|
Hans Grischkat
Hans Adolf Karl Wilhelm Grischkat (29 August 1903 – 10 January 1977) was a German conductor, especially a choral conductor, also a church musician and academic teacher. He founded the choir for pioneering concerts and recordings of works by Bach and Monteverdi in the spirit of historically informed performance. He was the church musician of the in Reutlingen, published Bach cantatas for Hänssler, and was from 1950 a professor of choral conducting at the Musikhochschule Stuttgart. Career Grischkat was born in Hamburg. He studied at the University of Tübingen, first natural sciences, then musicology. He studied at the Musikhochschule Stuttgart with Hermann Keller. Grischkat was active in the . He founded in 1924 the ''Reutlinger Singkreis'', in 1931 the and in 1936 in Stuttgart the ''Grischkat-Singkreis''. In 1945, he founded the orchestra ''Schwäbisches Symphonie-Orchester Reutlingen'' which is now known as the ', serving as the conductor until 1950. Grischkat was in 192 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hamburg
(male), (female) en, Hamburger(s), Hamburgian(s) , timezone1 = Central (CET) , utc_offset1 = +1 , timezone1_DST = Central (CEST) , utc_offset1_DST = +2 , postal_code_type = Postal code(s) , postal_code = 20001–21149, 22001–22769 , area_code_type = Area code(s) , area_code = 040 , registration_plate = , blank_name_sec1 = GRP (nominal) , blank_info_sec1 = €123 billion (2019) , blank1_name_sec1 = GRP per capita , blank1_info_sec1 = €67,000 (2019) , blank1_name_sec2 = HDI (2018) , blank1_info_sec2 = 0.976 · 1st of 16 , iso_code = DE-HH , blank_name_sec2 = NUTS Region , blank_info_sec2 = DE6 , website = , footnotes ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Wolfgang Gönnenwein
Wolfgang Gönnenwein (29 January 1933 – 26 July 2015) was a German conductor and an academic teacher. Biography Born in Schwäbisch Hall, Wolfgang Gönnenwein studied music and German studies at the University of Heidelberg and the University of Tübingen. In 1959 he became the conductor of the choir (South German Madrigal Chorus). He also conducted the choir of the from 1969 until 1973.Wolfgang Gönnenwein on the bach-cantatas website In 1968 he was appointed Professor for choral conducting at the Staatliche Hochschule für Musik und Darstellende Kunst Stuttgart, in 1973 he was elected Rektor (president), serving until 1982. He also directed ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hildegard Laurich
Hildegard Laurich (15 January 1941 – 11 February 2009), was a German classical contralto singer. Professional career Born in Halle, Laurich studied at the Hochschule für Musik Detmold, in Berlin with Hermann Weissenborn, and in private study with Professor Frederick Husler in Cureglia She sang mostly in concert, particularly in works of . In 1974 she sang the alto part in Bach's '' |
Maria Friesenhausen
Maria Friesenhausen (23 March 1932 – 31 July 2020 (notice of death, in German) trauer.de, Funke Mediengruppe) was a German classical soprano who appeared in Europe. She is known for recordings of Baroque music on record and with broadcasters. She was also a professor of voice at the . Career Friesenhausen was born the daughter of a church musician in Altendorf, now[...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Christmas Oratorio
The ''Christmas Oratorio'' (German: ''Weihnachtsoratorium''), , is an oratorio by Johann Sebastian Bach intended for performance in church during the Christmas season. It is in six parts, each part a cantata intended for performance on one of the major feast days of the Christmas period. It was written for the Christmas season of 1734 and incorporates music from earlier compositions, including three secular cantatas written during 1733 and 1734 and a largely lost church cantata, BWV 248a. The date is confirmed in Bach's autograph manuscript. The next complete public performance was not until 17 December 1857 by the Sing-Akademie zu Berlin under Eduard Grell. The ''Christmas Oratorio'' is a particularly sophisticated example of parody music. The author of the text is unknown, although a likely collaborator was Christian Friedrich Henrici (Picander). The work belongs to a group of three oratorios written in 1734 and 1735 for major feasts, the other two works being the ''Asce ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Franz Kelch
Franz Kelch (1 November 19155 June 2013) was a German bass-baritone lied and oratorio singer. His discography includes works of Johann Sebastian Bach, Dieterich Buxtehude, George Frideric Handel, and Claudio Monteverdi. Biography Franz Kelch was born in Bayreuth. He started voice training in difficult times in 1937 with Henriette Klink in Nürnberg after mandatory military service. He had to interrupt his studies with the outbreak of World War II. After he returned from a prisoner-of-war-camp, he started teaching and singing for the Bayerischer Rundfunk (Bavarian broadcast) in programs of early music and new works of Munich composers such as Joseph Haas, Hermann Zilcher or Wolfgang Jacobi. In 1948, Franz Kelch was the soloist for '' A German Requiem'' of Brahms with the Münchner Philharmoniker, then Bach's ''Mass in B minor'' with the Heinrich-Schütz-Kreis conducted by Michael Schneider, and Beethoven's '' 9th Symphony'' with the Bamberger Symphoniker and Joseph Keilbert ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lotte Wolf-Matthäus
