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Hippolyte Rimbaut
Hippolyte Louis Rimbaut (1818–1888) was a 19th-century French playwright. A collaborator with ''Le Temps'', his plays were presented on the most important Parisian stages of the first half of the 19th century, including the Théâtre du Panthéon, the Théâtre de l'Ambigu, and the Théâtre des Délassements-Comiques. Contrary to what some sources can write,For example, Marc-Antoine Legrand, ''Cartouche ou Les voleurs'', 2003, (p. 338) it was not a pseudonym for Fulgence de Bury. Works * ''Diane de Poitiers, ou Deux fous et un roi'', drama in 3 acts, with Charles Desnoyer, 1833 * ''Le Fils de Ninon'', drama in 3 acts, mingled with songs, with Jacques-François Ancelot and E. F. Varez, 1834 * ''Angélina'', drama in 3 acts, mingled with songs, 1835 * ''Vaugelas, ou le Ménage d'un savant'', comédie en vaudeville in 1 act, with Desnoyer, 1836 * ''L'Honneur de ma mère'', drama in 3 acts, with Auguste-Louis-Désiré Boulé, 1837 * ''Guillaume Norwood, ou Une haine de ...
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Le Temps (1829-1842)
''Le Temps'' () is a Swiss French-language daily newspaper published in Berliner format in Geneva by Le Temps SA. It is the sole nationwide French-language non-specialised daily newspaper of Switzerland. Since 2021, it has been owned by Fondation Aventinus, a not-for-profit organisation. According to the Research Department on Public Opinion and Society (FÖG) of the University of Zurich, it is of "high quality". History and profile First published on 18 March 1998, it is the result of the merger of three major newspapers from the Lake Geneva region: the ''Journal de Genève'', ''Gazette de Lausanne'' and '' Le Nouveau Quotidien.'' Previously owned by Ringier, it has been majority-owned by the not-for-profit Fondation Aventinus (95.5%). The remaining shares are held by the Groupe Le Monde (2.1%) and the employee-owned Société des rédacteurs et du personnel du Temps SA (2.4%). , the newspaper had around 120 employees, spread across newsrooms in Geneva, Lausanne, Bern, ...
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Cogniard Brothers
The Cogniard brothers were two French brothers who worked as playwrights and theatre directors, producing an incalculable number of vaudevilles, reviews, féeries and operettas. The elder of the two was Charles-Théodore or Théodore Cogniard (30 April 1806 - 13 May 1872) and the younger was Jean-Hippolyte or Hippolyte Cogniard (28 November 1807 – 6 February 1882) Both brothers were born and died in Paris. Career Nicknamed "les jumeaux siamois du vaudeville" (the Siamese twins of vaudeville),Huart (1839) they headed the théâtre de la Porte-Saint-Martin from 1840 to 1845. In 1845 Hippolyte took sole charge of the Théâtre du Vaudeville, then of the Théâtre des Variétés from 1854 to 1869, where he instituted a repertoire solely consisting of operettas. It was under Hippolyte's leadership that Jacques Offenbach created his best known works : ''La Belle Hélène'', '' Barbe-Bleue'', ''La Grande-Duchesse de Gérolstein'' and ''La Périchole''. In 1869, on behalf of his son L ...
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19th-century French Dramatists And Playwrights
The 19th (nineteenth) century began on 1 January 1801 ( MDCCCI), and ended on 31 December 1900 ( MCM). The 19th century was the ninth century of the 2nd millennium. The 19th century was characterized by vast social upheaval. Slavery was abolished in much of Europe and the Americas. The First Industrial Revolution, though it began in the late 18th century, expanding beyond its British homeland for the first time during this century, particularly remaking the economies and societies of the Low Countries, the Rhineland, Northern Italy, and the Northeastern United States. A few decades later, the Second Industrial Revolution led to ever more massive urbanization and much higher levels of productivity, profit, and prosperity, a pattern that continued into the 20th century. The Islamic gunpowder empires fell into decline and European imperialism brought much of South Asia, Southeast Asia, and almost all of Africa under colonial rule. It was also marked by the collapse of the la ...
