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Thomas German Reed
Thomas German Reed (27 June 1817 – 21 March 1888), known after 1844 as simply German Reed was an English composer, musical director, actor, singer and theatrical manager of the Victorian era. He was best known for creating the German Reed Entertainments, together with his actress wife, a genre of musical plays that made theatre-going respectable at a time when the stage was considered disreputable. While acting as organist and chapel-master at chapels in London, and also as musical director and performer at West End theatres in the 1830s and 1840s, Reed tried his hand at producing opera. He married Priscilla Horton, a noted singer, actress and dancer, in 1844. By 1851, he was managing opera productions at various theatres in London and on tour. In 1855, Reed and his wife began to present and perform in "Mr. and Mrs. German Reed's Entertainments", consisting of brief, small-scale, family-friendly comic operas. In the early and mid-Victorian era, the respectable midd ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Garrick Theatre (Leman St)
The Garrick Theatre, also known as ''Garrick's Subscription'' was a small theatre located in Leman St, Whitechapel. The theatre opened in 1831, and closed in about 1881. The theatre was named for the actor, David Garrick, who had made his début at the nearby Goodman's Fields Theatre on 9 October 1741, playing the role of ''Richard III''. The performance on 11 May 1840 was ''Marie!'' and ''Virginius the Rum’un!'', from an existent playbill. The plays were probably melodramas and some indication of the fare available at the time. The first theatre burned down in 1846, and was rebuilt to open as ''The Albert and Garrick Royal Amphitheatre''. During rebuilding from 1852 to 1854, the neighbour, a gun manufacturer, obtained an injunction against the proprietor, Lawrence Levy, to restrict the height of the adjacent wall so as not to impede light to his premises. The theatre was managed by Lawrence Levy from 1854 until 1864. He returned to manage the theatre between 1867 and 1868. In ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Extravaganza
An extravaganza is a literary or musical work (often musical theatre) usually containing elements of burlesque, pantomime, music hall and parody in a spectacular production and characterized by freedom of style and structure. It sometimes also has elements of cabaret, circus, revue, variety, vaudeville and mime. ''Extravaganza'' may more broadly refer to an elaborate, spectacular, and expensive theatrical production. 19th-century British dramatist, James Planché, was known for his extravaganzas. Planché defined the genre as "the whimsical treatment of a poetical subject."Planché. ''The recollections and reflections of J.R. Planché (Somerset herald): a professional biography'' (1872), Vol. II, p. 43 The term is derived from the Italian word ''stravaganza'', meaning extravagance. See also *Spectacle *Victorian burlesque Victorian burlesque, sometimes known as travesty or extravaganza, is a genre of theatrical entertainment that was popular in Victorian era, Victorian Eng ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Regent Street
Regent Street is a major shopping street in the West End of London. It is named after George, the Prince Regent (later George IV) and was laid out under the direction of the architect John Nash and James Burton. It runs from Waterloo Place in St James's at the southern end, through Piccadilly Circus and Oxford Circus, to All Souls Church. From there Langham Place and Portland Place continue the route to Regent's Park. The street's layout was completed in 1825 and was an early example of town planning in England, replacing earlier roads including Swallow Street. Nash and Burton's street layout has survived, although all the original buildings except All Souls Church have been replaced following reconstruction in the late 19th century. The street is known for its flagship retail stores, including Liberty, Hamleys, Jaeger and the Apple Store. The Royal Polytechnic Institution, now the University of Westminster, has been based on Regent Street since 1838. Route Regent Str ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Royal Gallery Of Illustration
The Royal Gallery of Illustration was a 19th-century performance venue located at 14 Regent Street in London. It was in use between 1850 and 1873. The gallery was built in the 1820s by the architect John Nash as part of his own house, to display his considerable collection of paintings. In 1850 the building was named the Gallery of Illustration, and between then and 1855 it housed a diorama created and run by the theatrical scene-painters Thomas Grieve and William Telbin. From 1856 to 1873 the gallery was in the hands of the singer and actress Priscilla Horton and her husband German Reed. Their entertainments developed from songs and comedy with piano accompaniment to programmes of short plays and operettas. In deference to respectable mid-Victorian doubts about the propriety of theatres, the Reeds called their productions "entertainments", and avoided the use of the words "theatre", "play" and other theatrical terms. Under the Reeds the gallery played an important part in t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pump Organ
The pump organ is a type of free-reed organ that generates sound as air flows past a vibrating piece of thin metal in a frame. The piece of metal is called a reed. Specific types of pump organ include the reed organ, harmonium, and melodeon. The idea for the free reed was imported from China through Russia after 1750, and the first Western free-reed instrument was made in 1780 in Denmark. More portable than pipe organs, free-reed organs were widely used in smaller churches and in private homes in the 19th century, but their volume and tonal range were limited. They generally had one or sometimes two manuals, with pedal-boards being rare. The finer pump organs had a wider range of tones, and the cabinets of those intended for churches and affluent homes were often excellent pieces of furniture. Several million free-reed organs and melodeons were made in the US and Canada between the 1850s and the 1920s, some of which were exported. The Cable Company, Estey Organ, and Mason & ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Queen's Theatre, Long Acre
