Alfred Delacour
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Alfred Delacour
Alfred Delacour or Alfred-Charlemagne Delacour, real name Pierre-Alfred Lartigue, (3 September 1817 – 31 March 1883 ) was a 19th-century French playwright and librettist. Biography In addition to his occupation as a physician, which he practised from 1841, Delacour turned progressively to the theatre. He collaborated with Eugène Labiche and Clairville for several vaudevilles Titles and decorations * Knight of the Legion of honour (7 August 1867 decree) His entry on the Base Léonore wrongly calls him ''Alfred-Charlemagne'' which was his pen name. Plays ''Le Courrier de Lyon'' (1850) was one of Delacour's noted plays. It was written together with Eugène Moreau and Paul Siraudin. The play was based on the story of Joseph Lesurques, an innocent man who was executed after he was mistaken for the leader of a gang who brutally murdered a courier. Aside from his collaborations with Labiche and Clairville, Delacour also worked with Lambert Thiboust on ''Le diable'' (1880), ...
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Bordeaux
Bordeaux ( , ; Gascon oc, Bordèu ; eu, Bordele; it, Bordò; es, Burdeos) is a port city on the river Garonne in the Gironde department, Southwestern France. It is the capital of the Nouvelle-Aquitaine region, as well as the prefecture of the Gironde department. Its inhabitants are called ''"Bordelais"'' (masculine) or ''"Bordelaises"'' (feminine). The term "Bordelais" may also refer to the city and its surrounding region. The city of Bordeaux proper had a population of 260,958 in 2019 within its small municipal territory of , With its 27 suburban municipalities it forms the Bordeaux Metropolis, in charge of metropolitan issues. With a population of 814,049 at the Jan. 2019 census. it is the fifth most populated in France, after Paris, Lyon, Marseille and Lille and ahead of Toulouse. Together with its suburbs and exurbs, except satellite cities of Arcachon and Libourne, the Bordeaux metropolitan area had a population of 1,363,711 that same year (Jan. 2019 census), ma ...
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1946 In Film
The year 1946 in film involved some significant events. Top-grossing films (U.S.) The top ten 1946 released films by box office gross in North America are as follows: Events *February 14 - Charles Vidor's ''Gilda'' starring Rita Hayworth and Glenn Ford shows audiences one of the most famous scenes of the 20th century: Rita Hayworth singing "Put The Blame On Mame". *November 21 – William Wyler's ''The Best Years of Our Lives'' premieres in New York featuring an ensemble cast including Fredric March, Myrna Loy, Dana Andrews, Teresa Wright, and Harold Russell. *December 20 – Frank Capra's ''It's a Wonderful Life'', featuring James Stewart, Donna Reed, Lionel Barrymore, Henry Travers, and Thomas Mitchell opens in New York. Awards Notable films released in 1946 United States unless stated A * '' Angel on My Shoulder'' * '' Anna and the King of Siam'', starring Irene Dunne, Rex Harrison and Linda Darnell * ''Aru yo no Tonosama'' B * ''Bad Bascomb'', starring Walla ...
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La Cagnotte
LA most frequently refers to Los Angeles, the second largest city in the United States. La, LA, or L.A. may also refer to: Arts and entertainment Music * La (musical note), or A, the sixth note * "L.A.", a song by Elliott Smith on ''Figure 8'' (album) * ''L.A.'' (EP), by Teddy Thompson * ''L.A. (Light Album)'', a Beach Boys album * "L.A." (Neil Young song), 1973 * The La's, an English rock band * L.A. Reid, a prominent music producer * Yung L.A., a rapper * Lady A, an American country music trio * "L.A." (Amy Macdonald song), 2007 * "La", a song by Australian-Israeli singer-songwriter Old Man River Other media * l(a, a poem by E. E. Cummings * La (Tarzan), fictional queen of the lost city of Opar (Tarzan) * ''Lá'', later known as Lá Nua, an Irish language newspaper * La7, an Italian television channel * LucasArts, an American video game developer and publisher * Liber Annuus, academic journal Business, organizations, and government agencies * L.A. Screenings, a ...
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Théâtre Du Vaudeville
The Théâtre du Vaudeville was a theatre company in Paris. It opened on 12 January 1792 on rue de Chartres. Its directors, Piis and Barré, mainly put on "petites pièces mêlées de couplets sur des airs connus", including vaudevilles. After the theatre on the rue de Chartres burned down in 1838, the Vaudeville temporarily based itself on boulevard de Bonne-Nouvelle before in 1841 setting up in the Salle de la Bourse on the Place de la Bourse in the 2e arrondissement. This building was demolished in 1869. Eugène Labiche and Henri Meilhac put on several of their works there, and it also hosted Jules Verne's play ''Onze jours de siège'' (1861). Other writers whose works were put on there were Edmond Gondinet, Alexandre Bisson, Théophile Marion Dumersan, Jean-François Bayard, Narcisse Fournier and Gaston Arman de Caillavet. In 1852, ''La Dame aux camélias'' by Alexandre Dumas fils was put on here. For the first time in the era, there were over 100 consecutive perfo ...
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Marc-Michel
Marc-Antoine-Amédée Michel, known as Marc-Michel (22 July 1812 in Marseille – 12 March 1868 in Paris) was a French poet, playwright and journalist. He is perhaps best known today for the 1851 farce he co-wrote with Eugène Marin Labiche, ''The Italian Straw Hat (play), The Italian Straw Hat'', since then adapted many times to stage and screen. Life He began his studies in Aix-en-Provence in 1821 at the collège Saint-Louis, run by the Jesuits. References External links

