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Maria Friesenhausen
Maria Friesenhausen (23 March 1932 – 31 July 2020 (notice of death, in German) trauer.de, Funke Mediengruppe) was a German classical soprano who appeared in Europe. She is known for recordings of Baroque music on record and with broadcasters. She was also a professor of voice at the . Career Friesenhausen was born the daughter of a church musician in Altendorf, now[...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Burgaltendorf
Burgaltendorf is a southeastern borough of the city of Essen in North Rhine-Westphalia in Germany. When the former independent municipality of ''Altendorf (Ruhr)'' was incorporated into the city in 1970, it was renamed into Burgaltendorf to avoid confusion with the northwestern Essen borough of Altendorf. The borough Burgaltendorf is named after Castle Altendorf, which was built here in the 2nd half of the 12th century, probably between 1160 and 1180. Geography Burgaltendorf borders the boroughs of Byfang to the south, Überruhr-Holthausen in the west, and Horst in the north. It also borders the city Bochum in the east and Hattingen Hattingen is a town in the northern part of the Ennepe-Ruhr-Kreis district, in North Rhine-Westphalia, Germany. History Hattingen is located on the south bank of the River Ruhr in the south of the Ruhr region. The town was first mentioned in 1 ... in the south-east. Sources Essen {{NorthRhineWestphalia-geo-stub ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Christmas Oratorio
The ''Christmas Oratorio'' (German: ''Weihnachtsoratorium''), , is an oratorio by Johann Sebastian Bach intended for performance in church during the Christmas season. It is in six parts, each part a cantata intended for performance on one of the major feast days of the Christmas period. It was written for the Christmas season of 1734 and incorporates music from earlier compositions, including three secular cantatas written during 1733 and 1734 and a largely lost church cantata, BWV 248a. The date is confirmed in Bach's autograph manuscript. The next complete public performance was not until 17 December 1857 by the Sing-Akademie zu Berlin under Eduard Grell. The ''Christmas Oratorio'' is a particularly sophisticated example of parody music. The author of the text is unknown, although a likely collaborator was Christian Friedrich Henrici (Picander). The work belongs to a group of three oratorios written in 1734 and 1735 for major feasts, the other two works being the ''Asce ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Acis And Galatea (Handel)
''Acis and Galatea'' ( HWV 49) is a musical work by George Frideric Handel with an English text by John Gay. The work has been variously described as a serenata, a masque, a pastoral or pastoral opera, a "little opera" (in a letter by the composer while it was being written), an entertainment and by the New Grove Dictionary of Music as an oratorio. The work was originally devised as a one-act masque which premiered in 1718. Handel later adapted the piece into a three-act serenata for the Italian opera troupe in London in 1732, which incorporated a number of songs (still in Italian) from Aci, Galatea e Polifemo, his 1708 setting of the same story to different music. He later adapted the original English work into a two-act work in 1739. ''Acis and Galatea'' was the pinnacle of pastoral opera in England. Indeed, several writers, such as musicologist Stanley Sadie, consider it the greatest pastoral opera ever composed. As is typical of the genre, ''Acis and Galatea'' was writ ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Georg Poplutz
Georg Poplutz is a German tenor, a soloist in Baroque music, opera and oratorio, and a Lied singer. He has been a member of vocal ensembles such as Johann Rosenmüller Ensemble and Cantus Cölln, and has participated in a project to record the complete works of Heinrich Schütz. Career Poplutz was born in Arnsberg. He studied pedagogy for English and Music at the Münster University and the Dortmund University. He studied voice with Berthold Possemeyer at the Musikhochschule Frankfurt. After further studies with Christoph Prégardien at the Musikhochschule Köln, he graduated in 2007 with the concert exam. Poplutz made his operatic debut at the Theater Gießen in 2004, in Monteverdi's ''L'incoronazione di Poppea''. In 2005 he recorded the part of Balouard in Étienne Méhul's opera ''L'irato'', conducted by ). In the field of historically informed performance, Poplutz has collaborated as a soloist with conductors such as Marcus Creed, Helmut Müller-Brühl, Peter Ne ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Soest, Germany
