Jacques-François Delyen
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Jacques-François Delyen
Jacques-François Delyen (born July 25, 1684) was a 17th-century French painter, specializing in portraits. Life Delyen was born in Ghent. As an apprentice of Nicolas de Largillierre from 1710 to 1715. He was influenced by his works and style. In 1725, Deylen was admitted to the Académie royale de peinture et de sculpture (''Royal Academy of Painting and Sculpture'') based on his Academy pieces and his portraits of Nicolas Bertin and Guillaume Coustou Guillaume Coustou the Elder (29 November 1677, Lyon – 22 February 1746, Paris) was a French sculptor of the Baroque and Louis XIV style. He was a royal sculptor for Louis XIV and Louis XV and became Director of the Royal Academy of Paintin .... He exhibited his works regularly in the Academy between 1737 and 1747, before his demise in Paris on March 3, 1761. His 'Portrait dit de Jean de Paty de Rayet, seigneur du Rayé' was auctioned in 2014 for $7,607. Selected works Self-portraits *c. 1710–1715, Zurich, coll. Rau ...
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N%C3%AEmes,Beaux Arts178Delyen Jacques,autoportrait
N, or n, is the fourteenth letter in the Latin alphabet, used in the modern English alphabet, the alphabets of other western European languages and others worldwide. Its name in English is ''en'' (pronounced ), plural ''ens''. History One of the most common hieroglyphs, snake, was used in Egyptian writing to stand for a sound like the English , because the Egyptian word for "snake" was ''djet''. It is speculated by many that Semitic people working in Egypt adapted hieroglyphics to create the first alphabet, and that they used the same snake symbol to represent N, because their word for "snake" may have begun with that sound. However, the name for the letter in the Phoenician, Hebrew, Aramaic and Arabic alphabets is ''nun'', which means "fish" in some of these languages. The sound value of the letter was —as in Greek, Etruscan, Latin and modern languages. Use in writing systems represents a dental or alveolar nasal in virtually all languages that use the Latin alp ...
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Ghent
Ghent ( nl, Gent ; french: Gand ; traditional English: Gaunt) is a city and a municipality in the Flemish Region of Belgium. It is the capital and largest city of the East Flanders province, and the third largest in the country, exceeded in size only by Brussels and Antwerp. It is a port and university city. The city originally started as a settlement at the confluence of the Rivers Scheldt and Leie and in the Late Middle Ages became one of the largest and richest cities of northern Europe, with some 50,000 people in 1300. The municipality comprises the city of Ghent proper and the surrounding suburbs of Afsnee, Desteldonk, Drongen, Gentbrugge, Ledeberg, Mariakerke, Mendonk, Oostakker, Sint-Amandsberg, Sint-Denijs-Westrem, Sint-Kruis-Winkel, Wondelgem and Zwijnaarde. With 262,219 inhabitants at the beginning of 2019, Ghent is Belgium's second largest municipality by number of inhabitants. The metropolitan area, including the outer commuter zone, covers an area of and had ...
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Nicolas De Largillierre
Nicolas or Nicolás may refer to: People Given name * Nicolas (given name) Mononym * Nicolas (footballer, born 1999), Brazilian footballer * Nicolas (footballer, born 2000), Brazilian footballer Surname Nicolas * Dafydd Nicolas (c.1705–1774), Welsh poet * Jean Nicolas (1913–1978), French international football player * Nicholas Harris Nicolas (1799–1848), English antiquary * Paul Nicolas (1899–1959), French international football player * Robert Nicolas (1595–1667), English politician Nicolás * Adolfo Nicolás (1936–2020), Superior General of the Society of Jesus * Eduardo Nicolás (born 1972), Spanish former professional tennis player Other uses * Nicolas (wine retailer), a French chain of wine retailers * ''Le Petit Nicolas'', a series of children's books by René Goscinny See also * San Nicolás (other) * Nicholas (other) * Nicola (other) * Nikola Nikola () is a given name which, like Nicholas, is a version of the Greek ''Nikolaos ...
