|
Hakchangui
The Hakchangui () is a traditional type of Korean clothes (hanbok 한복) used by scholars as school uniforms in the 17th-century and 18th-century. It was introduced from the Chinese hakchang during the Joseon period in the 17th and 18th century and gradually became popular. Although there is a lack of literature and conversational materials on Hakchangui. It is possible to find examples of students wearing school uniforms during the 17th and 18th centuries through literature and painting materials. Hakchangui was the clothing of the Taoists.Park, Sun Hee, and Na Young Hong. A Study on Hakchangui, the Scholar’s Robe with Dark Trim. ''Journal of the Korean Society of Costume'', vol. 61, no. 2, Feb. 2011, pp. 60–71. Portraits and literature of Kim Seon, Kwon Seop, and Nam Do-jin confirmed that "Hakchangui" was also used as a clothing symbolizing scholars who escaped from power and lived a life of the world. This type of clothings can be traced to the joseon dyn ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Beizi
Beizi (), also known as beizi () and chuozi (), is an item worn in traditional Chinese attire common to both men and women; it is typically a large loose outer coat with loose and long sleeves. It was most popular during the Song Dynasty, Ming Dynasty, and from the early Qing to the Mid-Qing dynasty. The beizi originated in the Song dynasty. In the Ming dynasty, the beizi was referred as pifeng (). When worn by men, it is sometimes referred as changyi (), hechang (), or dachang () when it features large sleeves and knotted ties at the front as a garment closure. Terminology Beizi (背子) literally means "person sitting behind". According to Zhu Xi, the beizi may have originally been clothing worn by concubines and maidservants, and it was then named after these people as they would always walk behind their mistress. History Origins The beizi originated in the Song dynasty; it is assumed that it was derived from the banbi, where the sleeves and the garment lengthened. A ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hanbok
The (; term used in South Korean standard language, South Korea), also called () n North Korean standard language, North Korea and China, is an Hyponymy and hypernymy, umbrella term which is used to refer to traditional ethnic Koreans, Korean clothes, including the traditional clothing of the (Korean Chinese), an officially recognized Ethnic minorities in China, ethnic minority in China. The term literally means "Korean clothing". Due to the isolation from each other for about 50 years, the styles of in South Korea, North Korea, and China, worn by the Korean ethnics from these three countries have developed separately from each other. Since the 1990s, the South Korean-style and the North Korean-style have been looking more and more similar to each other. Similarly, since the Chinese economic reform of China, there have been more exchanges with both Koreas leading to both the development and changes in Korean-Chinese-style in China; some of designs of the Korean-Chinese-sty ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Shenyi
(; ; yr: ''sim.ui''), also called Deep garment in English, means "wrapping the body deep within the clothes" or "to wrap the body deep within cloth". The is an iconic form of robe in , which was recorded in and advocated in Zhu Xi's 《朱子家禮》. As cited in the , the is a long robe which is created when the ''"upper half is connected to the bottom half to cover the body fully"''. The , along with its components, existed prior to the Zhou dynasty and appeared at least since the Shang dynasty. The was then developed in Zhou dynasty with a complete system of attire, being shaped by the Zhou dynasty's strict hierarchical system in terms of social levels, gender, age, and situation and was used as a basic form of clothing. The then became the mainstream clothing choice during the Qin and Han dynasties. By the Han dynasty, the had evolved into two types of robes: the () and the ' (). The later gradually declined in popularity around the Wei, Jin, and Northern and Sou ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Fujin (headgear)
Fujin () is a type of ''guanmao'' (冠帽), a male traditional headgear generally made from a black fabric in China and Korea. The fujin is a form of hood made on one width of cloth, from which its Chinese name derived from. It was usually worn with Shenyi in the Ming Dynasty. The fujin was later adopted in Joseon where is became known as bokgeon () and became known as the 'hat of the Confucian scholars'. The fujin also influenced the development of other headwear such as the futou. China In China, the fujin was a popular form of headwear among all the different members of the social strata. It was especially popular amongst the Han dynasty, Eastern Han dynasty scholar-bureaucrats. The fujin also later influenced the development of the futou. Korea According to the ''Random Expatiations of Oju'' written by Yi Gyu-gyeong in the 18th century'', "In the Chinese Han dynasty, many kings and the nobility admired the attire of scholars and considered wearing the bokgeon an elegant wa ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Korean Clothing
Hanbok is a traditional clothing of Korea. This is a list of Korean clothing including the national costume, hanbok, as well as headgear, footwear, and accessories. Hanbok Headgear Footwear Accessories References *https://web.archive.org/web/20091114025453/http://hair.culturecontent.com/index.asp External links {{DEFAULTSORT:Korean clothing Clothing Clothing (also known as clothes, apparel, and attire) are items worn on the body. Typically, clothing is made of fabrics or textiles, but over time it has included garments made from animal skin and other thin sheets of materials and natura ... Clothing-related lists ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Folk Costumes