Soest (, as if it were 'Sohst'; Westphalian: ''Saust'') is a city in North Rhine-Westphalia, Germany. It is the capital of the Soest district. Geography Soest is located along the ''Hellweg'' road, approximately south-west of Lippstadt, roughly east of Dortmund and roughly west of Paderborn. Neighbouring places *Bad Sassendorf *Ense *Lippetal *Möhnesee *Werl *Welver Legends The Norwegian Þiðrekssaga from the 13th century, a series of tales about the Gothic King Theoderic the Great, identifies Soest (called Susat) as the capital of Attila's (?–453) Hunnic Empire. The actual location of Attila's capital has not been determined. History Owing to its fertile soil (predominantly brown silty clay loam), the area around Soest is believed to have been settled well before the village is first mentioned in the ''Dagobertsche Schenkung'' in 836. Excavations in recent decades have uncovered signs of habitation stretching back more than 4000 years. During the 11th and 12th ce ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Creation (Haydn)
''The Creation'' (german: Die Schöpfung) is an oratorio written between 1797 and 1798 by Joseph Haydn ( Hob. XXI:2), and considered by many to be one of his masterpieces. The oratorio depicts and celebrates the creation of the world as described in the Book of Genesis. The libretto was written by Gottfried van Swieten. The work is structured in three parts and scored for soprano, tenor and bass soloists, chorus and a symphonic orchestra. In parts I and II, depicting the creation, the soloists represent the archangels Raphael (bass), Uriel (tenor) and Gabriel (soprano). In part III, the bass and soprano represent Adam and Eve. The first public performance was held in Vienna at the old Burgtheater on 19 March 1799. The oratorio was published with the text in German and English in 1800. Inspiration Haydn was inspired to write a large oratorio during his visits to England in 1791–1792 and 1794–1795 when, alongside his close friend English music historian Charles Burney, he ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Andreas Romberg
Andreas Jakob Romberg (27 April 1767 – 10 November 1821) was a German violinist and composer. Romberg was born in Vechta, in the Duchy of Oldenburg. He learned the violin from his musician father Gerhard Heinrich Romberg and first performed in public at the age of six. In addition to touring Europe, Romberg also joined the Münster Court Orchestra. The cellist and composer Bernhard Romberg was his cousin. He joined the court orchestra of the Prince Elector in Bonn (conducted by the Kapellmeister Andrea Luchesi) in 1790, where he met the young Beethoven. He moved to Hamburg in 1793 due to wartime upheavals and joined the Hamburg Opera Orchestra. Romberg's first opera, 'Der Rabe', premiered there in 1794. He also composed his own setting of Messiah (Der Messias). After a time in Paris, Andreas settled in Hamburg where he became a central figure in the city's musical life. In 1815 he succeeded Louis Spohr as music director at the court of the Duke, in Gotha, Thuringia. He die ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tölzer Knabenchor
The Tölzer Knabenchor (Tölz Boys' Choir) is a German boys' choir named after the Upper Bavarian city of Bad Tölz and since 1971 based in Munich. The choir is ranked among the most versatile and sought-after boys' choirs in the world. History Tölzer Knabenchor was founded in 1956 by the then 19-year-old grammar school graduate Gerhard Schmidt-Gaden in Bad Tölz. Already in the same year, it was invited to give radio concerts. In 1957 the first concert tour to South Tyrol and Trento followed, in 1960 a trip to Luxembourg, France, England and Belgium. Since 1963 Carl Orff was a regular guest and conductor. He recorded his Schulwerk with the choir. From the 1960s on, the choir and its members participated in opera performances. In 1964, for example, soloists from the choir participated for the first time in a performance of Mozart's Magic Flute. Since 1971, the choir has rehearsed in the state capital of Munich. In 1973, Gerhard Schmidt-Gaden and his choir received the Germ ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
