|
Gilbert And Sullivan
Gilbert and Sullivan was a Victorian-era theatrical partnership of the dramatist W. S. Gilbert (1836–1911) and the composer Arthur Sullivan (1842–1900), who jointly created fourteen comic operas between 1871 and 1896, of which '' H.M.S. Pinafore'', '' The Pirates of Penzance'' and '' The Mikado'' are among the best known.Davis, Peter G''Smooth Sailing'' ''New York'' magazine, 21 January 2002, accessed 6 November 2007 Gilbert, who wrote the libretti for these operas, created fanciful "topsy-turvy" worlds where each absurdity is taken to its logical conclusion; fairies rub elbows with British lords, flirting is a capital offence, gondoliers ascend to the monarchy, and pirates emerge as noblemen who have gone astray. Leigh, Mike"True anarchists" ''The Guardian'', 4 November 2007, accessed 6 November 2007 Sullivan, six years Gilbert's junior, composed the music, contributing memorable melodies that could convey both humour and pathos. Their operas have enjoyed broad and endurin ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Arthur Sullivan
Sir Arthur Seymour Sullivan (13 May 1842 – 22 November 1900) was an English composer. He is best known for 14 operatic collaborations with the dramatist W. S. Gilbert, including '' H.M.S. Pinafore'', ''The Pirates of Penzance'' and ''The Mikado''. His works include 24 operas, 11 major orchestral works, ten choral works and oratorios, two ballets, incidental music to several plays, and numerous church pieces, songs, and piano and chamber pieces. His hymns and songs include "Onward, Christian Soldiers" and "The Lost Chord". The son of a military bandmaster, Sullivan composed his first anthem at the age of eight and was later a soloist in the boys' choir of the Chapel Royal. In 1856, at 14, he was awarded the first Mendelssohn Scholarship by the Royal Academy of Music, which allowed him to study at the academy and then at the Leipzig Conservatoire in Germany. His graduation piece, incidental music to Shakespeare's '' The Tempest'' (1861), was received with acclai ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
William Gilbert (author)
William Gilbert (20 May 1804 – 3 January 1890) was an English writer and Royal Navy surgeon. He wrote a considerable number of novels, biographies, histories, essays (especially about the dangers of alcohol and the plight of the poor) and popular fantasy stories, mostly in the 1860s and 1870s. Some of these have been reprinted in recent decades and are still available today. He is best remembered, however, as the father of dramatist W. S. Gilbert of Gilbert and Sullivan. Life and career Gilbert was born at Bishopstoke, Hampshire, the eldest son of William (1780–1812), a grocer in Commercial Row, Blackfriars, London, and his wife Sarah ''née'' Mathers (1782–1810). Both his parents died of tuberculosis by the time William was seven years old, and thereafter, he and his younger siblings, Joseph and Jane, were raised in London by their mother's sister and her husband, Mary ''nee'' Mathers (1770–1865) and John Samuel Schwenck (1780–1861), a childless and financially comfo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
A Sensation Novel
''A Sensation Novel'' is a comic musical play in three acts (or volumes) written by the dramatist W. S. Gilbert, with music composed by Thomas German Reed. It was first performed on 31 January 1871 at the Royal Gallery of Illustration. Only four of German Reed's songs survive. Nearly 25 years later, the music was rewritten and published by Florian Pascal (Joseph Williams, Jr).Smith, Donald JInformation "''A Sensation Novel'' (1871)" The Gilbert and Sullivan Discography, Marc Shepherd (ed.), accessed 16 October 2016 The story concerns an author suffering from writer's block who finds that the characters in his novel are dissatisfied. The piece satirises the sensation novels popular as pulp detective fiction in the Victorian era. Later in his career, when Gilbert wrote the famous series of Savoy operas with Arthur Sullivan, he reused elements of ''A Sensation Novel'' in their opera '' Ruddigore''. Background ''A Sensation Novel'' is the fourth in a series of six short musica ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Our Island Home