A folk costume (also regional costume, national costume, traditional garment, or traditional regalia) expresses an identity through costume, which is usually associated with a geographic area or a period of time in history. It can also indicate social, marital or religious status. If the costume is used to represent the culture or identity of a specific ethnic group, it is usually known as ethnic costume (also ethnic dress, ethnic wear, ethnic clothing, traditional ethnic wear or traditional ethnic garment). Such costumes often come in two forms: one for everyday occasions, the other for traditional festivals and formal wear. Following the rise of romantic nationalism, the pre-industrial peasantry of Europe came to serve as models for all that appeared genuine and desirable. Their dresses are crystallized into so-called "typical" forms, and enthusiasts adopted that attire as part of their symbolism. In areas where Western dress codes have become usual, traditional garments are ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Panling Lanshan
Panling lanshan (盤領襴衫), also referred as lanshan (襴衫), is a traditional Chinese attire for men. It is a specific form of round collar robe, known as yuanlingpao, which is characterized with the use of hem, called hanglan (横襕), also referred as lan (襕)). The panling lanshan was a new type of garment, developed in the Northern and Southern dynasties through the localization of the round-collar garments which had been introduced by the ethnic minorities, such as the Xianbei. Panling lanshan continued to be worn in the Tang Dynasty. The panling lanshan along with the ''futou'' (幞頭; black cap) was used as the Tang dynasty attire of scholars and officials. The scholars' attire in the succeeding dynasties followed the style of the ''panling lanshan'' of the Tang dynasty. It is also a formal attire worn by scholars and students (生員) taking the imperial examination in Ming Dynasty. History Round collar robes, including the panling (盤領) robes, were introd ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Collar (clothing)
In clothing, a collar is the part of a shirt, dress, coat or blouse that fastens around or frames the neck. Among clothing construction professionals, a collar is differentiated from other necklines such as revers and lapels, by being made from a separate piece of fabric, rather than a folded or cut part of the same piece of fabric used for the main body of the garment. A collar may be permanently attached to the main body of the garment (e.g. by stitching) or detachable. Word usage The Oxford English Dictionary traces ''collar'' in its modern meaning to c. 1300, when collars served as neck-protecting armour. History Today's shirt collars descend from the rectangular band of linen around the neck of 16th century shirts. Separate ruffs exist alongside attached ruffled collars from the mid-16th century, usually to allow starching and other fine finishing, or to make collar-laundering easier.Compare: During the medieval period and sporadically thereafter, people wore ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cuff
A cuff is a layer of fabric at the lower edge of the sleeve of a garment (shirt, coat, jacket, etc.) at the wrist, or at the ankle end of a trouser leg. The function of turned-back cuffs is to protect the cloth of the garment from fraying, and, when frayed, to allow the cuffs to be readily repaired or replaced, without changing the garment. Cuffs are made by turning back (folding) the material, or a separate band of material can be sewn on, or worn separately, attached either by buttons or studs. A cuff may display an ornamental border or have lace or some other trimming. In US usage, the word ''trouser cuffs'' refers to the folded, finished bottoms of the legs of a pair of trousers. In the UK, while this usage is now sometimes followed, the traditional term for the turned up trouser hem is 'turnup'. History Between the 15th and 18th centuries, rich men often wore sleeve cuffs ornamented with fine lace. Still today, Catholic clergy have the cuffs of their choir dress ornamen ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ruffle (sewing)
In sewing and dressmaking, a ruffle, frill, or furbelow is a strip of fabric, lace or ribbon tightly gathered or pleated on one edge and applied to a garment, bedding, or other textile as a form of trimming. Ruffles can be made from a single layer of fabric (which may need a hem) or a doubled layer. Plain ruffles are usually cut on the straight grain. Ruffles may be gathered by using a gathering stitch, or by passing the fabric through a mechanical ruffler, which is an attachment available for some sewing machines. A flounce is a particular type of fabric manipulation that creates a similar look but with less bulk. The term derives from earlier terms of ''frounce'' or ''fronce''. A wavy effect is achieved without gathers or pleats by cutting a curved (or even circular) strip of fabric and applying the inner or shorter edge to the garment. The depth of the curve as well as the width of the fabric determines the depth of the flounce. A godet is a circle wedge that can be ins ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Zhuge Liang
Zhuge Liang ( zh, t=諸葛亮 / 诸葛亮) (181 – September 234), courtesy name Kongming, was a Chinese statesman and military strategist. He was chancellor and later regent of the state of Shu Han during the Three Kingdoms period. He is recognised as the most accomplished strategist of his era, and has been compared to Sun Tzu, the author of ''The Art of War''. His reputation as an intelligent and learned scholar grew even while he was living in relative seclusion, earning him the nickname "Wolong" or "Fulong", meaning "Crouching Dragon" or "Sleeping Dragon". Zhuge Liang is often depicted wearing a Taoist robe and holding a hand fan made of crane feathers. Zhuge Liang was a Confucian-oriented "Legalist". He liked to compare himself to the sage minister Guan Zhong and Yue Yi developing Shu's agriculture and industry to become a regional power, and attached great importance to the works of Shen Buhai and Han Fei, refusing to indulge local elites and adopting strict, but fa ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
.jpg "Click for more on -> Hanbok")
.jpg "Click for more on -> Zhuge Liang")