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Guajiras (Flamenco)
Guajira (Flamenco) is a palo based on the Cuban Punto Guajira Cubana. It is in 12 beats and feels like it starts on 12. The guajira is a prime example of so-called cantes de ida y vuelta. The flamenco guajira is the adaptation to Melos flamenco of the Cuban point, the peasant point, a genre that brings together a series of songs called Guajiros that are grown in the rural areas of the island of Cuba. A guajira is simply a song for voice and guitar with a series of similar letras. The guajira is traditionally danced. The dancer will often use a large Spanish fan. The fan is twirled and otherwise manipulated throughout the dance, adding an elegant and flirtatious air. Structure Like all flamenco palos, the guajira has a clear structure and consists of beginning, middle and end. The guajira usually begins with an introductory section (falseta {{for, the male singing voice, Falsetto A Falseta is part of Flamenco music. They are usually short melodies played by the guitarist(s) in be ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Flamenco
Flamenco (), in its strictest sense, is an art form based on the various folkloric music traditions of southern Spain, developed within the gitano subculture of the region of Andalusia, and also having historical presence in Extremadura and Murcia. In a wider sense, it is a portmanteau term used to refer to a variety of both contemporary and traditional musical styles typical of southern Spain. Flamenco is closely associated to the gitanos of the Romani ethnicity who have contributed significantly to its origination and professionalization. However, its style is uniquely Andalusian and flamenco artists have historically included Spaniards of both gitano and non-gitano heritage. The oldest record of flamenco music dates to 1774 in the book ''Las Cartas Marruecas'' by José Cadalso. The development of flamenco over the past two centuries is well documented: "the theatre movement of sainetes (one-act plays) and tonadillas, popular song books and song sheets, customs, studies of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Palo (flamenco)
A ''palo'' () or cante is the name given in flamenco for the different traditional musical forms. The word ''palo'', in Spanish, has several meanings, the main one being "stick", "pole" "rod" or "Tree", but in this case it has the sense of " suit of cards" i.e. category or classification. Identifying palos Each ''palo'' is identified by a variety of musical features such as its rhythmic pattern, its mode, its characteristic motifs, the type of stanza used for the lyrics, and its origin. The concept of ''palo'' is not straightforward or rigorous. It is a popular, sometimes inconsistent way of classifying songs according to similar characteristics. For example, to determine that a song belongs to the ''palo'' called Bulerías, only the rhythm is taken into consideration, no matter its mode or stanza. Fandangos, on the other hand, include a variety of forms in or , but later it developed "free" forms (that is, with no determined rhythm). Most ''palos'' include dozens of tradit ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Punto Guajiro
Punto guajiro or ''punto cubano'' – or simply ''punto'' – is a sung genre of Cuban music, a poetic art with music. It became popular in the western and central regions of Cuba in the 17th century, and consolidated as a genre in the 18th century. It has Andalusian and Canary Islands origins, and it integrated African elements in Cuba. Description Punto is played by a group with various types of guitar: the Spanish guitar, the Cuban tres, the laúd and the tiple. The ''punto'' refers to the use of a pick (punteando), rather than strumming (rasgueado). There are three percussion instruments: the clave, the güiro and the ''guayo'' (also a scraper, but of metal). Singers form themselves into teams, and improvise their lines. They sing, or chant, an unvarying melody, with intervals between stanzas to give the singers time to prepare the next verse. Early compositions were sometimes recorded in print, as were the names of some of the singer/composers. Beginning around 1935, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cantes De Ida Y Vuelta
Cantes de ida y vuelta () is a Spanish expression literally meaning roundtrip songs. It refers to a group of flamenco musical forms or palos with diverse musical features, which "travelled back" from Latin America (mainly Cuba) as styles that, having originated in the interplay between musical traditions of peninsular Spain and those of Latin America, developed into renewed forms that were reintroduced in Spain. Usually they have a more mellow character than the more traditional flamenco songs. History In the Spanish Golden Age, dramatists like Lope de Vega and Tirso de Molina already included songs and dances of Latin American influence.BLAS VEGA, José: ''Magna Antología del Cante'', Introduction booklet, Hispavox, CD Edition 1992 (First Edition 1982) There is also evidence of their popularity in the 19th century: many examples still remain of printed songbooks and sheets, often mixing Andalusian and Latin American songs, which were sold in the streets, and Baron Charles Davill ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Falseta
{{for, the male singing voice, Falsetto A Falseta is part of Flamenco music. They are usually short melodies played by the guitarist(s) in between sung verses, or to accompany dancers. In a guitar solo, the artists play already created falsetas or improvise new falsetas which are then put together to form the whole piece. A falseta can be roughly comparable to an improvised lick in jazz or blues music. Examples The Soleares, Alegrias and other palos could be explained as one measure of 6/8 time and one measure of 3/4 time, although changes of harmony tend to accent the third and tenth beat, avoiding the Western Classical idea of downbeat, and therefore further obscure the unfamiliar listener's ability to sense the beginning and middle of the cycle. As this musical tendency would be common for them, their sense of rhythmic emphasis would naturally be obscured. 2'' 1 2 '' 4 5 '' 7 '' 9 0'' 11 The Siguiriyas is the same pattern as the Soleares, but shifted: 2'' 1 '' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ediciones Akal
Ediciones Akal is a Spanish publisher founded in Madrid in 1972 by Ramón Akal González. It consists of a catalogue of three thousand works in forty collections which includes fields like Humanities, classic texts, modern literature, etc., and a collection of dictionaries A dictionary is a listing of lexemes from the lexicon of one or more specific languages, often arranged alphabetically (or by radical and stroke for ideographic languages), which may include information on definitions, usage, etymologies, p .... Grupo Akal belong to Istmo, Foca, H. Blume and Siglo XXI de España Editores, acquired in 2010. Grupo Akal counts with more than 70 employees in 2015. It received the Premio Nacional for Mejor Labor Editorial Cultural in 2010. References External links * Book publishing companies of Spain Publishing companies established in 1972 {{publishing-stub ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