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Joseph Marie Quérard
Joseph is a common male given name, derived from the Hebrew Yosef (יוֹסֵף). "Joseph" is used, along with "Josef", mostly in English, French and partially German languages. This spelling is also found as a variant in the languages of the modern-day Nordic countries. In Portuguese and Spanish, the name is "José". In Arabic, including in the Quran, the name is spelled ''Yūsuf''. In Persian, the name is "Yousef". The name has enjoyed significant popularity in its many forms in numerous countries, and ''Joseph'' was one of the two names, along with ''Robert'', to have remained in the top 10 boys' names list in the US from 1925 to 1972. It is especially common in contemporary Israel, as either "Yossi" or "Yossef", and in Italy, where the name "Giuseppe" was the most common male name in the 20th century. In the first century CE, Joseph was the second most popular male name for Palestine Jews. In the Book of Genesis Joseph is Jacob's eleventh son and Rachel's first son, and kn ...
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Alfred Delacour
Alfred Delacour or Alfred-Charlemagne Delacour, real name Pierre-Alfred Lartigue, (3 September 1817 – 31 March 1883 ) was a 19th-century French playwright and librettist. Biography In addition to his occupation as a physician, which he practised from 1841, Delacour turned progressively to the theatre. He collaborated with Eugène Labiche and Clairville for several vaudevilles Titles and decorations * Knight of the Legion of honour (7 August 1867 decree) His entry on the Base Léonore wrongly calls him ''Alfred-Charlemagne'' which was his pen name. Plays ''Le Courrier de Lyon'' (1850) was one of Delacour's noted plays. It was written together with Eugène Moreau and Paul Siraudin. The play was based on the story of Joseph Lesurques, an innocent man who was executed after he was mistaken for the leader of a gang who brutally murdered a courier. Aside from his collaborations with Labiche and Clairville, Delacour also worked with Lambert Thiboust on ''Le diable'' (1880), ...
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Raymond Deslandes
Raymond Deslandes, called Raimond Deslandes, (12 July 182523 March 1890) was a 19th-century French journalist, playwright and theater manager. He wrote, alone or in collaboration (particularly with Eugène Labiche), numerous comedies. He also directed the Théâtre du Vaudeville. Works Theatre * 1845: ''Un souper sous la Régence'', vaudeville comedy in 1 act, with Commerson, Théâtre des Délassements-Comiques (15 November) * 1848: ''Un mariage par procuration'', vaudeville comedy in 1 act, with Armand Durantin, Théâtre du Vaudeville (8 June) * 1850: ''Les Trois Racan'', comedy in 1 act from the ''Mémoires'' by Tallemant des Réaux, with Armand Durantin, Théâtre-Historique (25 June) * 1851: ''Jeanne'', vaudeville comedy in 3 acts, with Auguste Anicet-Bourgeois, Théâtre des Variétés (1 February) * 1852: ''Méridien'', vaudeville comedy in 1 act, with Clairville and Pol Mercier, Vaudeville (17 August) * 1853: ''La Terre promise'', vaudeville comedy in 3 acts, ...
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Adolphe Salvat
Jean Frédéric Adolphe Salvat, died in Paris in 1876, was a 19th-century French playwright. His plays were presented on the most important Parisian stages of his time, including the Théâtre des Variétés, Théâtre de la Porte-Saint-Antoine, the Théâtre du Vaudeville, and the Théâtre des Folies-Dramatiques. Works *1837: ''Le Chemin de fer de Saint-Germain'', one-act à-propos-vaudeville, with Jean Pierre Charles Perrot de Renneville and Henri de Tully *1838: ''Les Femmes libres'', three-act folie-vaudeville and extravaganza, with Pierre Tournemine *1839: ''Le Mauvais sujet'', one-act comédie en vaudevilles, with Charles Labie and Joanny Augier *1840: ''L'Île de Calypso'', one-act folie-vaudeville, with Joanny Augier *1842: ''Duchesse et poissarde'', two-act comédie en vaudevilles, with Joanny Augier *1843: ''La Jeune et la vieille garde, épisode de 1814'', in 1 act, with Clairville, 1843 *1845: ''Les Deux tambours'', one-act comédie en vaudevilles, with Lubize a ...