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Académie Royale De Peinture Et De Sculpture
The Académie Royale de Peinture et de Sculpture (; en, "Royal Academy of Painting and Sculpture") was founded in 1648 in Paris, France. It was the premier art institution of France during the latter part of the Ancien Régime until it was abolished in 1793 during the French Revolution. It included most of the important painters and sculptors, maintained almost total control of teaching and exhibitions, and afforded its members preference in royal commissions. Founding In the 1640s, France's artistic life was still based on the medieval system of guilds like the Académie de Saint-Luc which had a tight grip on the professional lives of artists and artisans alike. Some artists had managed to get exemptions but these were based on favoritism rather than merit. A few "superior men" who were "real artists", suffered and felt humiliated under this system. In view of increasing pressure by the Parisian guilds for painters and sculptors to submit to their control, the young but alre ...
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Nicolas Bertin (1667-1736)
Nicolas Bertin (1667 in Paris – 1736) was a French painter. A student of Jean Jouvenet, Vernansal the elder and Louis Boullongne, he won the prix de Rome in 1685 for ''"Construction of Noah's ark"''. He was admitted to the Académie royale de peinture et de sculpture in 1703. Works *''Saint Philip baptising the eunuch of Candace'', 1718 (Louvre) *''Hercules delivering Prometheus''. *''Construction of Noah's ark'', 1685 *''The Stoning of St Stephen'', ( Musée Henri Dupuis Saint-Omer) *''Moses and the daughters of Jethro'', (Musée Henri Dupuis Saint-Omer) *''Moses and the daughters of Jethro'', (Musée Lambinet Versailles) (2iem version) *''Prometheus delivered by Hercules'', 1703, (Louvre) *''Bacchanalia'', 1710–1720, (National Museum in Warsaw) *''The Resurrection of Lazarus'', 1720 (Musée Lambinet Versailles) *''Phaeton driving the sun-chariot'' (Phaéton on the Chariot of Apollo), c. 1720, (Louvre) *''Vertumnus and Pomona'', (decoration) (musée national du château ...
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Guillaume Coustou
Guillaume Coustou the Elder (29 November 1677, Lyon – 22 February 1746, Paris) was a French sculptor of the Baroque and Louis XIV style. He was a royal sculptor for Louis XIV and Louis XV and became Director of the Royal Academy of Painting and Sculpture in 1735. He is best known for his monumental statues of horses made for the Chateau of Marly, whose replicas now stand in the Place de la Concorde in Paris. Life Coustou was a member of a family of famous sculptors; his uncle, Antoine Coysevox, was a royal sculptor; his elder brother, Nicolas Coustou was a sculptor, and his son Guillaume Coustou the Younger also become a noted royal sculptor. Like his older brother, he won the (Prix de Rome) of the Royal Academy which entitled him to study for four years at the French Academy in Rome. However, he refused to accept the discipline of the Academy, gave up his studies, set out to make his own career as an artist. He worked for a time in the atelier of the painter Pierre Legro ...
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Nîmes
Nîmes ( , ; oc, Nimes ; Latin: ''Nemausus'') is the prefecture of the Gard department in the Occitanie region of Southern France. Located between the Mediterranean Sea and Cévennes, the commune of Nîmes has an estimated population of 148,561 (2019). Dubbed the most Roman city outside Italy, Nîmes has a rich history dating back to the Roman Empire when the city had a population of 50,000–60,000 and was the regional capital. Several famous monuments are in Nîmes, such as the Arena of Nîmes and the Maison Carrée. Because of this, Nîmes is often referred to as the " French Rome". Origins Nimes is situated where the alluvial plain of the Vistrenque River abuts the hills of Mont Duplan to the northeast, Montaury to the southwest, and to the west Mt. Cavalier and the knoll of Canteduc. Its name appears in inscriptions in Gaulish as ''dede matrebo Namausikabo'' ("he has given to the mothers of Nîmes") and "''toutios Namausatis''" ("citizen of Nîmes"). Nemausus was the ...
