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Hoboken Catalogue
The Hoboken catalogue is a catalogue of the musical compositions by Joseph Haydn compiled by Anthony van Hoboken. It is intended to cover the composer's entire oeuvre and includes over 750 entries. Its full title in the original German is ''Joseph Haydn, Thematisch-bibliographisches Werkverzeichnis'' ("Joseph Haydn, thematic-bibliographic catalogue of works"). The Haydn catalogue that now bears Hoboken's name was begun in card format in 1934; work continued until the publication of the third and final book volume in 1978. Works by Haydn are often indicated using their Hoboken catalogue number, typically in the format " Violin Concerto No. 1 in C major, Hob. VIIa:1". The catalogue The catalogue is a massive work; a currently available version runs to 1936 pages. Each work is given with an identifying incipit, printed on a single musical line. There is discussion of manuscript sources, early editions, listing in previous catalogues (including the two Haydn prepared), and critical co ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Joseph Haydn
Franz Joseph Haydn ( , ; 31 March 173231 May 1809) was an Austrian composer of the Classical period. He was instrumental in the development of chamber music such as the string quartet and piano trio. His contributions to musical form have led him to be called "Father of the Symphony" and "Father of the String Quartet". Haydn spent much of his career as a court musician for the wealthy Esterházy family at their Eszterháza Castle. Until the later part of his life, this isolated him from other composers and trends in music so that he was, as he put it, "forced to become original". Yet his music circulated widely, and for much of his career he was the most celebrated composer in Europe. He was a friend and mentor of Mozart, a tutor of Beethoven, and the elder brother of composer Michael Haydn. Biography Early life Joseph Haydn was born in Rohrau, Austria, a village that at that time stood on the border with Hungary. His father was Mathias Haydn, a wheelwright who also ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
List Of Symphonies By Joseph Haydn
There are 106 symphonies by the classical composer Joseph Haydn (1732–1809). Of these, 104 have numbers associated with them which were originally assigned by Eusebius Mandyczewski in 1908 in the chronological order that was known at the time. In the subsequent decades, numerous inaccuracies in the chronology (especially in the lower numbers) were found, but the Mandyczewski numbers were so widely used that when Anthony van Hoboken compiled his catalogue of Haydn's works, he incorporated the Mandyczewski number into Catalogue I (e.g., Symphony No. 34 is listed as Hob. I/34). Also in that time period, two additional symphonies were discovered (which were assigned non-Mandyczewskian letters "A" and "B"), bringing the total to 106. The symphonies * Symphony No. 1 in D major ''Lukawitz'' ''(Lukavická)'' (composed by 1759) * Symphony No. 2 in C major (between 1757 and 1761) * Symphony No. 3 in G major (between 1760 and 1762) * Symphony No. 4 in D major (between 1757 and 17 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
List Of Operas By Joseph Haydn
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The Seasons (Haydn)
''The Seasons'' (German: ''Die Jahreszeiten'', Hob. XXI:3) is a secular oratorio by Joseph Haydn, first performed in 1801. History Haydn was led to write ''The Seasons'' by the great success of his previous oratorio '' The Creation'' (1798), which had become very popular and was in the course of being performed all over Europe. Libretto The libretto for ''The Seasons'' was prepared for Haydn, just as with ''The Creation'', by Baron Gottfried van Swieten, an Austrian nobleman who had also exercised an important influence on the career of Mozart (among other things commissioning Mozart's reorchestration of Handel's ''Messiah''). Van Swieten's libretto was based on extracts from the long English poem " The Seasons" by James Thomson (1700–1748), which had been published in 1730. Whereas in ''The Creation'' Swieten was able to limit himself to rendering an existing (anonymous) libretto into German, for ''The Seasons'' he had a much more demanding task. Olleson writes, "Even when T ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Creation (Haydn)
''The Creation'' (german: Die Schöpfung) is an oratorio written between 1797 and 1798 by Joseph Haydn ( Hob. XXI:2), and considered by many to be one of his masterpieces. The oratorio depicts and celebrates the creation of the world as described in the Book of Genesis. The libretto was written by Gottfried van Swieten. The work is structured in three parts and scored for soprano, tenor and bass soloists, chorus and a symphonic orchestra. In parts I and II, depicting the creation, the soloists represent the archangels Raphael (bass), Uriel (tenor) and Gabriel (soprano). In part III, the bass and soprano represent Adam and Eve. The first public performance was held in Vienna at the old Burgtheater on 19 March 1799. The oratorio was published with the text in German and English in 1800. Inspiration Haydn was inspired to write a large oratorio during his visits to England in 1791–1792 and 1794–1795 when, alongside his close friend English music historian Charles Burney, he h ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Il Ritorno Di Tobia
