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Francesco Albani
Francesco Albani or Albano (17 March or 17 August 1578 – 4 October 1660) was an Italian Baroque painter who was active in Bologna (1591–1600), Rome (1600–1609), Bologna (1609), Viterbo (1609–1610), Bologna (1610), Rome (1610–1617), Bologna (1618–1660), Mantova (1621–1622), Roma (1623–1625) and Florence (1633). Early years in Bologna Albani was born in Bologna, Italy in 1578. His father was a silk merchant who intended his son to go into his own trade. By the age of twelve, however, he had become an apprentice to the competent mannerist painter Denis Calvaert, in whose studio he met Guido Reni. He soon followed Reni to the so-called "Academy" run by Annibale, Agostino, and Ludovico Carracci. This studio fostered the careers of many painters of the Bolognese school, including Domenichino, Massari, Viola, Lanfranco, Giovanni Francesco Grimaldi, Pietro Faccini, Remigio Cantagallina, and Reni. Mature work in Rome In 1600, Albani moved to Rome to work on the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bologna
Bologna (, , ; egl, label= Emilian, Bulåggna ; lat, Bononia) is the capital and largest city of the Emilia-Romagna region in Northern Italy. It is the seventh most populous city in Italy with about 400,000 inhabitants and 150 different nationalities. Its metropolitan area is home to more than 1,000,000 people. It is known as the Fat City for its rich cuisine, and the Red City for its Spanish-style red tiled rooftops and, more recently, its leftist politics. It is also called the Learned City because it is home to the oldest university in the world. Originally Etruscan, the city has been an important urban center for centuries, first under the Etruscans (who called it ''Felsina''), then under the Celts as ''Bona'', later under the Romans (''Bonōnia''), then again in the Middle Ages, as a free municipality and later ''signoria'', when it was among the largest European cities by population. Famous for its towers, churches and lengthy porticoes, Bologna has a well-preserved ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Remigio Cantagallina
Remigio Cantagallina (c. 1582–1656) was an Italian etcher active in the Baroque period. He was born in Sansepolcro, formerly Borgo Santo Sepolcro, in the province of Arezzo. He is best known for his etchings of landscapes and religious subjects, influenced by Paul Bril. He was likely a pupil of the fellow-Florentine Giulio Parigi and Jacopo Ligozzi. In 1612–13 he traveled through the Dutch Republic, the Southern Netherlands, and France, which he documented in detailed drawings in pen and wash of buildings, houses, and cityscapes, complete with persons engaged at work or play in the foreground. His eye caught both the courtly celebrations and the peasant world. He produced detailed views of Brussels and Siena. Jacques Callot was reputed to be a pupil of Cantagallina, before the former moved to Rome to work with Antonio Tempesta. He also likely tutored Stefano della Bella. After 1648, he tutored in drawing the scientist and nature observer Francesco Redi. The engraver Nic ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Palazzo Giustiniani, Rome
Palazzo Giustiniani or the Piccolo Colle (Little Hill) is a palace on the Via della Dogana Vecchia and Piazza della Rotonda, in Sant'Eustachio, Rome. The palace contains the official residence of the President of the Senate of the Republic, the Sala Zuccari, the offices of the Life senators and former Presidents of Italy, and some administrative offices. From 1901 until 1985, it was also the seat of the Masonic order of the Grand Orient of Italy. History The palace was built near the Pantheon at the end of the 16th century for Monsignor Francesco Vento, but in 1590 it was acquired by Giuseppe Giustiniani, a member of the Genoese who had served as Governor of Chios. His son, Cardinal Benedetto Giustiniani, linked it to other buildings until it encompassed an entire city block. The Cardinal's brother, Vincenzo Giustiniani, acquired an art collection of some 1600 items for the palace, including ancient statues and paintings by Giorgione, Titian, Raphael, and Caravaggio. The origi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Palazzo Mattei Di Giove
A palace is a grand residence, especially a royal residence, or the home of a head of state or some other high-ranking dignitary, such as a bishop or archbishop. The word is derived from the Latin name palātium, for Palatine Hill in Rome which housed the Imperial residences. Most European languages have a version of the term (''palais'', ''palazzo'', ''palacio'', etc.), and many use it for a wider range of buildings than English. In many parts of Europe, the equivalent term is also applied to large private houses in cities, especially of the aristocracy; often the term for a large country house is different. Many historic palaces are now put to other uses such as parliaments, museums, hotels, or office buildings. The word is also sometimes used to describe a lavishly ornate building used for public entertainment or exhibitions such as a movie palace. A palace is distinguished from a castle while the latter clearly is fortified or has the style of a fortification, whereas a pa ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
San Giacomo Degli Spagnoli
Nostra Signora del Sacro Cuore ("Our Lady of the Sacred Heart", also known as San Giacomo degli Spagnoli and in Spanish, Santiago de los Españoles) is a Catholic church dedicated to the Virgin Mary located in Rome's Piazza Navona. History An earlier church, San Giacomo degli Spagnoli (St James of the Spanish), had been erected in the same place, on the ruins of the Stadium of Domitian, in the 12th century. The first mention of this church is in the will of Henry of Castile (1230-1304), son of King Ferdinand III of Castile, who had given money to build it in 1259. The edifice was rebuilt for the Holy Year of 1450 using a gift from Alfonso de Paradinas, canon of the Cathedral of Seville. The façade, once facing the opposite side than now, was designed by Bernardo Rossellino. Pope Alexander VI, of Spanish origin, later had a square carved out in front of it, moving two hospices for Spanish pilgrims. Starting in 1506 San Giacomo was the national church of the kingdom of Cas ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sisto Badalocchio
Sisto Badalocchio Rosa (28 June 1585 – ) was an Italian painter and engraver of the Bolognese School. Born in Parma, he worked first under Agostino Carracci in Bologna, then Annibale Carracci, in Rome. He worked with Annibale till 1609, then moved back to Parma. His best known work as an engraver was the ''Raphael's Bible'' series, which he created together with his fellow student, Giovanni Lanfranco. The images depict a series of frescoes by Raphael's workshop in the Vatican ''loggia''. As a painter, his most important work are the frescoes in the church of San Giovanni Evangelista, Reggio Emilia, which are based on Correggio's earlier works. In this church, he executed the decoration of the dome and pendentives. The dome fresco represents the parousia, i.e. the second coming of Christ, while the pendentives are adorned by the four cardinal virtues. Though he often cooperated in fresco painting with Lanfranco, for example in Annibale-designed series the San Diego Chapel ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Fresco
Fresco (plural ''frescos'' or ''frescoes'') is a technique of mural painting executed upon freshly laid ("wet") lime plaster. Water is used as the vehicle for the dry-powder pigment to merge with the plaster, and with the setting of the plaster, the painting becomes an integral part of the wall. The word ''fresco'' ( it, affresco) is derived from the Italian adjective ''fresco'' meaning "fresh", and may thus be contrasted with fresco-secco or secco mural painting techniques, which are applied to dried plaster, to supplement painting in fresco. The fresco technique has been employed since antiquity and is closely associated with Italian Renaissance painting. The word ''fresco'' is commonly and inaccurately used in English to refer to any wall painting regardless of the plaster technology or binding medium. This, in part, contributes to a misconception that the most geographically and temporally common wall painting technology was the painting into wet lime plaster. Even in appar ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Odoardo Farnese (cardinal)
Odoardo Farnese (6 December 1573 – 21 February 1626) was an Italian nobleman, the second son of Alessandro Farnese, Duke of Parma and Maria of Portugal, known for his patronage of the arts. He became a Cardinal of the Roman Catholic Church in 1591, and briefly acted as regent of the Duchy of Parma and Piacenza for his nephew Odoardo from 1622 to 1626. Cardinal Odoardo is probably best known today for commissioning the Bolognese artist Annibale Carracci to fresco the Camerino in the Palazzo Farnese in Rome. Carracci undertook this from 1595 to 1597, just prior to starting his decoration of the more famous and elaborate Farnese Gallery in the same palace. The Camerino The Camerino was Farnese's private study. The subject of the central scene in the ceiling is '' The Choice of Hercules''. The scene is surrounded by a painted frame, an example of ''quadro riportato'', which gives the illusion of a framed oil painting hung on the ceiling when in reality both the scene and its fra ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Margherita Aldobrandini
Margherita Aldobrandini (29 March 1588 — 9 August 1646), was an Italian noblewoman member of the Aldobrandini family and by marriage Duchess consort of Parma and Piacenza during 1600–1622. She was also Regent of both Duchies during 1626–1628 on behalf of her minor son. Life Family and early years Born in the castle of Capodimonte in the Duchy of Castro on 29 March 1588, Margherita was the eldest child and daughter of Gianfrancesco Aldobrandini and Olimpia Aldobrandini, niece of Cardinal Ippolito Aldobrandini, who became in Pope Clement VIII in 1592. In 1593, at the invitation of her uncle, the pontiff, Margherita's parents moved to Rome. The Pope wanted to strengthen the position of the Aldobrandini family in the Papal States and provided patronage to his relatives. Margherita's father enjoyed special confidence in the pontiff, who bestowed on him the titles of Count of Sarsina and Meldola (later elevated to the rank of Prince in 1597), and her mother was his favorite niece. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ranuccio I Farnese, Duke Of Parma
Ranuccio I Farnese (28 March 1569 – 5 March 1622) reigned as Duke of Parma, Piacenza and Castro from 1592. A firm believer in absolute monarchy, Ranuccio, in 1594, centralised the administration of Parma and Piacenza, thus rescinding the nobles' hitherto vast prerogative. He is best remembered for the "Great Justice" of 1612, which saw the executions of a large number of Piacentine nobles suspected of plotting against him. Claudia Colla his mistress and her mother were accused of using witchcraft to stop him from having offsprings, and both were sentenced to death by burning. Because one of the conspirators, Gianfrancesco Sanvitale, falsely implicated several Italian princes, namely Vincenzo Gonzaga, Duke of Mantua and Cesare d'Este, Duke of Modena, in the plot, Vincenzo and Cesare's names appeared on the list of conspirators during formal court proceedings; as a result, Ranuccio's reputation among the rulers of Italy was irreparably damaged because it was evident that he g ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Emilia-Romagna
egl, Emigliàn (man) egl, Emiglièna (woman) rgn, Rumagnòl (man) rgn, Rumagnòla (woman) it, Emiliano (man) it, Emiliana (woman) or it, Romagnolo (man) it, Romagnola (woman) , population_note = , population_blank1_title = , population_blank1 = , demographics_type1 = , demographics1_footnotes = , demographics1_title1 = , demographics1_info1 = , demographics1_title2 = , demographics1_info2 = , demographics1_title3 = , demographics1_info3 = , timezone1 = CET , utc_offset1 = +1 , timezone1_DST = CEST , utc_offset1_DST = +2 , postal_code_type = , postal_code = , area_code_type = ISO 3166 code , area_code = IT-45 , blank_name_sec1 = GDP (nominal) , blank_info_se ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Urbino
Urbino ( ; ; Romagnol: ''Urbìn'') is a walled city in the Marche region of Italy, south-west of Pesaro, a World Heritage Site notable for a remarkable historical legacy of independent Renaissance culture, especially under the patronage of Federico da Montefeltro, duke of Urbino from 1444 to 1482. The town, nestled on a high sloping hillside, retains much of its picturesque medieval aspect. It hosts the University of Urbino, founded in 1506, and is the seat of the Archbishop of Urbino. Its best-known architectural piece is the Palazzo Ducale, rebuilt by Luciano Laurana. Geography The city lies in a hilly region, at the foothills of the Northern Apennines and the Tuscan-Romagnolo Apennines. It is within the southern area of Montefeltro, an area classified as medium-high seismic risk. In the database of earthquakes developed by the National Institute of Geophysics and Volcanology, nearly 65 seismic events have affected the town of Urbino between 26 March 1511 and 26 March 19 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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