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Herzog Anton Ulrich-Museum
The Herzog Anton Ulrich Museum (HAUM) is an art museum in the German city of Braunschweig, Lower Saxony. History Founded in 1754, the Herzog Anton Ulrich Museum is one of the oldest museums in Europe. The museum has its origins in the art and natural history cabinet of Duke Charles I of Brunswick, which he opened in 1754 at the suggestion of the Dutch physician Daniel de Superville. It was one of the first museums in Germany to open to the public and was opened only one year after the British Museum in London. This "cabinet" included a collection of handicraft works and sculptures from the Baroque and Renaissance, but also ancient works of art from outside Europe. The natural history collection later became the basis of the Natural History Museum. The current museum building was opened in 1887. Its architect, Oskar Sommer, planned the building in Italian Renaissance style. In 2010 an extension building was added to the museum. The historical building was closed for renovation ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Braunschweig
Braunschweig () or Brunswick ( , from Low German ''Brunswiek'' , Braunschweig dialect: ''Bronswiek'') is a city in Lower Saxony, Germany, north of the Harz Mountains at the farthest navigable point of the river Oker, which connects it to the North Sea via the rivers Aller and Weser. In 2016, it had a population of 250,704. A powerful and influential centre of commerce in medieval Germany, Brunswick was a member of the Hanseatic League from the 13th until the 17th century. It was the capital city of three successive states: the Principality of Brunswick-Wolfenbüttel (1269–1432, 1754–1807, and 1813–1814), the Duchy of Brunswick (1814–1918), and the Free State of Brunswick (1918–1946). Today, Brunswick is the second-largest city in Lower Saxony and a major centre of scientific research and development. History Foundation and early history The date and circumstances of the town's foundation are unknown. Tradition maintains that Brunswick was created through the merge ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Giorgione
Giorgione (, , ; born Giorgio Barbarelli da Castelfranco; 1477–78 or 1473–74 – 17 September 1510) was an Italian painter of the Venetian school during the High Renaissance, who died in his thirties. He is known for the elusive poetic quality of his work, though only about six surviving paintings are firmly attributed to him. The uncertainty surrounding the identity and meaning of his work has made Giorgione one of the most mysterious figures in European art. Together with his younger contemporary Titian, he founded the Venetian school of Italian Renaissance painting, characterised by its use of colour and mood. The school is traditionally contrasted with Florentine painting, which relied on a more linear disegno-led style. Life What little is known of Giorgione's life is given in Giorgio Vasari's '' Lives of the Most Excellent Painters, Sculptors, and Architects''. He came from the small town of Castelfranco Veneto, 40 km inland from Venice. His name sometimes appe ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Girl With The Wine Glass
''The Girl with the Wine Glass'' (''Dame en twee heren'') is an oil on canvas painting by Johannes Vermeer, created ''c.'' 1659–1660, now in the Herzog Anton Ulrich Museum, in Braunschweig. Painting materials The pigment analysis done by Hermann Kühn shows Vermeer's use of the expensive natural ultramarine in the tablecloth, lead-tin-yellow in the oranges on the table and madder lake and vermilion Vermilion (sometimes vermillion) is a color, color family, and pigment most often made, since ancient history, antiquity until the 19th century, from the powdered mineral cinnabar (a form of mercury sulfide, which is toxic) and its correspondi ... in the skirt of the woman. Notes Further reading * External links * * Genre paintings by Johannes Vermeer 1660 paintings Food and drink paintings Paintings in the collection of the Herzog Anton Ulrich Museum {{17C-painting-stub ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Etching
Etching is traditionally the process of using strong acid or mordant to cut into the unprotected parts of a metal surface to create a design in intaglio (incised) in the metal. In modern manufacturing, other chemicals may be used on other types of material. As a method of printmaking, it is, along with engraving, the most important technique for old master prints, and remains in wide use today. In a number of modern variants such as microfabrication etching and photochemical milling it is a crucial technique in much modern technology, including circuit boards. In traditional pure etching, a metal plate (usually of copper, zinc or steel) is covered with a waxy ground which is resistant to acid. The artist then scratches off the ground with a pointed etching needle where the artist wants a line to appear in the finished piece, exposing the bare metal. The échoppe, a tool with a slanted oval section, is also used for "swelling" lines. The plate is then dipped in a bath of aci ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Self-portrait As David
''Self-Portrait as David'' is a c.1509-1510 oil on panel portrait by Giorgione, now in the Herzog Anton Ulrich Museum in Brunswick. It is not universally accepted as an autograph work but - if it is - it is thought to be the prototype for another ''Self-Portrait'' ( Budapest Museum of Fine Arts) by the artist himself or an assistant. Alessandra Fregolent, ''Giorgione'', Electa, Milano 2001. It is mentioned in an inventory of the Casa Grimani dating to 1528 and was seen by Vasari, who mentioned the subject as holding Goliath's head and used it was the basis for the printed portrait of Giorgione in the second edition of his ''Lives of the Artists ''The Lives of the Most Excellent Painters, Sculptors, and Architects'' ( it, Le vite de' più eccellenti pittori, scultori, e architettori), often simply known as ''The Lives'' ( it, Le Vite), is a series of artist biographies written by 16th-ce ...'' in 1568. References Self-portraits Paintings by Giorgione 16th-century portra ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Master Of The Brunswick Diptych
