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Giacinto Campana
Giacinto Campana (born c. 1600, Bologna) was an Italian painter of the Baroque period. He trained first with Francesco Brizio, then with Francesco Albani. He moved to Poland to paint for King Władysław IV Vasa Władysław IV Vasa; lt, Vladislovas Vaza; sv, Vladislav IV av Polen; rus, Владислав IV Ваза, r=Vladislav IV Vaza; la, Ladislaus IV Vasa or Ladislaus IV of Poland (9 June 1595 – 20 May 1648) was King of Poland, Grand Duke of ..., and died in Poland. Sources * Painters from Bologna Italian Baroque painters 17th-century Italian painters Italian male painters {{Italy-painter-17thC-stub ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Immaculate Conception
The Immaculate Conception is the belief that the Virgin Mary was free of original sin from the moment of her conception. It is one of the four Marian dogmas of the Catholic Church, meaning that it is held to be a divinely revealed truth whose denial is heresy. Debated by medieval theologians, it was not defined as a dogma until 1854, by Pope Pius IX in the papal bull ''Ineffabilis Deus'', which states that Mary, through God's grace, was conceived free from the stain of original sin through her role as the Mother of God: We declare, pronounce, and define that the doctrine which holds that the most Blessed Virgin Mary, in the first instance of her conception, by a singular grace and privilege granted by Almighty God, in view of the merits of Jesus Christ, the Saviour of the human race, was preserved free from all stain of original sin, is a doctrine revealed by God and therefore to be believed firmly and constantly by all the faithful. While the Immaculate Conception ass ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Baroque
The Baroque (, ; ) is a style of architecture, music, dance, painting, sculpture, poetry, and other arts that flourished in Europe from the early 17th century until the 1750s. In the territories of the Spanish and Portuguese empires including the Iberian Peninsula it continued, together with new styles, until the first decade of the 19th century. It followed Renaissance art and Mannerism and preceded the Rococo (in the past often referred to as "late Baroque") and Neoclassical styles. It was encouraged by the Catholic Church as a means to counter the simplicity and austerity of Protestant architecture, art, and music, though Lutheran Baroque art developed in parts of Europe as well. The Baroque style used contrast, movement, exuberant detail, deep colour, grandeur, and surprise to achieve a sense of awe. The style began at the start of the 17th century in Rome, then spread rapidly to France, northern Italy, Spain, and Portugal, then to Austria, southern Germany, and Russia. B ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Francesco Brizio
Francesco Brizio (1574–1623) was an Italian painter and engraver of the Bolognese School, active in the early-Baroque. It appears Cesare Malvasia confused him with ''il Nosadella'' or Giovanni Francesco Bezzi, who lived and was active only in the 16th century. Brizio was born in Bologna. He was initially a pupil of Bartolommeo Passarotti, but then became a pupil under Agostino and Ludovico Carracci. He helped paint, along with Lucio Massari and Leonello Spada, stories of Torquato Tasso's epic in the loggias of the Palazzo Bentivoglio. He also frescoed a ceiling for the signori Conti Boschetti in Modena and in the Oratorio della SS Trinità in Pieve di Cento. In Bologna, he painted a ''Coronation of the Madonna del Borgo'' for the church of San Petronio. He also frescoed in the cloister of San Michele in Bosco. His son Filippo became a pupil of Guido Reni. Another pupil was Domenico Ambrogi. In engraving he was instructed by Agostino Carracci, and he is said to have forward ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Francesco Albani
Francesco Albani or Albano (17 March or 17 August 1578 – 4 October 1660) was an Italian Baroque painter who was active in Bologna (1591–1600), Rome (1600–1609), Bologna (1609), Viterbo (1609–1610), Bologna (1610), Rome (1610–1617), Bologna (1618–1660), Mantova (1621–1622), Roma (1623–1625) and Florence (1633). Early years in Bologna Albani was born in Bologna, Italy in 1578. His father was a silk merchant who intended his son to go into his own trade. By the age of twelve, however, he had become an apprentice to the competent mannerist painter Denis Calvaert, in whose studio he met Guido Reni. He soon followed Reni to the so-called "Academy" run by Annibale, Agostino, and Ludovico Carracci. This studio fostered the careers of many painters of the Bolognese school, including Domenichino, Massari, Viola, Lanfranco, Giovanni Francesco Grimaldi, Pietro Faccini, Remigio Cantagallina, and Reni. Mature work in Rome In 1600, Albani moved to Rome to work on the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Władysław IV Vasa
