mental, and spiritual practices or disciplines which originated in ancient India and aim to control (yoke) and still the mind, recognizing a detached witness-consciousness untouched by the mind ('' Chitta'') and mundane suffering (''Duḥkha''). There is a wide variety of schools of yoga, practices, and goals in Hinduism, Buddhism, and Jainism,Stuart Ray Sarbacker, ''Samādhi: The Numinous and Cessative in Indo-Tibetan Yoga''. SUNY Press, 2005, pp. 1–2.Tattvarthasutra .1 see Manu Doshi (2007) Translation of Tattvarthasutra, Ahmedabad: Shrut Ratnakar p. 102. and traditional and modern yoga is practiced worldwide. Two general theories exist on the origins of yoga. The linear model holds that yoga originated in the Vedic period, as reflected in the Vedic textual corpus, and influenced Buddhism; according to author Edward Fitzpatrick Crangle, this model is mainly supported by Hindu scholars. According ...
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