The Queen's Theatre in London was established in 1867 as a theatre on the site of St Martin's Hall, a large concert room that had opened in 1850. It stood on the corner of Long Acre (formerly Charles Street) and Endell Street, with entrances in Wilson Street and Long Acre. The site is within the modern Camden, part of Covent Garden.Walter Thornbury ''Old and New London: A Narrative of its History, its People and its Places. Illustrated with Numerous Engravings from the Most Authentic Sources.: Volume 3'' accessed 1 April 2008 St Martin's Hall contained a 3,000-seat main hall and a 500-seat lecture hall. It was used for musica ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Olympic Theatre
The Olympic Theatre, sometimes known as the Royal Olympic Theatre, was a 19th-century London theatre, opened in 1806 and located at the junction of Drury Lane, Wych Street and Newcastle Street. The theatre specialised in comedies throughout much of its existence. Along with three other Victorian era, Victorian theatres (Opera Comique, Globe Theatre (Newcastle Street), Globe and Gaiety Theatre, London, Gaiety), the Olympic was eventually demolished in 1904 to make way for the development of the Aldwych. Newcastle and Wych streets also vanished. 1806-1849: Early days and Madame Vestris The first Olympic theatre was built in 1806 on the site of Drury House (later Craven House), for the impresario Philip Astley, a retired cavalry officer. The original name of the house was the Olympic Pavilion. It was said to be built from the timbers of the French warship ''French ship Ville de Paris (1764), Ville de Paris''. It opened on 1 December 1806 [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Surrey Theatre
The Surrey Theatre, London began life in 1782 as the Royal Circus and Equestrian Philharmonic Academy, one of the many circuses that provided entertainment of both horsemanship and drama (hippodrama). It stood in Blackfriars Road, near the junction with Westminster Bridge Road, just south of the River Thames in what is now the London Borough of Southwark. History The ''Royal Circus'' was opened on 4 November 1782 by the composer and song writer, Charles Dibdin (who coined the term "circus" for that usage), aided by Charles Hughes, a well-known equestrian performer. The entertainments were at first performed by children with the goal of its being a nursery for young actors. Delphini, a celebrated buffo, became manager in 1788 and produced a spectacle including a real stag-hunt. Other animal acts followed, including the popular dog act ''Gelert and Victor'', lecture pieces, pantomimes and local spectacles. The popular comedian John Palmer then managed the theatre until 1789 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Contralto
A contralto () is a type of classical female singing voice whose vocal range is the lowest female voice type. The contralto's vocal range is fairly rare; similar to the mezzo-soprano, and almost identical to that of a countertenor, typically between the F below middle C (F3 in scientific pitch notation) to the second F above middle C (F5), although, at the extremes, some voices can reach the D below middle C (D3) or the second B above middle C (B5). The contralto voice type is generally divided into the coloratura, lyric, and dramatic contralto. History "Contralto" is primarily meaningful only in reference to classical and operatic singing, as other traditions lack a comparable system of vocal categorization. The term "contralto" is only applied to female singers; men singing in a similar range are called "countertenors". The Italian terms "contralto" and "alto" are not synonymous, "alto" technically denoting a specific vocal range in choral singing without regard to factors ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Theatre Royal, Drury Lane
The Theatre Royal, Drury Lane, commonly known as Drury Lane, is a West End theatre and Grade I listed building in Covent Garden, London, England. The building faces Catherine Street (earlier named Bridges or Brydges Street) and backs onto Drury Lane. The building is the most recent in a line of four theatres which were built at the same location, the earliest of which dated back to 1663, making it the oldest theatre site in London still in use. According to the author Peter Thomson, for its first two centuries, Drury Lane could "reasonably have claimed to be London's leading theatre". For most of that time, it was one of a handful of patent theatres, granted monopoly rights to the production of "legitimate" drama in London (meaning spoken plays, rather than opera, dance, concerts, or plays with music). The first theatre on the site was built at the behest of Thomas Killigrew in the early 1660s, when theatres were allowed to reopen during the English Restoration. Initially ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Saffo (opera)
''Saffo'' is an opera in three acts by Giovanni Pacini set to a libretto by Salvadore Cammarano, which was based on a play by Franz Grillparzer, after the legend of the ancient Greek poet Sappho. Performance history The opera was first performed at the Teatro San Carlo in Naples on 29 November 1840, and was also given in Paris at the Théâtre-Italien on 15 March 1842. It was frequently performed during the 19th century. Its first UK presentation was on 1 April 1843 at the Theatre Royal, Drury Lane in London and, in the US in 1847 in New York.Rose 2001, in Holden, p. 650 It saw occasional revivals during the 20th century. Notable ones took place at the San Carlo on 7 April 1967, with Leyla Gencer, and at the Wexford Festival in 1995 under Maurizio Benini with Carlo Ventre as Faone. Roles Synopsis :Place: Greece :Time: Antiquity Antiquity or Antiquities may refer to: Historical objects or periods Artifacts *Antiquities, objects or artifacts surviving from ancient ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