''Our Island Home'' is a one-act musical entertainment with a libretto by W. S. Gilbert and music by Thomas German Reed that premiered on 20 June 1870 at the Royal Gallery of Illustration. The piece has five characters and is "biographical", in that the characters in the original production played themselves, except that they were given personalities opposite to their actual personalities. Background This work is the third in a series of six one-act musical plays written by Gilbert for Thomas German Reed and his wife Priscilla between 1869 and 1875. The German Reeds presented respectable, family-friendly musical entertainments at their Gallery of Illustration beginning in 1855, at a time when the theatre in Britain had gained a poor reputation as an unsavory institution and was not attended by much of the middle class. Shakespeare was played, but most of the entertainments consisted of poorly translated French operettas, risque Victorian burlesques and incomprehensible br ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gallery Of Illustration
The Royal Gallery of Illustration was a 19th-century performance venue located at 14 Regent Street in London. It was in use between 1850 and 1873. The gallery was built in the 1820s by the architect John Nash (architect), John Nash as part of his own house, to display his considerable collection of paintings. In 1850 the building was named the Gallery of Illustration, and between then and 1855 it housed a diorama created and run by the theatrical scene-painters Thomas Grieve (painter), Thomas Grieve and William Telbin. From 1856 to 1873 the gallery was in the hands of the singer and actress Priscilla Horton and her husband Thomas German Reed, German Reed. Their entertainments developed from songs and comedy with piano accompaniment to programmes of short plays and operettas. In deference to respectable Victorian era, mid-Victorian doubts about the propriety of theatres, the Reeds called their productions German Reed Entertainments, "entertainments", and avoided the use of the wor ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Frederic Clay
Frederic Emes Clay (3 August 1838 – 24 November 1889) was an English composer known principally for songs and his music written for the stage. Although from a musical family, for 16 years Clay made his living as a civil servant in HM Treasury, composing in his spare time, until a legacy in 1873 enabled him to become a full-time composer. He had his first big stage success with ''Ages Ago'' (1869), a short comic opera with a libretto by W. S. Gilbert, for the small Gallery of Illustration; it ran well and was repeatedly revived. Clay, a great friend of his fellow composer Arthur Sullivan, introduced the latter to Gilbert, leading to the Gilbert and Sullivan partnership. In addition to Gilbert, Clay's librettists during his 24-year career included B. C. Stephenson, Tom Taylor, Thomas William Robertson, T. W. Robertson, Robert Reece and George Robert Sims, G. R. Sims. The last of his four pieces with Gilbert was ''Princess Toto'' (1875), which had short runs in the West End theat ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ages Ago
''Ages Ago'', sometimes stylised as ''Ages Ago!'' or ''Ages Ago!!'', is a musical entertainment with a libretto by W. S. Gilbert and music by Frederic Clay that premiered on 22 November 1869 at the Royal Gallery of Illustration. It marked the beginning of a seven-year collaboration between Gilbert and Clay. The piece was a critical and popular success and was revived many times, including at St. George's Hall, London in 1870 and 1874, and in New York in 1880. Background By the 1850s, the London stage had fallen into disrepute. Shakespeare's plays were staged, but most of the entertainments consisted of poorly translated French operettas, risque Victorian burlesques and vulgar broad farces. To bring family-friendly entertainment back to the theatre, Thomas German Reed and his wife Priscilla opened their Gallery of Illustration in 1855 and brought in Gilbert in 1869 as one of their many playwrights. The Gallery of Illustration was a 500-seat theatre with a small stage that only ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Poster For Gilbert And Clay's Ages Ago At The Royal Gallery Of Illustration
A poster is a large sheet that is placed either on a public space to promote something or on a wall as decoration. Typically, posters include both typography, textual and graphic elements, although a poster may be either wholly graphical or wholly text. Posters are designed to be both eye-catching and informative. Posters may be used for many purposes. They are a frequent tool of advertisers (particularly of events, musicians, and films), propaganda, propagandists, protestors, and other groups trying to communicate a message. Posters are also used for reproductions of artwork, particularly famous works, and are generally low-cost compared to the original artwork. The modern poster, as we know it, however, dates back to the 1840s and 1850s when the printing industry perfected colour lithography and made mass production possible. History Introduction According to the French historian Max Gallo, "for over two hundred years, posters have been displayed in public places all over ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Thomas German Reed
