Guillaume Coustou The Elder
Guillaume Coustou the Elder (29 November 1677, Lyon – 22 February 1746, Paris) was a French sculptor of the Baroque and Louis XIV style. He was a royal sculptor for Louis XIV and Louis XV and became Director of the Royal Academy of Painting and Sculpture in 1735. He is best known for his monumental statues of horses made for the Chateau of Marly, whose replicas now stand in the Place de la Concorde in Paris. Life Coustou was a member of a family of famous sculptors; his uncle, Antoine Coysevox, was a royal sculptor; his elder brother, Nicolas Coustou was a sculptor, and his son Guillaume Coustou the Younger also become a noted royal sculptor. Like his older brother, he won the (Prix de Rome) of the Royal Academy which entitled him to study for four years at the French Academy in Rome. However, he refused to accept the discipline of the Academy, gave up his studies, set out to make his own career as an artist. He worked for a time in the atelier of the painter Pierre Legro ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Jacques-François Delyen
Jacques-François Delyen (born July 25, 1684) was a 17th-century French painter, specializing in portraits. Life Delyen was born in Ghent. As an apprentice of Nicolas de Largillierre from 1710 to 1715. He was influenced by his works and style. In 1725, Deylen was admitted to the Académie royale de peinture et de sculpture (''Royal Academy of Painting and Sculpture'') based on his Academy pieces and his portraits of Nicolas Bertin and Guillaume Coustou Guillaume Coustou the Elder (29 November 1677, Lyon – 22 February 1746, Paris) was a French sculptor of the Baroque and Louis XIV style. He was a royal sculptor for Louis XIV and Louis XV and became Director of the Royal Academy of Paintin .... He exhibited his works regularly in the Academy between 1737 and 1747, before his demise in Paris on March 3, 1761. His 'Portrait dit de Jean de Paty de Rayet, seigneur du Rayé' was auctioned in 2014 for $7,607. Selected works Self-portraits *c. 1710–1715, Zurich, coll. Rau ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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French Academy In Rome
The French Academy in Rome (french: Académie de France à Rome) is an Academy located in the Villa Medici, within the Villa Borghese, on the Pincio (Pincian Hill) in Rome, Italy. History The Academy was founded at the Palazzo Capranica in 1666 by Louis XIV under the direction of Jean-Baptiste Colbert, Charles Le Brun and Gian Lorenzo Bernini. The Academy was from the 17th to 19th centuries the culmination of study for select French artists who, having won the prestigious Prix de Rome (Rome Prize), were honored with a 3, 4 or 5-year scholarship (depending on the art discipline they followed) in the Eternal City for the purpose of the study of art and architecture. Such scholars were and are known as ''pensionnaires de l'Académie'' (Academy pensioners). One recipient of the scholarship in the 17th century was Pierre Le Gros the Younger. The Academy was housed in the Palazzo Capranica until 1737, and then in the Palazzo Mancini from 1737 to 1793. In 1803 Napoleon Bonaparte ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Pierre Lepautre (1659–1744)
Pierre Lepautre (4 March 1659 – 22 January 1744) was a French sculptor, a member of a prolific family of artists in many media, who were active in the 17th and 18th centuries. He was born and died in Paris. He won the Prix de Rome, for study at the French Academy in Rome, where he was a ''pensionnaire from 1683 to 1701. While in Rome he sent back to France a number of sculptures demonstrating his skill, among which were the ''Faune au chevreau'' of 1685, which went to ornament the gardens at Château de Marly. Lepautre returned to Paris in 1701. His ''Atalante'' (1704) was also destined for Marly. From 1705 to 1710, he was occupied with decorative bas-reliefs and sculptures for the royal chapel of Versailles, under the artistic supervision of Jules Hardouin-Mansart: his are the colossal statues of ''Saint Ambrose'' and ''Saint Gregory''. A retable in the form of a monumental gateway in the église de Saint-Eustache, Paris, illustrates the assumption of Saint Agnes. His com ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Minerva