Master or masters may refer to: Ranks or titles * Ascended master, a term used in the Theosophical religious tradition to refer to spiritually enlightened beings who in past incarnations were ordinary humans * Grandmaster (chess), National Master, International Master, FIDE Master, Candidate Master, all ranks of chess player *Grandmaster (martial arts) or Master, an honorary title * Grand master (order), a title denoting the head of an order or knighthood *Grand Master (Freemasonry), the head of a Grand Lodge and the highest rank of a Masonic organization *Maestro, an orchestral conductor, or the master within some other musical discipline *Master, a title of Jesus in the New Testament *Master or shipmaster, the sea captain of a merchant vessel * Master (college), head of a college * Master (form of address), an English honorific for boys and young men *Master (judiciary), a judicial official in the courts of common law jurisdictions *Master mariner, a licensed mariner who is qu ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Max Joseph Wagenbauer
Maximilian Joseph Wagenbauer (1775 in Grafing – 1829 in Munich), was a Bavarian artist. After finishing school, Wagenbauer attended drawing classes in Munich, under Johann Jakob Dorner the Elder (1741-1813). At the turn of the 19th century he was producing mostly Neo-Classical watercolour landscapes. He served in the military from 1797 to 1801, receiving a royal artist's annuity after his service through the influence of Johann Christian von Mannlich (1741-1822), architect and general building director of the dukes of Zweibrücken. A condition of the royal stipend was that he produce paintings. He was appointed artist to the court and cabinet in 1802 and Inspector of the Royal Paintings Gallery in 1815. Wagenbauer focused increasingly on oil painting after 1810 and enjoyed the patronage of Maximilian I Joseph of Bavaria, who in 1811 commissioned him, Cantius Dillis (1779-1856) and Johann Jakob Dorner the Younger (1775-1852) to decorate the banquet hall at Schloss Nymphenbu ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Theresienstadt Ghetto
Theresienstadt Ghetto was established by the SS during World War II in the fortress town of Terezín, in the Protectorate of Bohemia and Moravia ( German-occupied Czechoslovakia). Theresienstadt served as a waystation to the extermination camps. Its conditions were deliberately engineered to hasten the death of its prisoners, and the ghetto also served a propaganda role. Unlike other ghettos, the exploitation of forced labor was not economically significant. The ghetto was established by the transportation of Czech Jews in November 1941. The first German and Austrian Jews arrived in June 1942; Dutch and Danish Jews came at the beginning in 1943, and prisoners of a wide variety of nationalities were sent to Theresienstadt in the last months of the war. About 33,000 people died at Theresienstadt, mostly from malnutrition and disease. More than 88,000 people were held there for months or years before being deported to extermination camps and other killing sites; the Jewish Coun ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Rombout Van Troyen
Rombout van Troyen (c 1605, Amsterdam – 1655, Amsterdam) was a Dutch Golden Age painter. Biography According to Houbraken he painted Italianate landscapes of ruined palaces and grottos, though he had never been to Italy.Rombout van Trojen Biography in ''De groote schouburgh der Nederlantsche konstschilders en schilderessen'' (1718) by Arnold Houbraken, courtesy of the According to the RKD his works are confused with those of [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Dankwarderode Castle
Dankwarderode Castle (german: Burg Dankwarderode) on the ''Burgplatz'' ("castle square") in Braunschweig (Brunswick) is a Saxon lowland castle. It was the residence of the Brunswick dukes for centuries and, today, is part of the Herzog Anton Ulrich Museum. Construction and history of use Dankwarderode Castle was built between c. 1160 and 1175 as the ''Pfalz'' of Duke Henry the Lion on an island in the river Oker. Next to the castle, construction of Brunswick Cathedral began in 1173. The castle lost its military significance as a defensive structure early, when it became surrounded completely by the growing city. During the 15th century, the dukes of Brunswick-Wolfenbüttel moved their ''Residenz'' out of the city and to the nearby town of Wolfenbüttel. In 1616 the ''palas'' was remodelled in the renaissance style, while the rest of the castle was demolished or left to decay. During the 19th century, the castle keep served as a barrack, plans to demolish it completely were sto ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Matthäus Schwarz
Matthäus Schwarz (19 February 1497 – c.1574) was a German accountant, best known for compiling his ''Klaidungsbüchlein'' or ''Trachtenbuch'' (usually translated as "Book of Clothes"), a book cataloguing the clothing that he wore between 1520 and 1560. The book has been described as "the world's first fashion book".Fashion: The accountant who created the first book of fashion BBC News, 9 June 2013 Early life Schwarz was born in , the son of Ulrich Schwartz the Younger, a wine merchant. His family were originally carpenters from Rettenbergen in Bavaria, but moved ...[...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Print Room
A print room is a room in an art gallery or museum where a collection of old master and modern prints, usually together with drawings, watercolours, and photographs, are held and viewed. A further meaning is a room decorated by pasting prints onto the wall in a quasi-collage style to form a sort of wallpaper, an 18th-century fashion, of which several examples survive. One of the largest, though atypically the prints are cut out round shapes, that are pasted well spaced apart, is at The Vyne, Basingstoke, Hampshire. Appearance For conservation reasons, works on paper cannot be permanently displayed, as light, temperature, and humidity conditions leave them vulnerable to damage, normally limiting an open display to no more than 6 months. They are kept in inert, acid-free boxes, albums, or portfolios behind closed doors; which considerations of space would dictate in any case for the vast majority. Where possible, they are mounted on archivally safe supports, but large collectio ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
