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Haptic Poetry
Haptic poetry, like visual poetry and sound poetry, is a liminal art form combining characteristics of typography and sculpture to create objects not only to be seen, but to be touched and manipulated. Indeed, in haptic poetry, the sense of touch (and, to a lesser extent, the other senses) is equal to, if not more important than, the sense of sight, yet both text-based poetry and haptic poetry have the same goals: to create an aesthetic effect in the minds of the intended audience. History The history of "poetic objects" may be traced back to the Dada productions of Marcel Duchamp and Kurt Schwitters, and to the surrealistic boxes of Joseph Cornell (among others), as well as Fluxus objects and editions, but an even older tradition of charms, talismans, Gnostic gems, seals, and fetishistic objects exists. A further tradition exists in the use and exploration of braille in the creation of literary texts. Yet another and more recent tradition that feeds into the idea of "poeti ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Visual Poetry
Literary theorists have identified visual poetry as a development of concrete poetry but with the characteristics of intermedia in which non-representational language and visual elements predominate. Differentiation from concrete poetry As the literary and artistic experiments of the 1950s that were at first loosely grouped together as concrete poetry extended further into the ambiguous sphere which Dick Higgins described in 1965 as 'Intermedia', it became apparent that such creations were further and further divorced from the representational language with which poetry had hitherto been associated and that they needed to be categorised as a separate phenomenon. In her survey, Concrete Poetry: A World View (1968), Mary Ellen Solt, observed that certain trends included under the label Concrete Poetry were tending towards a “New Visual Poetry”. Its chief characteristic is that it leaves behind the old poetic function of orality and is therefore distinct from the ancient traditi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Amulet
An amulet, also known as a good luck charm or phylactery, is an object believed to confer protection upon its possessor. The word "amulet" comes from the Latin word amuletum, which Pliny's ''Natural History'' describes as "an object that protects a person from trouble". Anything can function as an amulet; items commonly so used include statues, coins, drawings, plant parts, animal parts, and written words. Amulets which are said to derive their extraordinary properties and powers from magic or those which impart luck are typically part of folk religion or paganism, whereas amulets or sacred objects of formalised mainstream religion as in Christianity are believed to have no power of their own without faith in Jesus and being blessed by a clergyman, and they supposedly will also not provide any preternatural benefit to the bearer who does not have an appropriate disposition. Talisman and amulets have interchangeable meaning. Amulets refer to any object which has the power to ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Why Not Sneeze, Rose Sélavy?
''Why not Sneeze, Rose Sélavy?'' is a 1921 " readymade" sculpture by Marcel Duchamp. Specifically, Duchamp considered this to be an "assisted Readymade", this being because the original objects of which the work is made up had been altered by the artist. They consist of a birdcage, 152 white cubes (resembling sugar cubes, but made of marble), a medical thermometer, a piece of cuttlebone, and a tiny porcelain dish. The birdcage is made of painted metal and contains several wooden perches. The Philadelphia Museum of Art displays the original as part of the Louise and Walter Arensberg Collection. Several replicas exist, made by Duchamp, but only in the original are the cubes stamped "Made in France". Explanation About the sculpture, Duchamp said: :"It is a Readymade in which the sugar is changed to marble. It is sort of a mythological effect." An explanation for the piece given by Duchamp involves the coldness of the marble cubes, the "heat-giving" properties of the sugar ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Readymades Of Marcel Duchamp
The readymades of Marcel Duchamp are ordinary manufactured objects that the artist selected and modified, as an antidote to what he called "retinal art".Tomkins: ''Duchamp: A Biography'', page 158. By simply choosing the object (or objects) and repositioning or joining, titling and signing it, the found object became art. Duchamp was not interested in what he called "retinal art"—art that was only visual—and sought other methods of expression. As an antidote to retinal art he began creating readymades in 1914, when the term was commonly used in the United States to describe manufactured items to distinguish them from handmade goods. He selected the pieces on the basis of "visual indifference",Cabanne: ''Dialogs with Marcel Duchamp'', Thames and Hudson (1971), page 48. ''Cabanne: What determined your choice of readymades? Duchamp: That depended on the object. In general, I had to beware, at the end of fifteen days, you begin to like it or hate it. You have to approach somethi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ay-O
Takao Iijima (born May 19, 1931), better known by his art name Ay-O, (靉嘔 ''Ai Ō''), is a Japanese avant-garde visual and performance artist who has been associated with Fluxus since its international beginnings in the 1960s. Biography Early life and education Ay-O was born Iijima Takao in Ibaraki prefecture in 1931. He studied art at Tokyo University of Education. From Demokrato to Fluxus Ay-O started his career in the Demokrato Artists Association (デモクラート美術家協会), along with artists Ei-Q and On Kawara and the photographer Eikoh Hosoe (''Demokrato'' is Esperanto for "democratic). This association promoted artistic freedom and independence in making art. The influence of these values on Ay-O can be seen in a series of early paintings over which he painted a large X because he thought they were not original enough. Another independent movement was close to Demokrato in Japan: Sōzō Biiku (創造美育) by the collector Sadajirō Kubo (久保貞次郞 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ian Hamilton Finlay
