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Falseta
{{for, the male singing voice, Falsetto A Falseta is part of Flamenco music. They are usually short melodies played by the guitarist(s) in between sung verses, or to accompany dancers. In a guitar solo, the artists play already created falsetas or improvise new falsetas which are then put together to form the whole piece. A falseta can be roughly comparable to an improvised lick in jazz or blues music. Examples The Soleares, Alegrias and other palos could be explained as one measure of 6/8 time and one measure of 3/4 time, although changes of harmony tend to accent the third and tenth beat, avoiding the Western Classical idea of downbeat, and therefore further obscure the unfamiliar listener's ability to sense the beginning and middle of the cycle. As this musical tendency would be common for them, their sense of rhythmic emphasis would naturally be obscured. 2'' 1 2 '' 4 5 '' 7 '' 9 0'' 11 The Siguiriyas is the same pattern as the Soleares, but shifted: 2'' 1 '' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Male
Male (symbol: ♂) is the sex of an organism that produces the gamete (sex cell) known as sperm, which fuses with the larger female gamete, or ovum, in the process of fertilization. A male organism cannot reproduce sexually without access to at least one ovum from a female, but some organisms can reproduce both sexually and asexually. Most male mammals, including male humans, have a Y chromosome, which codes for the production of larger amounts of testosterone to develop male reproductive organs. Not all species share a common sex-determination system. In most animals, including humans, sex is determined genetically; however, species such as ''Cymothoa exigua'' change sex depending on the number of females present in the vicinity. In humans, the word ''male'' can also be used to refer to gender in the social sense of gender role or gender identity. Overview The existence of separate sexes has evolved independently at different times and in different lineages, an example ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Singing
Singing is the act of creating musical sounds with the voice. A person who sings is called a singer, artist or vocalist (in jazz and/or popular music). Singers perform music (arias, recitatives, songs, etc.) that can be sung with or without accompaniment by musical instruments. Singing is often done in an ensemble of musicians, such as a choir. Singers may perform as soloists or accompanied by anything from a single instrument (as in art song or some jazz styles) up to a symphony orchestra or big band. Different singing styles include art music such as opera and Chinese opera, Indian music, Japanese music, and religious music styles such as gospel, traditional music styles, world music, jazz, blues, ghazal, and popular music styles such as pop, rock, and electronic dance music. Singing can be formal or informal, arranged, or improvised. It may be done as a form of religious devotion, as a hobby, as a source of pleasure, comfort, or ritual as part of music education or ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Flamenco
Flamenco (), in its strictest sense, is an art form based on the various folkloric music traditions of southern Spain, developed within the gitano subculture of the region of Andalusia, and also having historical presence in Extremadura and Murcia. In a wider sense, it is a portmanteau term used to refer to a variety of both contemporary and traditional musical styles typical of southern Spain. Flamenco is closely associated to the gitanos of the Romani ethnicity who have contributed significantly to its origination and professionalization. However, its style is uniquely Andalusian and flamenco artists have historically included Spaniards of both gitano and non-gitano heritage. The oldest record of flamenco music dates to 1774 in the book ''Las Cartas Marruecas'' by José Cadalso. The development of flamenco over the past two centuries is well documented: "the theatre movement of sainetes (one-act plays) and tonadillas, popular song books and song sheets, customs, studies of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Palo (flamenco)
A ''palo'' () or cante is the name given in flamenco for the different traditional musical forms. The word ''palo'', in Spanish, has several meanings, the main one being "stick", "pole" "rod" or "Tree", but in this case it has the sense of " suit of cards" i.e. category or classification. Identifying palos Each ''palo'' is identified by a variety of musical features such as its rhythmic pattern, its mode, its characteristic motifs, the type of stanza used for the lyrics, and its origin. The concept of ''palo'' is not straightforward or rigorous. It is a popular, sometimes inconsistent way of classifying songs according to similar characteristics. For example, to determine that a song belongs to the ''palo'' called Bulerías, only the rhythm is taken into consideration, no matter its mode or stanza. Fandangos, on the other hand, include a variety of forms in or , but later it developed "free" forms (that is, with no determined rhythm). Most ''palos'' include dozens of tradit ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Siguiriyas
''Siguiriyas'' (; also ''seguiriyas'', ''siguerillas'', ''siguirillas'', ''seguidilla gitana'', etc.) are a form of flamenco music in the cante jondo category. This deep, expressive style is among the most important in flamenco. Unlike other palos of flamenco, siguiriyas stands out for being purely Romani (Calé) in origin. Siguiriyas are normally played in the key of A Phrygian with each measure (the compás) consisting of 12 counts with emphasis on the 1st, 3rd, 5th, 8th and 11th beats as shown here: : : '' 2 '' 4 '' 6 7 '' 9 10 1'' 12 This rhythm can be contrasted with the rhythmic pattern of the soleares, which also has 12 beats, but the accents fall differently. Taking the unusual accenting into account, it can technically be seen as a measure of 3/4 (counted in eighth notes) starting on "2", then a measure of 6/8 followed by the "1 and" of the 3/4. Every note is evenly spaced apart. For example: : : '' and '' and '' 2 3 '' 5 6 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Farruca
''Farruca'' () is a form of flamenco music developed in the late 19th century. Classified as a cante chico, it is traditionally sung and danced by men. Its origin is traditionally associated with Galicia, a region in northern Spain. An instrumental adaptation of the farruca was developed by guitarist Ramón Montoya and flamenco dancer Faíco in the 20th century. Others who stylized and expanded farruca include Antonio de Bilbao, Manolito la Rosa and El Batato.Claus, p 102 Although there are female flamenco dancers who exclusively danced farruca too (such as Rafaela Valverde "La Tanguera"), these female dancers originally danced the farruca wearing male clothing. Women dancers such as Carmen Amaya and Sara Baras have also created well-known versions of the dance. History Farruco is a way of calling the Franciscos and the Asturians in Andalusia. Farruco was also the name that people from Andalusia used to denominate people from Galicia, from where this song likely originates. In Fl ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Granaína
Granaína () is a flamenco style of singing and guitar playing from Granada. It is a variant of the Granada fandangos. It was originally danceable, but now has lost its rhythm, is much slower, and is usually only sung or played as a guitar solo, reflecting its Arab-Moorish heritage more strongly than other fandangos. The famous singer ''Don'' Antonio Chacón Antonio Chacón (1869–1929) was a Spanish flamenco singer antaor Chacón was born in Jerez de la Frontera, Cádiz Province. He began earning a living by performing flamenco around 1884. He toured Andalucia with his two friends, the Molin ... (1869–1929) is attributed with freeing the granaína from its rhythmic ties and making it popular. Singers usually finish their rendering of the granaína with a ''media granaína'', a similar tune but rising to a higher pitch. Manuel Vallejo (1891–1960) was a famous exponent of this latter '' cante''. References Granada Spanish styles of music {{music-genr ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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