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Herzlich Lieb Hab Ich Dich, O Herr
"" (From my heart I hold you dear, o Lord) is a Lutheran hymn in German by the Protestant theologian and reformer Martin Schalling, written in Amberg in 1569 and first printed in 1571. It is sung to an anonymous melody, Zahn No. 8326, which appeared in a tablature book for organ in 1577. The hymn is often used for funerals, especially the third and last stanza, "" (Ah Lord, let thine own angels dear). It appears in the current German Protestant hymnal (EG). Text The first theme of the hymn is the love to God and one's neighbour, following the Great Commandment. Schalling included thoughts from . The hymn is regarded as a (song for the dying), as Schalling expressed stations of the transition after death in the last stanza, according to Lutheran doctrine as understood in the 17th century. The soul is seen as carried by angels to (Abraham's bosom), according to , the body transforming in the grave, rising on the last day ("") to be reunited with the soul. The final line is ...
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Lutheran Hymn
Martin Luther was a great enthusiast for music, and this is why it forms a large part of Lutheran services; in particular, Luther admired the composers Josquin des Prez and Ludwig Senfl and wanted singing in the church to move away from the ''ars perfecta'' (Catholic Sacred Music of the late Renaissance) and towards singing as a ''Gemeinschaft'' (community). Lutheran hymns are sometimes known as chorales. Lutheran hymnody is well known for its doctrinal, didactic, and musical richness. Most Lutheran churches are active musically with choirs, handbell choirs, children's choirs, and occasionally change ringing groups that ring bells in a bell tower. Johann Sebastian Bach, a devout Lutheran, composed music for the Lutheran church: more than half of his over 1000 compositions are or contain Lutheran hymns. History Lutheran hymnals include: * ''Achtliederbuch'', a.k.a. the first Lutheran hymnal (1524). Contains, among others, "Nun freut euch, lieben Christen g'mein", "Es ist das ...
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Dieterich Buxtehude
Dieterich Buxtehude (; ; born Diderik Hansen Buxtehude; c. 1637 – 9 May 1707)  was a Danish organist and composer of the Baroque period, whose works are typical of the North German organ school. As a composer who worked in various vocal and instrumental idioms, Buxtehude's style greatly influenced other composers, such as Johann Sebastian Bach. Buxtehude is considered one of the most important composers of the 17th century. Life Early years in Denmark He is thought to have been born with the name Diderich Buxtehude.Snyder, Kerala J. Dieterich Buxtehude: Organist in Lübeck. New York: Schirmer Books, 1987. His parents were Johannes (Hans Jensen) Buxtehude and Helle Jespersdatter. His father originated from Oldesloe in the Duchy of Holstein, which at that time was a part of the Danish realms in Northern Germany. Scholars dispute both the year and country of Dieterich's birth, although most now accept that he was born in 1637 in Helsingborg, Skåne at the time part of De ...
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A Cappella
''A cappella'' (, also , ; ) music is a performance by a singer or a singing group without instrumental accompaniment, or a piece intended to be performed in this way. The term ''a cappella'' was originally intended to differentiate between Renaissance polyphony and Baroque concertato musical styles. In the 19th century, a renewed interest in Renaissance polyphony, coupled with an ignorance of the fact that vocal parts were often doubled by instrumentalists, led to the term coming to mean unaccompanied vocal music. The term is also used, rarely, as a synonym for ''alla breve''. Early history A cappella could be as old as humanity itself. Research suggests that singing and vocables may have been what early humans used to communicate before the invention of language. The earliest piece of sheet music is thought to have originated from times as early as 2000 B.C. while the earliest that has survived in its entirety is from the first century A.D.: a piece from Greece called the ...