Ian Hamilton Finlay, CBE (28 October 1925 – 27 March 2006) was a Scottish poet, writer, artist and gardener. Life Finlay was born in Nassau, Bahamas, to James Hamilton Finlay and his wife, Annie Pettigrew, both of Scots descent. He was educated at Dollar Academy in Clackmannanshire and later at Glasgow School of Art. At the age of 13, with the outbreak of the Second World War, he was evacuated to family in the countryside. In 1942, he joined the British Army. Finlay was married twice and had two children, Alec and Ailie. He died in Edinburgh. He is buried alone in Abercorn Churchyard in West Lothian. The grave lies in the extreme south-east corner of the churchyard. The gravestone refers to his parents and sister. Poetry At the end of the war, Finlay worked as a shepherd, before beginning to write short stories and poems, while living on Rousay, in Orkney. He published his first book, ''The Sea Bed and Other Stories'', in 1958, with some of his plays broadcast on the BB ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Digital Art
Digital art refers to any artistic work or practice that uses digital technology as part of the creative or presentation process, or more specifically computational art that uses and engages with digital media. Since the 1960s, various names have been used to describe digital art, including computer art, multimedia art and new media art. History John Whitney, a pioneer of computer graphics, developed the first computer-generated art in the early 1960s by utilizing mathematical operations to create art. In 1963, Ivan Sutherland invented the first user interactive computer-graphics interface known as Sketchpad. Andy Warhol created digital art using a Commodore Amiga where the computer was publicly introduced at the Lincoln Center, New York, in July 1985. An image of Debbie Harry was captured in monochrome from a video camera and digitized into a graphics program called ProPaint. Warhol manipulated the image by adding color by using flood fills. After some initial ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Artist's Book
Artists' books (or book arts or book objects) are works of art that utilize the form of the book. They are often published in small editions, though they are sometimes produced as one-of-a-kind objects. Overview Artists' books have employed a wide range of forms, including the traditional Codex form as well as less common forms like scrolls, fold-outs, concertinas or loose items contained in a box. Artists have been active in printing and book production for centuries, but the artist's book is primarily a late 20th-century form. Book forms were also created within earlier movements, such as Dada, Constructivism, Futurism, and Fluxus. Artists' books are made for a variety of reasons. An artist book is generally interactive, portable, movable and easily shared. Some artists books challenge the conventional book format and become sculptural objects. Artists' books may be created in order to make art accessible to people outside of the formal contexts of galleries or museums. A ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Braille
Braille (Pronounced: ) is a tactile writing system used by people who are visually impaired, including people who are blind, deafblind or who have low vision. It can be read either on embossed paper or by using refreshable braille displays that connect to computers and smartphone devices. Braille can be written using a slate and stylus, a braille writer, an electronic braille notetaker or with the use of a computer connected to a braille embosser. Braille is named after its creator, Louis Braille, a Frenchman who lost his sight as a result of a childhood accident. In 1824, at the age of fifteen, he developed the braille code based on the French alphabet as an improvement on night writing. He published his system, which subsequently included musical notation, in 1829. The second revision, published in 1837, was the first binary form of writing developed in the modern era. Braille characters are formed using a combination of six raised dots arranged in a 3 ×&n ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Fetishism
A fetish (derived from the French , which comes from the Portuguese , and this in turn from Latin , 'artificial' and , 'to make') is an object believed to have supernatural powers, or in particular, a human-made object that has power over others. Essentially, fetishism is the attribution of inherent value, or powers, to an object. Historiography The term ''fetish'' has evolved from an idiom used to describe a type of object created in the interaction between European travelers and Africans in the early modern period to an analytical term that played a central role in the perception and study of non-Western art in general and African art in particular to increase the evil in the world. William Pietz, who, in 1994, conducted an extensive ethno-historical study of the fetish, argues that the term originated in the coast of West Africa during the sixteenth and seventeenth centuries. Pietz distinguishes between, on the one hand, actual African objects that may be called fetishes ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Seal (device)
A seal is a device for making an impression in wax, clay, paper, or some other medium, including an embossment on paper, and is also the impression thus made. The original purpose was to authenticate a document, or to prevent interference with a package or envelope by applying a seal which had to be broken to open the container (hence the modern English verb "to seal", which implies secure closing without an actual wax seal). The seal-making device is also referred to as the seal ''matrix'' or ''die''; the imprint it creates as the seal impression (or, more rarely, the ''sealing''). If the impression is made purely as a relief resulting from the greater pressure on the paper where the high parts of the matrix touch, the seal is known as a ''dry seal''; in other cases ink or another liquid or liquefied medium is used, in another color than the paper. In most traditional forms of dry seal the design on the seal matrix is in intaglio (cut below the flat surface) and therefore the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gemstone
A gemstone (also called a fine gem, jewel, precious stone, or semiprecious stone) is a piece of mineral crystal which, in cut and polished form, is used to make jewelry or other adornments. However, certain rocks (such as lapis lazuli, opal, and obsidian) and occasionally organic materials that are not minerals (such as amber, jet, and pearl) are also used for jewelry and are therefore often considered to be gemstones as well. Most gemstones are hard, but some soft minerals are used in jewelry because of their luster or other physical properties that have aesthetic value. Rarity and notoriety are other characteristics that lend value to gemstones. Apart from jewelry, from earliest antiquity engraved gems and hardstone carvings, such as cups, were major luxury art forms. A gem expert is a gemologist, a gem maker is called a lapidarist or gemcutter; a diamond cutter is called a diamantaire. Characteristics and classification The traditional classification in the West ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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