Minerva (; ett, Menrva) is the Roman goddess of wisdom, justice, law, victory, and the sponsor of arts, trade, and strategy. Minerva is not a patron of violence such as Mars, but of strategic war. From the second century BC onward, the Romans equated her with the Greek goddess Athena.''Larousse Desk Reference Encyclopedia'', Book People, Haydock, 1995, p. 215. Minerva is one of the three Roman deities in the Capitoline Triad, along with Jupiter and Juno. She was the virgin goddess of music, poetry, medicine, wisdom, commerce, weaving, and the crafts. She is often depicted with her sacred creature, an owl usually named as the "owl of Minerva", which symbolised her association with wisdom and knowledge as well as, less frequently, the snake and the olive tree. Minerva is commonly depicted as tall with an athletic and muscular build, as well as wearing armour and carrying a spear. As the most important Roman goddess, she is highly revered, honored, and respected. Marcus Teren ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Mars (god)
In ancient Roman religion and myth, Mars ( la, Mārs, ) was the god of war and also an agricultural guardian, a combination characteristic of early Rome. He was the son of Jupiter and Juno, and was pre-eminent among the Roman army's military gods. Most of his festivals were held in March, the month named for him ( Latin ''Martius''), and in October, which began the season for military campaigning and ended the season for farming. Under the influence of Greek culture, Mars was identified with the Greek god Ares,''Larousse Desk Reference Encyclopedia'', The Book People, Haydock, 1995, p. 215. whose myths were reinterpreted in Roman literature and art under the name of Mars. The character and dignity of Mars differed in fundamental ways from that of his Greek counterpart, who is often treated with contempt and revulsion in Greek literature. Mars's altar in the Campus Martius, the area of Rome that took its name from him, was supposed to have been dedicated by Numa, the peace-lovi ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Pierre Cartellier
Pierre Cartellier (2 December 1757 – 12 June 1831) was a French sculptor. Biography Born in Paris, he studied at the École Gratuite de Dessin in Paris and then in the studio of Charles-Antoine Bridan before attending the Académie Royale. During the French Revolution Cartellier was part of a team of sculptors who worked on the church of Ste. Geneviève in Paris to convert it to the Panthéon. At a time in European history when ancient works were the measure by which all statuary was judged, in 1801 Cartellier obtained wide recognition after exhibiting a plaster version of his statue of ''Modesty'' that was based on the free-standing statue of the Capitoline Venus in Rome. At the Bourbon Restoration he was given the commission to do the bronze equestrian statue of King Louis XIV that can be seen in the ''cour d'honneur'' of Versailles. At the time of his death only the horse had been cast. His son-in-law Louis Petitot completed it with the king's figure. Cartellier sc ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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French Revolution
The French Revolution ( ) was a period of radical political and societal change in France that began with the Estates General of 1789 and ended with the formation of the French Consulate in November 1799. Many of its ideas are considered fundamental principles of liberal democracy, while phrases like ''liberté, égalité, fraternité'' reappeared in other revolts, such as the 1917 Russian Revolution, and inspired campaigns for the abolition of slavery and universal suffrage. The values and institutions it created dominate French politics to this day. Its causes are generally agreed to be a combination of social, political and economic factors, which the ''Ancien Régime'' proved unable to manage. In May 1789, widespread social distress led to the convocation of the Estates General, which was converted into a National Assembly in June. Continuing unrest culminated in the Storming of the Bastille on 14 July, which led to a series of radical measures by the Assembly, i ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Bas-relief
Relief is a sculptural method in which the sculpted pieces are bonded to a solid background of the same material. The term ''relief'' is from the Latin verb ''relevo'', to raise. To create a sculpture in relief is to give the impression that the sculpted material has been raised above the background plane. When a relief is carved into a flat surface of stone (relief sculpture) or wood (relief carving), the field is actually lowered, leaving the unsculpted areas seeming higher. The approach requires a lot of chiselling away of the background, which takes a long time. On the other hand, a relief saves forming the rear of a subject, and is less fragile and more securely fixed than a sculpture in the round, especially one of a standing figure where the ankles are a potential weak point, particularly in stone. In other materials such as metal, clay, plaster stucco, ceramics or papier-mâché the form can be simply added to or raised up from the background. Monumental bronze reliefs ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Hôtel Des Invalides
