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Baryton Trios (Haydn)
Joseph Haydn wrote as many as 123 trios for the unusual combination of baryton, viola and cello, and three further trios for baryton, cello and violin (Hob. XI:89-91) are considered part of the series. As Sisman notes, they are the “most intensively cultivated genre” of Haydn’s early career. The baryton The baryton is a bowed string instrument of the viol family played in Europe during the 17th and 18th centuries. It has six or seven strings of gut, arranged over a fretted fingerboard, plus a lower set of wire strings. When the gut strings are bowed, the wire strings vibrate sympathetically, enriching the tone. The wire strings may also be plucked by the performer's left thumb, creating a contrasting tonal quality. For full information, see baryton. History Haydn began composing baryton trios in 1765. At the time he had been working for the princes of the Esterházy family since 1761, and since 1762 for the newly reigning Prince Nikolaus. Nikolaus had previously played ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Baryton
The baryton is a bowed string instrument similar to the viol, but distinguished by an extra set of sympathetic but also pluckable strings. It was in regular use in Europe until the end of the 18th century. Design The baryton can be viewed as a sort of augmented bass viol. It is similar in size to the latter instrument and likewise has six or seven strings of gut (typically D G C E A D, although ''scordatura'' was used), arranged over a fretted fingerboard and played with a bow. The instrument is held vertically and is supported by the player's legs (rather than with an end-pin as in the modern cello). The baryton differs from the bass viol in having an additional set of wire strings. These perform two functions: they vibrate sympathetically with the bowed strings, enriching the tone, and they can also be plucked by the left thumb of the performer, creating a contrasting tonal quality. As can be seen in the illustration, the bowed strings are placed on the left, where the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sturm Und Drang
''Sturm und Drang'' (, ; usually translated as "storm and stress") was a proto- Romantic movement in German literature and music that occurred between the late 1760s and early 1780s. Within the movement, individual subjectivity and, in particular, extremes of emotion were given free expression in reaction to the perceived constraints of rationalism imposed by the Enlightenment and associated aesthetic movements. The period is named after Friedrich Maximilian Klinger's play of the same name, which was first performed by Abel Seyler's famed theatrical company in 1777. The philosopher Johann Georg Hamann is considered to be the ideologue of ''Sturm und Drang''; other significant figures were Johann Anton Leisewitz, Jakob Michael Reinhold Lenz, H. L. Wagner, and Friedrich Maximilian Klinger. Johann Wolfgang von Goethe and Friedrich Schiller were notable proponents of the movement early in their lives, although they ended their period of association with it by initiating what wou ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cambridge Companions To Music
The Cambridge Companions to Music form a book series published by Cambridge University Press Cambridge University Press is the university press of the University of Cambridge. Granted letters patent by Henry VIII of England, King Henry VIII in 1534, it is the oldest university press A university press is an academic publishing hou .... Each book is a collection of essays on the topic commissioned by the publisher. on Cambridge University Press website, accessed 21 September 2015. Volumes (sortable table) References External links ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
JSTOR
JSTOR (; short for ''Journal Storage'') is a digital library founded in 1995 in New York City. Originally containing digitized back issues of academic journals, it now encompasses books and other primary sources as well as current issues of journals in the humanities and social sciences. It provides full-text searches of almost 2,000 journals. , more than 8,000 institutions in more than 160 countries had access to JSTOR. Most access is by subscription but some of the site is public domain, and open access content is available free of charge. JSTOR's revenue was $86 million in 2015. History William G. Bowen, president of Princeton University from 1972 to 1988, founded JSTOR in 1994. JSTOR was originally conceived as a solution to one of the problems faced by libraries, especially research and university libraries, due to the increasing number of academic journals in existence. Most libraries found it prohibitively expensive in terms of cost and space to maintain a comprehen ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Karl Geiringer
Karl Geiringer (April 26, 1899 – January 10, 1989)Will Crutchfield, January 12, 1989 Retrieved 2013-08-10. was an Austrian-American musicologist, educator, and biographer of composers. He was educated in Vienna but at the beginning of the Nazi years he emigrated to England and ultimately the United States, where he had a lengthy and distinguished career at several universities. He was a noted authority on Brahms, Haydn, and the Bach family, and a prolific author. Life Geiringer was born in Vienna, the son of Louis and Martha (''nee'' Wertheimer) Geiringer.http://www.music.qub.ac.uk/tomita/bachbib/review/bb-review_Freeman-Geiringer.html Published online on 17 May 2003Freeman et al. (1989) He studied music history at the University of Vienna under Guido Adler and Curt Sachs, and studied composition under Hans Gál. He also studied at the University of Berlin under Curt Sachs. He received his Ph.D. in musicology from the University of Vienna in 1923. The topic of his doctoral thesis ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
James Webster (musicologist)
James Webster is a musicologist, specializing in the music of Joseph Haydn and other composers of the classical era. His professional position is as the Goldwin Smith Professor of Music at Cornell University. Research and writing He has published several books in his field, including a massive study of Haydn's "Farewell" Symphony and (with Georg Feder) the Haydn article in the current edition of the New Grove, spun off as a separate book. His website lists the following areas of specialization (links to articles in this encyclopedia are added): *History and theory of music of the eighteenth and nineteenth centuries, with a particular focus on Haydn *Mozart (especially his operas), Beethoven, Schubert, and Brahms *Performance practice *Editorial practice *Historiography of music *Issues of musical form (including analytical methodology) * Schenkerian analysis Webster's work is notable for his willingness to sift through and assess conflicting sources of historical evidence. H ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
David Wyn Jones
David Wyn Jones (born 1950) is a British musicologist. He is an expert on music of the Classical period, including that of Haydn and Beethoven. Professional life Wyn Jones received his Ph.D. from the University of Wales in 1978, on the basis of a doctoral dissertation in three volumes entitled ''The String Quartets of Vanhal''. Earlier (1974) he had been appointed as a Lecturer at Cardiff University, and was subsequently promoted there several times: Senior Lecturer (1998), Reader (2002), Professorial Chair (2007). He served as Head of School from March 2008 to July 2013. He serves on the editorial board of the journal ''Eighteenth-Century Music'' and the e-journal ''Haydn''. He has given lectures and talks at the BBC Proms, the Edinburgh Festival, and at the Royal Festival Hall and other major venues. Honors His book ''Oxford Composer Companions: Haydn'' was awarded a prize by the International Association of Music Librarians (UK and Ireland) in 2002. He has served as chairman ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hungarian National Museum
The Hungarian National Museum ( hu, Magyar Nemzeti Múzeum) was founded in 1802 and is the national museum for the history, art, and archaeology of Hungary, including areas not within Hungary's modern borders, such as Transylvania; it is not to be confused with the collection of international art in the Hungarian National Gallery. The museum is in Budapest VIII in a Neoclassical building, purpose-built during 1837–47 by the architect Mihály Pollack. History The Hungarian National Museum traces its foundation to 1802, when Count Ferenc Széchényi set up the National Széchényi Library. This would then be followed a year later by the donating of a mineral collection by Széchényi's wife. This led to the creation of the Hungarian National Museum as a general history and natural history museum, beyond being simply a library. In 1807, the Hungarian National Parliament passed legislation on the new institution and asked the nation to help donate to the museum. The Hungar ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Shako
A shako (, , or ) is a tall, cylindrical military cap, usually with a visor, and sometimes tapered at the top. It is usually adorned with an ornamental plate or badge on the front, metallic or otherwise; and often has a feather, plume (see hackle) or pompom attached at the top. Origins The word ''shako'' originated from the Hungarian name for the ''peak'', which Hungarian border soldiers ( ''Grenz-Infanterie'') added around 1790 to their previously visorless stovepipe-style hats. Originally these hats were part of the clothing commonly worn by shepherds, before being added to the uniform of the Hungarian hussar in the early 18th century. Other spellings include ''chako'', ''czako'', ''sjako'', ''schako'', ''schakot'' and ''tschako''. From 1800 on, the shako became a common military headdress worn by the majority of regiments in the armies of Europe and the Americas. Replacing in most instances the light bicorne, the shako was initially considered an improvement. Made of heavy ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
List Of Solo Piano Compositions By Joseph Haydn
This is a list of solo piano pieces by Joseph Haydn. Piano sonatas Two numbering schemes for the sonatas are commonly used. Here, the pieces are sorted using the numbering method proposed by H. C. Robbins Landon, Landon, H. C. Robbins. In: ''Haydn (Oxford Composer Companions)'', Ed Wyn Jones, D. Oxford University Press, Oxford, 2002, pp. 203 & 468. while the "Hob. XVI" specification refers to its index in the Hoboken catalogue. Piano pieces These works are in Category XVII of the Hoboken catalogue. *Capriccio in G major on "Acht Sauschneider müssen sein", Hob. XVII/1 * Twenty Variations in G major, Hob. XVII/2 *Arietta con 12 Variazioni, Hob. XVII/3 * Fantasia (Capriccio) in C major, Hob. XVII/4 (1789) *Variations (6) in C major, Hob. XVII/5 (1790) *Variations in F minor, Un piccolo divertimento, Hob. XVII/6 (1793) *Variations (5) in D major, Hob. XVII/7 *Variations (8) in D major, Hob. XVII/8 *Adagio in F major, Hob. XVII/9 *Allegretto in G major, Hob. XVII/10 *Andante in ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
La Canterina
''La canterina'' (''The Songstress'' or ''The Diva''), Hob. XXVIII/2, is a short, two-act opera buffa by Joseph Haydn, the first one he wrote for Prince Esterhazy. Based on the intermezzo from the third act of Niccolò Piccinni's opera ''L'Origille'' (1760), it lasts about 50 minutes. It was written in 1766, and was premiered in the fall of that year. It was originally intended as a pair of intermezzi, each of the two acts coming between the acts of an opera seria. Similar works include ''La serva padrona'' by Pergolesi and '' Pimpinone'' by Telemann. Roles Synopsis Gasparina, the songstress, and her mother, Apollonia, are visited by Don Ettore, a young man who attempts to woo Gasparina with fabric and jewels stolen from his mother. When Don Pelagio, Gasparina's singing instructor and benefactor, arrives, the women attempt to disguise Don Ettore as a merchant and send him away. Don Pelagio teaches Gasparina a new aria he has written for her and asks her to marry him. When D ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Orfeo Ed Euridice
' (; French: '; English: ''Orpheus and Eurydice'') is an opera composed by Christoph Willibald Gluck, based on Orpheus, the myth of Orpheus and set to a libretto by Ranieri de' Calzabigi. It belongs to the genre of the ''azione teatrale'', meaning an opera on a mythological subject with choruses and dancing. The piece was first performed at the Burgtheater in Vienna on 5 October 1762, in the presence of Empress Maria Theresa. ''Orfeo ed Euridice'' is the first of Gluck's "reform" operas, in which he attempted to replace the abstruse plots and overly complex music of ''opera seria'' with a "noble simplicity" in both the music and the drama. The opera is the most popular of Gluck's works, and was one of the most influential on subsequent Opera in German, German operas. Variations on its plot—the underground rescue mission in which the hero must control, or conceal, his emotions—can be found in Wolfgang Amadeus Mozart, Mozart's ''The Magic Flute'', Ludwig van Beethoven, Beetho ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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