Guajira (
Flamenco
Flamenco (), in its strictest sense, is an art form based on the various folkloric music traditions of southern Spain, developed within the gitano subculture of the region of Andalusia, and also having historical presence in Extremadura and ...
) is a
palo
Palo may refer to:
Places
* Palo, Argentina, a village in Argentina
* Palo, Estonia, village in Meremäe Parish, Võru County, Estonia
* Palo, Huesca, municipality in the province of Huesca, Spain
* Palo, Iowa, United States, a town located wit ...
based on the Cuban
Punto Guajira Cubana. It is in 12 beats and feels like it starts on 12. The guajira is a prime example of so-called
cantes de ida y vuelta Cantes de ida y vuelta () is a Spanish expression literally meaning roundtrip songs. It refers to a group of flamenco musical forms or palos with diverse musical features, which "travelled back" from Latin America (mainly Cuba) as styles that, havi ...
.
The flamenco guajira is the adaptation to Melos flamenco of the Cuban point, the peasant point, a genre that brings together a series of songs called Guajiros that are grown in the rural areas of the island of Cuba.
A guajira is simply a song for voice and guitar with a series of similar letras.
The guajira is traditionally danced. The dancer will often use a large Spanish fan. The fan is twirled and otherwise manipulated throughout the dance, adding an elegant and flirtatious air.
Structure
Like all flamenco palos, the guajira has a clear structure and consists of beginning, middle and end. The guajira usually begins with an introductory section (
falseta {{for, the male singing voice, Falsetto
A Falseta is part of Flamenco music. They are usually short melodies played by the guitarist(s) in between sung verses, or to accompany dancers. In a guitar solo, the artists play already created falsetas or i ...
) by the guitar which is based on the basic guajira harmony. The guitar resolves into the characteristic guajira chord pattern, over which the singer will sing the instantly recognizable salida. The dancer enters during the guitarist's falseta or during the salida. The fluid nature of the choreography also allows for improvisation within the structure, including danced falsetas, and escobillas performed a palo seco.
Compás
The compás, is a twelve-count pattern starting on beat 12 with accents on beats:
1 2 3 4 5 6 7 8 9 10 11 12
Palmas
The standard palmas for soleá por bulerías are the same as the palmas for the alegrías:
12 + 1 + 2 + 3 + 4 + 5 + 6 + 7 + 8 + 9 + 10 + 11 +
Letras
Here is a guajira lyric.
“Contigo me caso indiana
si se entera tu papa
y se lo dice a tu mama
hermosísima cubana
tengo una casa en la Habana
destinada para tí.
Ay! con el techo de marfil
y el piso de plataforma
para tí blanca paloma
llevo yo la flor de lis.
Me gusta por la mañana
después del café bebio
pasearme por la Habana
con mi cigarro encendío
y sentarme muy tranquilo
en mi silla o mi sillón
y comprarme un papelón
de esos que llaman diario
y parezco un millonario
rico de la población”.
References
{{Music of Spain
Flamenco
Flamenco styles