The Hôtel des Invalides ( en, "house of invalids"), commonly called Les Invalides (), is a complex of buildings in the 7th arrondissement of Paris, France, containing museums and monuments, all relating to the military history of France, as well as a hospital and a retirement home for war veterans, the building's original purpose. The buildings house the Musée de l'Armée, the military museum of the Army of France, the Musée des Plans-Reliefs, and the Musée d'Histoire Contemporaine. The complex also includes the former hospital chapel, now national cathedral of the French military, and the adjacent former Royal Chapel known as the , the tallest church building in Paris at a height of 107 meters. The latter has been converted into a shrine of some of France's leading military figures, most notably the tomb of Napoleon. History Louis XIV initiated the project by an order dated 24 November 1670, as a home and hospital for aged and disabled () soldiers. The initial arch ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Louvre Museum
The Louvre ( ), or the Louvre Museum ( ), is the world's most-visited museum, and an historic landmark in Paris, France. It is the home of some of the best-known works of art, including the ''Mona Lisa'' and the ''Venus de Milo''. A central landmark of the city, it is located on the Right Bank of the Seine in the city's 1st arrondissement (district or ward). At any given point in time, approximately 38,000 objects from prehistory to the 21st century are being exhibited over an area of 72,735 square meters (782,910 square feet). Attendance in 2021 was 2.8 million due to the COVID-19 pandemic, up five percent from 2020, but far below pre-COVID attendance. Nonetheless, the Louvre still topped the list of most-visited art museums in the world in 2021."The Art Newspaper", 30 March 2021. The museum is housed in the Louvre Palace, originally built in the late 12th to 13th century under Philip II. Remnants of the Medieval Louvre fortress are visible in the basement o ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Champs-Élysées
The Avenue des Champs-Élysées (, ; ) is an avenue in the 8th arrondissement of Paris, France, long and wide, running between the Place de la Concorde in the east and the Place Charles de Gaulle in the west, where the Arc de Triomphe is located. It is known for its theatres, cafés and luxury shops, as the finish of the Tour de France cycling race, as well as for its annual Bastille Day military parade. The name is French for the Elysian Fields, the place for dead heroes in Greek mythology. It is commonly regarded as the "most beautiful avenue in the whole world". Description The avenue runs for through the 8th arrondissement in northwestern Paris, from the Place de la Concorde in the east, with the Obelisk of Luxor, to the Place Charles de Gaulle (formerly the ''Place de l'Étoile'') in the west, location of the Arc de Triomphe. The Champs-Élysées forms part of the ''Axe historique''. The lower part of the Champs-Élysées, from the Place de la Concorde to the Ron ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Rococo
Rococo (, also ), less commonly Roccoco or Late Baroque, is an exceptionally ornamental and theatrical style of architecture, art and decoration which combines asymmetry, scrolling curves, gilding, white and pastel colours, sculpted moulding, and ''trompe-l'œil'' frescoes to create surprise and the illusion of motion and drama. It is often described as the final expression of the Baroque movement. The Rococo style began in France in the 1730s as a reaction against the more formal and geometric Louis XIV style. It was known as the "style Rocaille", or "Rocaille style". It soon spread to other parts of Europe, particularly northern Italy, Austria, southern Germany, Central Europe and Russia. It also came to influence the other arts, particularly sculpture, furniture, silverware, glassware, painting, music, and theatre. Although originally a secular style primarily used for interiors of private residences, the Rococo had a spiritual aspect to it which led to its widespread use in ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |