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Heirmologion
Irmologion ( grc-gre, τὸ εἱρμολόγιον ) is a liturgical book of the Eastern Orthodox Church and those Eastern Catholic Churches which follow the Byzantine Rite. It contains ''irmoi'' () organised in sequences of odes (, sg. ) and such a sequence was called ''canon'' ( 'law'). These canons of nine, eight, four or three odes are supposed to be chanted during the morning service (Orthros). The book ''Irmologion'' derives from '' heirmos'' () which means 'link'. The is a melodic model which preceded the composition of the odes. According to the etymology, the book 'collects' ( ) the . The melodic irmos and the odes of the canon and its use during the morning service An important portion of Matins and other services in the Orthodox Church is the canon, a long liturgical poem divided into nine strophes with a sophisticated meter called ode. Each ode and its prosodic meter is made according to a certain irmos, and concerning its celebration during Orthros it is followe ...
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Petros Bereketis
Petros Bereketis ( el, Πέτρος Μπερεκέτης) or Peter the Sweet (Πέτρος ο Γλυκής) was one of the most innovative musicians of 17th-century Constantinople (Ottoman period). He, together with Panagiotes the New Chrysaphes, Balasios the Priest and Germanos Bishop of New Patras was one of the most influential figures in the evolution of the Byzantine psaltic art following the fall of Constantinople in 1453, although he never was associated with the Patriarchate in Fener. For many years, he served as the protopsaltis (first cantor) of church St. Constantine of the Hypsomatheia district close to the Marmara coast. During his lifetime, which is approximately supposed to be between 1665 and 1725, while Chrysanthos mentioned that he served there in the time of the Archon Protopsaltis at the Great Church of Christ of Panagiotis Halatzoglou and his Lampadarios John Trapezountios (1727-1748). Education Nothing is known about his real life time, so that Gregorios ...
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Irmologion
Irmologion ( grc-gre, τὸ εἱρμολόγιον ) is a liturgical book of the Eastern Orthodox Church and those Eastern Catholic Churches which follow the Byzantine Rite. It contains ''irmoi'' () organised in sequences of odes (, sg. ) and such a sequence was called ''canon'' ( 'law'). These canons of nine, eight, four or three odes are supposed to be chanted during the morning service (Orthros). The book ''Irmologion'' derives from '' heirmos'' () which means 'link'. The is a melodic model which preceded the composition of the odes. According to the etymology, the book 'collects' ( ) the . The melodic irmos and the odes of the canon and its use during the morning service An important portion of Matins and other services in the Orthodox Church is the canon, a long liturgical poem divided into nine strophes with a sophisticated meter called ode. Each ode and its prosodic meter is made according to a certain irmos, and concerning its celebration during Orthros it is followe ...
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Petros Peloponnesios
Petros Peloponnesios ("Peter the Peloponnesian") or Peter the Lampadarios (c. 1735 Tripolis–1778 Constantinople) was a great cantor, composer and teacher of Byzantine and Ottoman music. He must have served as second ''domestikos'' between his arrival about 1764 until the death of Ioannes Trapezountios, and it is assumed that he became ''lampadarios'' (leader of the left choir) between 1770 and 1778 at the Great Church of Constantinople, after Daniel the Protopsaltes became Archon Protopsaltes. Large parts of the monodic chant sung in several current traditions of Orthodox Chant are transcriptions of his compositions, which he had written down as a teacher of the "New Music School of the Patriarchate". Life Petros was born at Tripolis (Morea) between 1730 and 1740. According to Georgios Papadopoulos he was educated in the monastic communities of Smyrna. In 1764 he came to Constantinople to study with Ioannes Trapezountios, the Archon Protopsaltes, while Daniel like Ioannes stude ...
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Syriac Sertâ Book Script
Syriac may refer to: *Syriac language, an ancient dialect of Middle Aramaic *Sureth, one of the modern dialects of Syriac spoken in the Nineveh Plains region * Syriac alphabet ** Syriac (Unicode block) ** Syriac Supplement * Neo-Aramaic languages also known as Syriac in most native vernaculars * Syriac Christianity, the churches using Syriac as their liturgical language ** West Syriac Rite, liturgical rite of the Maronite Syriac Church, Syriac Orthodox Church, and the Syriac Catholic Church ** East Syriac Rite, liturgical rite of the Syro Malabar Church, Chaldean Catholic Church, Assyrian Church of the East, and the Ancient Church of the East *Aramean people (Syriacs), an ancient Semitic-speaking people *Suriyani Malayalam, dialect of Malayalam influenced by Syriac See also * * Syriac Rite (other) * Syrian (other) * Syria (other) * Terms for Syriac Christians Terms for Syriac Christians are endonymic (native) and exonymic (foreign) terms, that are ...