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Édouard Brisebarre
Edouard-Louis-Alexandre Brisebarre (Paris 12 February 1815 – 17 December 1871 10th arrondissement of ParisArchives numérisées de la Ville de Paris, état-civil du 10ème arrondissement, registre des décès de 1871, acte n° 8643, vue 9/3/ref>) was a 19th-century French playwright. Died aged 56, he was buried in the 71st division of the Père Lachaise Cemetery. Brief biography After he studied at the Lycée Charlemagne, Brisebarre worked as a clerk by a lawyer and obtained the post of tax collector, but was laid off almost immediately and became an actor. He didn't succeed either in that occupation and thus tried his hand at writing: He then immediately was acclaimed by the public with his enigma ''La fiole de Cagliostro'' (1835). Brisebarre composed more than a hundred pieces, mostly in collaboration with other authors: some dramas, but mostly vaudevilles where the situation comedy and words with double meanings often go alongside outright farce. Works Plays (selection): ...
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Tableau Vivant
A (; often shortened to ; plural: ), French language, French for "living picture", is a static scene containing one or more actors or models. They are stationary and silent, usually in costume, carefully posed, with props and/or scenery, and may be Theatre, theatrically lit. It thus combines aspects of theatre and the visual arts. A tableau may either be 'performed' live, or depicted in painting, photography and sculpture, such as in many works of the Romanticism, Romantic, Aestheticism, Aesthetic, Symbolism (arts), Symbolist, Pre-Raphaelite, and Art Nouveau movements. In the late 19th and early 20th centuries, tableaux sometimes featured ('flexible poses') by virtually nude models, providing a form of Erotica, erotic entertainment, both on stage and in print. Tableaux continue to the present day in the form of living statues, street performers who busk by posing in costume. Origin Occasionally, a Mass (liturgy), Mass was punctuated with short dramatic scenes and paintin ...
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Charles Potier
Charles Joseph Édouard Potier, called Charles (Bordeaux, 1806 – Asnières-sur-Seine, 28 April 1870) was a 19th-century French actor and playwright. A son of Charles-Gabriel Potier, an actor at the Théâtre des Variétés (1826), the Théâtre du Palais-Royal than at the Théâtre des Folies-Dramatiques, his plays were presented on the most significant Parisian stages of his time including the Théâtre des Délassements-Comiques, Théâtre des Folies-Dramatiques, Théâtre Déjazet. Works * ''Les 20000 francs'', drama in 1 act mingled with songs, with Auguste-Louis-Désiré Boulé, 1832 * ''La Fille du bourreau'', folie-vaudeville in 1 act, with Boulé, 1833 * ''Le Peloton de fil'', moralité in 1 act, mingled with couplets, 1834 * ''Parce que, ou la Suite de ''Pourquoi ?'' '', comédie en vaudevilles in 1 act, with Boulé, 1835 * ''Fanchette, ou l'Amour d'une femme'', drama-vaudeville in 2 acts, with Boulé, 1836 * ''Le Facteur, ou la Justice des hommes'', drama in 5 ac ...
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Play (theatre)
A play is a work of drama, usually consisting mostly of dialogue between characters and intended for theatrical performance rather than just reading. The writer of a play is called a playwright. Plays are performed at a variety of levels, from London's West End and Broadway in New York City – which are the highest level of commercial theatre in the English-speaking world – to regional theatre, to community theatre, as well as university or school productions. A stage play is a play performed and written to be performed on stage rather than broadcast or made into a movie. Stage plays are those performed on any stage before an audience. There are rare dramatists, notably George Bernard Shaw, who have had little preference as to whether their plays were performed or read. The term "play" can refer to both the written texts of playwrights and to their complete theatrical performance. Comedy Comedies are plays which are designed to be humorous. Comedies are often filled ...
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