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Buddhist Art
Buddhist art is visual art produced in the context of Buddhism. It includes depictions of Gautama Buddha and other Buddhas and bodhisattvas, notable Buddhist figures both historical and mythical, narrative scenes from their lives, mandalas, and physical objects associated with Buddhist practice, such as vajras, bells, stupas and Buddhist temple architecture. Buddhist art originated in the north of the Indian subcontinent, in modern India, Pakistan and Afghanistan, with the earliest survivals dating from a few centuries after the historical life of Siddhartha Gautama from the 6th to 5th century BCE. As Buddhism spread and evolved in each new host country, Buddhist art followed in its footsteps. It developed to the north through Central Asia and into Eastern Asia to form the Northern branch of Buddhist art, and to the east as far as Southeast Asia to form the Southern branch of Buddhist art. In India, Buddhist art flourished and co-developed with Hindu and Jain art, with cave tem ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Greco-Buddhist Art
The Greco-Buddhist art or Gandhara art of the north Indian subcontinent is the artistic manifestation of Greco-Buddhism, a cultural syncretism between Ancient Greek art and Buddhism. It had mainly evolved in the ancient region of Gandhara. The series of interactions leading to Gandhara art occurred over time, beginning with Alexander the Great's brief incursion into the area, followed by the Maurya Empire, Mauryan Emperor Ashoka converting the region to Buddhism. Buddhism became the prominent religion in the Indo-Greek Kingdom, Indo-Greek Kingdoms. However, Greco-Buddhist art truly flowered and spread under the Kushan Empire, when the first surviving devotional images of the Buddha were created during the 1st-3rd centuries CE. Gandhara art reached its zenith from the 3rd-5th century CE, when most surviving motifs and artworks were produced. Gandhara art is characterized by Buddhist subject matter, sometimes adapting Greco-Roman elements, rendered in a style and forms that are hea ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Eastern Asia
East Asia is the eastern region of Asia, which is defined in both Geography, geographical and culture, ethno-cultural terms. The modern State (polity), states of East Asia include China, Japan, Mongolia, North Korea, South Korea, and Taiwan. China, North Korea, South Korea and Taiwan are all unrecognised by at least one other East Asian state due to severe ongoing War, political tensions in the region, specifically the division of Korea and the political status of Taiwan. Hong Kong and Macau, two small coastal Dependent territory, quasi-dependent territories located in the south of China, are officially highly autonomous but are under Chinese sovereignty. Economy of Japan, Japan, Economy of Taiwan, Taiwan, Economy of South Korea, South Korea, Economy of China, Mainland China, Economy of Hong Kong, Hong Kong, and Economy of Macau, Macau are among the world's largest and most prosperous economies. East Asia borders Siberia and the Russian Far East to the north, Southeast Asia to ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sigiriya
Sigiriya or Sinhagiri (''Lion Rock'' si, සීගිරිය, ta, சிகிரியா/சிங்ககிரி, pronounced see-gi-ri-yə) is an ancient rock fortress located in the northern Matale District near the town of Dambulla in the Central Province, Sri Lanka. It is a site of historical and archaeological significance that is dominated by a massive column of rock approximately high. According to the ancient Sri Lankan chronicle the '' Cūḷavaṃsa'', this area was a large forest, then after storms and landslides it became a hill and was selected by King Kashyapa (AD 477–495) for his new capital. He built his palace on top of this rock and decorated its sides with colourful frescoes. On a small plateau about halfway up the side of this rock he built a gateway in the form of an enormous lion. The name of this place is derived from this structure; ''Sīnhāgiri'', the Lion Rock (an etymology similar to ''Sinhapura'', the Sanskrit name of Singapore, the Lio ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mahabodhi Temple
The Mahabodhi Temple (literally: "Great Awakening Temple") or the Mahābodhi Mahāvihāra, a UNESCO World Heritage Site, is an ancient, but rebuilt and restored Buddhist temple in Bodh Gaya, Bihar, India, marking the location where the Buddha is said to have attained enlightenment. Bodh Gaya is 15 km from Gaya and is about from Patna. The site contains a descendant of the Bodhi Tree under which Buddha gained enlightenment, and has been a major pilgrimage destination of Buddhists for well over two thousand years, and some elements date to the period of Ashoka (died c. 232 BCE). What is now visible on the ground essentially dates from the 5th century CE, or possibly earlier, as well as several major restorations since the 19th century. But the structure now may well incorporate large parts of earlier work, possibly from the 2nd or 3rd century CE.Harle, 201; Michell, 228–229 Archaeological finds from the site however, indicate that the place was a site of veneration for Bu ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mara (demon)
Mara ( sa, मार, '; si, මාරයා; or ; ja, 魔羅, Mara; also マーラ, ''Māra'' or 天魔, ''Tenma''; Tibetan Wylie: ''bdud''; km, មារ; my, မာရ်နတ်; th, มาร, Vietnamese: ma rà), in Buddhism, is a malignant celestial king who tempted Prince Siddhartha (Gautama Buddha) by trying to seduce him with the vision of beautiful women who, in various legends, are often said to be Mara's daughters. In Buddhist cosmology, Mara is associated with death, rebirth and desire. Nyanaponika Thera has described Mara as "the personification of the forces antagonistic to enlightenment." Etymology The word ''Māra'' comes from the Sanskrit form of the verbal root ''mṛ''. It takes a present indicative form ''mṛyate'' and a causative form ''mārayati'' (with strengthening of the root vowel from ṛ to ār). ''Māra'' is a verbal noun from the causative root and means 'causing death' or 'killing'. It is related to other words for death from the same ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Amaravathi Village, Guntur District
