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Ages Ago
''Ages Ago'', sometimes stylised as ''Ages Ago!'' or ''Ages Ago!!'', is a musical entertainment with a libretto by W. S. Gilbert and music by Frederic Clay that premiered on 22 November 1869 at the Royal Gallery of Illustration. It marked the beginning of a seven-year collaboration between Gilbert and Clay. The piece was a critical and popular success and was revived many times, including at St. George's Hall, London in 1870 and 1874, and in New York in 1880. Background By the 1850s, the London stage had fallen into disrepute. Shakespeare's plays were staged, but most of the entertainments consisted of poorly translated French operettas, risque Victorian burlesques and vulgar broad farces. To bring family-friendly entertainment back to the theatre, Thomas German Reed and his wife Priscilla opened their Gallery of Illustration in 1855 and brought in Gilbert in 1869 as one of their many playwrights. The Gallery of Illustration was a 500-seat theatre with a small stage that only ...
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Poster For Gilbert And Clay's Ages Ago At The Royal Gallery Of Illustration
A poster is a large sheet that is placed either on a public space to promote something or on a wall as decoration. Typically, posters include both textual and graphic elements, although a poster may be either wholly graphical or wholly text. Posters are designed to be both eye-catching and informative. Posters may be used for many purposes. They are a frequent tool of advertisers (particularly of events, musicians, and films), propagandists, protestors, and other groups trying to communicate a message. Posters are also used for reproductions of artwork, particularly famous works, and are generally low-cost compared to the original artwork. The modern poster, as we know it, however, dates back to the 1840s and 1850s when the printing industry perfected colour lithography and made mass production possible. History Introduction According to the French historian Max Gallo, "for over two hundred years, posters have been displayed in public places all over the world. Visually ...
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New York Gilbert And Sullivan Players
New York Gilbert and Sullivan Players (often known as NYGASP) is a professional repertory theatre company, based in New York City that has specialized in the comic operas of Gilbert and Sullivan for over 40 years. It performs an annual season in New York City and tours extensively in North America. Beginning in New York City in 1974 by performing the Savoy operas with piano accompaniment, the company hired its first orchestra in 1979 for its seasons at Symphony Space theatre in New York. The company was fully professional by the 1980s and began touring, presenting its full-scale productions at such venues as Wolf Trap in Virginia, as well as its New York seasons. In 2002, NYGASP first rented the 2,750-seat New York City Center, where it performed most of its annual New York seasons until 2013. It has also performed at the International Gilbert and Sullivan Festival several times. NYGASP also performs at schools and offers smaller touring groups and cabaret performances. History ...
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Second Sight
Extrasensory perception or ESP, also called sixth sense, is a claimed paranormal ability pertaining to reception of information not gained through the recognized physical senses, but sensed with the mind. The term was adopted by Duke University psychologist J. B. Rhine to denote psychic abilities such as intuition, telepathy, psychometry, clairvoyance, clairaudience, clairsentience, empathy and their trans-temporal operation as precognition or retrocognition. Second sight is a form of extrasensory perception, whereby a person perceives information, in the form of a vision, about future events before they happen (precognition), or about things or events at remote locations (remote viewing). There is no evidence that second sight exists. Reports of second sight are known only from anecdotes. Second sight and ESP are classified as pseudosciences. History In the 1930s, at Duke University in North Carolina, J. B. Rhine and his wife Louisa E. Rhine conducted an investigation int ...
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Brigadoon (musical)
''Brigadoon'' is a musical with a book and lyrics by Alan Jay Lerner, and music by Frederick Loewe. The song " Almost Like Being in Love", from the musical, has become a standard. It features two American tourists who stumble upon Brigadoon, a mysterious Scottish village that appears for only one day every 100 years. Tommy, one of the tourists, falls in love with Fiona, a young woman from Brigadoon. The original production opened at the Ziegfeld Theatre on Broadway in 1947 and ran for 581 performances. It starred David Brooks, Marion Bell, Pamela Britton, and Lee Sullivan. In 1949, ''Brigadoon'' opened at Her Majesty's Theatre in the West End and ran for 685 performances; many revivals have followed. A 1954 film version starred Gene Kelly and Cyd Charisse, and a 1966 television version starred Robert Goulet and Peter Falk. Background Lyricist and book writer Alan Jay Lerner and composer Frederick Loewe had previously collaborated on three musicals; the first, ''L ...
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Gilbert And Sullivan
Gilbert and Sullivan was a Victorian era, Victorian-era theatrical partnership of the dramatist W. S. Gilbert (1836–1911) and the composer Arthur Sullivan (1842–1900), who jointly created fourteen comic operas between 1871 and 1896, of which ''H.M.S. Pinafore'', ''The Pirates of Penzance'' and ''The Mikado'' are among the best known.Davis, Peter G''Smooth Sailing'' ''New York'' magazine, 21 January 2002, accessed 6 November 2007 Gilbert, who wrote the libretti for these operas, created fanciful "topsy-turvy" worlds where each absurdity is taken to its logical conclusion; fairies rub elbows with British lords, flirting is a capital offence, gondoliers ascend to the monarchy, and pirates emerge as noblemen who have gone astray.Mike Leigh, Leigh, Mike"True anarchists" ''The Guardian'', 4 November 2007, accessed 6 November 2007 Sullivan, six years Gilbert's junior, composed the music, contributing memorable melodies that could convey both humour and pathos. Their operas have enj ...