Thomas German Reed (27 June 1817 – 21 March 1888), known after 1844 as simply German Reed was an English composer, musical director, actor, singer and theatrical manager of the Victorian era. He was best known for creating the German Reed Entertainments, together with his actress wife, a genre of musical plays that made theatre-going respectable at a time when the stage was considered disreputable. While acting as organist and chapel-master at chapels in London, and also as musical director and performer at West End theatres in the 1830s and 1840s, Reed tried his hand at producing opera. He married Priscilla Horton, a noted singer, actress and dancer, in 1844. By 1851, he was managing opera productions at various theatres in London and on tour. In 1855, Reed and his wife began to present and perform in "Mr. and Mrs. German Reed's Entertainments", consisting of brief, small-scale, family-friendly comic operas. In the early and mid-Victorian era, the respectable middle c ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
German Reed Entertainments
The German Reed Entertainments were founded in 1855 and operated by Thomas German Reed (1817–1888) together with his wife, Priscilla German Reed (née Horton) (1818–1895). At a time when the theatre in London was seen as a disreputable place, the German Reed family provided family-friendly entertainments for forty years, showing that respectable theatre could be popular. The entertainments were held at the intimate Royal Gallery of Illustration, Lower Regent Street, and later at St. George's Hall, Langham Place, in London. Thomas and Priscilla German Reed usually appeared in them, together with a small group of players. They engaged talented newcomers, such as Frederic Clay, W. S. Gilbert and Arthur Law, as well as established writers such as F. C. Burnand, to create many of the entertainments. Thomas German Reed composed the music for many of the entertainments himself. The German Reed theatrical revolution This form of entertainment consisted of musical play ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mezzo-soprano
A mezzo-soprano or mezzo (; ; meaning "half soprano") is a type of classical female singing voice whose vocal range lies between the soprano and the contralto voice types. The mezzo-soprano's vocal range usually extends from the A below middle C to the A two octaves above (i.e. A3–A5 in scientific pitch notation, where middle C = C4; 220–880 Hz). In the lower and upper extremes, some mezzo-sopranos may extend down to the F below middle C (F3, 175 Hz) and as high as "high C" (C6, 1047 Hz). The mezzo-soprano voice type is generally divided into the coloratura, lyric, and dramatic mezzo-soprano. History While mezzo-sopranos typically sing secondary roles in operas, notable exceptions include the title role in Bizet's '' Carmen'', Angelina (Cinderella) in Rossini's '' La Cenerentola'', and Rosina in Rossini's '' Barber of Seville'' (all of which are also sung by sopranos and contraltos). Many 19th-century French-language operas give the leading female role to mezzos, including ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Thomas William Robertson
Thomas William Robertson (9 January 1829 – 3 February 1871) was an English dramatist and stage director. Born to a theatrical family, Robertson began as an actor, but he was not a success and gave up acting in his late 20s. After earning a modest living writing articles for the press, translating and adapting foreign plays and writing several of his own plays he achieved success in 1865 with his play ''Society (play), Society'', which the actor-manager Marie Wilton presented at a small London theatre, the Scala Theatre, Prince of Wales's. Over the next five years Robertson wrote five more plays for the Prince of Wales's. Their naturalistic style and treatment of contemporary social issues was in strong contrast to the melodramas and exaggerated theatricality to which the public had been accustomed, and Robertson's plays were box-office and critical successes. Robertson supervised their productions and was a pioneer of modern stage directing. Among later theatrical figures inf ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
.jpg "Click for more on -> Gilbert And Sullivan")
.jpg "Click for more on -> Poster For Gilbert And Clay's Ages Ago At The Royal Gallery Of Illustration")