Władysław IV Vasa; lt, Vladislovas Vaza; sv, Vladislav IV av Polen; rus, Владислав IV Ваза, r=Vladislav IV Vaza; la, Ladislaus IV Vasa or Ladislaus IV of Poland (9 June 1595 – 20 May 1648) was King of Poland, Grand Duke of Lithuania and claimant of the thrones of Sweden and Russia. Władysław IV was the eldest son of Sigismund III Vasa and Sigismund's first wife, Anna of Austria. Born into the House of Vasa, Władysław was elected Tsar of Russia by the Seven Boyars in 1610 when the Polish army captured Moscow, but did not assume the throne due to his father's position and a popular uprising. Nevertheless, until 1634 he used the titular title of Grand Duke of Muscovy, a principality centered around Moscow. Elected king of Poland in 1632, he was largely successful in defending the Polish–Lithuanian Commonwealth against foreign invasion, most notably in the Smolensk War of 1632–34, in which he participated personally. He supported religious toleran ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Painters From Bologna
Painting is the practice of applying paint, pigment, color or other medium to a solid surface (called the "matrix" or "support"). The medium is commonly applied to the base with a brush, but other implements, such as knives, sponges, and airbrushes, can be used. In art, the term ''painting ''describes both the act and the result of the action (the final work is called "a painting"). The support for paintings includes such surfaces as walls, paper, canvas, wood, glass, lacquer, pottery, leaf, copper and concrete, and the painting may incorporate multiple other materials, including sand, clay, paper, plaster, gold leaf, and even whole objects. Painting is an important form in the visual arts, bringing in elements such as drawing, composition, gesture (as in gestural painting), narration (as in narrative art), and abstraction (as in abstract art). Paintings can be naturalistic and representational (as in still life and landscape painting), photographic, abstract, narrative, sy ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Italian Baroque Painters
Italian(s) may refer to: * Anything of, from, or related to the people of Italy over the centuries ** Italians, an ethnic group or simply a citizen of the Italian Republic or Italian Kingdom ** Italian language, a Romance language *** Regional Italian, regional variants of the Italian language ** Languages of Italy, languages and dialects spoken in Italy ** Italian culture, cultural features of Italy ** Italian cuisine, traditional foods ** Folklore of Italy, the folklore and urban legends of Italy ** Mythology of Italy, traditional religion and beliefs Other uses * Italian dressing, a vinaigrette-type salad dressing or marinade * Italian or Italian-A, alternative names for the Ping-Pong virus, an extinct computer virus See also * * * Italia (other) * Italic (other) * Italo (other) * The Italian (other) * Italian people (other) Italian people may refer to: * in terms of ethnicity: all ethnic Italians, in and outside of Italy * i ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
17th-century Italian Painters
The 17th century lasted from January 1, 1601 ( MDCI), to December 31, 1700 ( MDCC). It falls into the early modern period of Europe and in that continent (whose impact on the world was increasing) was characterized by the Baroque cultural movement, the latter part of the Spanish Golden Age, the Dutch Golden Age, the French ''Grand Siècle'' dominated by Louis XIV, the Scientific Revolution, the world's first public company and megacorporation known as the Dutch East India Company, and according to some historians, the General Crisis. From the mid-17th century, European politics were increasingly dominated by the Kingdom of France of Louis XIV, where royal power was solidified domestically in the civil war of the Fronde. The semi-feudal territorial French nobility was weakened and subjugated to the power of an absolute monarchy through the reinvention of the Palace of Versailles from a hunting lodge to a gilded prison, in which a greatly expanded royal court could be more easily ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