Amaravathi is a village on the banks of the Krishna River, in the Palnadu district of the Indian state of Andhra Pradesh. It is the headquarters of Amaravathi mandal, and forms part of the Andhra Pradesh Capital Region with its headquarters at new Amaravati east, whose name is also borrowed from that of the older Amaravathi. Amaravathi was founded by Raja Vasireddy Venkatadri Nayudu in the 1790s as the new capital of his Zamindari estate. He moved there from his former capital Chintapalli in protest of alleged mistreatment by the British East India Company. Amaravathi is named after the ancient Amaravati Stupa, which was unearthed in the process of the town's construction. It is adjacent to the ancient Satavahana capital Dhanyakataka (now called Dharanikota). Amaralingeswara temple in the village is one of the Pancharama Kshetras for Hindus. The place was also a historic Buddhist site, as shown by the presence of Amaravati Stupa built during the second century BCE and the t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Aniconism In Buddhism
__NOTOC__ Since the beginning of the serious study of the history of Buddhist art in the 1890s, the earliest phase, lasting until the 1st century CE, has been described as aniconic; the Gautama Buddha, Buddha was only represented through symbols such as an Hetoimasia, empty throne, Bodhi tree, a riderless horse with a parasol floating above an empty space (at Sanchi), Buddha footprint, Buddha's footprints, and the dharma wheel. This aniconism is relation to the image of the Buddha could be in conformity with an ancient Buddhist prohibition against showing the Buddha himself in human form, known from the ''Sarvastivada vinaya'' (rules of the early Buddhist school of the Sarvastivada):"Since it is not permitted to make an image of the Buddha's body, I pray that the Buddha will grant that I can make an image of the attendant Bodhisattva. Is that acceptable?" The Buddha answered: "You may make an image of the Bodhisattava".Although there is still some debate, the first anthropomorphic ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Buddhist Symbolism
Buddhist symbolism is the use of symbols (Sanskrit: ''pratīka'') to represent certain aspects of the Buddha's Dharma (teaching). Early Buddhist symbols which remain important today include the Dharma wheel, the Indian lotus, the three jewels and the Bodhi tree.Coomaraswamy (1998), pp. 1–5. Buddhism symbolism is intended to represent the key values of the Buddhist faith. The popularity of certain symbols has grown and changed over time as a result of progression in the followers ideologies. Research has shown that the aesthetic perception of the Buddhist gesture symbol positively influenced perceived happiness and life satisfaction. Anthropomorphic symbolism depicting the Buddha (as well as other figures) became very popular around the first century CE with the arts of Mathura and the Greco-Buddhist art of Gandhara. New symbols continued to develop into the medieval period, with Vajrayana Buddhism adopting further symbols such as the stylized double vajra. In the modern e ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Frieze
In architecture, the frieze is the wide central section part of an entablature and may be plain in the Ionic or Doric order, or decorated with bas-reliefs. Paterae are also usually used to decorate friezes. Even when neither columns nor pilasters are expressed, on an astylar wall it lies upon the architrave ("main beam") and is capped by the moldings of the cornice. A frieze can be found on many Greek and Roman buildings, the Parthenon Frieze being the most famous, and perhaps the most elaborate. This style is typical for the Persians. In interiors, the frieze of a room is the section of wall above the picture rail and under the crown moldings or cornice. By extension, a frieze is a long stretch of painted, sculpted or even calligraphic decoration in such a position, normally above eye-level. Frieze decorations may depict scenes in a sequence of discrete panels. The material of which the frieze is made of may be plasterwork, carved wood or other decorative medium. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bodhisattva
In Buddhism, a bodhisattva ( ; sa, 𑀩𑁄𑀥𑀺𑀲𑀢𑁆𑀢𑁆𑀯 (Brahmī), translit=bodhisattva, label=Sanskrit) or bodhisatva is a person who is on the path towards bodhi ('awakening') or Buddhahood. In the Early Buddhist schools as well as modern Theravada Buddhism, a bodhisattva (Pali: ''bodhisatta'') refers to someone who has made a resolution to become a Buddha and has also received a confirmation or prediction from a living Buddha that this will be so. In Mahayana Buddhism, a bodhisattva refers to anyone who has generated ''bodhicitta'', a spontaneous wish and compassionate mind to attain Buddhahood for the benefit of all sentient beings. Mahayana bodhisattvas are spiritually heroic persons that work to attain awakening and are driven by a great compassion (''mahakaruṇā''). These beings are exemplified by important spiritual qualities such as the "four divine abodes" (''brahmaviharas'') of loving-kindness ('' metta''), compassion (''karuṇā''), empathet ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Life Of Buddha In Art
Narrative images of episodes from the life of Gautama Buddha in art have been intermittently an important part of Buddhist art, often grouped into cycles, sometimes rather large ones. However, at many times and places, images of the Buddha in art have been very largely single devotional images without narrative content from his life on Earth. The literary accounts of the life of Gautama Buddha vary considerably in details but are mostly consistent in describing the main events. One of the largest surviving bodies of artistic depictions is the rather small stone reliefs of Gandharan art, beginning in the 1st century BC and continuing for several centuries. These reliefs probably reflected subjects in paintings, both murals and illustrating manuscripts, none of which survive. Their range of about 50 subjects is large, and very rarely exceeded in later art, except in the 120 large reliefs at Borobudor in Java, Indonesia, (but 27 of these are of subjects before his birth); in East Asia ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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