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Hugo Distler
August Hugo Distler (24 June 1908 – 1 November 1942)Slonimsky & Kuhn, ''Baker's Biographical Dictionary of Musicians'', v. 2, p. 889 was a German organist, choral conductor, teacher and composer. Life and career Born in Nuremberg, Distler attended the Leipzig Conservatory from 1927 to 1931, first as a conducting student with piano as his secondary subject, but changing later, on the advice of his teacher, to composition and organ. He studied there with Martienssen (piano), Günther Ramin ( organ) and Grabner (harmony). He became the organist at St. Jacobi in Lübeck in 1931. In 1933 he married Waltraut Thienhaus. That same year he joined the NSDAP (National Socialist German Workers' Party), reluctantly, as his continued employment depended on his doing so. In October 1933 Distler was appointed head of the chamber music department at the Lübeck Conservatory, and at about the same time he began teaching at the Spandauer Kirchenmusikschule (Spandau school of church music).Klaus ...
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BWV 174
The (BWV; ; ) is a catalogue of compositions by Johann Sebastian Bach. It was first published in 1950, edited by Wolfgang Schmieder. The catalogue's second edition appeared in 1990. An abbreviated version of that second edition, known as BWV2a, was published in 1998. The catalogue groups compositions by genre. Even within a genre, compositions are not necessarily collated chronologically. For example, BWV 992 was composed many years before BWV 1. BWV numbers were assigned to 1,126 compositions in the 20th century, and more have been added to the catalogue in the 21st century. The Anhang (Anh.; Annex) of the BWV lists over 200 lost, doubtful and spurious compositions. History The first edition of the ''Bach-Werke-Verzeichnis'' was published in 1950. It allocated a unique number to every known composition by Bach. Wolfgang Schmieder, the editor of that catalogue, grouped the compositions by genre, largely following the 19th-century Bach Gesellschaft (BG) edition f ...
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BWV 149
(: One sings with joy about victory), 149, is a church cantata by Johann Sebastian Bach. He composed the work in Leipzig for Michaelmas and first performed it on 29 September 1729. It is the last of his three extant cantatas for the feast. Picander wrote the cantata's libretto, and published it in a 1728/29 cycle of cantata texts. The libretto opens with two verses from Psalm 118 and closes with the third stanza of Martin Schalling's "". The topic of the libretto aligns with the prescribed readings for the day from the Book of Revelation, Michael fighting the dragon. The closing Lutheran hymn stanza writes about a "sweet little angel", accompanying a soul in anticipation of the Last Judgment. The cantata has seven movements, and is scored festively with four vocal parts and a Baroque orchestra of three trumpets, timpani, three oboes, bassoon, strings and continuo. Bach derived the music of the opening chorus from his ''Hunting Cantata'', composed already in 1713. Histor ...
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Alfred Dürr
Alfred Dürr (3 March 1918 – 7 April 2011) was a German musicologist. He was a principal editor of the Neue Bach-Ausgabe, the second edition of the complete works of Johann Sebastian Bach. Professional career Dürr studied musicology and Classical philology at the Georg-August-Universität Göttingen from 1945 to 1950. He wrote his thesis about Bach's early Bach cantata, cantatas. From 1951 until his retirement in 1983 he was an employee of the Johann Sebastian Bach Institute in Göttingen, West Germany, from 1962 to 1981 its deputy director. His work involved collaboration with colleagues in East Germany. He was a principal editor of the Neue Bach-Ausgabe, a project which was divided between the Johann Sebastian Bach Institute and the Bach-Archiv Leipzig in East Germany. From 1953 to 1974 Dürr was editor of the ''Bach-Jahrbuch'' (Bach almanach), together with Werner Neumann, the founder and director of the Bach-Archiv Leipzig. Dürr received honorary doctorates of music fro ...
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BWV 19
' (There arose a war), 19, is a church cantata by Johann Sebastian Bach. He composed it in Leipzig in 1726 for the Feast of Saint Michael and first performed it on 29 September 1726. It is the second of his three extant cantatas for this feast. History and words Bach took up his position in Leipzig in 1723. His first years in the city were particularly productive in terms of cantatas for the church calendar. As well as being a Christian festival, St. Michael's Day was important in the commercial life of Leipzig as it marked the start of one of the city's annual trade fairs. The prescribed readings for the day were from the Book of Revelation, Michael fighting the dragon (), and from the Gospel of Matthew, heaven belongs to the children, the angels see the face of God (). The text of the cantata was written by Christian Friedrich Henrici, better known as Picander. By now a regular collaborator of the composer, Picander had provided the libretto for a previous St Michael's Day ...