*http://viaf.org/viaf/61566488 *http://data.bnf.fr/ark:/12148/cb12057064d {{authority control Writers from Marseille 1812 births 1868 deaths 19th-century French dramatists and playwrights 19th-century French journalists French male journalists 19th-century French poets 19th-century French male writers ...
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Théâtre Des Bouffes-Parisiens
The Théâtre des Bouffes-Parisiens () is a Parisian theatre founded in 1855 by the composer Jacques Offenbach for the performance of opéra bouffe and operetta. The current theatre is located in the 2nd arrondissement at 4 rue Monsigny with an entrance at the back at 65 Passage Choiseul. In the 19th century the theatre was often referred to as the Salle Choiseul. With the decline in popularity of operetta after 1870, the theatre expanded its repertory to include comedies.Bouffes-Parisien website
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Lamb, Andrew. "Offenbach, Jacques" in Sadie 1992, vol. 3, pp. 653–658.Levin 2009, pp. 401–402.


History


Salle Lacaze


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Jacques Offenbach
Jacques Offenbach (, also , , ; 20 June 18195 October 1880) was a German-born French composer, cellist and impresario of the Romantic period. He is remembered for his nearly 100 operettas of the 1850s to the 1870s, and his uncompleted opera ''The Tales of Hoffmann''. He was a powerful influence on later composers of the operetta genre, particularly Johann Strauss Jr. and Arthur Sullivan. His best-known works were continually revived during the 20th century, and many of his operettas continue to be staged in the 21st. ''The Tales of Hoffmann'' remains part of the standard opera repertory. Born in Cologne, the son of a synagogue cantor, Offenbach showed early musical talent. At the age of 14, he was accepted as a student at the Paris Conservatoire but found academic study unfulfilling and left after a year. From 1835 to 1855 he earned his living as a cellist, achieving international fame, and as a conductor. His ambition, however, was to compose comic pieces for the musical the ...
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Un Mari à La Porte
''Un mari à la porte'' (A Husband at the Door) is an opérette in one act of 1859 with music by Jacques Offenbach. The French libretto was by Alfred Delacour (Alfred Charlemagne Lartigue) and Léon Morand. ''Un mari à la porte'' was premiered by the Théâtre des Bouffes Parisiens at the Salle Lacaze in Paris. The premiere occurred shortly after the first operatic work with words by Eugène Labiche, and Yon discerns a similarity in the vaudevillian plot of ''Un mari à la porte'' with popular works by Labiche. The work remained in the repertory of the Bouffes Parisiens for some time.Yon, Jean-Claude. ''Jacques Offenbach.'' Éditions Gallimard, Paris, 2000, p219-220. Popular not only in Paris, but also in Vienna and Budapest, it was widely staged until the end of the 19th century. The UK premiere was not until February 1950 at the Fortune Theatre.Gänzl K. ''The Encyclopedia of the Musical Theatre.'' Blackwell, Oxford, 1994. The score includes a comic lamentation for Floresta ...
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Deux Merles Blancs
Deux and D'eux means "of them" or "about them" while also being the number "two" in French. *2 (number), the natural number following 1 and preceding 3 **Two (other) *Folie à deux, a rare psychiatric syndrome Geography *Deux Montagnes, French for Two Mountains **Deux-Montagnes Line (AMT), a commuter railway line operated in the Greater Montreal, Quebec, Canada area **Deux-Montagnes, Quebec, a municipality in southwestern Quebec, Canada *Deux-Sèvres, a French département *Blainville—Deux-Montagnes, a former federal electoral district in Quebec, Canada *Communes of the Deux-Sèvres department, 305 communes of the Deux-Sèvres département, in France. Entertainment *''D'eux'', an album by Canadian singer Céline Dion *Deux (band), a South Korean duo band *Deux Deux, a fictional character who appeared in The Inspector *Folie à Deux, the fifth studio album by Fall Out Boy *Pas de deux, a duet in which ballet steps are performed together. *La Deux, a Belgian national ...
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Théâtre Du Palais-Royal
The Théâtre du Palais-Royal () is a 750-seat Parisian theatre at 38 rue de Montpensier, located at the northwest corner of the Palais-Royal in the Galerie de Montpensier at its intersection with the Galerie de Beaujolais. Brief history Originally known as the Théâtre des Beaujolais, it was a puppet theatre with a capacity of about 750 that was built in 1784 to the designs of the architect Victor Louis. In 1790 it was taken over by Mademoiselle Montansier and became known as the Théâtre Montansier. She began using it for plays and Italian operas translated into French and the following year hired Louis to enlarge the stage and auditorium, increasing its capacity to 1300. After Napoleon's decree on the theatres in 1807 introduced significant constraints on the types of pieces that could be performed, it was used for lighter fare, such as acrobatics, rope dancing, performing dogs, and Neapolitan puppets. In 1812 the theatre was converted into a café with shows. Afte ...
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Théâtre Des Variétés
The Théâtre des Variétés is a theatre and "salle de spectacles" at 7–8, boulevard Montmartre, 2nd arrondissement, in Paris. It was declared a monument historique in 1974. History It owes its creation to the theatre director Mademoiselle Montansier (Marguerite Brunet). Imprisoned for debt in 1803 and frowned upon by the government, a decree of 1806 ordered her company to leave the Théâtre du Palais-Royal which then bore the name of "Variétés". The decree's aim was to move out Montansier's troupe to make room for the company from the neighbouring Théâtre-Français, which had stayed empty even as the Variétés-Montansier had enjoyed immense public favour. Strongly unhappy about having to leave the theatre by 1 January 1807, the 77-year-old Montansier gained an audience with Napoleon himself and received his help and protection. She thus reunited the "Société des Cinq", which directed her troupe, in order to found a new theatre, the one which stands at the side of t ...
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