Lotte Wolf-Matthäus (8 April 1908 – 12 November 1979) was a German contralto singer, who focused on the works by Johann Sebastian Bach. Born in Brünlos (now part of Zwönitz), she studied voice at the Landeskonservatorium Leipzig with Ilse Helling-Rosenthal from 1926 to 1930. She appeared in 1929 at the Thomaskirche, performing the alto part of Bach's ''Christmas Oratorio'' with the Thomanerchor conducted by Karl Straube. She focused on Bach's works, collaborating in performances and recordings with Günther Ramin, Rudolf Mauersberger and Karl Ristenpart, among others. She died in Ilten Sehnde is a town in Lower Saxony, Germany. It is located approximately 15 kilometres southeast of Hanover. History Sehnde was formed in 1974 by combining fifteen autonomous villages which belonged to three different districts: Bilm, Bolzum, Do .... References External links * {{DEFAULTSORT:Wolf-Matthaus, Lotte German contraltos 1908 births 1979 deaths 20th-century Germ ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Friederike Sailer
Friederike Sailer (20 February 1920 – June 1994) was a German soprano in opera and concert. She was a member of the Stuttgart Opera, later a voice teacher at the Musikhochschule Stuttgart. She performed at International festivals and recorded with conductors such as Marcel Couraud. Career Born in Regensburg, Sailer initially lived and worked in Ansbach as a kindergarten teacher after her marriage. Her talent at singing was discovered by chance and she began her career singing in operettas in the late 1940s. Her first performances of opera roles were for radio broadcasts by the Nürnberger Studio of the Bayerischer Rundfunk. These performances led to her engagement as a resident artist at the Stuttgart Opera in 1952. She toured to Paris with the company in 1954 and 1955, performing at the Paris Opera roles such as Marzelline in Beethoven's ''Fidelio''. She took part in the premiere of Werner Egk's ''Der Revisor'' in May 1957 at the Schwetzingen Festival, performing the part of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Vespro Della Beata Vergine
''Vespro della Beata Vergine'' (''Vespers for the Blessed Virgin''), SV 206, is a musical setting by Claudio Monteverdi of the evening vespers on Marian feasts, scored for soloists, choirs, and orchestra. It is an ambitious work in scope and in its variety of style and scoring, and has a duration of around 90 minutes. Published in Venice (with a dedication to Pope Paul V dated 1 September 1610) as ("Mass for the Most Holy Virgin for six voices, and Vespers for several voices with some sacred songs, suitable for chapels and ducal chambers"), it is sometimes called Monteverdi's ''Vespers of 1610''. Monteverdi composed the music while musician and composer for the Gonzagas, the dukes of Mantua. The libretto is compiled from several Latin Biblical and liturgical texts. The thirteen movements include the introductory ''Deus in adiutorium'', five Psalms, four ''concertato'' motets and a vocal sonata on the " Sancta Maria" litany, several differently scored stanzas of the hymn ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Margot Guilleaume
Margot Guilleaume (12 January 1910 – 25 June 2004) was a German operatic soprano, a member of the Hamburgische Staatsoper. She was an academic teacher at the Musikhochschule Hamburg from 1950 to 1978, and was known beyond Germany as a singer in oratorio and concert. Career Born in Hamburg to a family that had moved from Brittany in 1789, she first was a commercial apprentice. She passed the exam to enter the Vogt'sches Konservatorium, and was trained for two years to be an opera choir singer. From 1931, she was a member of the choir of the Schilleroper in Hamburg. She studied voice privately with Lilli Schmitt de Georgi. In 1933, she was engaged at the Theater Lübeck as ''Chormitglied mit Soloverpflichtung'' (choir member with solo duties). She was a member of the chorus of the Bayreuth Festival in 1934 and was engaged at the Hamburgische Staatsoper for smaller solo parts in 1936. In 1937 she suffered from a severe traffic accident. She recovered, and was able to step in as Q ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jauchzet Gott In Allen Landen, BWV 51
Johann Sebastian Bach composed the church cantata ("Exult in God in every land" or "Shout for joy to God in all lands") 51, in Leipzig. The work is Bach's only church cantata scored for a solo soprano and trumpet. He composed it for general use (''ogni tempo)'', in other words not for a particular date in the church calendar, although he used it for the 15th Sunday after Trinity: the first known performance was on 17 September 1730 in Leipzig. The work may have been composed earlier, possibly for an occasion at the court of Christian, Duke of Saxe-Weissenfels, for whom Bach had composed the ''Hunting Cantata'' and the '' Shepherd Cantata''. The text was written by an unknown poet who took inspiration from various biblical books, especially from psalms, and included as a closing chorale a stanza from the hymn "Nun lob, mein Seel, den Herren". Bach structured the work in five movements, with the solo voice accompanied by a Baroque instrumental ensemble of a virtuoso trumpet, stri ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