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Victorian Era
In the history of the United Kingdom and the British Empire, the Victorian era was the period of Queen Victoria's reign, from 20 June 1837 until her death on 22 January 1901. The era followed the Georgian period and preceded the Edwardian period, and its later half overlaps with the first part of the '' Belle Époque'' era of Continental Europe. There was a strong religious drive for higher moral standards led by the nonconformist churches, such as the Methodists and the evangelical wing of the established Church of England. Ideologically, the Victorian era witnessed resistance to the rationalism that defined the Georgian period, and an increasing turn towards romanticism and even mysticism in religion, social values, and arts. This era saw a staggering amount of technological innovations that proved key to Britain's power and prosperity. Doctors started moving away from tradition and mysticism towards a science-based approach; medicine advanced thanks to the adoption ...
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William Archer (critic)
William Archer (23 September 185627 December 1924) was a Scottish writer, theatre critic, and English spelling reformer based, for most of his career, in London. He was an early advocate of the plays of Henrik Ibsen, and was an early friend and supporter of George Bernard Shaw. Life and career Archer was born in Perth, the eldest boy of the nine children of Thomas Archer and his wife Grace, ''née'' Morrison. Thomas moved frequently from place to place seeking employment, and William attended schools in Perth, Lymington, Reigate and Edinburgh. He spent parts of his boyhood with relatives in Norway where he became fluent in Norwegian and became acquainted with the works of Henrik Ibsen. Archer won a bursary to the University of Edinburgh to study English literature, moral and natural philosophy, and mathematics. When the family moved to Australia in 1872, he remained in Scotland as a student. While still at the university he became a leader-writer on the ''Edinburgh Evening ...
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Arthur Sullivan
Sir Arthur Seymour Sullivan (13 May 1842 – 22 November 1900) was an English composer. He is best known for 14 comic opera, operatic Gilbert and Sullivan, collaborations with the dramatist W. S. Gilbert, including ''H.M.S. Pinafore'', ''The Pirates of Penzance'' and ''The Mikado''. His works include 24 operas, 11 major orchestral works, ten choral works and oratorios, two ballets, incidental music to several plays, and numerous church pieces, songs, and piano and chamber pieces. His hymns and songs include "Onward, Christian Soldiers" and "The Lost Chord". The son of a military bandmaster, Sullivan composed his first anthem at the age of eight and was later a soloist in the boys' choir of the Chapel Royal. In 1856, at 14, he was awarded the first Mendelssohn Scholarship by the Royal Academy of Music, which allowed him to study at the academy and then at the Felix Mendelssohn College of Music and Theatre, Leipzig Conservatoire in Germany. His graduation piece, inc ...
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Fanny Holland
Fanny Holland (14 September 1847 – 18 June 1931) was an English singer and comic actress primarily known as the creator of principal soprano roles in numerous German Reed Entertainments. Life and career Holland was born in London and trained at the Royal Academy of Music. She was the daughter of John Holland and his wife Meriel Ann ''nee'' Marshall. For several years, she was a popular concert singer in London and the British provinces. Frederic Clay engaged her for a part in an operetta he had written. It was performed in Canterbury and included a song for Holland that she popularised, "She Wandered Down the Mountain Side." Soon after that experience, Holland made her London stage debut with the German Reed Entertainments at the Gallery of Illustration, in November 1869, as Rose in W. S. Gilbert and Clay's ''Ages Ago''. Holland eventually appeared in scores of German Reed productions. They included four more of Gilbert's German Reed pieces: ''Our Island Home'' (1870), ...
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Princess Toto
''Princess Toto'' is a three-act comic opera by W. S. Gilbert and his long-time collaborator Frederic Clay. Its pre-London tour opened on 24 June 1876 at the Theatre Royal, Nottingham, starring Kate Santley, W. S. Penley and J. H. Ryley. It transferred to the Royal Strand Theatre in London on 2 October 1876 for a run of only 48 performances. Brief New York and Boston runs followed in 1879–80 starring Leonora Braham and Ryley, and there were later tours in the US. ''Princess Toto'' was revived in 1881 at the Opera Comique in London for a run of 65 performances (starring Richard Temple). There was also an 1886 revival in Australia. Background ''Princess Toto'' was the last work in a long and successful partnership with Clay that had produced four of Gilbert's major musical works up to that date. The year before, Gilbert and Arthur Sullivan, Clay's friend, had premiered their hit ''Trial by Jury'', and after ''Princess Toto'', Gilbert would not collaborate on any further operas ...
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Comic Opera
Comic opera, sometimes known as light opera, is a sung dramatic work of a light or comic nature, usually with a happy ending and often including spoken dialogue. Forms of comic opera first developed in late 17th-century Italy. By the 1730s, a new operatic genre, ''opera buffa'', emerged as an alternative to '' opera seria''. It quickly made its way to France, where it became ''opéra comique'', and eventually, in the following century, French operetta, with Jacques Offenbach as its most accomplished practitioner. The influence of the Italian and French forms spread to other parts of Europe. Many countries developed their own genres of comic opera, incorporating the Italian and French models along with their own musical traditions. Examples include German ''singspiel'', Viennese operetta, Spanish '' zarzuela'', Russian comic opera, English ballad and Savoy opera, North American operetta and musical comedy. Italian ''opera buffa'' In late 17th-century Italy, light-hearted m ...
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