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Great Lavra
The Monastery of Great Lavra ( el, Μονή Μεγίστης Λαύρας) is the first monastery built on Mount Athos. It is located on the southeastern foot of the Mount at an elevation of . The founding of the monastery in AD 963 by Athanasius the Athonite marks the beginning of the organized monastic life at Mount Athos. At the location of the monastery, there was one of the ancient cities of the Athos peninsula, perhaps Akrothooi, from which the sarcophagi of the monastery that are in the oil storage house come. The history of the monastery is the most complete compared to the history of the other monasteries, because its historical archives were preserved almost intact. It is possible that the study of these archives may contribute to the completion of the knowledge of the history of other monasteries, whose archives were partially or completely lost. Founding The founder of Great Lavra, Athanasius, began the construction of the buildings in 963, according to the will of hi ...
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Armenian Language
Armenian ( classical: , reformed: , , ) is an Indo-European language and an independent branch of that family of languages. It is the official language of Armenia. Historically spoken in the Armenian Highlands, today Armenian is widely spoken throughout the Armenian diaspora. Armenian is written in its own writing system, the Armenian alphabet, introduced in 405 AD by the priest Mesrop Mashtots. The total number of Armenian speakers worldwide is estimated between 5 and 7 million. History Classification and origins Armenian is an independent branch of the Indo-European languages. It is of interest to linguists for its distinctive phonological changes within that family. Armenian exhibits more satemization than centumization, although it is not classified as belonging to either of these subgroups. Some linguists tentatively conclude that Armenian, Greek (and Phrygian) and Indo-Iranian were dialectally close to each other;''Handbook of Formal Languages'' (1997p. 6 wit ...
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Georgian Language
Georgian (, , ) is the most widely-spoken Kartvelian language, and serves as the literary language or lingua franca for speakers of related languages. It is the official language of Georgia and the native or primary language of 87.6% of its population. Its speakers today number approximately four million. Classification No claimed genetic links between the Kartvelian languages and any other language family in the world are accepted in mainstream linguistics. Among the Kartvelian languages, Georgian is most closely related to the so-called Zan languages (Megrelian and Laz); glottochronological studies indicate that it split from the latter approximately 2700 years ago. Svan is a more distant relative that split off much earlier, perhaps 4000 years ago. Dialects Standard Georgian is largely based on the Kartlian dialect.
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National Bank Of Greece Cultural Foundation
The National Bank of Greece Cultural Foundation ( el, Μορφωτικό Ίδρυμα Εθνικής Τραπέζης, ''Morfotiko Idryma Ethnikis Trapezis'', MIET) is a cultural foundation based in Athens founded in 1966. The Foundation was established under the administration of Georgios Mavros, as part of the 125th anniversary celebrations of the National Bank of Greece, which decided to create a cultural foundation to support the humanities, arts and sciences. After interruption during the Greek military junta of 1967–1974, the Foundation recommenced its activities in 1974, again under the sponsorship of Georgios Mavros, then Centre Union – New Forces leader and Deputy Prime Minister of Greece. Historical and Palaeographical Archive Among MIET's principal projects is the Historical and Palaeographical Archive (Ιστορικό και Παλαιογραφικό Αρχείο) on Panagi Skouze St., Athens. The archive aims to establish a microfilm archive of manuscript codices ...
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Chrysaphes The Younger
Panagiotes the Protopsaltes or Panagiotes the New Chrysaphes ( el, Παναγιώτης Χρυσάφης ὁ Νέος; c. 1622 – 1682) was a Greek composer, ''protopsaltes'' (first cantor) and poet in Constantinople, the capital of the Ottoman Empire. Life and work He served as ''protopsaltes'' of the Ecumenical Patriarchate of Constantinople (about 1655 to 1682) and like the former ''protopsaltes'' Theophanes Karykes he became engaged in a revival of the Byzantine psaltic art or art of chant. As student of the patriarchal ''protopsaltes'' Georgios Raidestinos, his approach was based on the recomposition of the late medieval sticherarion as it was described by Manuel Chrysaphes in his treatise about psaltic art, and the recomposition of the Byzantine '' Anastasimatarion'' was based on the simple psalmody according to the Octoechos. Several manuscripts of the latter have survived since the 17th century and they were usually introduced by a ''Papadike'' treatise, the basic introdu ...
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Avtomela
(Medieval Greek: from , 'unique' and , 'melody'; Church Slavonic: , )—pl. ''idiomela''—is a type of sticheron found in the liturgical books used in the Eastern Orthodox Church, the Eastern Catholic Churches which follow the Byzantine Rite, and many other Orthodox communities like Old Believers. are unique compositions, while or —sing. , or (Medieval Greek: , Church Slavonic: , )—were used to create other hymns by a composition over the 's melody and following the poetic meter provided by the musical rhythm. The genre composed over these was characterised as or (Medieval Greek: 'similar to', Church Slavonic: , ). Definition of ''idiomelon'', ''avtomelon'' and ''prosomoion'' The hymn category can only be understood in comparison with and . Already in the older book Tropologion each melody of a certain hymn was classified by a modal signature of the Byzantine music, Byzantine Hagiopolitan Octoechos, octoechos—the eight-mode system as it had developed in Consta ...
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