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St John Passion Structure
The structure of the ''St John Passion'' (german: Johannes-Passion, link=no), BWV 245, a sacred oratorio by Johann Sebastian Bach, is "carefully designed with a great deal of musico-theological intent". Some main aspects of the structure are shown in tables below. The original Latin title translates to "Passion according to John". Bach's large choral composition in two parts on German text, written to be performed in a Lutheran service on Good Friday, is based on the Passion, as told in two chapters from the Gospel of John ( and ) in the translation by Martin Luther, with two short interpolations from the Gospel of Matthew (in the earliest version, one is from the Gospel of Matthew and one from the Gospel of Mark). During the vespers service, the two parts of the work were performed before and after the sermon. Part I covers the events until Peter's denial of Jesus, Part II concludes with the burial of Jesus. The Bible text is reflected in contemporary poetry and in chorales t ...
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Bach Cantata
The cantatas composed by Johann Sebastian Bach, known as Bach cantatas (German: ), are a body of work consisting of over 200 surviving independent works, and at least several dozen that are considered lost. As far as known, Bach's earliest cantatas date from 1707, the year he moved to Mühlhausen, although he may have begun composing them at his previous post in Arnstadt. Most of Bach's church cantatas date from his first years as and director of church music in Leipzig, a position which he took up in 1723. Working for Leipzig's and , it was part of Bach's job to perform a church cantata every Sunday and holiday, conducting soloists, the Thomanerchor and orchestra as part of the church service. In his first years in Leipzig, starting after Trinity of 1723, Bach regularly composed a new cantata every week, although some of these cantatas were adapted (at least in part) from work he had composed before his Leipzig era. Works from three annual cycles of cantatas for the lit ...
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Johann Sebastian Bach
Johann Sebastian Bach (28 July 1750) was a German composer and musician of the late Baroque period. He is known for his orchestral music such as the '' Brandenburg Concertos''; instrumental compositions such as the Cello Suites; keyboard works such as the ''Goldberg Variations'' and ''The Well-Tempered Clavier''; organ works such as the '' Schubler Chorales'' and the Toccata and Fugue in D minor; and vocal music such as the ''St Matthew Passion'' and the Mass in B minor. Since the 19th-century Bach revival he has been generally regarded as one of the greatest composers in the history of Western music. The Bach family already counted several composers when Johann Sebastian was born as the last child of a city musician in Eisenach. After being orphaned at the age of 10, he lived for five years with his eldest brother Johann Christoph, after which he continued his musical education in Lüneburg. From 1703 he was back in Thuringia, working as a musician for Protestant c ...
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Johann Ernst Bach (musician At Saxe-Weimar)
Johann Ernst Bach (28 January 1722 – 1 September 1777) was a German composer of the Classical Period. He was the son of Johann Bernhard Bach. Life Johann Ernst Bach, the son of Johann Bernhard Bach, was born in Eisenach and baptized on January 30, 1722. In his early life, Bach studied at the Lateinschule in Eisenach from 1732 to 1735. On January 16, 1737, he entered the Thomasschule in Leipzig, where he then became a pupil of his uncle Johann Sebastian Bach. Being a student of J.S Bach, he assisted his uncle in copying his music. During the years of 1740 to 1741, he studied law at the Universität Eisenach. He returned to Eisenach in 1741 or 1742 and filled in for his ailing father as a choirmaster and organist. In 1748, he became his father's official assistant, and in 1749 he was his successor. He continued to practice law as well. In 1756, he was appointed Hofkapellmeister "in view of his well known skill and musical knowledge". Due to the fusion of the courts, he frequentl ...
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