La Petite Bande
La Petite Bande is a Belgium-based ensemble specialising in music of the Baroque and Classical eras played on period instruments. They are particularly known for their recordings of works by Corelli, Rameau, Handel, Bach, Haydn, and Mozart. History The ensemble was brought together in 1972 by Sigiswald Kuijken, originally for the one-off purpose of recording Lully's comédie-ballet, ''Le Bourgeois gentilhomme'', conducted by Gustav Leonhardt for the Deutsche Harmonia Mundi label. The ensemble was given its name from Lully's '' Petite Bande des Violons du Roi'', an orchestra of 21 string players at the court of Louis XIV. The nucleus of the original group was the Leonhardt Consort along with Sigiswald Kuijken and his brothers Wieland and Barthold. Following the recording, the group continued to give concerts throughout Europe and became a permanent ensemble based in Leuven with Kuijken as director. Their initial repertoire concentrated on French Baroque music, but soon bra ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gustav Leonhardt
Gustav Maria Leonhardt (30 May 1928 – 16 January 2012) was a Dutch keyboardist, conductor, musicologist, teacher and editor. He was a leading figure in the historically informed performance movement to perform music on period instruments. Leonhardt professionally played many instruments, including the harpsichord, pipe organ, claviorganum (a combination of harpsichord and organ), clavichord, fortepiano and piano. He also conducted orchestras and choruses. Biography Gustav Leonhardt was born in 's-Graveland, near Hilversum, and studied organ and harpsichord from 1947 to 1950 with Eduard Müller at the Schola Cantorum Basiliensis in Basel. In 1950, he made his debut as a harpsichordist in Vienna, where he studied musicology. He was professor of harpsichord at the Academy of Music from 1952 to 1955 and at the Amsterdam Conservatory from 1954. He was also a church organist. Career Leonhardt performed and conducted a variety of solo, chamber, orchestral, operatic, and choral ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Siegmund Nimsgern
Siegmund Nimsgern (born 14 January 1940) is a German bass-baritone, born in Sankt Wendel, Saarland, Germany. After leaving school in 1960 he studied singing and musical education at the Hochschule für Musik Saar with Sibylle Fuchs, Jakob Stämpfli and Paul Lohmann. He made his debut at the Saarländisches Staatstheater in Saarbrücken in 1967. In 1971, he went to the Deutsche Oper am Rhein in Düsseldorf and Duisburg. From there he began his international career as an opera singer. He sang at La Scala in Milan, at Covent Garden in London, at the Metropolitan Opera in New York, and at the Vienna State Opera. In the years 1983 to 1987, he sang Wotan at the Bayreuth Festival under Georg Solti, Peter Schneider and Peter Hall in ''The Ring of the Nibelung''. He has recorded numerous operas including ''Der Vampyr'', ''Schwanda the Bagpiper'', ''Martha'', ''Hansel and Gretel'', ''La serva padrona'', ''Parsifal'', a 1989 Grammy Award-winning recording of ''Lohengrin'', and a 198 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Le Bourgeois Gentilhomme
''Le Bourgeois gentilhomme'' (, translated as ''The Bourgeois Gentleman'', ''The Middle-Class Aristocrat'', or ''The Would-Be Noble'') is a five-act ''comédie-ballet'' – a Play (theatre), play intermingled with music, dance and singing – written by Molière, first presented on 14 October 1670 before the court of Louis XIV at the Château of Chambord by Molière's troupe of actors. Subsequent public performances were given at the Théâtre du Palais-Royal (rue Saint-Honoré), theatre of the Palais-Royal beginning on 23 November 1670. The music was composed by Jean-Baptiste Lully, the choreography was by Pierre Beauchamp, the sets were by Carlo Vigarani and the costumes were done by the Laurent d'Arvieux, chevalier d’Arvieux. ''Le Bourgeois gentilhomme'' satirizes attempts at social climbing and the bourgeois personality, poking fun both at the vulgar, pretentious middle-class and the vain, snobbish aristocracy. The title is meant as an oxymoron: in Molière's France, a "gent ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