' (''The Return of Tobias'') is an oratorio in two parts composed in 1775 by Joseph Haydn ( Hob. XXI:1). The work is the first oratorio the composer wrote and, according to Jones, was "his most extended and ambitious composition up to that time".Jones (2009:166) The Italian-language libretto of the work is by , brother of the composer Luigi Boccherini. This libretto is harshly criticized by Olleson, who notes that the author de-dramatizes vivid episodes in the source (the story of Tobit in the Apocrypha), depriving Haydn of the opportunity for highly dramatic musical utterance. The work was premiered in Vienna on 2 April 1775, under the sponsorship of the Tonkünstler-Societät, a musician's benevolent society. The musical forces were substantial: Smither writes: "characteristic of the large forces used for the Tonkünstler-Societät concerts, the orchestra, chorus, and soloists possibly numbered more than 180 performers." He adds that the premiere was "enormously successful."S ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Stabat Mater (Haydn)
Joseph Haydn's Stabat Mater Hob. XXa:1 was written in 1767, for soprano, alto, tenor and bass soloists, mixed choir, 2 oboes both doubling English horn in the sections in E-flat major, strings and organ continuo. The first performance is believed to have taken place March 25, 1768 in Vienna with soloists Anna Maria Scheffstoss and Carl Friberth, with Haydn conducting from the harpsichord. Conductor Jonathan Green suggests adding a bassoon to double the bass line and perhaps just one player to each string part. Haydn divides the setting into 13 movements: # "Stabat Mater dolorosa" Largo, G minor, common time # "O quam tristis et afflicta" Larghetto Affettuoso E-flat major, 3/8 # "Quis est homo qui non fleret" Lento, C minor, common time #"Quis non posset contristari" Moderato, F major, common time # "Pro peccatis suae gentis" Allegro ma non troppo, B-flat major, common time # "Vidit suum dulcem natum" Lento e mesto, F minor, common time # "Eja Mater, fons amoris" Allegretto, D minor ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Seven Last Words Of Christ (Haydn)
''The Seven Last Words of Our Saviour on the Cross'' (German: ) is an orchestral work by Joseph Haydn, commissioned in 1786 for the Good Friday service at Oratorio de la Santa Cueva (Holy Cave Oratory) in Cádiz, Spain. Published in 1787 and performed then in Paris, Rome, Berlin and Vienna, the composer adapted it in 1787 for string quartet, approved a version for solo piano in the same year, and finally adapted it in 1796 as an oratorio (with both solo and choral vocal forces). The seven main meditative sections are based on seven expressions attributed to Jesus during his crucifixion. The seven sections are labelled "sonatas" and are all slow. They are framed by a slow Introduction and a fast "Earthquake" conclusion, for a total of nine movements. Origin Haydn himself explained the origin and difficulty of writing the work when the publisher Breitkopf & Härtel issued (in 1801) a new edition and requested a preface: Some fifteen years ago I was requested by a canon of C ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
List Of Solo Piano Compositions By Joseph Haydn
This is a list of solo piano pieces by Joseph Haydn. Piano sonatas Two numbering schemes for the sonatas are commonly used. Here, the pieces are sorted using the numbering method proposed by H. C. Robbins Landon, Landon, H. C. Robbins. In: ''Haydn (Oxford Composer Companions)'', Ed Wyn Jones, D. Oxford University Press, Oxford, 2002, pp. 203 & 468. while the "Hob. XVI" specification refers to its index in the Hoboken catalogue. Piano pieces These works are in Category XVII of the Hoboken catalogue. *Capriccio in G major on "Acht Sauschneider müssen sein", Hob. XVII/1 * Twenty Variations in G major, Hob. XVII/2 *Arietta con 12 Variazioni, Hob. XVII/3 * Fantasia (Capriccio) in C major, Hob. XVII/4 (1789) *Variations (6) in C major, Hob. XVII/5 (1790) *Variations in F minor, Un piccolo divertimento, Hob. XVII/6 (1793) *Variations (5) in D major, Hob. XVII/7 *Variations (8) in D major, Hob. XVII/8 *Adagio in F major, Hob. XVII/9 *Allegretto in G major, Hob. XVII/10 *Andante in ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
List Of Piano Trios By Joseph Haydn
This is a list of piano trios by Joseph Haydn, including the chronological number assigned by H. C. Robbins Landon and the number they are given in Anthony van Hoboken's catalogue of his works. (Hoboken's listings of Haydn compositions are divided by musical genre, and the piano trios as a category are grouped under the Roman numeral prefix XV.) Haydn's early trios are considered minor works and are seldom played except in the context of complete editions. In contrast, the later trios, starting in the mid-1780s, reflect the composer's full musical maturity and are greatly admired by critics. The role of the instruments The piano trios of Haydn are dominated by the piano part. The violin only plays the melody a certain amount of the time, and is often doubled by the piano when it does. The cello part is very much subordinated, usually just doubling the bass line in the piano. Charles Rosen discusses and defends this asymmetry, relating it to the sonority of the instruments of Haydn ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Baryton Trios (Haydn)
Joseph Haydn wrote as many as 123 trios for the unusual combination of baryton, viola and cello, and three further trios for baryton, cello and violin (Hob. XI:89-91) are considered part of the series. As Sisman notes, they are the “most intensively cultivated genre” of Haydn’s early career. The baryton The baryton is a bowed string instrument of the viol family played in Europe during the 17th and 18th centuries. It has six or seven strings of gut, arranged over a fretted fingerboard, plus a lower set of wire strings. When the gut strings are bowed, the wire strings vibrate sympathetically, enriching the tone. The wire strings may also be plucked by the performer's left thumb, creating a contrasting tonal quality. For full information, see baryton. History Haydn began composing baryton trios in 1765. At the time he had been working for the princes of the Esterházy family since 1761, and since 1762 for the newly reigning Prince Nikolaus. Nikolaus had previously played ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