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Musée Des Beaux-arts De Nîmes
The Musée des Beaux-Arts de Nîmes () is the fine arts museum of Nîmes. Site It was founded in 1821 and originally housed in the Maison Carrée. Since 1907 it has been housed in a building designed by the architect Max Raphel in Square de la Mandragore on rue de la Cité Foulc. The Maison Carrée soon became too small and an architectural competition was organised in 1902 for a new building. This was won by Max Raphel and work began in 1903, being completed in 1907. It was renovated by the architect Jean-Michel Wilmotte in 1987 Collections The original collection was gathered from private collections in 1824 and was mainly made up of Roman antiquities, old master paintings and modern paintings. It was later enriched by legacies such as those of Robert Gower in 1869 and of Charles Tur in 1948 and gifts by professional and amateur artists. The collection now includes 3,600 works. In a lower 3-room gallery are Italian paintings by Jacopo Bassano (1515–1592), Lelio Orsi (1511–1 ...
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Jean-Georges Wille
Johann Georg Wille, or Jean Georges Wille (5 November 1715, near Biebertal - 5 April 1808, Paris) was a German-born copper engraver, who spent most of his life in France. He also worked as an art dealer. Life and work He was the eldest of seven children born to the miller, Johann Philipp Wille, and his wife, Anna Elisabeth née Zimmermann. He showed an early interest in art; drawing birds and the faces of his classmates. He also copied the illustrations from his father's Bible. Initially, he studied mathematics in Giessen, with the intent of attending a university, but his interest in art prevailed and he began taking lessons from a local portrait painter. This proved to be unsuccessful, so he learned engraving instead and worked for a gunsmith, who taught him how to decorate hunting rifles. In 1736, he began his traditional journeyman years, wandering through Frankfurt am Main, Worms and Straßburg, among many others, on his way to Paris. During his trip, he met the engraver, ...
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Musée Des Beaux-arts De Nîmes
The Musée des Beaux-Arts de Nîmes () is the fine arts museum of Nîmes. Site It was founded in 1821 and originally housed in the Maison Carrée. Since 1907 it has been housed in a building designed by the architect Max Raphel in Square de la Mandragore on rue de la Cité Foulc. The Maison Carrée soon became too small and an architectural competition was organised in 1902 for a new building. This was won by Max Raphel and work began in 1903, being completed in 1907. It was renovated by the architect Jean-Michel Wilmotte in 1987 Collections The original collection was gathered from private collections in 1824 and was mainly made up of Roman antiquities, old master paintings and modern paintings. It was later enriched by legacies such as those of Robert Gower in 1869 and of Charles Tur in 1948 and gifts by professional and amateur artists. The collection now includes 3,600 works. In a lower 3-room gallery are Italian paintings by Jacopo Bassano (1515–1592), Lelio Orsi (1511–1 ...
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Artists From Ghent
An artist is a person engaged in an activity related to creating art, practicing the arts, or demonstrating an art. The common usage in both everyday speech and academic discourse refers to a practitioner in the visual arts only. However, the term is also often used in the entertainment business, especially in a business context, for musicians and other performers (although less often for actors). "Artiste" (French for artist) is a variant used in English in this context, but this use has become rare. Use of the term "artist" to describe writers is valid, but less common, and mostly restricted to contexts like used in criticism. Dictionary definitions The ''Oxford English Dictionary'' defines the older broad meanings of the term "artist": * A learned person or Master of Arts. * One who pursues a practical science, traditionally medicine, astrology, alchemy, chemistry. * A follower of a pursuit in which skill comes by study or practice. * A follower of a manual art, such a ...
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18th-century French Painters
The 18th century lasted from January 1, 1701 ( MDCCI) to December 31, 1800 ( MDCCC). During the 18th century, elements of Enlightenment thinking culminated in the American, French, and Haitian Revolutions. During the century, slave trading and human trafficking expanded across the shores of the Atlantic, while declining in Russia, China, and Korea. Revolutions began to challenge the legitimacy of monarchical and aristocratic power structures, including the structures and beliefs that supported slavery. The Industrial Revolution began during mid-century, leading to radical changes in human society and the environment. Western historians have occasionally defined the 18th century otherwise for the purposes of their work. For example, the "short" 18th century may be defined as 1715–1789, denoting the period of time between the death of Louis XIV of France and the start of the French Revolution, with an emphasis on directly interconnected events. To historians who expand ...
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