Gunstwerber
''Gunstwerber'' (or ''Die Gunstwerber''; English: ''Wooers of Favour''), Op. 4, is a waltz by Johann Strauss II. It was first played on 15 October 1844 at Strauss' début as a composer in Dommayer's Casino in Hietzing, Vienna, along with several of Strauss' other works, such as the waltz '' Sinngedichte'' and the polka Polka is a dance and genre of dance music originating in nineteenth-century Bohemia, now part of the Czech Republic. Though associated with Czech culture, polka is popular throughout Europe and the Americas. History Etymology The term ... '' Herzenslust''. The music critic Ernst Décsey commented on Strauss' waltz: "As if singing had broken out from all three storeys of the house ..the same charm, the same modest ''piano'', the same reverberating ''forte'' as the father. Basses rumble, intermediate parts woo, and the main violin theme vibrates across to the ladies." References Waltzes by Johann Strauss II 1844 compositions {{classical-c ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Johann Strauss II
Johann Baptist Strauss II (25 October 1825 – 3 June 1899), also known as Johann Strauss Jr., the Younger or the Son (german: links=no, Sohn), was an Austrian composer of light music, particularly dance music and operettas. He composed over 500 waltzes, polkas, quadrilles, and other types of dance music, as well as several operettas and a ballet. In his lifetime, he was known as "The Waltz King", and was largely responsible for the popularity of the waltz in Vienna during the 19th century. Some of Johann Strauss's most famous works include "The Blue Danube", "Kaiser-Walzer" (Emperor Waltz), "Tales from the Vienna Woods", "Frühlingsstimmen", and the "Tritsch-Tratsch-Polka". Among his operettas, ''Die Fledermaus'' and ''Der Zigeunerbaron'' are the best known. Strauss was the son of Johann Strauss I and his first wife Maria Anna Streim. Two younger brothers, Josef and Eduard Strauss, also became composers of light music, although they were never as well known as their brot ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Sinngedichte
Sinngedichte (''Poems of the Senses'' or ''Epigrams''), Op. 1, is a waltz composed by Johann Strauss II Johann Baptist Strauss II (25 October 1825 – 3 June 1899), also known as Johann Strauss Jr., the Younger or the Son (german: links=no, Sohn), was an Austrian composer of light music, particularly dance music and operettas. He composed ov ... in 1844 for his debut as a composer at in Vienna. The waltz was played along with several other compositions that Strauss had written for the occasion, such as the waltz Gunstwerber and the polka Herzenslust. The waltz was an unprecedented success when first performed, and had to be repeated a record nineteen times. ;Waltz 1 : \relative b' References Waltzes by Johann Strauss II 1844 compositions {{classical-composition-stub ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Herzenslust
Herzenslust (''Heart's Content''), Op. 3, is a polka composed by Johann Strauss II in the fall of 1844 for his debut as a composer at the Dommayer's Casino establishment in Vienna. It was performed along with several of Strauss' other early compositions, such as the waltz The waltz ( ), meaning "to roll or revolve") is a ballroom and folk dance, normally in triple ( time), performed primarily in closed position. History There are many references to a sliding or gliding dance that would evolve into the wa ...es Sinngedichte and Gunstwerber, and the Debut-Quadrille. Reviewing Strauss' debut, the journal ''Der Wanderer'' noted that both the Debut-Quadrille and the Herzenslust Polka "are so piquant in their inspiration, and handled with such glittering effect in the instrumentation that we €¦have to recognise and commend the bold and exuberant talent of Strauss Son." References Compositions by Johann Strauss II 1844 compositions Polkas {{classical- ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Opus Number
In musicology, the opus number is the "work number" that is assigned to a musical composition, or to a set of compositions, to indicate the chronological order of the composer's production. Opus numbers are used to distinguish among compositions with similar titles; the word is abbreviated as "Op." for a single work, or "Opp." when referring to more than one work. To indicate the specific place of a given work within a music catalogue, the opus number is paired with a cardinal number; for example, Beethoven's Piano Sonata No. 14 in C-sharp minor (1801, nicknamed ''Moonlight Sonata'') is "Opus 27, No. 2", whose work-number identifies it as a companion piece to "Opus 27, No. 1" ( Piano Sonata No. 13 in E-flat major, 1800–01), paired in same opus number, with both being subtitled ''Sonata quasi una Fantasia'', the only two of the kind in all of Beethoven's 32 piano sonatas. Furthermore, the ''Piano Sonata, Op. 27 No. 2, in C-sharp minor'' is also catalogued as "Sonata No. 14", ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Waltz
The waltz ( ), meaning "to roll or revolve") is a ballroom and folk dance, normally in triple ( time), performed primarily in closed position. History There are many references to a sliding or gliding dance that would evolve into the waltz that date from 16th-century Europe, including the representations of the printmaker Hans Sebald Beham. The French philosopher Michel de Montaigne wrote of a dance he saw in 1580 in Augsburg, where the dancers held each other so closely that their faces touched. Kunz Haas (of approximately the same period) wrote, "Now they are dancing the godless ''Weller'' or ''Spinner''."Nettl, Paul. "Birth of the Waltz." In ''Dance Index'' vol 5, no. 9. 1946 New York: Dance Index-Ballet Caravan, Inc. pages 208, 211 "The vigorous peasant dancer, following an instinctive knowledge of the weight of fall, uses his surplus energy to press all his strength into the proper beat of the bar, thus intensifying his personal enjoyment in dancing." Around 1750, ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Début
Debut or début (the first public appearance of a person or thing) may refer to: * Debut (society), the formal introduction of young upper-class women to society * Debut novel, an author's first published novel Film and television * ''The Debut'' (1977 film), or ''Het debuut'' by Nouchka van Brakel * ''The Debut'' (2000 film), a Filipino–American drama film * ''Debut'' (film), a 2017 Belarusian documentary film * "The Debut" (''The O.C.'' episode), 2003 Music * Debut Records, an American jazz record label * ''Debut'' (Björk album), 1993 * ''Debut'' (Zoë album), 2015 * ''The Debut'' (album), a 2019 album by Jackie Evancho * ''Debut Album'' (Sayuri Ishikawa album), 1973 * ''Debut'', a 1987 album by The Real Group * ''Debut'', a 2004 album by Carol Kidd * ''Debut'', a 2007 album by Brandi Disterheft * ''Debut'', a 1991 album by Field Marshal Montgomery Pipe Band * ''Debut'', a 1992 album by Sarah Chang, 1992 * ''Debut: The Clef/Mercury Duo Recordings 1949-1951'', a ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Hietzing
Hietzing () is the 13th municipal District of Vienna (german: 13. Bezirk, Hietzing). It is located west of the central districts, west of Meidling. Hietzing is a heavily populated urban area with many residential buildings, but also contains large areas of the Vienna Woods, along with Schönbrunn Palace.Statistik Austria, 2007, webpage statistik.at-23450. Wien.gv.at webpage (see below: References). Geography The thirteenth district is located at the western end of the city where it borders the Wienerwald. Liesing is to the south, Meidling to the east and Penzing, which was part of Hietzing until 1954, and Rudolfsheim-Fünfhaus, to the north. Most of the northern border is formed by the River Wien. Traditionally, it is subdivided into six parts: ''Hietzing'' (northeast), ''Unter Sankt Veit'' (northwest), ''Ober Sankt Veit'' (west of Unter Sankt Veit), ''Hacking'' (northwest of Ober Sankt Veit), ''Lainz'' (geographic centre) and ''Speising'' (south). Furthermore, the Lai ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Vienna
en, Viennese , iso_code = AT-9 , registration_plate = W , postal_code_type = Postal code , postal_code = , timezone = CET , utc_offset = +1 , timezone_DST = CEST , utc_offset_DST = +2 , blank_name = Vehicle registration , blank_info = W , blank1_name = GDP , blank1_info = € 96.5 billion (2020) , blank2_name = GDP per capita , blank2_info = € 50,400 (2020) , blank_name_sec1 = HDI (2019) , blank_info_sec1 = 0.947 · 1st of 9 , blank3_name = Seats in the Federal Council , blank3_info = , blank_name_sec2 = GeoTLD , blank_info_sec2 = .wien , website = , footnotes = , image_blank_emblem = Wien logo.svg , blank_emblem_size = Vienna ( ; german: Wien ; ba ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Polka
Polka is a dance and genre of dance music originating in nineteenth-century Bohemia, now part of the Czech Republic. Though associated with Czech culture, polka is popular throughout Europe and the Americas. History Etymology The term ''polka'' referring to the dance is derived from the Czech word ''Polka'' meaning "Polish woman" (feminine form corresponding to ''Polák'', a Pole)."polka, n.". Oxford University Press. (accessed 11 July 2012). Czech cultural historian ÄŒenÄ›k ZÃbrt also attributes the term to the Czech word ''půlka'' (half), referring to both the half-tempo and the half-jump step of the dance.ÄŒenÄ›k ZÃbrt, "Jak se kdy v ÄŒechách tancovalo: dÄ›jiny tance v ÄŒechách, na MoravÄ›, ve Slezsku a na Slovensku z vÄ›ků nejstarÅ¡Ãch až do nové doby se zvláštnÃm zÅ™etelem k dÄ›jinám tance vůbec", Prague, 189(Google eBook)/ref> The word was widely introduced into the major European languages in the early 1840s. Origin and popularity The polka' ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Ernst Décsey
Professor Ph.D., Dr. Ernst Décsey (13 April 1870 – 12 March 1941), was an Austrian author and music critic. Biography Décsey was born in Hamburg and studied law at the Vienna University. At the same time he completed professional training at the Vienna music school (''Konservatorium'') in piano, harmony and musical composition, composition. From 1899 on Ernst Décsey worked as music critic at the ''Grazer Tagespost'' (Graz's daily newspaper) and subsequently became its chief editor. In 1920, he was offered the position of permanent music adviser at the ''Neues Wiener Tagblatt'' (a daily newspaper) in Vienna, where he became the leading music critic of his time. In addition to his journalistic work, Ernst Décsey also taught music history and esthetics at the Vienna music school and published a number of novels, short story, short stories, plays, libretto, libretti and biographies. He co-authored (with Robert Weil (writer), Gustav Holm) a play ''Sissys Brautfahrt'' ("Siss ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Waltzes By Johann Strauss II
The waltz ( ), meaning "to roll or revolve") is a ballroom and folk dance, normally in triple ( time), performed primarily in closed position. History There are many references to a sliding or gliding dance that would evolve into the waltz that date from 16th-century Europe, including the representations of the printmaker Hans Sebald Beham. The French philosopher Michel de Montaigne wrote of a dance he saw in 1580 in Augsburg, where the dancers held each other so closely that their faces touched. Kunz Haas (of approximately the same period) wrote, "Now they are dancing the godless ''Weller'' or ''Spinner''."Nettl, Paul. "Birth of the Waltz." In ''Dance Index'' vol 5, no. 9. 1946 New York: Dance Index-Ballet Caravan, Inc. pages 208, 211 "The vigorous peasant dancer, following an instinctive knowledge of the weight of fall, uses his surplus energy to press all his strength into the proper beat of the bar, thus intensifying his personal enjoyment in dancing." Around 1750, ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |